Direct Beam Comms #83

TV

Snowfall

Snowfall is a series FX has been promoting with each and every commercial break for the better part of 2017 now with spots set to the Run-D.M.C. tune “It’s Tricky.” Last year the channel had great success with its mini-series The People v. O. J. Simpson: American Crime Story so Snowfall, a fictionalized version of the creation/introduction of crack cocaine in Los Angeles circa 1983, seems like it would be a good replacement show this summer.

While the O.J. series grabbed me right away, Snowfall on the other hand, hadn’t yet grabbed me by the end of the first episode.

The LA of Snowfall is this weird amalgam of how everyone thinks the 1980s were, but not how it was really like. The characters either live a completely hedonistic, opulent lifestyles, doing drugs and attending orgies in their colossal mansions, or live in a bad part of town where people are getting into fistfights while selling weed. It’s all presented in a hyper-real look at the 1980s where everything exciting that ever happened is happening at once and every hit song of that era is playing out of every radio.

All of which is fine, it just makes for a show that’s a bit hard to watch as it’s always trying to grab your attention.

It doesn’t help matters that most of what Snowfall is doing has been done before in other things like the movies Blow and American Gangster. But what I kept coming back to compare Snowfall to, with its eye towards 1980s fashion and music and colors is the TV series Miami Vice. But instead of focusing on the cops Snowfall instead focuses on the guys selling the drugs.

I just wish Snowfall had been as interesting as Miami Vice was 30 some years ago.

Castlevania

For as much as I’m into all things horror and sci-fi I’ve never been all that much into video games, or really into them at all. I grew up with an Atari and later on a Nintendo with all the classic games of the time but to me video games were always a social activity, something to be played with cousins in grandma’s basement over Christmas and summer vacation or at friend’s houses after school. I rarely, if ever, played games on my own and never got all that good at them. So, while my friends were becoming experts at Metal Gear or Zelda I was getting left behind skill-wise, and as I got further and further behind I became less and less interested in gaming.

When Netflix announced a series based on the classic game Castlevania I was suspect since I can’t readily think of any video game inspired movie or series that was any good, and surly this new series couldn’t be any good either. That was until I read who was involved in the series; writer Warren Ellis.

Ellis is one of the best comics writer in the industry and who’s stories have gone onto be the basis of several movies like RED and Iron Man 3. He also wrote one of the best G.I. Joe stories ever, and certainly the best G.I. Joe story outside of the Larry Hama comics; the animated series pilot for a new Joe cartoon called G.I. Joe: Resolute. What that pilot, Ellis took something that before in its TV version was silly and stupid where the bad guys always managed to get away to something that was dark and dangerous, with characters being in situations that felt real and scary with some longtime faces of the comics being killed off in a story that felt very much of our time.

Unfortunately, I didn’t enjoy Castlevania nearly as much as I did G.I. Joe Resolute. I only played the Castlevania game a few times so I’m dimly aware that it’s about a hero out to stop a vampire in his castle Castlevania but not much else. And after having watched the first episode of the series I’m not sure I’m any more clear as to what Castlevania is about than I was before I’d seen it.

The first of four episodes is nearly all prolog, beginning in 1455, then jumps forward 20 years then yet again another year. To which I wasn’t sure of the point of all this time hopping? I’m assuming it’s meant to setup that the character of Dracula (Graham McTavish) who has time to meet and fall in love with a human woman before she’s burned alive at the stake for being a suspected witch. But this all happens so fast on screen that while Dracula might have been upset over the death, I don’t think the audience will have time to be within the confines of the episode.

It seems to me that what gets compressed into the first episode, Dracula meeting this woman, falling in love only to have her lost to a population steeped in superstition where he then vows vengeance might have made an interesting first season rather than just a single episode. As it is it made for one confusing half hour of TV.

Comics

Planetary Book One

The classic Warren Ellis series is being released again in a trade paperback form with this edition that collects roughly the first half of the series as well as some Planetary one-shots. If you’re unfamiliar, Planetary takes place in a world where things like Marvel and DC comics characters, James Bond and Doc Savage to name a few all exist together in pastiche form alongside one and other in this series. And it’s up to a team of very special individuals to investigate the them and other weird goings on around the planet, and stop the people who are secretly pulling the strings of society.

“It’s a strange world, let’s keep it that way.”

This new cut of the classic series includes extras from the Absolute Edition, including sketches and variant covers. Collecting the adventures of Elijah Snow, a powerful hundred-year-old-man, Jakita Wagner, an extremely powerful but bored woman, and the Drummer, a man with the ability to communicate with machines. Collects Planetary #1–14, the Planetary Sneak Peek and Planetary/The Authority: RULING THE WORLD #1.

Cool Sites

The Ultimate Oldschool PC Font Pack Home of the world’s biggest collection of classic text mode fonts, system fonts and BIOS fonts from DOS-era IBM PCs and compatibles.

The Watch List

This week in pop-culture history

  • 1940: Patrick Stewart, Captain Picard of Star Trek: The Next Generation and Charles Xavier of the X-men films is born
  • 1981: Escape from New York opens
  • 1982: TRON opens in theaters
  • 1984: The Last Starfighter premiers in theaters
  • 1985: Mad Max Beyond Thunderdome premiers
  • 1985: Explorers opens in theaters
  • 2016: Stranger Things premiers

Direct Beam Comms #77

Movies

On sci-fi and loneliness: Passengers

Passengers is part of a larger sci-fi trend of film and TV focusing on just one person. Before in similar movies and series, that “one person” was the only one because of some plague or natural disaster like in I Am Legend or The Quiet Earth. But the modern take on this is that this “one person” isn’t the last person alive, but they’re alone and are marooned by themselves none-the-less. Movies like Moon had the only person Sam Bell (Sam Rockwell) being the sole-occupant of a lunar mining station, Gravity had Ryan Stone (Sandra Bullock) as the only survivor of a Space Shuttle mission who’s trapped in orbit and The Martian had Mark Watney (Matt Damon) as an astronaut left behind on Mars who must survive with only duct tape, plastic wrap and his wits.

In all of these movies humanity is still alive and well back on the Earth but the main characters are so separated from us they might as well be the only person alive.

In Passengers, the last man is Jim Preston (Chris Pratt) is a passenger on a shiny space-liner taking thousands of hibernating passengers from the Earth to a new colony world. But because of a glitch Jim awakens from this 120 year journey a bit early — 80 years too early in fact. And since he’s the only one awake and since there’s no way for him to go back into hibernation Jim has to face the reality of spending the rest of his life living alone on this ship.

While Jim is utterly alone on this ship he’s surrounded by thousands of pleasantly slumbering passengers all around him and a robotic bartender Arthur (Michael Sheen) to talk with. But Arthur has a robotic personality to match and isn’t much company and Jim slowly begins to lose his mind from loneliness as he reads the computerized biographies of the other sleeping passengers. After falling in love with the backstory on another passenger Aurora Lane (Jennifer Lawrence), Jim decides to awaken her too, blame it on the same glitch that woke him so they can live happily ever after together on this luxury-liner of the stars.

Or so he hopes.

Passengers is a good movie, if full of plot-holes. From the idea that a company would spend untold sums of cash to build a spaceship that’s like a 5-star hotel that’s but is only designed to be used a few months every 240 years or so is ludicrous. Also ludicrous is the idea Aurora has (get it with her name “Aurora” or Sleeping Beauty) of becoming the first writer to journey to this new colony world and back to write about what that experience is like. Except doesn’t the crew of these ships do that all the time? Plus, once Aurora arrives back on the Earth she’d be a 240 year old anachronism who’d be totally out of date and out of step with the realities of that civilization. Let’s put it this way — if someone from 1777 turned up in 2017 they would be the story. People would be interested in what it was like to live and work 240 years in the past rather than what the trip was like. Or even that Jim wouldn’t look to awaken a technician who might be able to put them back to sleep…

I’d be lying if I said the style of Passengers wasn’t anything that had been put to screen before. The ship of Passengers the Avalon, in and around which all the action takes place, from the inside looks like a 5-star hotel staffed by robots. There are some interesting futuristic bits and pieces here and there, but for the most part style-wise Passengers looks much like every other sci-fi movie of the last five years — very slick and very computer generated. The one thing that is different is the actual design of the outside of the Avalon that looks more like a twisting piece of modern art than a traditional-looking spaceship. But that only goes so far from separating this movie from the pack.

Passengers is good, but it’s not a movie that’s going to expand the genera. There’s really nothing new about the plot of Jim being the last man and facing the future alone but somehow finding companionship — which is what happens in every last man story. But it’s not bad either. I thought on the whole Passengers was a very interesting movie from the last man standpoint if not that unique.

Aurora: He woke me up. He took away my life…It’s murder!

Gus Mancuso: You’re right, Aurora. But, the drowning man will always try to drag somebody down with him. It ain’t right, but the man is drowning.

Spider-Man: Homecoming trailer

TV

Castlevania teaser

The Reading List

This week in pop-culture history

  • 1940: Rene Auberjonois, Odo of Star Trek: Deep Space Nine is born
  • 1953: Colm Meaney, Chief O’Brien of Star Trek: The Next Generation and Star Trek: Deep Space Nine is born
  • 1985: Star Trek III: The Search for Spock opens in theaters
  • 1990: Total Recall premiers
  • 1996: The last episode of Space: Above and Beyond airs
  • 1991: The TV series Liquid Television premiers