Direct Beam Comms #156

TV

The Haunting of Hill House ⭐⭐⭐⭐

I am very jaded and it takes a lot for a TV show of movie to genuinely scare me. I’ve been watching scary movies since I was a little kid so things like Freddy Kruger or Jason from Friday the 13th don’t frighten me in the least. Since I’ve been watching movies like that since elementary school, to me most horror movies or TV series are more boring that frightening — and don’t get me started on the total yawnsville of most new horror. So when I heard about the latest Netflix series The Haunting of Hill House I figured it would be yet another of the long line of horror “things” I’d find dull.

And after the first episode I figured I was right.

The series starts off kind’a slow following the Crain family over two time periods, one in 1992 and the other present day. And because the show jumps around a lot between time periods at first it’s a bit hard to follow. In many ways, that first one felt like a typical modern horror series with slick visuals but a shallow story. But there’s something that happened at the end of that episode that genuinely gave me a fight, it’s something that got my heart beating a little faster and left me contemplating watching the next episode ASAP.

And later that night when I went to bed I was still thinking of the show. And even later on when I woke up at 3AM and was still thinking about The Haunting of Hill House, and also thinking, “Wouldn’t it be scary if the thing at the end of the episode reached out and grabbed my leg from under my bed,” that I knew this series was something special.

Bad things are seen at Hill House
Bad things are seen at Hill House

What starts off as a happy family in the 1990s turns into something more dark and fractured by 2018 in The Haunting of Hill House. The stereotypical nuclear family with mom, dad, two brothers and three sisters, don’t talk much anymore, and whatever communication they do have is indirect. What drove them apart is something that happened to them at Hill House, an estate the family was trying to flip back in 1992, that left the mother of the family (Carla Gugino) dead. The kids all swear that they saw ghosts before what was left of the family literally drove off with nothing more than the clothes on their backs the last night they spent at the house.

When sister Nell (Victoria Pedretti) starts seeing ghosts again present day and takes her own life, the family is forced back together to confront their past which is spilling over into the present whether they like it or not.

I think the ideas of The Haunting of Hill House are just as scary as the visuals, and the visuals are pretty darn scary. Ideas like a fractured family, siblings lost in their lives and looking for help but finding none and a father so far removed from his kids he hasn’t spoken to them in years is just as terrifying as the things the kids see in the house. Be it a creature that lives in the basement, the “bent neck lady” or the tall man that thumps along the halls at night are all things that left a chill up my spine.

One thing that The Haunting of Hill House does that most other horror movies and TV series don’t/are too afraid to do is that it actually delves into the realm of sadness. Whether it’s the sadness over the loss of Nell, which as the series progresses feels less and less like a suicide from mental illness than something much darker, or even the sadness of a once close family fractured and scattered to the winds after what happened in 1992 The Haunting of Hill House is just as sad as it is scary.

And I shouldn’t forget those ghosts.

The Haunting of Hill House present day
The Haunting of Hill House present day

They’re scary, there were a few times when I caught a glimpse of one hiding in the background that I nearly jumped out of my seat. And there are times when the characters of the show don’t see them, but the viewers do which added a point or two to my blood pressure. It’s one those things where there might be ghosts anywhere in the house/background of scenes at any time, and because of that it adds a layer of tension to scenes that generally would be tension-free.

There has been talk about how the ending of the first season of The Haunting of Hill House is a let-down, that it doesn’t fit with the rest of the show. Which I think is total bunk. It fits perfectly well and if you’re paying attention to everything that’s going on it’s really the only place things could’ve ended up.

One thing is I’m not quite sure where The Haunting of Hill House is going to go from here? It’s one of those shows everyone was talking about for a while and I can only imagine Netflix is going to want another season of it. But the first season ended here so perfectly, and there is an ending, there’s no cliffhanger that would easily lead to a second season, I kind’a hope that The Haunting of Hill House is a one-and-done show, even if it means we might never get to spend time with the Crain’s again.

Mystery Science Theater 3000 ⭐⭐⭐

Mystery Science Theater 3000
Mystery Science Theater 3000

It’s crazy to say, but I’m almost happy that the TV series MST3K was cancelled back in 1999. It’s only because the show went away nearly 20 years ago that it could have been brought back by Netflix in 2017 with the second season having debuted there last Friday. The revived MST3K still “feels” like genuine MST3K circa 1993 but with some smart updates for the 21st century. The basic premise is the same with a guy (Jonah Ray) trapped on a satellite who, along with his robot friends is forced to watch bad movie after bad movie by an evil scientist (Felicia Day).

MST3K is basically an excuse for some really talented comedians including Ray, Baron Vaughn and Hampton Yount who play the robots to riff and make fun of these movies while they run.

It’s a smart idea that I’m surprised hasn’t been copied 1,000 times since MST3K went off the air but somehow hasn’t –– maybe getting ahold of those bad movies is harder than it looks? Anyway, the simple fact that after one of the most successful Kickstart campaigns in history reignited interest in the show and Netflix went ahead and picked MST3K up and began streaming it on their platform, means that since the series first premiered 30 years ago we’re still getting new episodes of it and that’s a good thing.

Movies

Once Upon a Deadpool trailer

They Shall Not Grow Old trailer

The LEGO Movie 2: The Second Part trailer

Aquaman trailer

The Lion King

What To Watch This Week

Vikings
Vikings

Tuesday

The latest Predator movie The Predator is available on digital download this week.

Wednesday

The sixth (!!!) season of Vikings begins Wednesday on History.

Books

Star Trek: The Art of John Eaves
Star Trek: The Art of John Eaves

Star Trek: The Art of John Eaves

A collected work of Star Trek designer and concept artist John Eaves is due out this week.

Over the past few decades, John Eaves has had a major impact on the look of the Star Trek Universe and played a pivotal role in shaping Gene Roddenberry’s vision. Starting with his work on Star Trek V: The Final Frontier, Eaves has worked as a production designer, illustrator, and model maker across the franchise. He has been responsible for creating many of the props and ships, and helped develop the Federation design, from the U.S.S. Enterprise NCC–1701-E to the U.S.S. Discovery NCC–1031.

Star Trek: The Art of John Eaves represents the most extensive collection of designs and illustrations created by Eaves across the Star Trek Universe. Featuring fascinating pencil sketches and stunning concept art, this visually dynamic book gives fans a unique in-depth look into Eaves’ creative vision and the wealth of his remarkable work at the center of this spectacular franchise.

The Reading List

The Dark Side: An Oral History of The Star Wars Holiday Special

Cool Movie & TV Posters of the Week

Direct Beam Comms #149

Rumor Control

When I was growing up in the 1980s, Disney wasn’t very popular with the kids I knew. I don’t mean we didn’t see Disney movies, even if many of them were released under the Touchstone Pictures brand, nor did we not watch Disney on TV since there were quite a few cool TV movies released then under the Disney brand then too. But as for what people think of as Disney with Mickey Mouse, Goofy, Pluto and the rest, I don’t remember them being around at the movies or on TV growing up.

The kids I hung out with were much more into characters from Looney Tunes than Mickey Mouse. In fact, for a time in the 1990s Looney Tunes characters like the Tasmanian Devil and Marvin the Martin were everywhere, on t-shirts, cars and body parts with tattoos. But not so much with the mouse. 
And I think I know the reason why.

While in the 1980s episodes of Looney Tunes and Tom and Jerry running after-school were ubiquitous across the TV dial, during that time period Mickey Mouse was nowhere to be found. The reason was back then all things Disney related were moved from regular TV to the new Disney Channel, and back then the Disney Channel was a premium channel you had to pay extra for like HBO. So if your parents didn’t pay up you’d never see any Mickey Mouse cartoons. I knew of exactly one person back then who had the Disney Channel as a kid, the rest of my friends and family did not.

And because there was a whole generation of kids who grew up without a way to easily see Disney cartoons we never had too much fondness for them or their characters.

Which is why the whole idea of these new streaming services popping up all over with that have their own series you can see no where else frightens me a little.

If you want to see new episodes of Star Trek you can only do that on CBS All Access. If you want to see new episodes of the upcoming Star Wars TV show, and eventually any of the Star Wars movies outside of the theater, you’ll have to do that on Disney streaming.

The Mandalorian
Star Wars TV series

All of which is fine, except I wonder how this will affect those brands in the future?

Part of the reason I love all things Star Wars was growing up the original trilogy of movies would turn up on broadcast TV from time to time. And even when it eventually moved to cable it wasn’t on the premium channels and was easy to see. I remember watching marathons of Star Wars many a Thanksgiving.

The same goes for Star Trek. I only really started watching that series when Star Trek: Deep Space Nine premiered. And when that show hooked me I went back and watched all of The Next Generation since it aired in syndication and was pretty easy to see.

And since I’m a fan of both Star Wars and Star Trek I’ve spent many hours and more money than I’d like to think about on them, collecting everything from the films to posters to toys and everything in between.

I don’t think I’d be as infatuated with them if the only place to see them would’ve been two outlets that my parents would have had to pay extra to get. I might have bee into Star Wars because of the films, but I’m not sure how into them I would’ve been if it wasn’t as easy as it was to see them after the theater?

Right now it makes perfect financial sense to move Star Trek and Star Wars to these streaming services. They have this incredibly dedicated fan-base who’ll follow those franchises to the ends of the Earth and don’t mind paying $10 a month to do so.

My question is in 20 or 30 years when there’s a generation of kids who grew up knowing about shows that only appeared on streaming they might not have gotten, will they care as much as we do today? I think not, I think they’ll be like my generation and Disney. We’re aware of it but we’re not invested in it.

Ironically, right after my generation came of age Disney began getting its act back together and in the 1990s the Disney Channel became part of basic cable. Even more importantly they started releasing a popular series of movies and syndicated TV shows that really connected with the next generation of kids. To them Disney and Aladdin and Rescue Rangers and The Little Mermaid are their childhood touchstones where Looney Tunes and Transformers and G.I. Joe are part of mine.

It will be interesting to see if in a decade or so places like Paramount who owns Star Trek and Disney Star Wars will look back at what they’re doing now as some great mistake? That instead of tapping into a well of fandom they’ve actually capped that well and have taken short-term gains but setup a long-term collapse.

TV

Nightflyers TV commercial

Daredevil promo

Project Blue Book first look

Star Trek: Discovery season 2 commercial

Comics

Kingdom Come
Kingdom Come

Absolute Kingdom Come

DC Entertainment is set to release the seminal Mark Waid/Alex Ross comic mini-series Kingdom Come in one of their gorgeous “Absolute” collected editions. The downside is this runs about $100 retail.

In the not-so-distant future, the DC Universe is spinning inexorably out of control. The new generation of heroes has lost their moral compass, becoming as reckless and violent as the villains they fight. The previous regime of heroes—the Justice League—returns under the most dire of circumstances, which sets up a battle of the old guard against these uncompromising protectors in a conflict that will define what heroism truly is. Collects KINGDOM COME #1–4.

Overlord movie trailer

Aquaman extended look

What To Watch This Week

Teen Titans! Go to the Movies
Teen Titans! Go to the Movies

Sunday

The latest animated Star Wars series Star Wars Resistance premiers this week on Disney HD.

TCM begins gearing up for Halloween and will be airing a whole bunch of movies featuring mummies including The Mummy’s Hand, The Mummy’s Ghost and The Mummy’s Curse Sunday evening.

The Walking Dead returns to AMC for it’s 1,790th season.

Tuesday

The surprisingly underperforming Teen Titans Go! To the Movies is released on digital this week.

TCM will air the 1992 Stephen Hawking documentary A Brief History of Time today.

Wednesday

After “Mummy Sunday” TCM will air a “Christopher Lee Wednesday” with a bunch of horror movies that featured the iconic actor with the likes of The Devil’s Bride, Horror of Dracula, Dracula, Prince of Darkness, Horror Hotel, The Face of Fu Manchu and Rasputin, the Mad Monk.

Friday

Netflix will release its horror series The Haunting of Hill House Friday.

Matt Weiner’s first new series since Mad Men entitled The Romanoffs debuts on Amazon Prime.

First Man about astronaut Neil Armstrong starring Ryan Gosling premieres in theaters this week.

The Reading & Watch List

Cool TV Posters of the Week

2018/2019 TV preview

It’s going to be a long fall. Usually, when the weather starts changing and the nights start getting longer I look forward to staying in and checking out the new series on TV. But this fall isn’t looking too good. Sure, there’s a few things to watch, but not enough for my taste and only a handful of series on network TV. The template the networks have taken for the 2018–2019 season is to debut a lot of lame-looking sitcoms and tired cop/hospital/lawyer procedural dramas that all seem to have been done before.

The good news is it isn’t all bad, there are quite a few new series on cable and streaming services to look forward to. The bad news is that most of these series don’t start airing until much later in the year and even then quite a few not until 2019. Oh well, there’s always horror movies marathons come Halloween to fill the gap.

New series

The Passage

On FOX the vampire thriller The Passage starring Mark-Paul Gosselaar is set to put a lot of stakes into the hearts of the undead ghouls in the one network show I want to check out in January. While the novel the series is based on took place mostly in a future overrun with the blood-suckers, this new TV show looks to moved things back a bit to the pre-apocalypse when these vampires were just being created in the lab.

Manifest on NBC about a plane that takes off one day but lands five years later with everyone on board not realizing the time-jump departs September 24. I think I’d be more looking forward to this show if it didn’t look like a clone of many other series before it, especially Lost.

Matt Weiner’s follow-up series to his uber-successful Mad Man entitled The Romanoffs is set to debut on Amazon Prime October 12. I’m not totally sure how this one’s going to go, but reportedly this anthology series will focus on characters who think they’re related to the Russian royal family the Romanoffs.

After the animated Star Wars: Rebels series on Disney ended earlier this year comes the new series Star Wars Resistance also on Disney October 13. This one is set to take place around the time of the current film series but before the events of Star Wars: The Force Awakens.

Nightflyers

SYFY is once again trying their hand at traditional sci-fi series with Nightflyers, based on the George R.R. Martin book of the same name. Not at all looking to cash in on Martin’s name and the fact that he wrote Game of Thrones and therefore SYFY can promote Nightflyers as such, here, it’s the near-future and as the ship of the same name explores the solar system it uncovers something that threatens everyone abroad the ship. Nightflyers does sound a bit derivative of things like Event Horizon (1997), except that the novel the series is based on was written way back in 1980.

The Netflix series Another Life has an astronaut (Katie Sackhoff) leading a mission to find the origins of an alien artifact, but this artifact might be deadly and the mission one-way. Maybe the cast of Another Life and Nightflyers can team-up since their two shows sure sound a lot alike.

The iconic comic book mini-series then film Watchmen will become an HBO TV series of the same name sometime next year. There’s not a whole lot that is known about this one, other than apparently it doesn’t totally follow the story of the comics but instead takes place in the same comic universe.

And as for new shows this season, that’s about it. I’m sure I’ll checkout some of those lame-looking sitcoms hoping to be surprised with something interesting, but I’m not holding my breath.

Returning series

Fortunately, there are a few returning shows this year to look forward to.

The Good Place

Returning network shows that will premiere this year include The Good Place, the sitcom about a group of people lead by Eleanor Shellstrop (Kristen Bell) stuck between heaven and hell returns to NBC on Thursday, September 27 and The Orville on FOX that is Seth MacFarlane’s love-letter to the classic series Star Trek squeaks into 2018 with its second season debut on Sunday, December 30.

Two Netflix superhero series return this year too. First up is the second season of Iron Fist which drops September 7. Then, sometime later in the year, comes a third season of Daredevil who appear last season on The Defenders. I honestly don’t really remember what happened in the second season of Daredevil since it aired more than a year and a half ago at this point. Weren’t there lots of ninjas?

Doctor Who

Doctor Who returns for its 11th season of the modern incarnation of the character October on BBC America here in the US. The big news with Doctor Who is that after 55 years and more than a dozen versions of the character, this time the lead will be played by a woman, Jodie Whittaker. Personally, I still like Peter Davison’s version of the character the best, no matter how many Matt Smith fans out there I have to go all “Sharks and Jets” with.

The Sundance series Deutschland 86 will return for its second season October 25. The first season was about an East German spy played by Jonas Nay infiltrating West Germany in order to steal military secrets and had tinges of The Americans to it. The third season looks to pick up three years from there and just a few years before the fall of the Berlin Wall.

The British sci-fi series Black Mirror will serve up more creepy goodness sometime this winter on Netflix. Even after four seasons I still really dig this show and I think it’s partially because even though there’s already been those four seasons, Black Mirror is an anthology series so each episode is a story unto itself. And to date there’s been just 20 episodes of it produced in total, which is less than how many episodes of a modern network series are produced in just one year, so the show is still fresh.

Star Trek: Discovery
Star Trek: Discovery

A second season of Star Trek: Discovery returns to CBS All Access this January. The first season of Discovery got good enough reviews from Trek fans, if those were the only people seemingly watching it, and the second season looks to bring in the big guns to the show, namely the USS Enterprise along with its Captain Kir… errr… I mean Captain Pike (Anson Mount).

The Netflix phenomenon Stranger Things will return for its third season summer of 2019. Last time we left the plucky kids of Hawkins, Indiana seemingly having beaten the evil forces that had emerged from the “upside down,” but if other sci-fi shows have taught me anything it’s that every victory against evil is just temporary. Until the final episode of the series, that is.

My favorite superhero series The Punisher also returns to Netflix sometime next year. The first season ended with Frank Castle (Jon Bernthal) having totally accepted the mantel of the skull wearing vigilante by blasting all the baddies to smithereens with the second season looking to pick up from there.

The Terror

A surprise to me this spring was just how much I dug the first season of the AMC series The Terror about an ill-fated expedition to the Arctic the 19th century. The second season will reportedly have a new story and focus on Japanese Americans during the second world war since the first season ended with pretty much the entire cast dead. That’s not a spoiler since the first season was based on a real-life expedition that ended in tragedy and I’m not sure you can consider a historical fact a “spoiler.”

A third season of the critical darling then critically derided True Detective will debut on HBO sometime next year four years after the second. The third season looks to “one-up” the first since that told a story over two time periods by telling a story over three.

Shows that I think will premiere sometime in 2019

Mindhunter

My favorite series of the 2017–2018 season , Mindhunter is set to begin its second season on Netflix next year. This show about the creation of a serial killer hunting unit within the FBI in the 1970s was one of the most well-written and acted shows on TV in recent memory. Plus the series is co-produced and had a few episodes directed by David Fincher which is always a good thing.

The sci-fi drama The Expanse will leave its home of three seasons on SYFY and move over to the Amazon Prime service next year. The third season ended on a high note, so I’m extremely excited to see where the show will go from here.

Another sci-fi drama, this time Westworld, is set to debut its third season on HBO. Now, I won’t even pretend to say that I understood what all happened in the second season finale of Westworld, I don’t think it was quite on the level of the final episode of Lost or anything, but I suppose time will tell.


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