Serial killers have been stalking lots of TV series in one way or another for decades now. They play a sort of “boogeyman” to all sorts of various procedural shows and even turn up in regular old dramas from time to time. It wouldn’t surprise me if one day to lift sagging ratings that one might show up in a series like Modern Family. I jest, but it’s true that they’re all over modern TV yet there’s never really been a TV series to address where serial killers come from — that was until Mindhunter on Netflix.
Here, FBI agents Holden Ford (Jonathan Groff), Bill Trench (Holt McCallany) and professor Wendy Carr (Anna Torv) stumble upon the science of profiling active serial killers by interviewing jailed ones in prison. Back in the late 1970s when Mindhunter takes place everyone knew serial killers existed, but no one had taken the time to figure out how to find them. Then, the FBI was setup to take down bank robbers, not men who murder others for seemingly no reason. Enter Ford, Trench and Carr who spend the series trying to come up with ways of figuring out why serial killers are the way they are and if there’s any way to stop them in the future.
That’s why I think Mindhunter works so well as a series. The show isn’t about the FBI tracking down serial killers — that’s been done many times before on many other shows. Mindhunter is the thinking person’s CSI where the characters aren’t gunning down suspects, they interviewing and probing convicts to find out how they tick to try and develop a science as it were in order to be able to put together an intelligent profile of the killers to be able to catch them before they’re able to murder again.
Better Call Saul
Three seasons in and Better Call Saul is still one of the best things on TV — as of right now it’s the only reason to watch AMC. I’m constantly astounded at the quality of the writing, acting, directing, set design … well, everything about this show.
The third season of Better Call Saul finds lead character Jimmy McGill’s (Bob Odenkirk) life slowly imploding around him as important people in his world turn their backs on him while his law practice goes up in flames leaving him with very few options for a future where he’s got next to no money coming in with the bills still piling up.
GLOW
Another Netflix series, GLOW takes place in the 1980s at the heart of a real burgeoning women’s wrestling TV series called the Gorgeous Ladies of Wrestling — or GLOW. What, you don’t remember women’s wrestling in the 1980s!? The good thing is with Netflix’s GLOW you don’t have to as this show isn’t so much about the wrestling as it is about all of the women and men who went in to make GLOW a reality. Like Ruth Wilder (Alison Brie), an actress who can’t land a part to save her life where GLOW represents a last chance for her to be in the entertainment industry.
I think what works best about GLOW are the characters like Ruth — they’re all different and they all want different things out of their experiences with GLOW. Sometimes what they want goes together and sometimes what they want doesn’t.
Stranger Things
The second season of the bonafide pop-cultural phenomena Stranger Things debuted on Netflix a few months back and was easily the series the most people I knew were excited about returning. Stranger Things is a show that cuts across different demographics — I know 50 year olds who watch the show along with 10 year olds. It’s not necessarily a family show but is a show I think families can watch together. As long as those families don’t have kids who are too little and might be frightened of terrifying things that go bump in the night.
The Orville
I can’t say I was much looking forward to The Orville when I first heard about it last summer. A live-action sci-fi show from animated series impresario Seth McFarlane who seems to reveal in being controversial? And the first TV spots for The Orville sold the show as a sort of TV version of Galaxy Quest where the crew of the ship are buffoons.
But even watching a single episode of The Orville it’s plainly obvious that the series has got nothing to do with Galaxy Quest. In fact, The Orville might be the show that’s closest to the true spirit of the original Star Trek since, well, the original Star Trek.
The Punisher
Netflix really “hit one out of the park” with their latest Marvel series The Punisher. Like I’ve said before the character of The Punisher is one of my favs, so I suppose I’m predisposed to like this show. But I didn’t just likeThe Punisher, I lovedThe Punisher. It’s certainly one of my favorite series based on comic books ever, and is certainly my favorite Netflix superhero show.
Legion
I’ve never really been a fan of comic book TV shows. They tend to put the story ahead of the characters when to me it should be just the other way around. That’s why I loved the FX series Legion so much. There were parts of that show that literally take place inside of characters heads in this weird mental space where I had no idea of what was going on. Yet the characters of Legion are so strong I would, and did, follow them almost anywhere.
The Expanse
I know SyFy has been trying to turn their image around for years now. And while the quality of most of SyFy’s shows are questionable at best — as I write this SyFy.com which is a website that’s ostensively there to promote SyFy’s TV shows instead has articles about Stranger Things and Thor Ragnarok on its homepage, neither of which appear on SyFy — there’s one bright spot on the bleak thing that SyFy has become which is the TV series The Expanse. One of the best, if not only, hard-sci-fi series on TV these days, in its second season The Expanse continued to improve and tell quality stories about life in the future where humanity, on the brink of extinction, is still squabbling over trivial matters.
There are so many superhero series debuting this TV season there’s almost too many to cover here. In fact, there are at least eight new live-action superhero shows debuting this season which will bring the number currently airing to more than 25 based on comic books.
Inhumans
What was originally set to be a series of Marvel films has now become a TV series with Inhumans on ABC. I never really collected any Inhumans comics so I don’t really know the core Inhumans story. I do know that the show will be the third Marvel series to debut on ABC with Agents of SHIELD entering its fifth season and Agent Carter being cancelled after two. I wasn’t a fan of Agents of SHIELD nor of Agent Carter but will still checkout Inhumans, if with a bit of trepidation.
What I do know about The Inhumans, and what I could glean from ABC’s marketing materials, has them as a race of super-powered people living in a hidden city on the Moon with the likes of Black Bolt who’s voice is so powerful it can destroy entire cities and Medusa with living hair. In the series, a coup on the Moon forces this ruling family down to the Earth to face life among us mere mortals and the rest of the Marvel universe characters.
The Gifted
The Gifted on FOX looks to take the X-Men franchise TV screens with a series about a family on the run after they learn that two of their kids are mutants with super-powers. Some X-Men characters are set to appear in the series but don’t expect Wolverine, Cyclops or Jean Grey to show up in The Gifted. Instead the likes of Polaris, Thunderbird and Blink will be the muties helping the family on the run.
Krypton
Syfy enters the superhero TV game with their series Krypton about life on Superman’s alien home-world decades before his birth. But like with The Gifted don’t expect the Man of Steel to swoop in during sweeps week to boost ratings on the show as Krypton follows Superman’s granddad Seg-El as a spry 20-something living and working on Krypton before the planet went and got all explody.
The Punisher
The Punisher, on Netflix, follows the character of the same name who originally began as an ally/antagonist on the series Daredevil before being spun-off onto his own show. Not much is known about The Punisher other than to expect to see him eliminating as many bad-guys as he can in 13 episodes.
Runaways
The Hulu series Runaways sounds interesting, but reports from the creators of the show make me wonder if it’ll be as interesting as I first thought? The comic series Runaways is about a group of teens who discover that a) they all have superpowers because b) their parents are all major super-villains who run a west coast crime empire. But the creators of the Hulu version have said that the series will be “the O.C. of the Marvel Universe” and that just because the parents are super-villains who quite literally sacrifice people, “that doesn’t necessarily mean they’re all that bad.” Ugh, ugh, and double ugh.
Black Lightning
Black Lightning will join the CW stable of established DC characters like Arrow, Supergirl and The Flash this season with the title character who can harness electricity and must return to the superhero fold years after retiring.
Freeform, the old ABC Family, is set to debut two new superhero series next season with New Warriors and Cloak and Dagger.
New Warriors
When I was a teen New Warriors, a comic about a team a sort of teenaged X-Men, was one of my favorites. But this TV New Warriors isn’t an action series, it’s reportedly a half-hour comedy starring a character named Squirrel Girl, who’s, admittedly, really popular with the younger set these days.
Cloak and Dagger
In the comic Cloak and Dagger Cloak was a character of darkness and Dagger of light who were a team called, you guessed it, Cloak and Dagger. From the looks of it, the TV version retains the characters and their powers, but looks to be more Twilight, “they’re from two different worlds but are in love,” than X-Men “let’s kick Magneto’s butt” in tone.
Non-comic book series
I can’t tell you how weird it feels to write that. Literally a few years ago there weren’t any series based on comic books, now there’s so many I can’t even keep track. But even though there’s quite a few new superhero TV series to look forward to this season, there are a few non-superpowered shows debuting 2017–18 as well.
The Crossing
The Crossing on ABC has a small town becoming inundated when hundreds of bodies begin washing ashore from some disaster. But this disaster is something that’s going to happen in the future and these people are really refugees escaping to their past, our present, to find safety. The Crossing is a show I’m interested in as long as it doesn’t turn out to be another Lost where the goal is to spread the mystery of it out over as many seasons and episodes as possible rather than telling a coherent story.
Even The Crossing seems to have somewhat of a superhero element to it with some of the characters from the future possessing strange abilities far beyond that of mere mortal men.
There are a few interesting looking non-superhero series on FOX this season, the first of which is The Orville.
The Orville
The Orville created by and starring Seth McFarlane of Family Guy fame is a live action comedic take on Star Trek. From the looks of things, The Orville is a sort of TV version of Galaxy Quest if the characters on Galaxy Quest were really the bumbling crew of a starship and not Hollywood actors playing them. I think The Orville is a great idea for a series, if I don’t think I laughed once at the promo that was released for the show a few months back.
Ghosted
If The Orville is a take on the movie Galaxy Quest then Ghosted also on FOX seems to be a take on the movie Ghostbusters. This time, instead of four scientists working together to bust ghosts, it’s, according to FOX, a skeptic (Craig Robinson) and true believer (Adam Scott) who’re the ones having to go around and do the busting as it were.
LA > Vegas
LA > Vegas has the most unique sitcom setting I can think of over the last few years. The show takes place aboard an airliner that makes a weekly round-trip between LA and Las Vegas with there being some regular characters of LA > Vegas including jet’s crew and people who travel to Vegas every week as well as new passengers each episode on a trip to lose money in the desert.
S.W.A.T.
The S.W.A.T. franchise has had a surprisingly long history. The original TV series of the same name debuted in 1975 with a feature film version in 2003 and a low-budget sequel released in 2011. And now comes a new S.W.A.T. TV series on CBS that’s set to premiere later this fall. CBS dramas aren’t known for their subtly and the promo for S.W.A.T. isn’t subtle with S.W.A.T police officers having gun battles in the streets one minute, smooching with their wives in the shower the next to dodging bazooka blasts a later that evening.
Star Trek: Discovery
Star Trek: Discovery also on CBS has the most interesting path to series of any show in memory. This series has been around so long that I originally wrote about it in my 2016 TV preview. Star Trek: Discovery was supposed to premiere January 2017 but was then pushed back to May after execs realized that there was no way the series would be ready to air last winter. Then, a few months into 2017, they also realized that a May debut wasn’t going to happen either so the series was once again pushed back to September 24. Which looks like it’s going to happen since there’s been quite a bit of marketing released on the series including things like posters and online promos for the show.
But wait, there’s more.
Only one episode of Star Trek: Discovery will be shown on CBS with the remainder of the episodes then debuting over the next few weeks on the CBS All Access streaming service for residents in the US and Netflix for most of the rest of the world. Which seems like a bit of a misstep to me. I think CBS is eying fans of Star Trek and are just assuming they’re going to shell out $6 a month to watch Star Trek: Discovery because it’s Star Trek and fans of Star Trek will pay any amount of money to see anything labelled Star Trek. Now, I’m a fan of the Star Trek but I think most of what CBS offers is pure mung and can’t imagine shelling out $6 a month just to watch Star Trek: Discovery when there’s so many other things to watch on TV, especially around the time Star Trek: Discovery is premiering.
Here’s what I could see doing, though.
If that first episode of Star Trek: Discovery that airs on CBS is good, if it’s intriguing enough for me to want to checkout the rest of the episodes — all of which is debatable since though I consider myself a fan of Star Trek none-the-less I really haven’t liked anything Star Trek since the late 1990s. If Star Trek: Discovery is interesting enough what I may do is wait until all the episodes are available on CBS All Access since they’re not all being released at once but instead over the course of a few months. And when they’re all available get CBS All Access for a month, binge them and then cancel my subscription.
But like I said that’s debatable. Star Trek: Discovery will have to be really good for me to want to do that and everything I’ve read about the show, from original series helmer Bryan Fuller exiting the series to CBS changing the look of Star Trek: Discovery from retro-Trek to something more futuristic makes me doubt that I’ll be in a big rush to checkout the rest of the series after it debuts in September.
Returning series
Because of the weird nature of TV I’m not quite sure what all current series are returning and when? Like both the series Legion and Westworld aired episodes in early 2017, but are only scheduled to return “sometime” in 2018, which might mean they’ll return in a few months or in more than a year. While there might not be a load of returning shows I’m interested in this season, those that are returning are really good and I don’t think I could be more excited about new episodes if I tried.
The Good Place
One show that is scheduled to return fairly soon is The Good Place on September 20. This NBC comedy about a woman (Kristen Bell) who dies and wakes in “the good place” but really was supposed to go to the bad one was the one new network show from last season that I liked that’s still around for a season two. I was surprised as to just how much a slow-burn The Good Place was, with each episode acting as a single chapter in a season-long story. My initial thoughts on the show was that it might be the most disturbing thing on TV since in the universe of the The Good Place 99.999% of everyone who dies goes to “the bad place,” and it’s only the supremely good among us that end up in “the good place.” So even the best of us are doomed. And in the show if Bell’s character is ever found out what happens to her? Does she get a one-way ticked to hell? I liked The Good Place enough to stick with it until the end, when a twist I saw coming from the very first episode hit that I was still surprised by made me change The Good Place from a show I liked to one I adored.
Stranger Things
The 2016 breakout TV series that I think surprised everyone, including myself, as to how good it was Stranger Things returns to Netflix for a second season October 27. Stranger Things is a show about the 1980s but isn’t about the 1980s, it just so happens to take place there and is this weird, cool mesh of horror and sci-fi I really wasn’t expecting when I first started watching it last summer. Stranger Things stars a mostly pre-teen/teen cast of actors who, after one of the group goes missing and a girl mysteriously appears out of nowhere, must go on a quest to rescue their friend. But be it starring kids and teens or not, the danger and violence of the first season of Stranger Things was palpable with characters being shot, consumed by monsters and cocooned alive to wait out a fate worse than death. I don’t want to say that the first season of Stranger Things was a perfect show, but it might be about the most perfect show fans of horror/sci-fi these days can hope for.
Black Mirror
This surprisingly long-lasting British anthology horror/sci-fi series returns for a fourth season on Netflix this year. It’s easiest to describe this series as a modern day The Twilight Zone, but it’s really its own thing. Generally, episodes of Black Mirror take place in a few years time and deal with our everyday technology gone amok. Be it a society that runs on social media “likes” or soldiers with computers in their heads doing battle with mutant people who turn out to be a little less “mutant” and a lot more “people.” Where Black Mirror excels is at this everyday horror aspect to our lives, it’s the answer to the question, “Do we control our technology, or does it control us?”
And now for the ones that return sometime in 2018.
The Expanse
The Expanse on SyFy channel remains the lone holdout on a network that’s supposed to be for fans of sci-fi that actually is a quality sci-fi show. Two seasons in and I’m surprised as to just how well The Expanse has progressed. What started as a sort’a conspiracy thriller set in deep space with the search for a missing woman has grown exponentially into a war spanning the entire solar system with a group of characters spread out between the Earth, Mars, the asteroid belt, Jupiter and now Venus. I think what I like most about The Expanse is that while the show has grown in scope, the focus has remained on most of the same characters from the first season with a few additions here and there. So while a similar series like Game of Thrones has grown to the point of being unable to contain its story in a single episode, The Expanse has remained grounded and feels much like the same show when it started while the bounds of the story had been let to expand.
Legion
Legion might be the most trippy series on TV — and one of the best. It’s a superhero show but is nothing like a traditional superhero show since the focus of Legion is on character’s mental states rather than who can punch the villain hardest. I’m not sure the construction of the first season of Legion is like any other series out there. Legion starts out with David Haller (Dan Stevens) living his life inside a mental institution who has these weird memories of his childhood. It seems like David can do these strange things, or maybe he just imagines that he can. As the series progresses we go in and out of David’s, as well as other character’s minds, to the point where we’re really not sure what’s real and what’s not. But in the universe that is Legion what’s real and what is not is not as important as what the characters believe is real or not.
Westworld
To me at least, this year wasn’t a great one for original series on HBO. I’m not sure if I’m just aging out of the core HBO demographic, but in 2017 the only show I really cared about there was Westworld, and much like with The Good Place I didn’t think it was going to be very good when I first heard about it. I mean, how could it be? Westworld was delayed ages because of “script problems” and was based on a decades old movie about rich people who visit a theme park where they can do whatever they want to the robotic inhabitants there. And I mean whatever they want. But instead of simply following the model of the movie, the creators of the Westworld TV show also made its focus on the robotic characters of the park in addition to the wealthy visitors. These robots are doomed to unknowingly live the same day over and over again, on a loop with the park’s patrons treating them like toys to be shot or raped or murdered. The question of the Westworld series is, what happens if these robots start realizing their lives aren’t their own and want to claim them back?
The X-Files
An eleventh season of The X-Files is slated to debut in 2018 on Fox even with the 2016 tenth season having the fans divided. Some thought that because episodes of the new The X-Files were essentially a continuation of the old, and were told in the same anachronistic 1990s fashion, the new episodes were no good when put up against other modern series. While others, myself included, thought that when people were screaming that they wanted more The X-Files, and when more episodes of The X-Files arrived on their TV screens, what did they think they were exactly going to get?
Better Call Saul
The AMC series that started off as just a prequel to the hit series Breaking Bad but over the years has evolved into something so much more Better Call Saul usually returns in the first quarter of the year. The last two years I’ve called Better Call Saul the best series on TV and so far in 2017 it’s still the best. This series has some of the best characters out there, be it sack-sack Jimmy (Bob Odenkirk) who in the third season is well on his way to becoming Saul Goodman, Mike Ehrmantraut (Jonathan Banks), Jimmy’s not yet right hand man who turned to the dark side last season and Kim Wexler (Rhea Seehorn), a woman who’d seemingly have it all together and a great life as a lawyer except she’s fallen into Jimmy’s orbit and ends up literally crashing and burning this season.
Fargo doesn’t seem like it’s a TV series that originates from the US. Though the third season of Fargo stared last week on FX, it’s really not a third season in the traditional sense of a regular show that would be continuing with stories and characters from the first two seasons. In Fargo, each season has a completely different story from what’s come before with a brand new cast.
And since the characters change season to season it means that in Fargo there can be unexpected twists with major characters being unexpectedly knocked off in any episode. If anything, Fargo feels like a series out of the UK that isn’t beholden to the “rules” of US TV but which makes for some interesting TV.
But there in lies the rub in reviewing Fargo; interesting or not each season is like a brand new show without the continuation of the story from previous years. And since a season of Fargo plays out like one continuous story from first episode to last, early episodes can drag a bit as story is being setup and characters introduced.
That being said, the first two seasons of Fargo were wonderful, so I’ll take that into consideration with this new third installment.
The first season of Fargo was set in 2006 and was kind’a sort’a a TV version of the 1996 Fargo film. The TV series followed many of the same plot-points of the movie and had many of the same character types, but in the end played out differently. The second season took place in the late 1970s and had a few characters from the first season carryover as younger versions, but that was really the only link with the first season. And now this third installment takes place after both the previous seasons in 2010 and doesn’t seem to have any ties with what’s come before.
Each season of Fargo seems to focus on a character, or set of characters, who make the worst decision(s) of their lives and spend the rest of the season trying to cover their tracks and shift the blame to someone else. Or, worst of all, the characters around the doer of the deed end up paying the ramifications for someone else’s bad decision.
And the third installment of Fargo is no different. This time, parking-lot magnate Emmit Stussy (Ewan McGregor) makes a deal with some shady figures for a short-term loan that has some seriously long-term strings attached and down on his luck twin brother Ray (also McGregor) thinks that a stamp Emmit has belongs to him and sends someone to Emmit’s house to steal it back. Except he goes to the wrong house where very bad things happen throwing police officer Gloria Burgle (Carrie Coon) into the mix.
Slow to start or not, one episode in and Fargo has me hooked and I can’t wait to see where it goes.
The Expanse – Season 2 Grade: A
We might live in a time of a lot of great sci-fi on TV, but ironically not much of this TV is traditional sci-fi in nature. What’s “traditional sci-fi?” Well, that would be people living and working in space in some far-off future. Think Star Trek or Battlestar Galactica. Most TV sci-fi nowadays is super-hero in nature, or stories that take place in the near-future like Legion or Westworld. One series that I think fits in squarely in the realm of “traditional sci-fi” is the series The Expanse and just so happens to be one of the great series of 2017.
I think the main theme of the second season of The Expanse is of mankind trying to control the uncontrollable — which we have a tendency to do. Much of the story this year dealt with the three main factions of people living in the several hundreds of years in the future in The Expanse; those from the Earth, those from Mars and those living in the “belt” on asteroids, who are all simultaneously trying to stop what’s known as the Protomolecule discovered in the first season from destroying all life in the solar system while at the same time trying to get a piece of it for themselves so they’ll be prepared if any of the other factions get it and try and use it on someone else.
It’s the classic, “we can control it even if we don’t think you can” scenario that’s played out time after time over the course of history.
And this Protomolecule is dangerous. In the first season a shadowy organization released it inside an asteroid station and this “thing” killed every living person there. Well, mostly killed in that it used all the living biomass to create a great glowing something that practically filled the station. A “something” that wanted to fly off and infect all of the Earth and create an even bigger biomass for unknown ends.
So it goes without saying that when even a piece of the Protomolecule is the most dangerous thing in the solar system everyone wants their piece of it.
Worst of all, with all these factions racing around the solar system trying to get their own sample the, until then, mostly stable political structure of the solar system is thrown into disarray. The Earth and Mars who have spent generations waging a cold war with one and other are now on the verge of a real one and the people living in the belt who’ve spend decades as third-class citizens have started to actively fight against Mars and Earth which causes more and more tension with every move they make.
The show that I think most closely matches The Expanse is the Battlestar Galactica reboot of a few years ago. Both shows are good at being mirrors to the real times that we live in. If Battlestar Galactica was about the fear of suicide bombings and of being attacked from the outside, then The Expanse is about what it’s like to live in a time when things we’d assumed were stable and unchanging suddenly shifting revealing a different, bleaker reality than the one we thought we were living in.
I feel like with The Expanse that with ever episode I think I’m seeing the big picture as to what’s all going on, until a few episodes later when something else happens I realize that I’ve only been seeing a tiny piece of a larger canvas.
Out this week is a hardcover collected edition of the second and third Dark Horse Aliens comic series from the late 1980s and early 1990s. The first of the collected series, which has become known as “Nightmare Asylum,” chronicles the loss of the Earth to the Alien baddies from the first series where Newt and Hicks must fight to escape a mad General and return to fight for the Earth. The third series known as “Female War” shows this battle on the Earth with Ripley having returned to the fold.
“Nightmare Asylum” was illustrated via airbrush by Den Beauvais and to me is the best looking comic series ever and “Female War” by a young Sam Keith who was just coming off his influential run on the then new Sandman and would later go on to create the The Maxx character is pretty spectacular too.
Long before Alien3 was even a glint in director David Fincher’s eye, Dark Horse Comics was already crafting a terrifying post-Aliens continuity for Ripley, Hicks, and Newt. These are the original stories that took the comics market by storm in a prestige collection of the unabridged and unadulterated series. Collects Aliens: Nightmare Asylum #1–#4 and Aliens: Female War #1–#4.
This week in pop-culture history
1947: Jeffrey DeMunn of The Mist, The X-Files and Dale of The Walking Dead is born
1951: The Thing from Another World premiers in theaters
1955: Kate Mulgrew, Captain Jainway of Star Trek:Voyager is born
I won’t talk much about The Expanse on SyFy since I just published a feature-length article on the series a few weeks ago except to say that the second season, which premiered as two episodes back-to-back, kicks off with a bang right where the first ended. That season of The Expanse generally followed the first half of the book Leviathan Wakes with, I’m assuming, the second season covering the back-half of the book. Which should mean for some seriously good TV with ships zooming around the solar system, Mars and Earth at the brink of war along with an out of control city-sized asteroid with its sights set on the Earth.
Powerless – Episode 1 Grade B
Have we reached peak superhero yet? The creators of the new Powerless TV series sure hope we haven’t as they launch their new series on NBC that is “the first comedy series set in the DC universe.” Starring Vanessa Hudgens, Alan Tudyk and Danny Pudi, Powerless follows the staff of Wayne Security, yes it’s owned by Bruce Wayne, who try to invent products that will help the common person might someday be caught in the middle of a superhero battle with no place to go. Things like a device that alerts the wearer whenever villains are near or a suit that acts like an airbag when they’re about to be hit.
In many ways, Powerless seems like a cross between the series Better off Ted (2009–2010) that too was about the employees of a corporation trying to invent wild and wacky things along with the beginning of the comic series Kingdom Come (1996) that takes place in a world so overrun with superheroes and the battles that people aren’t even pawns in these “good guy” vs “bad guy” little wars, they’re completely ignored and expendable.
But whereas Kingdom Come was deep and brooding and Better off Ted wild and zany, Powerless is more of a mainstream comedy.
In Powerless, Emily Locke (Hudgens) arrives at her job at Wayne Security in Charm City from having grown up in a “flyover state” — or a place so insignificant the heroes literally flyover and ignore it. She’s got to lead her team of scientists and inventors to come up with something before Bruce Wayne shuts the company down. Which is pretty much a foregone conclusion since if they don’t succeed there wouldn’t be a Powerless series.
The first episode was a little light on comedy — I think I chuckled once or twice. But I think Powerless did have enough going for it and enough subtle insider DC humor, from “Shazam” to an interesting twist ending, that I can see myself sticking around with the series to see where it goes.
Santa Clarita Diet – Episode 1 Grade B
And speaking of Better off Ted — the new Netflix series Santa Clarita Diet, of which all episode are currently available to stream, was created by Victor Fresco who is also the creator of Better off Ted. Santa Clarita Diet follows married realtor couple Shelia and Joel, Drew Barrymore and Timothy Olyphant, who’s life take a turn for the weird when one day Shelia literally pukes her guts out during the showing of a home and apparently dies. Except that even without a heartbeat she still seems quite alive and mostly normal except for a few changes. For one thing Shelia’s gone from being slightly timid to more open and adventurous. Oh, and she has this need to eat raw meat and whenever she doesn’t feed that need bad things happen.
This isn’t The Walking Dead, there are no hoards of zombies threatening civilization as Shelia seems to be the only affected by this. In many ways, Santa Clarita Diet feels like a sitcom version of the serial-killer TV series Dexter. In that show, Dexter would only murder people who deserved it, a lot of times other serial killers. And In Santa Clarita Diet Shelia only wants to eat people who’ve done bad things.
Well, mostly bad things.
In the first episode the person she eats isn’t someone who’s killed or harmed anyone. He’s a dork who tries to have his way with Shelia and ends up, well, “feeding her need.”
Santa Clarita Diet joins a few other horror-comedy series like the successful Ash vs Evil Dead and the less-successful Stan Against Evil and on the whole Santa Clarita Diet is mostly successful. The first episode does wax and wane between feeling mostly real one minute to wild and wacky the next, which I’m not quite sure works just yet. I do give the series creators a lot of credit, though, for going for gore and gross-out humor in Santa Clarita Diet. They don’t shy away from thing like disgusting green vomit or showing the dismembered, twitching corpse of Shelia’a meal in the first episode.
And, much like with Powerless, I’m interested in seeing where Santa Clarita Diet goes and will be sticking with this one for at least a season or two.
Training Day – Episode 1 Grade D
The new CBS show Training Day is the latest movie turned series to turn up on TV this season joining the likes of Lethal Weapon, Frequency and the upcoming Time After Time. This Training Day is based on the 2001 Denzel Washington movie with Bill Paxton filling in as the corrupt cop Det. Frank Rourke with new officer Kyle Craig (Justin Cornwell) taking on the Ethan Hawke role from the film.
Essentially, the 2001 version follows relatively new officer, Hawke, being evaluated by a tough, grizzled street veteran cop played by Washington. Except that the grizzled cop is very dirty and when the new officer decides to expose the corruption he puts his life in danger. Early episodes of the series The Shield would borrow from the corrupt street cop Training Day plot before taking its own path for six seasons. Which makes me wonder about this new Training Day TV series, is there any new ground this show can cover? Especially being a CBS drama?
After the first episode at least it doesn’t seem that way. Training Day is basically a high octane version of The Shield with Craig leaping out of the window of an exploding apartment within the first sixty seconds of the show with a shootout on the streets of LA that’s reminiscent of the big shootout in the movie Heat (1995) abet smaller all within the first half. There’s also a few kidnappings and a house burned down that all happens in episode one.
I was really looking for something in Training Day to latch onto but, honestly, there just wasn’t much here. Paxton is interesting in his role but they make him a bit too Robin Hood in the first episode. Sure, he’s a corrupt cop who’ll shoot the bad guys and steal their money one minute, but it’s only because he’s trying to get them to stop targeting a kid who’ll end up getting the money in a trust fund when he turns 18. It’s like the creators of Training Day want there to be an edge to the Rourke character but do their best to make sure any edges are neatly sanded down.
It seems like the first season of Training Day will focus on the murder of Craig’s father when he was a boy and how Rourke, his father’s ex-partner, ties into it. But for me Training Day is a one and done show, so whatever happens in future episodes I won’t be there to see it.
Cool Sites
Made for TV Mayhem: A site that reviews 1970s and 1980s made for TV movies.