Bored with TV

Lately, I’ve been growing bored with TV series way too early. It’s like we live in this golden time of TV when there are all these crazy and amazing things to see nearly every night of the week … and all I can do is to watch a few episodes, at most, of a show that a few years ago I would have been hooked on and been a loyal viewer. But nowadays, if I get a bit bored with a show or it fails to connect directly to me within the first episode or two I’m as likely as not to give up on it as to stick with it a little while and see where it goes.

seaQuest DSV
seaQuest DSV

I didn’t used to be that way. I remember decades ago watching loads and loads and loads of bad TV since that was all that was on. Great series were the rarity and there might only be a few of them to air each year. I remember watching things like Evening Shade and seaQuest DSV, not because they were amazing, but because they were on. And I’m sure I could list dozens of similar shows like those that I watched each and every episode of because there weren’t many other options.

Back then I watched a lot TV series in syndication from past decades too. I ended up watching entire runs of shows like The Brady Bunch and Qunicy M.E. decades after they originally aired. Heck, I can remember a few summers where each morning my brother and myself would watch The Facts of Life then Quantum Leap each and every weekday as we worked through those shows.

Nowadays I don’t think I could do that. There are a lot of series that I’ve never seen like The Rockford Files or Baretta that are easy enough to watch on various streaming services. I’ve tried watching them but I just can’t get past the idea that each episode of dramas pre (say) 1993 are essentially the same episode over and over again where the characters never change throughout the run of the show that tell mostly the same story with subtle variations.

Quincy, M.E.
Quincy, M.E.

But I bet that if those two series had been in syndication the summers when I was a teen I would have watched every episode with great glee. It makes me wonder, have my tastes changed in the last 20 years so that now I’m a better connoisseur of dramas and comedies, or was I simply more adventurous and accepting of series than I am now?

It concerns me too just how fast I’ll lose interest on a show. It seems like I’ll give a show two or three seasons before I start getting bored by it and start looking for other new and exciting things. The Americans and Halt and Catch Fire are two shows that were some of my favorite things on TV the last few years, but for whatever reason I failed to connect with during their most recent seasons. I don’t think those series have started producing bad episodes or have started to go downhill, I suspect the problem lies with me and my attention span.

I wonder too what would happen today if a show like ER on NBC debuted today? Would I even watch it? ER was a influential show for me in that I started to see just how TV series could be something more than it had been. But today I think I’d take one look at something like ER and probably dismiss it out of hand without watching it.

The Facts of Life
The Facts of Life

It might be true that I have become less adventurous in what I chose to watch but it’s also true that with the current state of TV where literally new series are debuted on a weekly basis, many of which are quite good, I can afford to be this way. Does something like Six, The Mick or Channel Zero not immediately connect with me? Well, give up on it and move onto something else since there’ll be something new along next week.

And I suspect if any of those shows had premiered 10 years ago I’d have been hooked and they would have been some of my favorites.

I don’t necessarily think this is a completely terrible way to be since, let’s face it, while there might be lots of great series most TV produced today isn’t very good. But I do wonder whatever happened to the person I used to be that would take a chance on just about anything and see if it was any good or not?

Direct Beam Comms #71

TV

Better Call Saul Season 3 episode 1 Grade: A

Some people think that Better Call Saul is a pale imitation of Breaking Bad, of which the latter is a prequel. When these people watch Better Call Saul they don’t want Jimmy McGill (Bob Odenkirk), they want the guy Jimmy becomes in Breaking Bad; Saul Goodman. Except what I think these people are really getting at is that they’re not as much interested in a Better Call Saul TV series and aren’t willing to take that show on face value, what they really want more Breaking Bad.

Which I get, Breaking Bad is one of the most critically acclaimed and loved series of all-time except I’d like to point out one difference between Breaking Bad and Better Call SaulBetter Call Saul is the better series of the two.

Much like from the first to second and now second to third, this latest season of Better Call Saul kicks off right where the last season ended. With Jimmy having betrayed his brother Chuck (Michael McKeen) which ended up with Chuck in the ER and then Chuck turning the tables on Jimmy. And Mike Ehrmantraut* (Jonathan Banks) finding out that while he might be following and keeping tabs on the criminal element of Albuquerque, the criminal element is also keeping tabs on him.

I think this is all why Better Call Saul is better than Breaking Bad. I’ll admit that while Breaking Bad was a great series in its last few seasons, I honestly don’t think it was very good in its first few. I know I’m in the minority here, but I’ve tried watching that series from the start but could never get into it. That was until I started watching it from later on when the character of Saul Goodman was an integral part of the show. Then I liked Breaking Bad, a lot. But there’s the pesky fact that its first few seasons are just not that good, while Better Call Saul has been great right from the start.

I think a lot of that has to do that the creators of Breaking Bad having learned a lot of lessons from that series, especially what not to do, and applied them to Better Call Saul.

I find it ironic that Better Call Saul is a show with a lot of heart, from Jimmy trying and constantly failing to do right to his partner/girlfriend Kim (Rhea Seehorn) always trying to see the good in Jimmy and make him a better person. Even if in the end with the character of Saul and what he does/has done in Breaking Bad we know that’s a doomed task.

  • What’s not to love about his last name!?

Mystery Science Theater 3000 Season 12 episode 1 Grade: A-

It’s crazy to think about, but until last week the last new episode of MST3K aired nearly 18 years ago. What first started on a local TV station in Minneapolis in 1988, then moved over to the cable on The Comedy Channel which became Comedy Central before switching to The Sci-Fi Channel originally ended its initial run in 1999. I think most fans of the series, myself included, assumed that would mark the end of MST3K but a nearly $6 million dollar Kickstarter campaign in 2015 meant that there was now money to produce 14 brand new episodes of the classic series, which are now streaming on Netflix.

Jonah Ray and the bots

The classic MST3K is one of my seminal cultural touchstones, even if I only ever saw a handful of episodes when they originally aired. To me, MST3K is one of those shows that I keep coming back to year after year. And even though the sets and special effects of the show are cheesy, the spirit behind MST3K has been unmatched the last few decades. I think in the current era we live in when it’s very easy for filmmakers to make things look very slick, to have something like MST3K that at its core is about having things very raw and not slick at all is a bit of an anachronism. But it’s a good anachronism and is something that I adore.

This new MST3K is slightly updated with new faces like Jonah Ray in the lead as Jonah Heston as well as Felecia Day and Patton Oswalt now as the bad guys. But the bots are back and there are lots of familiar names working on the series behind the scenes so this new MST3K looks, feels and has the same tone as the classic series. There are the same cheesy hand-built sets, funny models and goofy inventions. But there are some updates too from Tom Servo sometimes flying around when they’re watching the movie and modern pop-culture references too. There’s a Walter White joke at one point.

The first Netflix MST3K episode takes on the dreadful Danish movie Reptilicus that I’d say was unwatchable in its original non-MST3K form. In fact the only thing that made the movie bearable was having it spoofed on MST3K.

Since all episodes are available and we can see what movies will be featured in upcoming episodes, my only wonder is that most of the movies that will be joked on are all at least 30 years old at this point? It’s not a complaint, just a wonder. Classic episodes of MST3K spoofed movies that were only a few years old at that point, it wasn’t all jokes being made about movies several decades old. I just wonder if getting the rights to even newer bad movies is more difficult that getting the rights to older, bad movies?

I’m Dying Up Here TV spot

https://www.youtube.com/watch?v=6kye0QwGX9E

Comics

Vigilante by Marv Wolfman Vol. 1

This edition collects the first 11 issues of the classic 1980s Vigilante series written by Mary Wolfman and illustrated by Keith Pollard. The 1980s Vigilante is DC’s kind’a sort’a answer to Marvel’s the Punisher, except whereas the Punisher doesn’t wear a disguise and goes after any criminals, Vigilante is masked and is a district attorney by day Adrian Chase who goes after the criminals he sees escape justice at the courthouse at night. From Amazon:

As a district attorney for New York City, Adrian Chase used the legal system to keep the streets safe. But when it came to protecting his own family, that system failed him. After losing his wife and children in a failed assassination attempt, Chase makes the fateful decision to take justice into his own hands!

Concealed beneath a featureless mask and supported by an arsenal of custom weaponry, Adrian Chase becomes the Vigilante—and declares all-out war on criminals, using their own brutal methods against them. But Chase’s new vocation comes with a price. Can inflicting violence on others truly heal the pain of his family’s death? Or is the Vigilante doomed to become the final casualty of his all-consuming need for revenge?

Movies

Star Wars: The Last Jedi trailer

Thor: Ragnarok trailer

The Reading & Watch List

This week in pop-culture history

  • 1946: Tim Curry of the mini-series IT and movie Legend is born
  • 1954: James Morrison, TC McQueen of Space: Above and Beyond is born
  • 1964: Andy Serkis of The Lord of the Rings and Rise of the Planet of the Apes is born
  • 1966: Jeffrey Dean Morgan, the Comedian of Watchmen is born
  • 1969: Joel de la Fuente, Paul Wang of Space: Above and Beyond is born
  • 1973: Soylent Green is released
  • 1979: James McAvoy, Charles Xavier of X-Men: First Class is born
  • 1979: The TV series Buck Rogers in the 25th Century premiers
  • 1996: The movie Mystery Science Theater 3000 opens
  • 2011: The first episode of Game of Thrones airs
  • 2013: Oblivion debuts in theaters

Direct Beam Comms #70

TV

Brockmire Series premiere episode 1 Grade: B-

The new series Brockmire debuted on IFC last week. The series stars Hank Azaria as the title character, a baseball announcer for the Kansas City Royals who had a drunken on-air meltdown a decade ago that effectively ended his broadcasting career. Fast forward to today and Bockmire has returned to the US after having been around the world finding work where he can like announcing cockfights as well as having some serious addiction issues of which booze is the least of his worries.

But what Brockmire doesn’t know, but Jules (Amanda Peet), owner of the minor league baseball team the Pennsylvania, Morristown Frackers, does, is that he is an internet celebrity because of his on-air meltdown and subsequent post-meltdown press conference that became one of the first internet viral videos. Jules wants Brockmire to announce the Frackers games that feature stunts like having obese players who get hit at bat because their gut sticks out of the plate and always get a walk to hiring a “celebrity” like Brockmire to announce their games and drive attendance.

The first episode of Brockmire was interesting, if we’ve seen the character type a few times before. He’s a person addicted to some substances who tells it like it is but who’s personal life is a mess/in shambles which seems to be a theme of many dramas over the last few years. And honestly the first half of Brockmire as the broken man who returns home to find that while others see him as a celebrity but he sees himself as a joke, is all right. Things do pickup in the second half of the episode where Brockmire goes from an unwilling participant in the Frackers organization to someone who’s excited about baseball again.

That and Jules promises him free booze at her bar if he agrees to stay.

Angie Tribeca Season 3 episode 1 Grade: B

The third season of the TBS series Angie Tribeca is set to debut April 10 but the premiere episode debuted a bit early a few weeks back. I’ve enjoyed Angie Tribeca the last few years and this third season seems to be shaking things up a bit. In previous seasons, the show was structured around self-contained episodes with a sort’a season-long story arch taking up some of the second season. But this new third season looks like it’s going to instead focus on a single story about a serial killer who’s kidnapping trophy hunters and is taking the hunter’s skins in order to cloth the animals.

Think The Silence of the Lambs with Chris Pine as a hilarious stand-in for Doctor Lector meets Naked Gun and that’s the basic vibe for this season of Angie Tribeca.

Movies

Spaceballs

When Spaceballs was released on June 24, 1987 I can happily say that I was sitting in the theater that day with a great view of the screen with my brother and cousin. Unfortunately, that day we chose to see the movie Dragnet instead of Spaceballs. The reason we probably saw Dragnet was that the little two screen theater within bike riding distance of home usually showed one film that was for the kids, Dragnet, with the other film being for adults. My guess is that other screen was showing something like Roxanne or The Witches of Eastwick which we would have had no interest in seeing and chose the sensible Dragnet instead.

Which is a shame since the 1987 Dragnet has been all but forgotten to time but Spaceballs remains a cult classic film to this day.

A Mel Brooks spoof of sci-fi movies, more specifically Star Wars, even today Spaceballs is still pretty funny. And I think the reason I say, “pretty funny” and not “hilarious” is because I’ve seen Spaceballs so many times on VHS and HBO and TV that I know most of the jokes by heart. And it’s hard to laugh at joke you know is coming. Still, when there were jokes I didn’t remember, especially the whole sendup of the Spaceballs movie within a movie, that did get me laughing.

Looking at the movie now I’m surprised that it was rated PG. There’s quite a bit of cursing in Spaceballs, so much so that I’d assume today it would be rated R for language alone. It’s interesting to see what people 30 years ago thought was acceptable for a movie the whole family could see, some cursing, whereas today we’re so averse to that we think cursing happens in movies only adults should see. Then again, I feel that the levels of violence in our PG–13 movies would surly make them rated R 30 years ago.

After watching Spaceballs, or really anything he was in, I come away really missing John Candy. I’m not sure there’s been a comedian like him to come along since he died who has his level of physical comedy and sweetness mixed with his unique timing. At this point Candy’s been gone longer than he was around in pop-culture, but he’s a guy I still really miss.

The Mummy trailer

Alien: Covenant TV commercial

The Reading & Watch List

This week in pop-culture history

  • 1976: Jonathan Brandis of the mini-series IT and TV series SeaQuest DSV is born
  • 1979: Mad Max debuts
  • 1983: The Evil Dead premiers in theaters
  • 1986: Critters opens

Direct Beam Comms #69

TV

Legion season 1 Grade: A

We live in a golden age of TV where there are literally hours and hours and hours of good TV series to watch each week. So much so that even “good” TV shows nowadays seem to be average. Still, every once in a while there’s a really great TV show, something so good it stands out from the rest of the pack. The first great new TV series of 2017 is Legion that just wrapped up its first spectacular season on FX.

Legion might also be the best comic book TV series ever as well. It’s certainly the first comic book TV series that doesn’t seem to be constantly embarrassed that its source material is a comic book.

The first season story of Legion was of psychiatric patient David Haller (Dan Stevens) who slowly discovers that the voices in his head might be something more than mental illness, they’re something much worse than mental illness. So David and another patient Syd Barrett (Rachel Keller) go on the run, find others like them who want to help while also running from a quasi-government agency who sees David as a threat to global security, at one point his powers are referred to as being a “world-breaker,” as they all get to the bottom of what’s going on inside David’s head. And what’s going on isn’t nice — in fact it’s a lot evil.

Too many comic book TV series (and movies too) seem to take great shame in the fact that they’re based on comic books. How many of them are too embarrassed to say, “Based on a comic book” but instead go with the term “graphic novel” instead, of which none of the modern TV series or movies are. Worst of all these tend to either focus only on the dour, depressing parts of the comic books or trying to put them in a world so realistic that the superhero elements don’t quite fit. The creators of the TV series seem embarrassed that the source material might contain bright colors or goofy storylines and instead focus on gritty realism and gigantic city-spanning fight scenes. All of which are a part of the comics, but are not exclusively what makes up all comic stories.

I think the creators of Legion have actually done a great job of capturing a true comic book spirit with their TV show, ironically in a show that looks nothing like a comic book source material. The main characters of the show don’t wear standard uniforms, except sometimes they kind’a do in that they wear the uniforms of the psychiatric institution they were in. There are bright colors, devious villains with creepy names like “The Eye” and even allusions to the comic book source material with lots of instances of the letter “X” turning up in things like windows since Legion takes place in the X-Men universe. There’s also talk of backstory that readers of the comics would pick up on but aren’t so inside that it spoils the overall story for everyone else watching the show.

Let’s not forget the crazy dance numbers of Legion, no joke, episode arcs that take place entirely within the mind and unique characters I don’t think I’ve seen in any other show before.

At times Legion does move at a leisurely pace. Which, at the time I was watching them, seemed like a drag but looking back I realize was building up to something more.

Just like how comic book story arcs work.

Imaginary Mary Series premiere episode 1 Grade: B+

Starring Jenna Elfman as Alice, the new ABC series Imaginary Mary is a sort of cross between the classic 1980s TV series ALF and the 1991 movie Drop Dead Fred. Alice is a super-successful business woman who as a young child in a time of stress created an imaginary friend she called “Imaginary Mary” (a computer animated character but voiced by Rachel Dratch) who vanished as Alice became older. But when Alice falls for single dad Ben (Stephen Schneider) and gets stressed out when she’s going to meet his three kids, Imaginary Mary unexpectedly returns to try and get Alice out of this relationship and back to the life of partying and having fun.

It doesn’t help matter’s that Ben’s kids are the standard sitcom “kids from hell” who seem to have it out for Alice. But by the end of the first episode Alice has come to terms with her and Ben’s family, even if it seems that Imaginary Mary is here to stay.

Imaginary Mary is and undeniably cute show, the problem with it is that I’m not sure where the series goes from here? I enjoyed the first episode a great deal and thought that the idea of an adult still having their childhood imaginary friend, though not totally unique, was handled interestingly here. Alice is scared to grow up and latches onto something from her past to help get through a stressful time in her life. And while Imaginary Mary just wants her and Alice to have fun it’s not like she’s evil. In fact she sometimes has good ideas on how Alice can better get along with Ben’s kids.

My concern about Imaginary Mary is that while the first episode was interesting, I can see the series devolving into a standard sitcom — SINGLE MOM DATES A DAD WITH THREE KIDS AND WACKINESS ENSUES! — with the addition of the Imaginary Mary character. I could be wrong but to me it seems like Imaginary Mary would work best as a limited-run series or something on a cable channel that could push some boundaries. I’m not sold that Imaginary Mary will work as an ABC show, but I’d be happy to be surprised otherwise.

Fargo installment 3 TV commercial

https://www.youtube.com/watch?v=rkUAOahG9iY

Movies

Spider-Man: Homecoming trailer

IT trailer

War for the Planet of the Apes trailer

Valerian and the City of a Thousand Planets trailer

The Reading & Watch List

This week in pop-culture history

  • 1933: King Kong opens in theaters
  • 1968: 2001: A Space Odyssey premiers
  • 1970: Colossus: The Forbin Project is released
  • 1977: Michael Fassbender, David of Prometheus and Magneto of X-Men: First Class is born
  • 1978: The TV series The Amazing Spider-Man debuts
  • 1990: The TV series Twin Peaks debuts
  • 1998: The movie Lost in Space premiers in theaters

Direct Beam Comms #68

TV

Oasis Episode 1 Grade: B+

Last week Amazon Prime launched “pilot season” where they debut the first episode of new original TV series, of which the most viewed will be picked up with full seasons that will be available sometime in the future. The first one I checked out was a sci-fi series called Oasis.

In Oasis, it’s 20 years in the future and the environment of the Earth has started to collapse under the weight of centuries of neglect, overpopulation and pollution. But all hope isn’t lost, in another part of the galaxy lies a newly discovered planet called Oasis that mankind has just started to colonize. And while it seems like Oasis will one day be a home to the 1%ers with the rest of of humanity stuck on a dying Earth, in Oasis there’s just a few dozen scientists, engineers and workers living there trying to setup this colony. Back on Earth priest Peter Leigh (Richard Madden) is called to the planet by his friend and colony manager who tells him his spiritual services are needed. But when Leigh arrives on Oasis he finds a desolate place with workers mysteriously dying and the living experiencing disturbing visions of things they once knew.

If you think Oasis is something like Solaris (people in a far off part of the galaxy experiencing weird visions) mixed with the likes of Earth 2 or Terra Nova (colonists trying to escape a sick and dying planet who find that the place they escape to might be just as dangerous as home) you wouldn’t be far off. But even though Oasis borrows the themes of other movies and series I wouldn’t consider it to be derivative. The creators of Oasis come at those story elements in their own unique way.

One thing I found interesting about Oasis; it’s yet another return to sci-fi based in reality. Or, at least as a believable sci-fi reality that’s possible where people are zipping around the cosmos in spaceships. I guess I didn’t realize how much I’d missed this kind of storytelling until series like Oasis showed me it had gone. Other than shows like The Expanse most sci-fi series of the last decade were space-opera in nature — big bombastic shows that are mostly adventure related. Which is fine, I’m just generally not a fan of those series. I’m more interested in shows that tell stories about people than ones that are all about story. But with both The Expanse and now, hopefully with Oasis, it might mark the return of a more hard-edged realistic sci-fi series to TV.

My one quibble about Oasis is that it’s a sci-fi show about people living on far-off planets which should be every exciting but instead was very slow. A lot happens in the first episode but I wouldn’t say a lot of story is told. In fact, I’m not even totally sure where a season of Oasis might be headed which isn’t a great sign. Still, I was intrigued enough in Oasis that I’m interested to see where it goes. That is if it does get picked up for a full season.

Fargo not season installment 3 promo

https://www.youtube.com/watch?v=CHGXQ-Ub3NI

Mystery Science Theater 3000 Netflix new season promo

Movies

Justice League trailer

This week in pop-culture history

  • 1931: Leonard Nimoy, Spock of Star Trek is born
  • 1952: Annette O’Toole, Lana Lang of Superman III and the TV mini-series IT is born
  • 1955: Marina Sirtis, Deanna Troi of Star Trek: The Next Generation is born
  • 1979: Phantasm premiers
  • 1989: The TV series Quantum Leap premiers
  • 1995: The TV series The Outer Limits premiers
  • 2005: The first episode of the new Doctor Who airs