Direct Beam Comms #34

TV

Stranger Things

29fd7ba0-2b41-0134-0ca5-0a0b9a139ea7It’s hard to see Private Joker from Full Metal Jacket aka Matthew Modine as the lead bad guy on Stranger Things! 😉

First World Problems

I always think of this time of year as the sort of doldrums of movies and TV and this summer’s no different. This year there’s a lot of interesting TV series on like The Night Of, Stranger Things and The Tunnel, and there are a few summer movies left that look worthwhile like Suicide Squad, but for the most part the summer TV/movie season has now reached its apex. Soon, summer TV finales will head into fall TV premiers that are set to begin in a few months and the same for films where movies switch from action to films geared towards the awards season start premiering. In fact, I believe the only TV series left to premiere this summer that I’m interested in, and I’d categorize it as barely being a summer premiere, is Halt and Catch Fire that starts at the end of August.

What I want to do in these Direct Beam Comms updates is, among other things, just review the first episode of a given TV series each season and then the season as a whole after the last episode airs. But since most of what I’m watching right now is in the middle of their runs, and since I really want to avoid talking about each and every episode of TV I watch since a) this isn’t my paying job and b), that stuff’s boring, I don’t have much to write about TV now either.

What sucks too is that movie releases on home media are no better. Right now the movies that are being released are ones that debuted just before the summer movie season which is another doldrum. Or, they’re movies that were released at the start of the summer season but didn’t do as well as expected, which area also movies I’m happy waiting to see when they pop up on cable in a year or so.

Some movies I would like to checkout once they’re out are things like The Nice Guys and X-Men: Apocalypse but those aren’t available for a few weeks. I suppose what I should do in situations where I don’t have anything to talk about is to just rent a recent release on iTunes and then talk about that, even if it’s not something I’d generally see. The only problem with that is that I really don’t enjoy posting negative things about movies and TV series I review, though I sometimes do, so I try and avoid that. And if it’s something that I wouldn’t generally see it makes it more likely than not that I wouldn’t enjoy the movie and would have to write a negative review.

I do find it amazing that almost every week this summer I’ve been able to review new TV series all debuting throughout the summer. When, even just a few years ago, summer was a dumping ground for reality TV or, even farther back, strictly a place for TV reruns. And most of what debuted this summer was good with a few outstanding shows like Stranger Things and The Night Of too.

The Reading/Watching List

On the Horizon

I have longer articles planned out all the way until next February. In the near-term, I’ve got columns written, or at least first drafts of, Suicide Squad, Star Trek’s 50th anniversary, new and returning TV series this fall, one about sci-fi and one about my experiences going to the drive-in as a teenager. I also have articles planned out for the movie What We Do in the Shadows for Halloween, Doctor Strange and The Man in the High Castle too.

This week in pop-culture history

  • 1987: The Lost Boys premiers in theaters
  • 1988: The Blob opens
  • 1991: Terminator 2: Judgement Day premiers in theaters
  • 2002: Signs debuts in theaters

Bourne Again and Again

This is a repost of an article I originally wrote back in 2007.

Though I’ve been interested in movies as far back as I can remember, it wasn’t until the late 1990s that I seriously began following films. And though I’d consider the Summer of 1998 as a benchmark of my movie-mania, I didn’t really start going to movie theaters on an (almost) weekly basis until 2002.

bourne_identityThat year was an almost “perfect storm” of quality films released to cinemas. Movies like Spider-Man, The Mothman Prophecies, The Sum of All Fears, Minority Report, Solaris and The Bourne Identity all debuted in 2002. And though Spider-Man did go on to become one of the highest grossing franchises in modern movie history, the only other film in this list that would become a “franchise” in the strictest sense of the term would be The Bourne Identity.

Starring Matt Damon, Franka Potente (Run, Lola, Run), Brian Cox (Zodiac) and featuring Clive Owen (Children of Men) in an early non-UK role, The Bourne Identity follows CIA assassin Jason Bourne (Damon) who’s shot during a botched mission, nearly drowns and loses his memory in the process. Wandering Europe looking for clues to his past, Bourne doesn’t realize that the agency within the CIA responsible for his creation is out to eliminate him and any chance he might start remembering a bevy of agency secrets hidden away in Bourne’s head. It’s only because of Bourne’s embedded training, his sheer will to prevail and robotic-like fighting skills that he manages to stay one step ahead of the bad-guys.

Directed by Doug Liman, then known mostly for Indie flicks like Swingers (1996) and Go (1999), I seem to remember that although The Bourne Identity did well enough in theaters (opening to $27 and grossing $121 million according to IMDB) that it was the outstanding DVD sales and positive word of mouth that would guarantee a sequel, The Bourne Supremacy, in 2004.

Though Liman would remain with the Bourne franchise as producer, Brit director Paul Greengrass stepped in as director of The Bourne Supremacy. This time, Bourne is haunted by nightmarish visions of his past where he did a lot of bad things to a good people. When his girlfriend is murdered and Bourne is framed for killing two CIA assets, Bourne’s out to destroy whomever pulled the trigger no matter if it’s a Russian agent out to kill him or the CIA looking to avenge the death of their assets. Though some of the story of The Bourne Supremacy is a bit confusing, the car chase scene at the end of the film is worth the price of admission alone.

bourne_supremacyThe Bourne Supremacy would act as director Greengrass’ first real introduction to American audiences, but the first time I took note of the director was when I caught his film Bloody Sunday (2002) on TV late one Saturday night. This film follows the lead-up and eventual massacre of a group of Irish civil rights protesters in what would become known as “Bloody Sunday.” Shot from within the action in a fauxcumentary style (aka shaky camera and grainy film), Greengrass would go on to use these same docu-techniques he used to great effect in Bloody Sunday in both The Bourne Supremacy and his next film United 93 (2006).

But even after two films, dozens of wrecked cars, bruised egos and numerous corpses in his wake, the CIA isn’t finished chasing Jason Bourne yet – don’t they ever learn!? Due out later this Summer, and billed as the final movie of the series, is The Bourne Ultimatum. In this film, Jason Bourne must deal with a bevy of assassins and government agencies all out to stop Bourne from learning of his true origin. Somehow I doubt Bourne’s “true origin” is that of a celebrity chef missing from Food Network.

Actually, though, the very first version of The Bourne Identity appeared as a television movie back in 1988 and starred Richard Chamberlain, then 54, as Jason Bourne. Which is interesting since Damon was 32 when his version of The Bourne Identity hit theaters. I can only imagine that the definition of “heartthrob” in the 1988 was different than “heartthrob” in 2002.

Direct Beam Comms #33

TV

Vice Principals Grade: C

Vice-Principals-HBOVice Principals, the latest HBO series from Jody Hill and Danny McBride of Eastbound and Down fame, looks, feels and has the same tone as that earlier series. And I supposed if you really dug Eastbound and Down you’re going to really love Vice Principals too. But if you thought Eastbound and Down was just okay you’re probably not going to be that into Vice Principles.

Here, McBride plays Neal Gamby, a vice principal from hell, running his South Carolina high school like some Soviet provincial governor where he deals out rewards and punishments to the students with little regard to the consequences. Walton Goggins (Hateful Eight) plays another vice principal Lee Russell who doesn’t get along with the Gamby and when school principal Welles (Bill Murray) steps down to care for an ailing wife both Gamby and Russell each think they’ll be the next principal. If Gamby is a bully Russell is a weasel willing to do anything if it means advancing his career.

But when the school board decides to go with an outsider as principal, Gamby and Russell team up to take her out and claim the position for themselves.

I think where Eastbound and Down worked where Vice Principals doesn’t is that the McBride character in Eastbound and Down was a self-centered foul-mouthed idiot that was believable in a show about an ex-ball player who’s been coddled all his life and was spat out of the MLB after he lost his pitch. It doesn’t work here for a character who has daily contact with the public, and their children, and could easily lose his job or be demoted for any one of things he does or says xin the first episode.

Vice Principals does have some funny moments and I can see myself watching the series — it is summer after all and there’s not a ton of new stuff to choose from — but it’s something I’ll probably watch off my DVR when there’s no other options rather than being excited about it and watching it live.

Halt and Catch Fire season 3 preview

Iron Fist preview

Defenders preview

https://www.youtube.com/watch?v=wBZtM8q2Z1g

Luke Cage preview

https://www.youtube.com/watch?v=Ymw5uvViqPU

The Man in the High Castle season 2 preview

American Gods preview

Movies

Wonder Woman teaser trailer

Justice League Comicon footage

Kong: Skull Island teaser trailer

Doctor Strange trailer

The Reading List

Return of the Living Dead: The Chaotic Production Of A Zombie Classic

This week in pop-culture history

  • 1928: Stanley Kubrick is born
  • 1966: Batman the movie premiers
  • 1983: The TV mini-series V premiers
  • 1983: Krull opens in theaters
  • 1986: Flight of the Navigator opens in theaters
  • 1987: Superman IV: The Quest for Peace opens in theaters
  • 1990: The TV series Swamp Thing premiers
  • 2001: Planet of the Apes opens in theaters

Direct Beam Comms #32

TV

Stranger Things Grade: A

strangerthings_promotionalstill.0.0The new series Stranger Things debuted on Netflix last Friday (July 15) and currently all episode are available to stream.

It’s 1983 and something’s not right in the town of Hawkins, Indiana. Outside of town sits a government installation out of which something has escaped. This thing found young Will (Noah Schnapp) riding home from a game of Dungeons & Dragons one night and stole him away leaving Will’s mother (Winona Ryder), the town police and Will’s friends searching for him.

Also escaped from the installation is a seemingly normal girl only known as “Eleven” (Millie Bobby Brown) from the tattoo on her arm who can do weird things like affect electrical appliances around her and has agents after her led by Dr. Benner (Matthew Modine) who’s willing to kill anyone who gets in his way if it means getting the girl back.

So far Netflix has promoted Stranger Things as a sort of TV version of Steven Spielberg’s movies like Close Encounters of the Third Kind, E.T. the Extraterrestrial and Spielberg produced Poltergeist. And while Stranger Things does borrow elements from this period in Spielberg’s career I’d say that Stranger Things takes more from the work of the other pop-culture titan of the 1980s: Stephen King. Well, King by way of straight to VHS horror films mixed with a pulsating synth keyboard driven soundtrack.

Part of Stranger Things were scary. Really scary.

stranger-thingsIn the beginning of the first episode when young Will’s being chased by the something I can only described as a human-looking shape, I found the hairs on the back of my neck standing at attention. And at another part of the show when Winona Ryder’s character gets a weird phone call I took a breath so that I could hear every creepy thing emanating from the receiver.

That’s not to say that Stranger Things is strictly a horror series, though if I had to peg it in one genera I’d peg it squarely there. It also has elements of sci-fi and a definite sense of nostalgia for the early 1980s and young geek life before video games and the internet changed everything. But it’s not simply some nostalgia throw-back series.

Stranger Things is a show that’s set in the early 1980s but it’s not something that’s defined by that. The series could easily be set present day or the 1960s and would work just as well.

I wasn’t quite the age of the 1983 middle schoolers in Stranger Things but having grown up in Indiana the series gets a lot of what it was like in small town life back then pre-cable. Adults are really into basketball and you may get to watch your favorite show that night or the TV might be on the “fritz” and you might not. If you wanted to talk to your friends and you didn’t want to call their home phone letting the parents know what’s up you had to be creative. And if you were a geek the details in pop-culture matter. In the first episode two characters get into a fight over whether the Mirkwood was in The Hobbit or The Lord of the Rings which really struck home for me. The details matter to a pre-teen pop-culture junkie, even the seemingly inconsequential ones.

After having watched the first episode the only negative I can see with Stranger Things is that it’s going to be hard — REALLY HARD — to only watch one episode of this series a week and not blow through all eight in a packed Saturday.

The Bureau aka Le Bureau des Légendes Grade: B+

THE-BUREAU-5-1200x520This French series that’s available on iTunes, the first episode of which is free, is an interesting show about spies that feels a bit like the classic British drama The Sandbaggers.

In The Bureau, French operative Guillaume (Mathieu Kassovitz) has returned home to France after eight years abroad on assignment for the DGSE (the French CIA) in Syria. He tells his teenage daughter, with whom he’s trying to rebuild his relationship with, that his job was to “make friends” of certain people and glean any information that might be useful to France from what they might say. He was less James Bond than someone looking to score a little intel for his side. But in Syria he made one mistake; it wasn’t falling in love with a Syrian national, it was lying about ending the relationship to his superiors.

Back home in France things are in a bit of a disarray at the DGSE where one of their operatives has gone missing also in Syria which might act as a domino and bring own several other operations he knew about. At the same time Guillaume, who’s now working as a case officer inside the DGSE, finds out that his love from Syria is also in France attending school. Which begs the question — is Guillaume being played by the other side?

It took a bit for The Bureau to get going in the first episode, and even when it did “get going” it was a slow, but satisfying burn. Here, the agents are less using secret gadgets, gambling at casinos and drinking martinis and more just getting close to important people to glean even the tiniest detail that might somehow be beneficial to France as a whole. But even if their job isn’t like James Bond’s, it’s just as dangerous as since capture of a DGSE agent outside of France might mean death.

And like I said it’s the slow burn, the bureaucracy of governmental work and the life and death stakes of the characters that reminded me somewhat of The Sandbaggers. Though admittedly by the looks of it the budget of an entire season of The Sandbaggers probably wouldn’t cover one episode of The Bureau. 😉

My only quibble with the series is that it’s not easily available here in the US. Overseas in the UK it’s apparently available on Amazon Prime but here it’s only out on iTunes. Which means if I want to watch the rest of the first season it’s going to cost me $20.

So, it looks like I’m going to be out of $20 in the near future.

Star Wars Rebels season 3 preview

Movies

Star Wars: Rogue One “Sizzle Reel”

Cool Sites

Saturday Morning Cartoons: “A collection of Saturday Morning (or Saturday-Morning-Like) cartoons and animated episodes.”

The Reading List

This week in pop-culture history

  • 1984: The NeverEnding Story premiers in theaters
  • 1985: Day of the Dead premiers in theaters
  • 1986: Aliens opens in theaters
  • 1996: The Frighteners opens in theaters

Aliens Week: James Cameron’s Aliens at 30

The first time I saw the movie Aliens I was 12 years old. It was a Saturday night and me, my brother and a cousin were all camped out on our living room floor one Saturday evening as we always did that summer. That particular night Aliens was set to premiere on HBO and we three had made it our mission that weekend to watch it since none of us had seen it yet.

aliens-1986-ripleyAnd Aliens did not disappoint. Myself as a 12 year old loved it, my brother at eight was a little too young to get it but I think he liked it since his big brother liked it. But I think Aliens hit my ten year old cousin a little hard. When we finally decided to try and get some sleep after the movie had ended it was getting late and we all climbed into our sleeping bags in the dark of the living room. I’d begun to doze off when the air conditioner in the living room clicked on. At the time we had several window units around the house and when they’d automatically turn on from time to time there’d be a loud “snap” then a growl as the unit powered up and came to life.

To my cousin, this must’ve sounded like one of the alien monsters, which made him literally scream in reaction, jump up and dive for cover by the couch. It was only a momentary fright and he regained his senses a few seconds later and sheepishly came back to his sleeping bag and endless hours of ribbing from my brother and myself over him thinking the air conditioner was an alien.

That’s my strongest memory of the movie Aliens that turns 30 this year.

Aliens3To me, Aliens is a seminal film. Before I always thought sci-fi was mostly things like Star Wars and re-runs of the original Star Trek. The universe of Star Wars might have been a lot dirtier than that of Star Trek, but both were similar in tone. The good guys always won and no one died who didn’t deserve it — or at least died in order to move the story along.

Aliens was quite a different “beast.”

The setting of Aliens from space ships to space stations to far off worlds feels real and lived in. Like a place that real people in a real future might call home. And in Aliens lots of people die — most of them just happened to be in the wrong place at the wrong time. Just like in real life, the universe of Aliens is a harsh place where things happen unexpectedly and not always fairly.

Even today I still watch Aliens about once a year and it’s still one of my favorite films. From the vistas of outer space to the Colonial Marines duking it out with the alien creatures to the character of Ripley (Sigourney Weaver), whom we knew had a strong survival streak in her from the first outing in Alien (1979) who gets to go into her “tough as nails get in her way and she’s going to throw you aside” persona Aliens works from start to finish. Even today in the era of movies costing hundreds of millions of dollars to create using specialized computer effects, the analog FX of Aliens are, dare I say, superior to what’s used in movies today.

Aliens
Aliens

The budget of Aliens in todays dollars is something like a little more than $40 million. To put that number into perspective, Captain America: The Winter Soldier cost something like $170 million.

And I think it’s these real special effects of real people in real environments fighting these “real” creatures that makes the movie work so well. Everything in Aliens feels believable and there’s nothing that happens that feels out of place or there to “show off.”

What I find fascinating is that the original Alien was brilliant and the different but also great Aliens was amazing, that none of the films that followed were ever able to match either the original or Aliens brilliance. I think that those two movies set such a high mark in the franchise as it were that everything that came after from Alien Resurrection to Alien vs Predator is simply trying to redo what was done so well in Aliens back in 1986.

View my Aliens fansite from 1997 here.