Category: TV
Direct Beam Comms #21
TV
Game of Thrones & Veep
Both Game of Thrones and Veep returned to HBO last week with GoT entering its sixth and Veep its fifth seasons. These two series are still pretty good, but I feel that, especially with GoT, they’ve started to slip.
To me, GoT is kind’a starting to feel like The Walking Dead, where there’s no end in sight for the story with the series set to go on and on and on. Which is fine, as long as interesting things are happening on the show — which, if this were, say, the second season of GoT it’d still be good. Except that much of the GoT story this season and last has been introducing new story elements, suddenly and sometimes violently killing characters while at the same time not really ending any particular story.
Lately, the storylines of GoT is like a ballon being filled. And which each breath the ballon grows larger and larger. Next to the balloon is a sharp knife and slowly the ballon gets bigger and gets closer and closer to the knife and destruction. And when the first ballon is starting to get realllllly close to that knife another ballon appears and like the first is slowly inflated until it begins to get closer and closer another sharp, pointy knife and oblivion.
And then there’s more and more balloons introduced to the point where the tension rises and rises with each breath and expectant pop.
Except that when you look back at the first balloon, the one that had you on the edge of your seat for so long it’s not so much as touched the knife and exploded, instead all the air’s just been let out of it and since you were paying attention to all those other balloons you never noticed that instead of some fantastic explosion that first balloon ended in a big flabby mess.
To me, that’s the formula of GoT. Lots of stories are introduced and lots of exciting things happen, but there’s not much closure or resolution on anything.
There’s still a war, the great GoT “houses” still don’t like each other and the series is full of characters only looking out for themselves. And much of this feels like it’s in place to keep the show in a “steady state.” That if we look back on GoT in a few years time maybe the faces have changed, but the stories will have not.
I’ve heard arguments that the stories of GoT are like real life. That these things really do happen and people really do look out for themselves. And that’s true, except that GoT isn’t real life. It’s a fictional story with dragons and magic and zombies. Which to me means that GoT really should be heading towards some conclusion. I get that maybe this conclusion might be the conclusion of part of the story and not the conclusion of the story as a whole. But it should seem like overall GoT is headed somewhere. Otherwise, GoT is just covering the same unique territory it covered in the first season but it doesn’t feel all that “unique” all these years later.
Veep, on the other hand has done a good job of changing and morphing as the series has progressed. The first season started with the title character Selina Meyer (Julia Louis-Dreyfus) as the Vice President of the US, then changed with her having delusions of power as she became the actual President as the President she served under stepped down. Now Meyer’s in an election fight on three sides with her holding onto the office in doubt.
To me, Veep works best in short, controlled bursts. The first season of the series had eight episodes while later ones ten. Which isn’t many extra — but it does seem like when the creators of Veep are forced to be focused with a limited run like with the first season, Veep is a much more focused show. With more episodes sometimes the story wanders a bit, and I wonder if it’s more because that’s what the writers wanted to do, or if it’s because they had to create more content for the longer season?
Game of Thrones – Grade B- Veep – Grade B+
Comics
Out now is Aliens: Defiance #1 from Dark Horse. What makes me interested in his comic is the cover artist; Mark A. Nelson. Nelson drew the very first Aliens title for Dark Horse back in 1988 and this image marks a sort of return for the artist to a character he hasn’t drawn in quite some time.
Movies
X-Men: Apocalypse trailer
“Just because there’s not a war doesn’t mean there’s peace.”
“Not all of us can control our powers.”
“Then don’t.”
Toys
NECA is set to release even more toys from the movie Aliens (1986) this time based on the characters of Vasquez and Frost. They already have a few figures released from that movie including Bishop, Ripley, Hicks and Hudson. Which makes me wonder if NECA is planning on releasing all of the A and B squad Colonial Marines?
On the Horizon
I’ve got columns in the works/planned for the X-Men film franchise, Independence Day: Resurgence, the movies of 1986, Suicide Squad and Star Trek too.
Silverhawks (1986) TV series opening
Direct Beam Comms #20
TV
Vinyl
The season finale of the first season of Vinyl aired on HBO last Sunday. Overall, I enjoyed this show about a New York record label in the early 1970s a lot, but thought this finale episode was a bit weak. Vinyl does suffer from a typical first season issue many dramas suffer from these days — mainly an overstuffed story with too many characters/things going on. Series that have been on the air a few years can be overstuffed, but since the viewer already has a grasp of who is who and what all stories are happening it isn’t an issue. But with series like Vinyl in their first seasons this can lead to confusion.
I felt like in Vinyl maybe 40% of the storylines could be cut in order to let other stories expand. I thought the story of record exec Richie (Bobby Cannavale) and his wife Devon (Olivia Wilde) and what they were going through this season was very interesting. And of Richie’s partners in the company played by J.C MacKenzie and Ray Romano was great too.
But there was so much other “stuff” going on from junior record execs to a murder to the mafia to women in a 1970s workplace to the emergence of rap music … that drew the focus away from these core stories.
And at the start of the season I thought that some of Vinyl would focus on the past, especially with Richie and his first musical discovery Lester (Ato Essandoh), where Lester’s future as a musician was cut short by Richie’s mob ties. But this didn’t seem to be a part of the show other than in an episode or two.
Unfortunately, much of the finale of Vinyl hinged on a murder Richie committed in the first episode and spent the other nine episodes dealing with and whether or not Richie’s musical discovery The Nasty Bits would ever be ready for a big musical showcase opening for The New York Dolls. The whole murder plot line seemed very out of place in a show like Vinyl and only served to bring in Richie’s drug/alcohol abuse and mob-ties into the story. Which could have easily been done by opening the show with Richie being a drug addicted alcoholic with mob ties rather than the addition of the murder storyline.
And as for the whole The Nasty Bits storyline… While I appreciate what they creators of Vinyl were trying to do by showing Richie was onto something with this proto-punk band, this storyline went on so long and was so barely interesting that by the end of Vinyl I didn’t care if The Nasty Bits scored a big hit or fell apart and disbanded at the end of the show.
(I might be in the minority but I did greatly enjoyed actors playing real-life musicians in the show like David Bowie and Elvis and the psychedelic dreamlike segues of other actors as famous musicians miming songs too.)
Overall first season: B Season one final episode “Alibi”: C-
Better Call Saul
If the first season finale of Vinyl was a bit of a letdown, the second season finale of Better Call Saul was quite the opposite — it was wonderful. This prequel to Breaking Bad which has never been too beholden to that progenitor series has cut its own path right from the very first episode.
The second season finds a pre-Saul Goodman Jimmy McGill (Bob Odenkirk) accepting his dream job at a large law firm, and getting everything he’s ever dreamed of or worked for like a huge signing bonus, a fancy car and condo too. Yet even with all this Jimmy’s still not quite able to shake his streak of being one step above a con man. Be it filming and airing a TV commercial without the knowledge of his bosses or grifting people in bars with his girlfriend Kim (Rhea Seehorn) even if it’s all for fun.
Whereas most dramas these days are about high stakes — Stop the zombies before they overrun our settlement! Find the murderer before the end of the episode! — instead, Better Call Saul is the master of the low-stakes. Be it Jimmy trying get his brother Chuck’s (Michael McKean) respect even if Chuck has absolutely no respect for Jimmy, trying to start a fledgling law firm or keep out of hot water with his girlfriend.
The stories of Better Call Saul are barely newsworthy, or if they’re newsworthy at all they’re on the back page of the local paper. Which in an era of dramas that hype the impossible and go bigger and bigger with their plots each season is a breath of fresh air.
The stakes do get a bit high for another Breaking Bad alum Mike Ehrmantraut (Jonathan Banks) who’s living off a police officer’s pension and is trying to make ends meet as a parking lot attendant. Which is fine except that when his daughter in-law needs money to move to a safer neighborhood, Ehrmantraut starts down the path of a life of crime in order to make some fast cash. Much of Ehrmantraut’s later storyline this season dealt with him finding ways to not kill people yet still be able to pocket extra cash.
I get the sense that when the proverbial crap does hit the fan, when Jimmy does finally “break bad” and becomes Saul Goodman and Mike does finally cross over to the dark-side of murder, that things will change for these characters and the show as a whole.
Which I personally love — I have no interest in shows that stay the same year after year. Give me story change or give me my remote!
Grade: A+
The Last Panthers
This UK/French series is currently airing on Sundance here in the US. It’s an interesting show about the criminals who pull off a diamond heist that goes wrong and escape across Europe and the police and insurance investigators, the main one played by Samantha Morton, chasing them.
Watching the first episode I was struck as to just how much stuff happens from an intricately planned heist that involved setting cars on fire and parkour jumps from building to building to locations in France and Bulgaria and Serbia.
There was so much stuff going on that what happened in the first episode was almost enough to keep another series in story for an entire season.
Grade: C+
Comics
Aliens 30th Anniversary: The Original Comics Series
Collecting the original 1988 Dark Horse black and white Aliens series is the hardback Aliens 30th Anniversary: The Original Comics Series. I own the original six-issue comics series as well as a softcover collected edition of it too. But you’d better believe when I heard this oversized edition was in the works I placed an order for Aliens 30th Anniversary: The Original Comics Series at my local comics retailer the next day.
My one quibble here is that it’s the 30th anniversary of the movie Aliens, not this comics series which is still a spry 28-something. 😉
Movies
Independence Day: Resurgence trailer
“They like to get the landmarks!”
Cool Sites
All sorts of info on the classic 1984 movie.
This week in pop-culture history
- 1951: The Thing from Another World premiers in theaters.
- George Takei, Sulu of Star Trek turns 79.
Voyagers (1982) TV opening credits
https://www.youtube.com/watch?v=oASi-3AQI9M