2018/2019 TV preview

It’s going to be a long fall. Usually, when the weather starts changing and the nights start getting longer I look forward to staying in and checking out the new series on TV. But this fall isn’t looking too good. Sure, there’s a few things to watch, but not enough for my taste and only a handful of series on network TV. The template the networks have taken for the 2018–2019 season is to debut a lot of lame-looking sitcoms and tired cop/hospital/lawyer procedural dramas that all seem to have been done before.

The good news is it isn’t all bad, there are quite a few new series on cable and streaming services to look forward to. The bad news is that most of these series don’t start airing until much later in the year and even then quite a few not until 2019. Oh well, there’s always horror movies marathons come Halloween to fill the gap.

New series

The Passage

On FOX the vampire thriller The Passage starring Mark-Paul Gosselaar is set to put a lot of stakes into the hearts of the undead ghouls in the one network show I want to check out in January. While the novel the series is based on took place mostly in a future overrun with the blood-suckers, this new TV show looks to moved things back a bit to the pre-apocalypse when these vampires were just being created in the lab.

Manifest on NBC about a plane that takes off one day but lands five years later with everyone on board not realizing the time-jump departs September 24. I think I’d be more looking forward to this show if it didn’t look like a clone of many other series before it, especially Lost.

Matt Weiner’s follow-up series to his uber-successful Mad Man entitled The Romanoffs is set to debut on Amazon Prime October 12. I’m not totally sure how this one’s going to go, but reportedly this anthology series will focus on characters who think they’re related to the Russian royal family the Romanoffs.

After the animated Star Wars: Rebels series on Disney ended earlier this year comes the new series Star Wars Resistance also on Disney October 13. This one is set to take place around the time of the current film series but before the events of Star Wars: The Force Awakens.

Nightflyers

SYFY is once again trying their hand at traditional sci-fi series with Nightflyers, based on the George R.R. Martin book of the same name. Not at all looking to cash in on Martin’s name and the fact that he wrote Game of Thrones and therefore SYFY can promote Nightflyers as such, here, it’s the near-future and as the ship of the same name explores the solar system it uncovers something that threatens everyone abroad the ship. Nightflyers does sound a bit derivative of things like Event Horizon (1997), except that the novel the series is based on was written way back in 1980.

The Netflix series Another Life has an astronaut (Katie Sackhoff) leading a mission to find the origins of an alien artifact, but this artifact might be deadly and the mission one-way. Maybe the cast of Another Life and Nightflyers can team-up since their two shows sure sound a lot alike.

The iconic comic book mini-series then film Watchmen will become an HBO TV series of the same name sometime next year. There’s not a whole lot that is known about this one, other than apparently it doesn’t totally follow the story of the comics but instead takes place in the same comic universe.

And as for new shows this season, that’s about it. I’m sure I’ll checkout some of those lame-looking sitcoms hoping to be surprised with something interesting, but I’m not holding my breath.

Returning series

Fortunately, there are a few returning shows this year to look forward to.

The Good Place

Returning network shows that will premiere this year include The Good Place, the sitcom about a group of people lead by Eleanor Shellstrop (Kristen Bell) stuck between heaven and hell returns to NBC on Thursday, September 27 and The Orville on FOX that is Seth MacFarlane’s love-letter to the classic series Star Trek squeaks into 2018 with its second season debut on Sunday, December 30.

Two Netflix superhero series return this year too. First up is the second season of Iron Fist which drops September 7. Then, sometime later in the year, comes a third season of Daredevil who appear last season on The Defenders. I honestly don’t really remember what happened in the second season of Daredevil since it aired more than a year and a half ago at this point. Weren’t there lots of ninjas?

Doctor Who

Doctor Who returns for its 11th season of the modern incarnation of the character October on BBC America here in the US. The big news with Doctor Who is that after 55 years and more than a dozen versions of the character, this time the lead will be played by a woman, Jodie Whittaker. Personally, I still like Peter Davison’s version of the character the best, no matter how many Matt Smith fans out there I have to go all “Sharks and Jets” with.

The Sundance series Deutschland 86 will return for its second season October 25. The first season was about an East German spy played by Jonas Nay infiltrating West Germany in order to steal military secrets and had tinges of The Americans to it. The third season looks to pick up three years from there and just a few years before the fall of the Berlin Wall.

The British sci-fi series Black Mirror will serve up more creepy goodness sometime this winter on Netflix. Even after four seasons I still really dig this show and I think it’s partially because even though there’s already been those four seasons, Black Mirror is an anthology series so each episode is a story unto itself. And to date there’s been just 20 episodes of it produced in total, which is less than how many episodes of a modern network series are produced in just one year, so the show is still fresh.

Star Trek: Discovery
Star Trek: Discovery

A second season of Star Trek: Discovery returns to CBS All Access this January. The first season of Discovery got good enough reviews from Trek fans, if those were the only people seemingly watching it, and the second season looks to bring in the big guns to the show, namely the USS Enterprise along with its Captain Kir… errr… I mean Captain Pike (Anson Mount).

The Netflix phenomenon Stranger Things will return for its third season summer of 2019. Last time we left the plucky kids of Hawkins, Indiana seemingly having beaten the evil forces that had emerged from the “upside down,” but if other sci-fi shows have taught me anything it’s that every victory against evil is just temporary. Until the final episode of the series, that is.

My favorite superhero series The Punisher also returns to Netflix sometime next year. The first season ended with Frank Castle (Jon Bernthal) having totally accepted the mantel of the skull wearing vigilante by blasting all the baddies to smithereens with the second season looking to pick up from there.

The Terror

A surprise to me this spring was just how much I dug the first season of the AMC series The Terror about an ill-fated expedition to the Arctic the 19th century. The second season will reportedly have a new story and focus on Japanese Americans during the second world war since the first season ended with pretty much the entire cast dead. That’s not a spoiler since the first season was based on a real-life expedition that ended in tragedy and I’m not sure you can consider a historical fact a “spoiler.”

A third season of the critical darling then critically derided True Detective will debut on HBO sometime next year four years after the second. The third season looks to “one-up” the first since that told a story over two time periods by telling a story over three.

Shows that I think will premiere sometime in 2019

Mindhunter

My favorite series of the 2017–2018 season , Mindhunter is set to begin its second season on Netflix next year. This show about the creation of a serial killer hunting unit within the FBI in the 1970s was one of the most well-written and acted shows on TV in recent memory. Plus the series is co-produced and had a few episodes directed by David Fincher which is always a good thing.

The sci-fi drama The Expanse will leave its home of three seasons on SYFY and move over to the Amazon Prime service next year. The third season ended on a high note, so I’m extremely excited to see where the show will go from here.

Another sci-fi drama, this time Westworld, is set to debut its third season on HBO. Now, I won’t even pretend to say that I understood what all happened in the second season finale of Westworld, I don’t think it was quite on the level of the final episode of Lost or anything, but I suppose time will tell.


Previous Previews

Direct Beam Comms #134

TV

GLOW

Who would have ever guessed that a series about the 1980s female TV wrestling program GLOW: Gorgeous Ladies of Wrestling would be so good? The second season of the drama GLOW on Netflix debuted Friday and picked up right where the first season left off. If the first season was about the girls of GLOW lead by Alison Brie and Betty Gilpin banding together to make something out of nothing — even if it’s a women’s wrestling program that airs on local TV — then the second is about what happens when these same girls realize that if they’re all not looking out for themselves, no one will.

The cast of GLOW
The cast of GLOW

The story of GLOW is complex. On the one hand it’s about these wild, over-the-top comic book-esque characters doing all these nutty and crazy things in a wrestling ring. They’ve got names like “Zoya the Destroya,” “Liberty Bell” and “The Welfare Queen” with over-the-top personalities to match. On the other hand these characters are played by “real” people like Ruth Wilder (Brie) an actress who hasn’t quite figured out how to make it in Hollywood and accidentally finds herself at a GLOW audition and realizes this might be her only chance at fame, Debbie Eagan (Gilpin) another actress who did make it in Hollywood for a time before having a baby derailed her career and Tammé Dawson (Kia Stevens) who plays the “Welfare Queen” in the ring but in “real life” has a son who’s attending Stanford and is willing to do anything, even play the “Welfare Queen” on TV, to keep him there.

And these are just a few of the deep and interesting characters of GLOW.

I kind’a sort’a wonder if the second season of GLOW will mark the beginning of the end of the fictional show within-the-show of the same name? While the real GLOW: Gorgeous Ladies of Wrestling turned out to be very influential, it only ran for four seasons and then only in syndication. I wonder if that’s where the fictional GLOW is headed too? The first episode is kind’a setting things up that way with director Sam Sylvia (Marc Maron) firing one of the girls for insubordination, Eagan renegotiating her contract for more money and a producer credit on the show and Wilder finding out that her spirit of “all for one, one for all” might be wasted on GLOW.

The fictional GLOW looks like a fun place to visit but it’s a facade, the “real life” place the actors of GLOW live in is just as unforgiving as our own.

Westworld

Westerns and sci-fi usually don’t go very well together. Whenever these genera meet it’s usually not very pretty — Cowboys vs Aliens immediately pops to mind. However, the exception to that rule is the marvelous Westworld series on HBO that mixes both genres together into something both new and familiar that wrapped up its second season last week.

Ed Harris and Evan Rachel Wood
Ed Harris and Evan Rachel Wood

In Westworld, it’s the future at the park of the same name guests can come and interact with the robotic “hosts” in a place that looks and feels like the real wild west. But the guests aren’t interested in playing nice with the hosts, many of them are there play out every dark fantasy they’ve ever had in a consequence-free environment during their stay. Much of the first season of Westworld had a distinctly Philip K. Dick vibe going on and dealt with a software glitch that caused many of the hosts to realize the true nature of the reality they’re trapped in and want to rebel.

The focus of the second season of Westworld is on the rebellion and its aftermath, told in two separate timelines. Here, once meek and mild host Dolores (Rachel Evan Wood) now leads a band of robots doing to whatever guests they find along the way that had been done to them over the years. But they’re not just out for blood, they’re also trying to find the fabled “valley beyond” and escape from the park. In a parallel story another group lead by ex-madam Maeve (Thandie Newton) who can control and reprogram other hosts on the fly searches the park for her daughter while guest William (Ed Harris) is trying to find the real meaning of Westworld hidden somewhere inside its borders. And that’s not even mentioning Bernard’s (Jeffrey Wright) story of, shall we say, “self discovery” in the second season of the show too.

Jeffrey Wright and Tessa Thompson
Jeffrey Wright and Tessa Thompson

If the first season was Philip K. Dick then the second was a bit of that along with Solaris with Terminator thrown in for good measure.

I really enjoyed the second season of Westworld if I was a bit confused at finale episode. There were a few too many twists and turns and “is this taking place in the past or future?” in the finale for me to keep them all straight. There were a lot of stories all going on in the second season, probably too many to be neatly wrapped up in one episode which Is what I felt happened in the last one. In addition to wrapping things up and clipping dangling storylines, there was also a bit of new story, getting things ready for the third season of the show due out sometime next year in the finale.

I think it would have made more sense to rather than try and wrap everything up in the finale, to instead only finish some of the storylines and continue others next season.

The Expanse

There once was a time when The Sci-Fi Channel was the destination for quality science fiction programming. In addition to airing lots of classic sci-fi shows, they also aired series like Farscape, Stargate SG–1 and the Battlestar Galactica reboot in addition to doing things like creating mini-series like Dune. But over the years things changed and as The Sci-Fi Channel chased the bottom line into the ground airing things like professional wrestling and cheap-o movies like the Sharknado series while also changing their name to SYFY, fans of the genera slowly began abandoning the channel for other venues. However, a few years back new management seeing how well sci-fi was doing on other venues decided to once again air more original sci-fi programming on SYFY, one of the first shows of this new slate was The Expanse.

The cast of The Expanse
The cast of The Expanse

Great from the very beginning, The Expanse is set in the near-future where mankind is living on the Earth, Mars and throughout the solar system and is still struggling with all the things we struggle with today. But when a mysterious alien artifact is discovered that threatens the entire human race, humanity must band together or face extinction. The Expanse was the first show in a long while to return to the genera of “people in big ships zooming around in outer space” and is a show that seemed like it was made for me. Over the three seasons of The Expanse I only loved it more as the story of the series changed and shifted from what started out in the first season to the current third season.

If the first season and second seasons were about the lead-up to war because of this artifact, then the third was about this war breaking out. Which I figured was going to take up the bulk of the third season of the The Expanse. But that’s not what happened. Rather than focus on this war, the creators of The Expanse instead stopped the conflict in its tracks and then jumped ahead many months into the future. Going from conflict to a weird sort of inter-solar system alliance to figure out what happened when the artifact changed into a … something.

The ships of The Expanse
The ships of The Expanse

And that’s where the second half of the third season of The Expanse spent its time, trying to figure out what this artifact had become while at the same time trying to keep the conflict that had just been capped from boiling back over into war.

Honestly, the third season of The Expanse was the best season of the show so far, and I was dying to see where the series was going to go from here.

Except that even before it ended SYFY announced that they were going to cancel The Expanse after its third season. Their reasoning was the ratings of the show were never what they wanted and that since the series had convoluted streaming deals in place that didn’t benefit SYFY they weren’t going to commission any more seasons of the show.

Which was a major bummer, but luckily the cancellation was short-lived as Amazon quickly stepped up and picked up the show for their Prime service.

Still, it burns me to no end how much SYFY has fallen from once being the home to sci-fi to the thing it is now. When I want to watch sci-fi I almost never turn to SYFY, I turn to places like BBC America that shows things like Star Trek and The X-Files, pay cable like HBO with Westworld and Fahrenheit 451 and online streaming services like Netflix with Stranger Things and Lost in Space. SYFY? I usually avoid it at all costs — even morso now that they dumped The Expanse.

Ironically, the big new “thing” that Syfy has been promoting as of late is them being the new home of the Harry Potter film franchise. The film franchise that at this point is a whopping 17 years old. The film franchise that has been playing on all sorts of other channels for those 17 years already.

The Expanse is new and fresh and I’m extremely excited that I’ll be able to watch new episodes of it on Prime (hopefully) next year. As for Harry Potter on Syfy? Give me a break.

Comics

Lone Wolf and Cub Gallery Edition

Lone Wolf & CubA new edition of the critically acclaimed and highly influential Lone Wolf and Cub manga series is due out this week. This volume costs a whopping $100 but has reproduced the artwork at its original size and in original Japanese.

Kazuo Koikes samurai epic is a tour-de-force of graphic fiction, and the Lone Wolf and Cub Gallery Edition features selections of the late Goseki Kojima’s spectacular illustration reproduced at original size on heavy-stock art paper to preserve the work in detail as it exists today, as close as one can come to owning these rarest of artworks. Including in its entirety the final titanic clash between ogami Itto and Yagyu Retsudo. This deluxe volume is a must-have for collectors and enthusiasts of the finest comic art ever created.

Movies

The Predator trailer

The Reading & Watch List

Cool Movie & TV Posters of the Week

Posters of the Week

Direct Beam Comms #125

TV

Westworld

It’s a great time to be alive if you’re a fan of sci-fi on TV. There’s such a wide variety of shows from The Orville to The Expanse that explore much of the same story territory yet are polar opposites in terms of tone as well as series like Black Mirror and Doctor Who to name a few. So, for one of the best series on TV a few years back Westworld to be as good as it was is ironic, since before it even premiered a lot of people, myself included, were ready to write it off before they’d even seen an episode.

Evan Rachel WoodWestworld was originally set to premiere back in 2015 but various problems on the set forced the delay until late in 2016. There were reports of parts being recast and at one point the entire production was shut down in order that series creators Jonathan Nolan and Lisa Joy could catch up on scripts that had fallen behind. None of which is a good sign but I was still willing to check the series out when it premiered and am glad I did. The first season of Westworld is one of the finest seasons of television in the last few years and is one of the best sci-fi series out there these days.

Westworld takes place in a theme park of the same name in the future. This park is inhabited by robots dubbed “hosts” who live their lives within the bounds of the park thinking they’re real people really living in the wild west. Into Westworld comes the “guests,” real people who pay obnoxious sums of money to visit the park wherein they can do anything they want to the hosts. ANYTHING. But because the hosts are reset when they “die” and at regular intervals they don’t know all the horrors the guests do to them over and over again.

That is until one day after a software upgrade makes it so that some of the hosts do start remembering.

Jeffrey Wright
Jeffrey Wright

The question in the first season becomes at what point do you recognize that what you originally though were just automatons are a new form of life, and what happens when this new sentient life realize this too and wants to start living free of the horrors they’ve been enduring for decades?

What happens when start fighting to take back what’s theirs?

The first season of Westworld ended on a perfect beat, so much so that it the series would’ve ended there it would’ve been one of my favorite endings ever. Luckily, though, it wasn’t and the second season of Westworld premiered on HBO last Sunday.

The first season of the show played out in a non-linear fashion, with events taking place in its past as well as present and the second season does this too. This time it’s events from just after the conclusion of the first season up until a few weeks later.

If the first season ended with the “hosts” fighting back against their oppressors, in the second the “hosts” have totally rebelled and any software safeguards they once had that made harming the “guests,” or any living thing really, impossible are gone. And while the guests might like playing cowboys when they’re on vacation, they’re no match for the hosts who some of which are programmed to be killing machines and now practice their savage skills on living people.

Tessa Thompson
Tessa Thompson

But the park is still worth billions in its technology alone so Delos, the park’s owners, have come with a small army in order to secure their intellectual property. Which, ironically, they’re more concerned with their IP than for the people still left alive on Westworld on the run from the hosts.

It’s interesting to see just how the dynamics of Westworld have shifted between the seasons. In the first, host Dolores (Evan Rachel Wood) was a sweet farmer’s daughter who just happened to be the oldest host in the park. As the season progressed Dolores’ programming shifted and she slowly began to see what was really happening around her. Now, in the second, she’s changed to a murderer who, along with host Teddy (James Marsden), are hunting down all the guests they can find. And the characters who were the uncaring people of the first season who took their aggression out on the hosts when they weren’t treating them like slaves are on the run for their lives.

So who are we to root for in the second season of Westworld? Is it the Dolores and the hosts who are murdering people as fast as they can find them or will it be the host’s former oppressors now trying to stay one step on the run from their murderous creations?

Will we pull for Dr. Frankenstein or his monster this season?

Movies

Venom trailer

The Reading & Watch List

Cool Movie Poster of the Week

Deadpool 2 billboard

Direct Beam Comms #121

TV

Barry

I hadn’t heard much about the new HBO series Barry other than it’s been in the works for a few years now which sometimes spells trouble — though this has also happened with other HBO shows like Westworld and that show turned out pretty good. And, luckily enough Barry is pretty good too. In fact I’d go as far to say the first episode was great.

Bill Hader and Sarah Goldberg
Bill Hader and Sarah Goldberg

Bill Hader stars as the title character, an ex-Marine turned hit-man for a family friend named Fuches (Stephen Root). Barry isn’t happy and is suffering from depression, not quite knowing how his life got off the rails going from serving our country in the military one year to murdering people for money the next. On an assignment in L.A. Barry is following a target and winds up accidentally attending an acting class with him. And after doing a scene on stage to their teacher (Henry Winkler) the “acting bug” bites Barry and he knows he wants to spend the rest of his life acting. Even if that’s contrary to his profession as a hit-man that demands anonymity.

I was surprised just how much I enjoyed the first episode of Barry. It’s a show that’s got a lot of heart, Barry comes across as a realistic, damaged person who made a hugely wrong choice in becoming a hit-man. But the show is also very funny too. I went from laughing out loud to cringing at times from the tension on-screen, sometimes in the same scene which I can’t remember doing in the last sitcom I’ve watched.

We live in an era where many TV comedies and dramas are so saccharine they’re totally unreliable. So, for a show like Barry to come along that’s so full of pathos and comedy with characters who don’t feel like they’ve been mass-manufactured at the sitcom factory is a breath of fresh air.

The Crossing

I hate to say this since I don’t want to curse the new ABC series The Crossing which premieres this Monday, but it’s the series that reminds me the most of the classic show Lost in its early days. And I mean that in a good way. At least I think so.

Steve Zahn and Natalie Martinez
Steve Zahn and Natalie Martinez

Steve Zahn stars as Sheriff Ellis who moved to a small Oregon coastal town to try and get away from big-city problems. Ellis is a modern man who’s called away from his yoga class by deputy Rosario (Rick Gomez) to investigate a body washed up on a beach outside of town. What starts off as a simple drowning turns into a massive tragedy when hundreds of bodies all begin washing up simultaneously. A few are alive but most have drowned. These survivors tell a story of coming from several hundred years in our future where there’s a great holocaust of which the only escape from is to slip into the past. Department of Homeland Security official Emma Rea (Sandrine Holt) doesn’t know what to believe. The people didn’t arrive by boat and there was no plane crash but the survivor’s stories are too incredible to believe.

As the government tries keeping a lid on the situation and Sheriff Ellis is cut out of the investigation things turn when one of the refugees reveals something that might bring the threat from the future to our present.

The arrival
The arrival

The Crossing reminds me of Lost in that there’s some mystery as to what’s going on. However, that mystery isn’t where the refugees come from or why they’re here. That’s pretty much spelled out in the first 15 minutes of the first episode which I appreciated a lot. I think if The Crossing had been made ten years ago the entire first season would’ve been, “WHY ARE THE REFUGEES HERE?” The mystery in The Crossing is what exactly is going on in the future, can we stop it from happening and do some of the people from the future want to stop us from trying to stop it. Now that I think of it, The Crossing has a lot of the time travel elements from the 2012 film Looper but not the same plot.

In a lot of ways The Crossing is a stranded sci-fi family series like Lost in Space or Terra Nova. They’re kind’a like colonists or settlers hoping for a better life and have decided our time is the best place for them to land, so to say. I also dug the little sci-fi references hidden in the show. One of the main characters is named “Reece” and another “Leah” — Kyle Reese and Princess Leah anyone?

I really enjoyed The Crossing but it wasn’t perfect, and these little imperfections bothered me in the fact that they might indicate a greater problem with the show that might not be evident one episode in. The biggest problem I had with The Crossing was there’s a big, bad villain in the show who’s obviously the big, bad villain the moment they step on screen. There was no mystery here whatsoever and when something happens at the end of the episode there was no mystery as to what its outcome was going to be either.

Problems like these can add up as the season goes along, but it’s too early to tell if The Crossing is going to be great, good or bad. But still, I’m hoping The Crossing is more Legion than Inhumans.

The Terror

The new ten episode AMC series The Terror debuted last week with the first two episodes. The network has been promoting this show about the real-life 1845 arctic expedition led by Captain John Franklin (Ciarán Hinds) as a horror series. While I liked The Terror, two hours in there wasn’t much to be terrified about in it, though there was loads and loads of atmosphere.

The cast of The Terror
The cast of The Terror

Word of warning — The Terror stars British actors using a wide-variety of accents and 19th century naval slang. Usually accents don’t bother me but I think it was the wide variety as well as the slang that made it so I could only understand every third or fourth word the characters were speaking. Things got so bad I finally gave up on lip-reading and turned on my TV’s closed-caption feature. I think if you’re going to enjoy The Terror you should consider doing this too.

In The Terror, Captain Franklin commands two ships, the HMS Erebus and HMS Terror, and is trying to find the fabled Northwest Passage that would connect the UK directly to the Pacific Ocean. Franklin’s second in command Captain Crozier (Jared Harris) has been to the arctic before and knows its dangers. So when the ships get stuck in the ice and have to spend a freezing winter in the middle of nowhere, he knows their situation is more dire that anyone else suspects. But there’s something else going on here too, a crew member unexpectedly dies and another falls off the mast and disappears into the ocean before the freeze. When one crewman is trying to service the ship he sees a ghostly figure in the water beckoning to him and another is attacked and carried off by a bear… thing, it becomes obvious that things are more dire than even Captain Crozier knows.

The Terror is a bit of H.P. Lovecraft mixed with something along the lines of Master and Commander: The Far Side of the World but it moves at so slow a pace it wouldn’t surprise me that if those with short attention spans don’t bail out of the show after the first episode. Most movies tell a complete story in two hours, in two hours of The Terror I only felt as if the story had just started.

But like I said I liked The Terror and will stick with it until the end. Even if since it’s all based on facts it’s easy to find out what really happened to the crews of the Terror and Erebus, minus, I suspect, what’s up with the bear thing.

Roseanne

More and more classic series like The X-Files and Will and Grace are getting new season orders sometimes decades after the shows originally ended. The latest of which is the ABC show Roseanne which picks up 21 years after the original run of the series ended back in 1997.

The cast of Roseanne 2018
The cast of Roseanne 2018

The only difference between this new and the classic Rosanne is that in the original series it’s revealed that husband Dan (John Goodman) had died at the end of the series. But now and a bit of retcon later Dan’s alive and well — and Roseanne is a better show for it. In the 2018 Roseanne, Darlene’s (Sara Gilbert) back living at home with her two kids, D.J. (Michael Fishman) is a soldier back from the war with a daughter of his own and Becky (Alicia Goranson) is widower working as a waitress.

Times are still tough in the Conner household but now even more so as Roseanne and sister Jackie (Laurie Metcalf) are fighting over politics, Becky is considering taking $50,000 to be a surrogate for another couple’s baby (a hilarious return for Becky #2 Sarah Chalke) and grandson Mark (Ames McNamara) has to deal with bullying in school for how he dresses.

I didn’t expect to like the return of Roseanne as much as I did but I really liked this new/continuation of the series. When so many other ABC sitcoms all follow the same mold these days of having families that feel fabricated where each and every episode ends on a “ahhhhhh, they really love each other” happy ending, Roseanne isn’t afraid to go to the dark places sitcoms used to go to and mine that place for laughs.

I think as long as you’re able to separate out the character of Roseanne Conner from the real-life caustic personality of Roseanne Barr you’ll enjoy this new/old Roseanne as much as I did.

Westworld season 2 TV spot

https://www.youtube.com/watch?v=sjVqDg32_8s

Comics

Global Frequency: The Deluxe Edtion

Global FrequencyDC is set to release a new collected edition of this now, ULP!, 16 year old series. There’s been talk on and off for years about turning Global Frequency into a TV series, there was even a pilot made a few years ago that never went to series. Maybe this collected edition will light the fire so to say under some producers butt to get a series on the air?

From DC:

Global Frequency is a worldwide rescue organization that offers a last shred of hope when all other options have failed. Manned by 1,001 operatives, the Frequency is made up of experts in fields as diverse as bio-weapon engineering and parkour. Each agent is specifically chosen by Miranda Zero based on proximity, expertise and, in some cases, sheer desperation! Collects the entire 12-issue series!

The Reading & Watch List

Cool Movie Poster of the Week

Avengers Infinity War poster

Direct Beam Comms #114

TV

Black Mirror fourth season ***/****

I recently finished up the fourth season of the excellent Netflix Black Mirror series and thought it was the strongest one yet. There were a few episodes that didn’t quite work, but overall I thought from beginning to end Black Mirror is still one of the creepiest/scariest/prescient things on TV right now.

Hang the DJ

Metalhead”: “Metalhead” isn’t the typical episode of Black Mirror. Shot in black and white, this one is a straight-up action piece that’s kind’a sort’a a British version of The Terminator, and doesn’t let up until the end. I like that series creator Charlie Brooker feels comfortable enough with the universe that is Black Mirror in that there’s no one standard episode of the show and he can stretch out with a slightly different story than usual like with “Metalhead.”

“Hang the DJ”: Honesty, half the fun for me is trying to figure out where each episode of Black Mirror is headed and I couldn’t figure out where “Hang the DJ” was going at all. Even right up to the very end of the episode I had no idea what was about to happen and that’s part of the reason I liked this episode so much so much. Four seasons in and Black Mirror can still surprise.

“Black Museum”: The “Black Museum” episode is closest to the “Black Christmas” episode of a few years ago where a few different interrelated stories are all told under the umbrella of an overall encompassing story. Here, it’s a weary traveler touring the titular Black Museum that contains all sorts of forbidden knowledge and what happens when the disgraced museum proprietor reveals one too many secrets.

USS Callister

“USS Callister”: The episode that was announced first before the series had premiered and got the most hype this season was “USS Callister.” What everyone, myself included, thought was going to be a riff on the original Star Trek series turned into something that was darker and deeper in meaning that anything I could have imagined beforehand.

“Crocodile”: Crocodile is an interesting take on what extremes people are willing to go in order to keep their lives and lifestyle intact. And, since this is all taking place in the universe of Black Mirror, there’s an interesting price to be paid for those actions.

“Arkangel”: The one episode this season of Black Mirror that I didn’t think quite worked was “Arkangel.” This episode about a mother who implants a device in her young daughter’s head so she can see out of her eyes with something akin to an iPad goes pretty much as expected as the girl gets older and doesn’t quite care for the fact that her mom can literally keep track of her wherever she goes 24/7.

Westworld second season TV spot

https://www.youtube.com/watch?v=qUmfriZoMw0

Movies

Venom trailer

Avengers: Infinity War TV spot

Mission Impossible: Fallout trailer

Solo: A Star Wars Story trailer

Deadpool 2 trailer

Night of the Living Dead

One of, if not the most, influential horror movies in history gets a Blu-ray release this week. While there’s been many different editions of Night of the Living Dead released to date, everything from VHS to DVD both in original black and white and colorized, this brand new 2018 edition marks the first time since the movie was originally released that viewers can see the film in all it’s gory at home.

From The Criterion Collection:

New 4K digital restoration, supervised by director George A. Romero, coscreenwriter John A. Russo, sound engineer Gary R. Streiner, and producer Russell W. Streiner

New restoration of the monaural soundtrack, supervised by Romero and Gary Streiner and presented uncompressed on the Blu-ray

Night of Anubis, a never-before-presented work-print edit of the film

Never-before-seen 16 mm dailies reel

The Movie Chain: #6: Tinker Tailor Soldier Spy (2012)

Last week: Dawn of the Planet of the Apes

The Movie Chain is a weekly, micro-movie review where each week’s film is related to the previous week’s movie in some way.

One of my favorite TV mini-series of all-time is Tinker Tailor Soldier Spy that starred Alec Guinness as George Smiley from 1979. So I was kind’a predestined to like the 2011 film of the same name that starred Gary Oldman from last week’s Dawn of the Planet of the Apes in the Smiley role.

Tinker Tailor Soldier Spy takes place in the 1970s within the “Circus,” or the code-name for British intelligence, where a Soviet mole has be discovered in their top echelon. Those in charge might know the mole’s there, but no one’s quite sure exactly who it is that’s feeding the Soviets all the British secrets they can handle. Enter Smiley who was booted out of the agency some time before and can be brought into investigate since he’s the one person everyone’s sure isn’t the traitor.

I like the Tinker Tailor Soldier Spy movie a lot, if I think it moves at probably a too fast pace to tell all its story. I think this comes after having read the novel movie was based on and having watched the six hour mini-series many times too. Scenes in the mini-series that take good chunks of hour-long episodes fly past in minutes, or seconds in the movie. However, this might not bother the casual viewer if they’re unfamiliar with the source material.

One thing I think other filmmakers can learn from Tinker Tailor Soldier Spy is that there can be a lot going on in a movie yet the material doesn’t have to be spoon fed to the audience. There’s quite a few characters and scenes in Tinker Tailor Soldier Spy, the dialog is steeped in inside jargon and the pace of the film is fast yet since the underlying story is sound and it all works.

Next week: “You can practically see it from here.”

Rumor Control

Looking at upcoming TV series premieres it seems as if things are going to be pretty light the next few weeks which I couldn’t quite understand at first. On the one hand there’s supposed to be 500 series all premiering in 2018 which would mean that right around ten shows need to debut each week to hit this number. But I figured out why things are so light — I think everyone’s trying to keep out of the way of the Olympics since any series going up against that the next few weeks is sure to be caulked in the ratings.

Then again, if you’re like me and have no interest in the Olympics, having a few series premiere against it might be some genius counter-programming to gain a few more eyeballs to your show than might normally get since there’s not really anything much going on those two weeks of the Olympics.

I’m just sayin’.

Cool Movie & TV Posters of the Week