Direct Beam Comms #53

TV

Westworld season 1 – Grade: B+

“Cease all motor functions!”

I am afraid of Westworld. So many times in the past I’ve fallen for shows like Westworld that have these deep, intricate character-driven storylines only to be disappointed in the end. In my heart of hearts I know that with TV series like Westworld the journey is more important than the destination, but I’m always hoping that the series ending will be as good as the road it took to get there. And so far at least, one season in, Westworld has taken one fine, interesting road and has quickly become my favorite thing on TV in the last few months.

Honestly, I wasn’t sure what to expect with Westworld but whatever I was thinking the show might be like isn’t anything as to what it actually was like. Much of the story is told via three groups of characters. The first group is of people like Dr. Ford (Anthony Hopkins) and Bernard (Jeffrey Wright) who are trying to keep this massive park running while at the same time making improvements while acting in a sort of god-like way even if some of their changes have started causing glitches in the robots of the park known as the “hosts.” These robots don’t know that they’re robots and awaken each day anew not realizing that they’re all in a story loop and essentially play the same day over and over again. With this robot group are characters like Maeve (Thandie Newton) who’s starting to have memories she shouldn’t have and Dolores (Evan Rachel Wood) who’s beginning to question the nature of her reality. And then there’s the human visitors of the park like William (Jimmi Simpson) and “The Man in Black” (Ed Harris) who are experiencing the park in very different ways. Harris’ character is convinced that there’s a core story beneath the veneer of Westworld that the rest of the guests experience and wants to uncover this truth, even if it means he has spend 30 years there and cause pain, death and destruction to the hosts to do so. And William, brand new to the park, wants to help Doloris in her quest for self realization but isn’t sure what all is required to do so or the ramifications of.

I think that what works best about Westworld are all the questions that the series creators ask. Like if Dr. Ford is creating these robots, and these robots are self-aware, feel pain and have emotions, has he created life? Even if that life can be changed, controlled and obliterated at the flick of a switch. And for the “hosts” of the show who, if they’re somewhat self-aware now, what happens in the future when they become fully self-aware and want to control their own destinies and futures and not be controlled and tied to the Westworld park as they are now? And what will they do when they realize the people who’ve created them have spent decades abusing them over and over again with no consequences?

I’m also fascinated with how Westworld ties into modern day video games. In those games players come up against characters in the game who they can do what they will with. Though there might be consequences in the game if the players harm these characters, there are no real world consequences if they decide to do so. And this is the same for Westworld where the visitors can do whatever they want to the hosts be it hurt them, rape them or kill them. There’s no consequences since technically you can’t hurt, rape or kill a robot. But what if someday the robots started remembering these terrible things done to them and what if they wanted to fight back?

It’s interesting to imagine just where Westworld will go in future seasons? In my head I’ve got it all mapped out down perfectly to the series sixth season. But if I’m lucky the creators of Westworld will continue to do their own thing and keep creating a surprising show that asks a lot of bit questions about what it’s like to live in the times that we do without providing a lot of easy answers.

Legion TV Spot

“The human race is beginning to evolve.”

The Expanse TV Spot

https://www.youtube.com/watch?v=06EIAuYRRTw

“In this world that we live in you have to pick a side.”

Movies

Spider-Man: Homecoming trailer

“This is my chance to prove myself.”

War for the Planet of the Apes trailer

“All of human history has lead to this moment.”

The Mummy (2017) trailer

World War Z + Suicide Squad = The Mummy

The Reading & Watch List

This week in pop-culture history

  • 1917: Arthur C. Clarke, author of 2001: A Space Odyssey, Rendezvous with Rama and Childhood’s End to name a few is born
  • 1941: The Wolf Man opens in theaters
  • 1976: King Kong debuts
  • 1978: Superman opens in theaters
  • 1984: Dune premiers
  • 1984: Runaway debuts
  • 1984: Starman opens
  • 1996: Mars Attacks! premiers
  • 1998: Star Trek: Insurrection opens in theaters
  • 2002: Star Trek: Nemesis premiers
  • 2005: King Kong opens in theaters
  • 2010: Tron: Legacy debuts

Direct Beam Comms #52

TV

Ash vs Evil Dead – Grade: B+

The second season of Ash vs Evil Dead debuted back in October, so I’m a little late in reviewing this one. But that’s because I don’t get Starz, the network that airs this series, so I had to wait for a free preview weekend to catchup on this show.

Ash vs Evil Dead Season 2 2016I loved the first season of Ash vs Evil Dead from last year but with one caveat — the last 10 minutes of the last episode didn’t fit with what had come before whatsoever. So, rather than going into the this season as excited as I’d normally be instead I went into the latest Ash vs Evil Dead with a bit of trepidation. The good news is that it seems like the writers did a quick course correction on the show and brought things back into line. The bad news is, well, I’ll get to that here in a bit…

The second season of Ash vs Evil Dead opens a few weeks/months after the end of the first. Ash (Bruce Campbell), Pablo (Ray Santiago) and Kelly (Dana DeLorenzo) are living the a wild frat-boy 24/7 party live in Jacksonville, Florida when the truce they had with the evil things brought forth via the Book of the Dead from the first season is unexpectedly cancelled throwing the trio back into the fight and on the lookout for current possessor of the book Ruby (Lucy Lawless). They find themselves in Ash’s Michigan hometown where he’s known as “Ashie Slashie” from the what all happened in The Evil Dead (1981). Just when the trio are about the close in on Ruby and get the book back they find that things aren’t as clear as they seemed down in Jacksonville.

One thing I really appreciate about Ash vs Evil Dead is just how much abuse the actors of the show, and stunt people, take each and every episode. If the actors aren’t being covered in gallons upon gallons of blood, bile or pus, then the stunt people are being catapulted across rooms to crash through windows or onto walls. In an age where seemingly every stunt is done totally by CGI the ones in Ash vs Evil Dead are truly something to appreciate. And the story this season, of Ash returning home where he’s not welcome, even by his dad Brock (Lee Majors) is unexpected and clever as well.

The bad news, I don’t think Ash vs Evil Dead is going to appeal to anyone who’s not already in love with Ash or the whole Evil Dead franchise or doesn’t appreciate the seemingly never-ending gore/buckets of blood that permeate each episode of the show. Then again, if you don’t appreciate Ash vs Evil Dead then I don’t think we can be friends. 😉

Incorporated – Grade: C

incorporated-syfyThe first episode of the sci-fi series Incorporated aired last week on SyFy. The series takes place about 60 years in the future where a warming climate has changed weather patterns that caused chaos around the globe leading to the fall of most governments with mega-corporations stepping in to fill in the void. Now there are haves like Ben (Sean Teale) who lives in gated communities, get the best food and generally don’t have to interact with the lower classes who live in septic, crime ridding slums. But Ben is hiding a secret that might threaten his comfortable life.

Incorporated has an interesting premise but fails in a big way in that the creators of the series essentially built their show by taking elements from other sci-fi movies to construct their own. So, instead of writing a traditional review I’ve decided to record all of the elements Incorporated “borrowed” to construct their own series that I happened to catch.

  • RoboCop: Corporations are now more powerful than governments.
  • Starship Troopers: People need a license to have kids.
  • Dredd: There’s a drug that once taken causes people to experience life in slow-motion.
  • Gattaca: A person from the lower-class is trying to break into the upperclass by hiding his identity. Also, blood is drawn by an automated finger prick to determine one’s identity.
  • Running Man: Kids and teens are indoctrinated to join corporate armies/security forces.
  • Johnny Mnemonic: There are corporate assassins.
  • Elysium: Because of climate change, the slums of cities now resemble desert wastelands.
  • Aliens: The ties businessmen wear have changed and are futuristic/odd looking.
  • Minority Report: Computer displays are now so advanced that they’re everywhere and nothing looks like screens anymore. Also, cars and now driverless to the point that passengers no longer face looking forward, they now look at one and other in order to better converse.

So, rather than watch Incorporated I’d recommend checking out the movies that the series took from instead.

The Expanse season 2 TV spot

https://www.youtube.com/watch?v=WHFMK9l5cCg

Movies

Guardians of the Galaxy Vol. 2 trailer

https://www.youtube.com/watch?v=WWJQ_0puczI

Cool Sites

  • Lost Minis Wiki: Lost Minis Wiki is a non-profit site dedicated to identifying, photographing and documenting fantasy miniatures.

The Reading List

On the Horizon

Last week I completed and turned in my last article of 2016 — “The Best TV Series of 2016” which will be published on December 16 via this site and The Fort Wayne Reader. I always start off each year thinking, “How in the heck am I ever going to think of enough things to write about this year?” Yet somehow I always do. I’ve already started mapping out dates and things to write for next year and am coming up with things to write about throughout the year. Since we seem to be getting more and more horror, sci-fi and comic book TV series and movies each year it means that I’ve already got more than half of my 2017 articles already planned out throughout the year. Which does concern me a bit since if I’m already planning on writing about things like the upcoming Power Rangers, Mummy and IT movies, am I making it so that I’m less flexible on what I can and can’t write about if something interesting comes out of nowhere? I think probably not since just because I’m planning on writing about something, doesn’t mean that I’ve actually written it, so I suppose I do have a bit of flexibility that way. And I remember a time too when I had to come up with alternate article ideas like “Disaster Du Jour” to be able to write about things when I couldn’t think of anything to write about. Now the problem’s almost that I have too many options and not enough weeks!

This week in pop-culture history

  • 1952: Michael Dorn, Worf of Star Trek: The Next Generation and Deep Space Nine is born
  • 1979: Star Trek: The Motion Picture opens in theaters
  • 1984: 2010 is released in theaters
  • 1989: The last episode of the classic Doctor Who (the original series) airs
  • 2003: The TV mini-series Battlestar Galactica debuts
  • 2011: The first episode of Black Mirror airs
  • 2013: Oblivion debuts in theaters

Sci-Fi Heaven

I’m amazed at the amount of great sci-fi movies and TV series that are being released each year. It wasn’t too long ago that sci-fi was relegated to late night TV syndication or movies of the week, but these days the most popular films are all sci-fi in nature and there are a plethora of quality sci-fi TV series too.

_captain_america__civil_war_trailer_-_h_2015
Captain America

What sci-fi movies am I talking about that are so popular? To me, just about each and every superhero movie is sci-fi in disguise. Don’t believe me? Superman is an alien, both Spider-Man and Captain America were created by experiments gone awry and The Guardians of the Galaxy takes place on far off planets in the depths of space.

Even ones that don’t directly contain sci-fi tropes none-the-less have sci-fi elements from Iron Man’s robot-like armor to Batman’s crazy gadgets.

And those are just superhero movies. There’s also loads of great obvious sci-fi movies too.

Mad Max: Fury Road
Mad Max: Fury Road

One of my favorites of the last few years was the underrated Tom Cruise/Emily Blunt movie Edge of Tomorrow about a soldier who’s trapped in a time loop and is forced to live the worst day of his life over and over again during an alien invasion. There’s also the new Planet of the Apes franchise that’s taken a story that’s been around nearly 50 years and put a fresh spin on it and even the latest Mad Max: Fury Road that’s based on a nearly 40 year old film series and recently won the most Oscars at the 2016 ceremony.

And it’s ostensibly a movie that’s a big car chase that takes place in a post-apocalyptic future!

And let’s not forget the two grand sci-fi franchises of the 20th and 21st century; Star Wars and Star Trek. The current Star Trek film franchise has been around since 2009 and has produced three movies, the latest of which was the number one movie in the country for a few weeks running. And Star Wars returned last year with Star Wars: The Force Awakens and earned more than $2 billion at the box office. Now there are new Star Wars movie due out every year forever — or until the movies stop making money.

Daisy Ridley from Star Wars: Episode VII
Daisy Ridley from Star Wars: Episode VII

Because TV series costs less to make than a movie things are even better for the sci-fi genera on the small screen. There, series like The Expanse on SyFy is a classic “people in very large ships in outer space” series updated for the modern day while The Man in the High Castle on Amazon Prime brings movie adaptation stalwart Philip K Dick to a TV series and even the oh-so-good Stephen King/Steven Spielberg/1980s mashup Stranger Things on Netflix.

In fact there’s so much good TV on these days I could go on and on and on. I didn’t mention the awesome Black Mirror on Netflix or even Doctor Who on BBC America with seemingly more sci-fi series announced each month.

Next year brings the return of Star Trek to TV screens for the first time in 12 years with Star Trek: Discovery. Discovery is co-produced with Bryan Fuller who created the amazing Hannibal series and was also a Star Trek writer in the 1990s. Which means there’ll be two totally separate Trek properties, one in movie theaters and the other streaming to TVs.

The Expanse
The Expanse

And because sci-fi is so popular and makes so much money these days the immediate future looks nothing but bright. The superhero genera is so popular there are SEVEN big-budget movies due out in 2017 and the next Star Wars movie Rogue One premiers this winter. What has me most excited are upcoming movies like Annihilation based on a book series of the same name, another Alien prequel and a new King Kong movie all due out next year.

Surly all this gold can’t last — one day sci-fi will return to the geeky depths that it emerged from earlier this century. Nothing this good can last forever, but until the bubble collapses I’ll be spending my time with my favorite stories and characters at the movies and on TV every week.

2016/17 TV Preview

New series

It’s been a long while since I can remember the last time I was as disinterested in the crop of new TV series that are set to start debuting on network TV this fall. Usually, there’s at least something I can look forward to, some series I can get excited about. But honestly this year looks like it’s going to be mostly a bust on the networks.

The Good Place
The Good Place

All that I’m looking forward to on network TV this fall is the comedy The Good Place on NBC starring Ted Danson and Kristen Bell about a woman that died and accidentally went to “the good place” rather than the hot one and Star Trek: Discovery on CBS. Though this sixth Trek TV series is set to only air once on CBS before it moves to their streaming service.

And there’s a few new shows I’m looking forward to on cable and streaming too, one of which is Dirk Gently’s Holistic Detective Agency is on BBC America and is based on the Douglas Adams (The Hitchhikers Guide to the Galaxy) book of the same name. This new TV version of the Adams novel is being written and produced by Max Landis (Chronicle). On Netflix is Marvel’s Luke Cage that’s a sort’a spin-off of the Jessica Jones show about a man, Cage (Mike Colter) who’s super-strong with super-tough skin that brushes aside bullets who decides to clean up the streets of New York.

Unfortunately, there’s a lot more to scoff at on network TV next fall than to look forward to.

If the last few years the networks have been trying to turn as many come books into TV series as they could, then this year it’s all about turning once popular movies into TV series, or rebooting once popular past TV series into modern ones. Which I have no problem with, except that nothing I’ve seen from any of these new shows makes me thing that the networks have anything other than a bunch of creative duds on their hands.

Time After Time
Time After Time

Based on the movie of the same name, Time after Time on ABC features author H.G. Wells (Freddie Stroma) building a time machine in 1893 and traveling to present day 2016 New York City to find Jack the Ripper who’s also travelled to New York City in the same time machine. Convenient, ain’t it? If the movie version was a love story between Wells and a modern day woman, then the TV version seems to be setting the two up as a male/female investigative duo ala Castle, Blindspot, The Blacklist, etc., etc., etc.

Emerald City on NBC is the latest attempt at a network to create a TV version of the Wizard of Oz story that various channels have been trying to do since at least 2002. This version of the Oz story has Dorothy being swept off to a totally reimagined and harder version of Oz that seems to be a mashup of Game of Thrones and Once Upon a Time.

Fox has two shows based on movies set to premier this fall; The Exorcist and Lethal Weapon.

The Exorcist
The Exorcist

The Exorcist looks to be essentially the story of the novel/movie about a girl possessed by a demon — with a little bit of things like The Conjuring thrown in for good measure. My one question about The Exorcist is if the entire season will be about the girl’s possession, or if each episode will be about some other evil forces possessing some other poor souls? It doesn’t help matters that The Exorcist is the second “possession” series on TV with Outcast also about demonic forces already on Starz.

The TV version of Lethal Weapon seems to take the zanier elements of the movie from Martin Riggs (Clayne Crawford) having a death wish which makes him practically fearless and his older, world-weary partner Roger Murtaugh (Damon Wayans Sr.) who has to deal with Riggs and is “too old for this @#$%.” But somehow I’d imagine that if it does take the zanier elements of the Riggs character that it’s not going to use the movie version of him being suicidal and his substance abuse problems. You know, all the stuff that made him seem human and not some cartoon character.

Frequency on The CW, takes the elements of the 2000 movie where someone from the present, here Raimy Sullivan (Peyton List), is able to talk with their father from 20 years in the past via a ham radio. And because she’s able to send information to her father in the past she’s able to change events in her present. But if other time travel movies/TV series have taught us anything, it’s that meddling in the past will being about unintended consequences in the present/future. Time After Time should take note!

MacGyver
MacGyver

On CBS there’s a series based on the movie Training Day and one on the 1980s TV series MacGyver. Much like with the movie, the TV version of Training Day follows a young, idealistic police officer (Drew Van Acker) sent to spy on a seasoned, up to no good, “King Kong ain’t got !@#$ on me” detective (Bill Paxton).

MacGyver (Lucas Till) is a younger take on the character but with the overall concept of the original series — solving crimes/rescuing people/stopping terrorists by making whatever’s needed with what’s on hand to get the job done — intact. I was a huge fan of the original MacGyver as a kid, but somehow I doubt that this middle-aged man is going to be a fan of this new version of the show.

returning_tv

Returning series

black-ish
black-ish

If new series this year look crummy at least there’s a slew of great and interesting shows to look forward to.

Out of the gate early this fall are ABC comedies The Goldbergs, black-ish and Fresh off the Boat. While black-ish and Fresh off the Boat get a lot of good press for their diversity and somewhat controversial storylines, I’m more concerned with whether or not the shows are funny or not and these are.

The Goldbergs and black-ish return September 21 and Fresh off the Boat October 11.

Ash vs. Evil Dead
Ash vs. Evil Dead

I was a huge fan of the Starz series Ash vs Evil Dead right up until the very end of the final episode of the first season when things kind’a fell off the rails. That series deals with sad-sack Ash Williams (Bruce Campbell) who accidentally released evil spirits from the bound in human skin Book of the Dead. And in Ash vs Evil Dead it’s up to Ash and his two friends Pablo (Ray Santiago) and Kelly (Dana DeLorenzo) to figure out a way to undo what he’s done.

The show was everything I’d ever wanted in an Evil Dead TV series with over-the-top action, comedy and lots of gore. But that ending, it was so out of tone with what had come the previous nine episodes that it really frustrated me. That being said, I’m ready for loads more wise-cracking Ash in a second season of Ash vs Evil Dead which starts back up September 23. As long as they do some ‘splaining about that ending I’ll be back for more gore!

Star Wars Rebels
Star Wars Rebels

Existing alongside the current film franchises, the animated Star Wars Rebels on Disney XD tells the story of what was going on in the galaxy when the evil Empire was consolidating power and trying to wipe a nascent rebellion out. The stories of Rebels can be surprisingly deep and emotional for a series we already know the end to. Hint — none of the characters of Rebels show up in Star Wars Episode IV A New Hope so… Star Wars Rebels returns September 24.

The British series Black Mirror is available on Netflix October 11. This anthology series that originally debuted back in 2001 that’s a bit like The Twilight Zone but updated for modern day originally didn’t have a series run here in the US until Netflix picked it up a few years ago. And boy am I glad they did — this show about what happens when technology and all its uses goes wrong is consistently one of the best things on TV. Black Mirror can be so intense that I’ve yet to be able to go back and watch old episodes again even though I loved them the first time around.

The Man in the High Castle
The Man in the High Castle

The alterna-history The Man in the High Castle returns to Amazon Prime December 16. I was surprised as to just how interesting a show High Castle was since I’d never really been interested in any of the other original Prime series. Here, it’s an early 1960s where Germany and Japan won the second world war and now occupy most of the planet, the US included. These two superpowers are engaging in a Cold War of sorts with what’s left of the US set to be the battleground for World War III. Except that events in the first season of High Castle reveal that this may just be one reality of many, one where the allies won the war (ours) and others where Germany or the Soviets won it all.

Better Call Saul
Better Call Saul

Another sci-fi series The Expanse returns to SyFy this January. Based on the book series Leviathan Wakes, The Expanse takes place in a future where mankind has colonized most of the solar system and has brought along all of the problems we have here on the Earth like racism, war, disease, hunger… But all this pales in comparison to what starts happening when something’s released on an asteroid outpost that threatens to consume all of humanity.

Also sometime in January a fourth season of the PBS series Sherlock is set to return with, I’m assuming, four new episodes. The series has been on since 2011 and has so far aired a paltry 13 episodes of TV. They may be “paltry” but they’re also darn good!

And the show I’m looking forward to most returning next season is Better Call Saul on AMC, the third series about how lawyer Jimmy McGill (Bob Odenkirk) goes from a guy trying to go good to someone who’d have people killed if it would earn him any money which is set to debut sometime early next year.

Direct beam comms #8

TV

The X-Files

I feel like the first episode of The X-Files mini-series got a bad rap last week. A lot of people complained that it just wasn’t very good. I think some of that was just series creator Chris Carter balancing a whole lot of things in the plot in a limited amount of time which made the show feel a bit rushed. In 45 minutes he needed to; reintroduce the characters that haven’t been on TV together in 13 years AND introduce these characters to a new audience who’s never seen them before, introduce a new story/conspiracy to hang the new series off of WHILE AT THE SAME TIME telling some kind of actual contained story in this episode.

Which is a whole lot to do. Which is why a lot of pilot/first TV series episodes aren’t very good and aren’t necessarily indicative of where the series and future episodes are headed.

And in fact without this baggage the second episode was a much improvement over the first and felt much more like a return to form for The X-Files.

Episode #1: “My Struggle” – B-
Episode #2: “Founder’s Mutation” – B+

The Expanse

The two hour first season finale of The Expanse is set to air on SyFy this Tuesday evening. From what I can gather this season ends about two-thirds of the way through the first book of the Leviathan Wakes series of which The Expanse is based on. Just last fall I was thinking that I couldn’t remember the last really good sci-fi with spaceships series on TV — it was probably Battlestar Galactica. And just weeks later The Expanse with its cool visuals and great story swooped in to fit that bill perfectly.

The Expanse is my new favorite series of the season and is an early contender to appear on my top TV shows list of 2016.

Fawlty Towers

The cast of Farty Towels
The cast of Farty Towels

Our local PBS station began airing episodes of the classic TV series Fawlty Towers at the start of the year. It’s probably been a decade since I originally saw the show — I came to the series after watching the British The Office and hearing about it in discussions on that show — and watching it again today Fawlty Towers is still a great show!

Movies

Mr. Holmes

In Mr. Holmes Sherlock Holmes (Ian McKellen), the world’s greatest detective, is 93, living in a post-World War II Great Britain and has one more case to solve yet is slowly losing his mind to age. Or is there really a last case and is it just as Holmes memory fades certain things get mixed up in his mind? Is it just a mix of ghosts from his past?

By presenting Holmes at the end of his life rather than at the beginning of his career as a detective, Mr. Holmes is an interesting counterpoint to other Sherlock Holmes related TV series like Sherlock and Elementary. – B

Batman vs Superman

With all the lead up to the upcoming Batman vs Superman movie, officially Batman v Superman: Dawn of Justice, it kind’a feels like Warner Bros has been promoting this movie forever. Batman vs Superman was announced ’13 with an early ’15 release date, then was pushed back to March of this year after it was decided that hitting that date wasn’t realistic. And since it was pushed back so far it seems like we’ve spent the last two and a half years getting a constant stream of marketing from the movie.

Is there anything new left to see by actually going to see Batman vs Superman? It’s been so long since that original San Diego announcement that in between then and now Marvel’s released FOUR movies to DC’s none.

Batman vs Superman might be the first movie in history to feel like a re-release on its initial release.