Direct Beam Comms #21

TV

Game of Thrones  &  Veep

Both Game of Thrones and Veep returned to HBO last week with GoT entering its sixth and Veep its fifth seasons. These two series are still pretty good, but I feel that, especially with GoT, they’ve started to slip.

game-of-thrones-season-6-1-4To me, GoT is kind’a starting to feel like The Walking Dead, where there’s no end in sight for the story with the series set to go on and on and on. Which is fine, as long as interesting things are happening on the show — which, if this were, say, the second season of GoT it’d still be good. Except that much of the GoT story this season and last has been introducing new story elements, suddenly and sometimes violently killing characters while at the same time not really ending any particular story.

Lately, the storylines of GoT is like a ballon being filled. And which each breath the ballon grows larger and larger. Next to the balloon is a sharp knife and slowly the ballon gets bigger and gets closer and closer to the knife and destruction. And when the first ballon is starting to get realllllly close to that knife another ballon appears and like the first is slowly inflated until it begins to get closer and closer another sharp, pointy knife and oblivion.

And then there’s more and more balloons introduced to the point where the tension rises and rises with each breath and expectant pop.

Except that when you look back at the first balloon, the one that had you on the edge of your seat for so long it’s not so much as touched the knife and exploded, instead all the air’s just been let out of it and since you were paying attention to all those other balloons you never noticed that instead of some fantastic explosion that first balloon ended in a big flabby mess.

To me, that’s the formula of GoT. Lots of stories are introduced and lots of exciting things happen, but there’s not much closure or resolution on anything.

There’s still a war, the great GoT “houses” still don’t like each other and the series is full of characters only looking out for themselves. And much of this feels like it’s in place to keep the show in a “steady state.” That if we look back on GoT in a few years time maybe the faces have changed, but the stories will have not.

I’ve heard arguments that the stories of GoT are like real life. That these things really do happen and people really do look out for themselves. And that’s true, except that GoT isn’t real life. It’s a fictional story with dragons and magic and zombies. Which to me means that GoT really should be heading towards some conclusion. I get that maybe this conclusion might be the conclusion of part of the story and not the conclusion of the story as a whole. But it should seem like overall GoT is headed somewhere. Otherwise, GoT is just covering the same unique territory it covered in the first season but it doesn’t feel all that “unique” all these years later.

Veep, on the other hand has done a good job of changing and morphing as the series has progressed. The first season started with the title character Selina Meyer (Julia Louis-Dreyfus) as the Vice President of the US, then changed with her having delusions of power as she became the actual President as the President she served under stepped down. Now Meyer’s in an election fight on three sides with her holding onto the office in doubt.

Aliens Defiance
Aliens Defiance

To me, Veep works best in short, controlled bursts. The first season of the series had eight episodes while later ones ten. Which isn’t many extra — but it does seem like when the creators of Veep are forced to be focused with a limited run like with the first season, Veep is a much more focused show. With more episodes sometimes the story wanders a bit, and I wonder if it’s more because that’s what the writers wanted to do, or if it’s because they had to create more content for the longer season?

Game of Thrones – Grade B- Veep – Grade B+

Comics

Out now is Aliens: Defiance #1 from Dark Horse. What makes me interested in his comic is the cover artist; Mark A. Nelson. Nelson drew the very first Aliens title for Dark Horse back in 1988 and this image marks a sort of return for the artist to a character he hasn’t drawn in quite some time.

Movies

X-Men: Apocalypse trailer

“Just because there’s not a war doesn’t mean there’s peace.”

“Not all of us can control our powers.”
“Then don’t.”

Toys

NECA is set to release even more toys from the movie Aliens (1986) this time based on the characters of Vasquez and Frost. They already have a few figures released from that movie including Bishop, Ripley, Hicks and Hudson. Which makes me wonder if NECA is planning on releasing all of the A and B squad Colonial Marines?

On the Horizon

I’ve got columns in the works/planned for the X-Men film franchise, Independence Day: Resurgence, the movies of 1986, Suicide Squad and Star Trek too.

Direct Beam Comms #20

TV

Vinyl

Mondo Alien Poster
Mondo Alien Poster

The season finale of the first season of Vinyl aired on HBO last Sunday. Overall, I enjoyed this show about a New York record label in the early 1970s a lot, but thought this finale episode was a bit weak. Vinyl does suffer from a typical first season issue many dramas suffer from these days — mainly an overstuffed story with too many characters/things going on. Series that have been on the air a few years can be overstuffed, but since the viewer already has a grasp of who is who and what all stories are happening it isn’t an issue. But with series like Vinyl in their first seasons this can lead to confusion.

I felt like in Vinyl maybe 40% of the storylines could be cut in order to let other stories expand. I thought the story of record exec Richie (Bobby Cannavale) and his wife Devon (Olivia Wilde) and what they were going through this season was very interesting. And of Richie’s partners in the company played by J.C MacKenzie and Ray Romano was great too.

But there was so much other “stuff” going on from junior record execs to a murder to the mafia to women in a 1970s workplace to the emergence of rap music … that drew the focus away from these core stories.

And at the start of the season I thought that some of Vinyl would focus on the past, especially with Richie and his first musical discovery Lester (Ato Essandoh), where Lester’s future as a musician was cut short by Richie’s mob ties. But this didn’t seem to be a part of the show other than in an episode or two.

Unfortunately, much of the finale of Vinyl hinged on a murder Richie committed in the first episode and spent the other nine episodes dealing with and whether or not Richie’s musical discovery The Nasty Bits would ever be ready for a big musical showcase opening for The New York Dolls. The whole murder plot line seemed very out of place in a show like Vinyl and only served to bring in Richie’s drug/alcohol abuse and mob-ties into the story. Which could have easily been done by opening the show with Richie being a drug addicted alcoholic with mob ties rather than the addition of the murder storyline.

And as for the whole The Nasty Bits storyline… While I appreciate what they creators of Vinyl were trying to do by showing Richie was onto something with this proto-punk band, this storyline went on so long and was so barely interesting that by the end of Vinyl I didn’t care if The Nasty Bits scored a big hit or fell apart and disbanded at the end of the show.

(I might be in the minority but I did greatly enjoyed actors playing real-life musicians in the show like David Bowie and Elvis and the psychedelic dreamlike segues of other actors as famous musicians miming songs too.)

Overall first season: B Season one final episode “Alibi”: C-

Better Call Saul

If the first season finale of Vinyl was a bit of a letdown, the second season finale of Better Call Saul was quite the opposite — it was wonderful. This prequel to Breaking Bad which has never been too beholden to that progenitor series has cut its own path right from the very first episode.

The second season finds a pre-Saul Goodman Jimmy McGill (Bob Odenkirk) accepting his dream job at a large law firm, and getting everything he’s ever dreamed of or worked for like a huge signing bonus, a fancy car and condo too. Yet even with all this Jimmy’s still not quite able to shake his streak of being one step above a con man. Be it filming and airing a TV commercial without the knowledge of his bosses or grifting people in bars with his girlfriend Kim (Rhea Seehorn) even if it’s all for fun.

Whereas most dramas these days are about high stakes — Stop the zombies before they overrun our settlement! Find the murderer before the end of the episode! — instead, Better Call Saul is the master of the low-stakes. Be it Jimmy trying get his brother Chuck’s (Michael McKean) respect even if Chuck has absolutely no respect for Jimmy, trying to start a fledgling law firm or keep out of hot water with his girlfriend.

The stories of Better Call Saul are barely newsworthy, or if they’re newsworthy at all they’re on the back page of the local paper. Which in an era of dramas that hype the impossible and go bigger and bigger with their plots each season is a breath of fresh air.

The stakes do get a bit high for another Breaking Bad alum Mike Ehrmantraut (Jonathan Banks) who’s living off a police officer’s pension and is trying to make ends meet as a parking lot attendant. Which is fine except that when his daughter in-law needs money to move to a safer neighborhood, Ehrmantraut starts down the path of a life of crime in order to make some fast cash. Much of Ehrmantraut’s later storyline this season dealt with him finding ways to not kill people yet still be able to pocket extra cash.

I get the sense that when the proverbial crap does hit the fan, when Jimmy does finally “break bad” and becomes Saul Goodman and Mike does finally cross over to the dark-side of murder, that things will change for these characters and the show as a whole.

Which I personally love — I have no interest in shows that stay the same year after year. Give me story change or give me my remote!

Grade: A+

The Last Panthers

Aliens 30th Anniversary: The Original Comics Series
Aliens 30th Anniversary: The Original Comics Series

This UK/French series is currently airing on Sundance here in the US. It’s an interesting show about the criminals who pull off a diamond heist that goes wrong and escape across Europe and the police and insurance investigators, the main one played by Samantha Morton, chasing them.

Watching the first episode I was struck as to just how much stuff happens from an intricately planned heist that involved setting cars on fire and parkour jumps from building to building to locations in France and Bulgaria and Serbia.

There was so much stuff going on that what happened in the first episode was almost enough to keep another series in story for an entire season.

Grade: C+

Comics

Aliens 30th Anniversary: The Original Comics Series

Collecting the original 1988 Dark Horse black and white Aliens series is the hardback Aliens 30th Anniversary: The Original Comics Series. I own the original six-issue comics series as well as a softcover collected edition of it too. But you’d better believe when I heard this oversized edition was in the works I placed an order for Aliens 30th Anniversary: The Original Comics Series at my local comics retailer the next day.

My one quibble here is that it’s the 30th anniversary of the movie Aliens, not this comics series which is still a spry 28-something. 😉

Movies

Independence Day: Resurgence trailer

“They like to get the landmarks!”

Cool Sites

Dune – Behind The Scenes

All sorts of info on the classic 1984 movie.

This week in pop-culture history

  • 1951: The Thing from Another World premiers in theaters.
  • George Takei, Sulu of Star Trek turns 79.

Aliens: This Time it’s Comics

This year the movie Aliens turns 30. It’s a seminal movie for me — it’s still one of my favorite films and for a time was my favorite movie. And while I suspect a lot will be written on it this year, I don’t think anyone else will be writing about something Aliens that’s just as important as the movie is to me; the Dark Horse Aliens comic books.

ca9f16c9251cfcafb2b316114c8895d9One of the things I find fascinating about Aliens is that while the movie was a hit at the 1986 box office there wasn’t an immediate rush to release a sequel. If Aliens were released today a sequel would go into production immediately and be in theaters in a year or two, but back then there was a six year gap between Aliens and the next Alien 3 in 1992. Which meant that fans of the Aliens story like myself were clamoring for anything Aliens related. Which meant that when Dark Horse Comics released a comic book sequel in 1988 we were all over it.

Written by Mark Verheiden with art from Mark A. Nelson, the six issue Aliens continued the story from the 1986 film in a comic form. Here, survivors of the movie Hicks and Newt must come to terms with what it means to have lived through the alien swarms where no one wants to be around Hicks since he was scarred by the creatures with Newt suffering mental problems from basically having her life destroyed as a young girl on a far-off world. Plus there’s government agencies wanting to weaponize the creatures and a religious group trying let the alien loose on the Earth as a cleansing force.

And like the movie, the Aliens comic was also extremely successful. The series was reprinted many times — one issue I have is from the fifth printing — which would lead to two additional Aliens series as a continuation of this story as well as a host of other Aliens comic books after. Even today Dark Horse is still producing new Aliens stories and comics.

aliens_book_1_cover_4_by_syl3ntbob-d3929p0I discovered the comics in a roundabout way, by buying the first issue of the second Aliens series first, being blown away then collecting the rest of the second series as those were released monthly. Then, later on, I saved up enough cash to order the first six issue series direct from Dark Horse to complete my collection.

(One funny thing about the first Aliens comic series is that when the film Alien 3 was released Dark Horse went back though the early series to feature Hicks and Newt and renamed them as Billie and Wilks and re-lettered those issues for future publications since in neither Hicks or Newt live to see the events in Alien 3.)

With Aliens comics being so popular Dark Horse would also do the same thing with the 1987 Predator movie, continuing that story too from the movies to comic book form in 1989. And with Dark Horse doing both Aliens and Predator comics it was only a matter of time before those two characters would cross over with Aliens vs Predator.

While the Aliens vs Predator movies of the last decade were, to put it mildly, quite lame. The Aliens vs Predator comics were anything but and are things I still pick up and read to this very day.

3Comic books back in 1988 didn’t have much edge to them. To be sure things like Watchmen and The Dark Knight Returns had been released and were redefining the genera. But for the most part comics then were mostly super-hero in nature and were directed at kids. But the Aliens comic was anything but — it had an edge and wasn’t meant for kids. The comic dealt with adult things and Verheiden told the story on adult terms which appealed greatly to myself — a young teen who still loved comics but was quickly aging out of Marvel and DC’s core demographic.

If the movie Aliens were released today I doubt the movie studio would give Dark Horse as much latitude as they did in 1988 with the Aliens comic. My guess is that they’d either be limited to publishing a comic book adaptation of the movie or of perhaps telling a story in the same universe but not about two of the characters from the film.

The first three Aliens comic book series that tells the Hicks and Newt…errr…Billie and Wilks stories can be found collected as, in order, Aliens: Outbreak, Aliens: Nightmare Asylum and Aliens: Earth War or all three collected as Aliens Omnibus, Vol. 1 and a brand new hardcover Aliens 30th Anniversary: The Original Comics Series is also available.

Direct Beam Comms #19

Movies

Resident Evil: Extinction (2007)

Doctor Strange poster
Doctor Strange poster

I’m not a big fan of the Resident Evil films. I think I saw the first one, or part of the first one at least, and that was enough for me. So I never went to seek out any of the four sequels released after the original. Yet the other morning when I turned on the TV the channel that I happened to be on from the night before was showing Resident Evil: Extinction and since it was still early and I didn’t have anything else to do I sat down and started watching it.

Resident Evil: Extinction isn’t a good movie. The story doesn’t make much sense and the visuals look like they were cribbed partly from a makeup TV commercial where all the actors have perfect skin and teeth along with model good looks mixed with C-grade horror flick special effects. Yet for some reason I couldn’t stop watching Resident Evil: Extinction after I’d started. I watched the whole movie start to finish and when it aired again later in the afternoon I started watching it again for the bits I’d missed in the morning when I was doing my laundry.

The only reason I can think that I watched the movie to the finish, like I said, Resident Evil: Extinction is a reeeeeal stinker, is that it’s so bad it’s good. To illustrate my point, here’s a list of things in the movie that alone aren’t much of an issue, but together doomed the film.

  • Most of the actors look like models who just exited the makeup trailer, not survivors of a zombie apocalypse and have spent the last two years running for their lives.
  • The women all either dress skimpy, showing as much flesh as they can which doesn’t make a lot of sense when one bite from a zed leads to transformation into a zed yourself, or like clones of Sarah Conner in T2.
  • For some inexplicable reason that I’m sure has to do with budget rather than story unless I missed it, most of the zombies are bald and all wear blue uniform jumpsuits.
  • The zombies can run too, which I don’t remember them being able to do in the first film.
  • The zombies and other monsters have a habit of attacking side characters first, and leaving the main cast for later. Which is odd since it’s mostly the main cast who are fighting back against the creatures while the side characters scatter and run away.
  • A major plot point of Resident Evil: Extinction is lifted directly from Day of the Dead. And I think this is more “lifting” than an “homage.”

I think it’s all this plus the mess of the story as a whole plus the crazy action scenes that don’t make a lick of sense plus the gore plus the dodgy special effects that made it so that I was unable to look away from this train wreck of a movie. Heck, after having sat through Resident Evil: Extinction I’m tempted to checkout the other films just to see how bad the they are. D

Suicide Squad trailer #2

“What if Superman had decided to fly down, rip off the roof of the White House and grab the President right out of the Oval Office? Who would’ve stopped him?”

“I want to build a team of some very bad people who I think can do some good.”

Doctor Strange trailer

“Forget everything that you think you know.”

“What if I told you (your) reality was one of many?”

Books

The last thing Sgt. Apone saw
The last thing Sgt. Apone saw

Out this Tuesday is Star Wars: The Empire Strikes Back: The Original Topps Trading Card Series, Volume Two, the second book in what looks to be a trilogy that covers all of the various Topps trading cards released for the original trilogy.

Busts

These two Alien Warrior from Aliens and Dog Alien from Alien 3 life-sized busts are simply amazing. But they’re well out of my price range at about $1,500 each.

Cool Sites

  • Doctor Who Books: “A large collection of various Doctor Who-related books, texts, magazine articles and literature.”
  • SciFi80TV: ”Featuring short previews of classic Science Fiction TV shows.”
  • Vintage Toledo (and Detroit) TV: “This website will primarily be a place to view print ads from the 1960s and ’70s for Toledo and Detroit TV stations. ”

The Reading List

This week in pop-culture history

1996: The movie Mystery Science Theater 3000 opens.

Direct Beam Comms #18

TV

Classic Doctor Who

All I wanted was a Pepsi
All I wanted was a Pepsi

My local PBS station began airing episode of classic Doctor Who a few weeks back starting with the very first Tom Baker episode entitled “Robot” and it looks like for the most part they’re airing them in order. I couldn’t be more happy. I’ve been dying to watch more episodes of the classic Doctor Who for years now, ever since the 50th anniversary a few years ago and when BBC America began airing a handful of Baker episodes last year.

American Crime Story: The People v. O.J. Simpson

The first season of American Crime Story on FX ended its run last week about the trial of O.J. Simpson. The sad thing is that I know a few people who didn’t watch the show because they “knew how it ended.” Except that American Crime Story was anything but just about the ending. It was about all the bits that were never broadcast on TV in the 1990s; what was going on behind the scenes with the lawyers, and jurors and family members we never got to see.

The neat thing about the story was that it wasn’t just one sided — for or against O.J. It’s mostly about the lawyers — the prosecution building a seemingly airtight case against Simpson and the defense finding ways to make their case a little a lot less airtight while at the same time trying to expose what they see as a corrupt system against African Americans in Los Angeles.

In a TV season with a lot of simply great dramas, American Crime Story was one of the best. A

Movies

Edge of Tomorrow: Live Die Repeat

Last week writer/director Christopher McQuarrie announced that there’s going to be a sequel to the wonderful movie Edge of Tomorrow with Doug Liman set to return as director and Tom Cruise as star. I didn’t think that Edge of Tomorrow did well enough at the box office to warrant a sequel, but luckily I was wrong. Edge of Tomorrow is one of the best sci-fi films of the modern age and along with movies like Mad Max: Fury Road is redefining the sci-fi genera.

Rogue One: A Star Wars Story movie trailer

“What will you become?”

Officially titled Rogue One: A Star Wars Story, this eighth movie in the franchise is the first one to be told outside of the main Star Wars storyline. Here, a resistance fighter, Jyn Erso (Felicity Jones) is tasked with stealing the plans for the Death Star. Or, Rogue One would be what was going on immediately before Star Wars: Episode IV A New Hope where those plans are hidden inside R2-D2. What I like about the trailer is the design aesthetic seems to be taken straight from those gorgeous Dave Dorman Star Wars paintings that seemed to be on everything Star Wars related in the 1990s. What I don’t like about it is that the vibe in the Rogue One trailer comes off a bit too Katniss in Hunger Games at times for my taste.

That being said, the trailer’s much more good than bad.

The Reading List

Chris Hardwick, King of the Nerds, Is Expanding His Empire

This week in pop-culture history

  • 1979 The TV series Buck Rogers in the 25th Century premiers
  • 1983 The Evil Dead premiers in theaters