Day of the Dead, the most important horror movie of the last 30 years?

Day of the Dead turns 30 next year and while I think the movie casts a wide shadow in regards to how influential it is I doubt many other than fans of the horror genera have seen it. It’s the final film of George Romero’s zombie trilogy after Night of the Living Dead and Dawn of the Dead and serves as an appropriate ending to his brutal series.

When I think of Day of the Dead I think of three things; first it’s a great movie. Second it scared me so much that after the first time I saw it that I literally slept on the floor of my parent’s room for a month. And finally I think that Day of the Dead might just be the most important movie in the last 30 years for horror fans.

Why is it that important? Because even with Night of the Living Dead and Dawn of the Dead you don’t get the TV series The Walking Dead that’s one of the most successful series of the last decade without Day of the Dead.

In Day of the Dead, years have past since the zombies of Night of the Living Dead have emerged and then in Dawn of the Dead started taking control of the world one bite at a time. Now the zombies rule the planet and the last vestiges of humanity, if not the last vestige, are holed up in an underground complex trying to study the zombie and figure out how to win a war against them that at this point is all but over. Underground the scientists find some progress when they’re able to turn a zombie they’ve named “Bub” (Sherman Howard) to something more docile but when the soldiers find out what’s really been going on in the lab that’s more Dr. Frankenstein than what they’ve lead to believe, it turns out being trapped inside with each other might be more dangerous than being trapped outside with the walking dead.

The Walking Dead Season 3 PosterAnd that’s why that when The Walking Dead series creator Robert Kirkman has said in the past that his series takes place in the universe of Night of the Living Dead it’s really taking place in the universe of Day of the Dead.

In Night of the Living Dead the characters are in a world where zombies first appear. And while the zombies are dangerous and kill people, it’s not like the government has lost control of things. In the movie there are scenes of newscasters delivering stories about the undead and even a segment that takes place in a zombie-free Washington DC. And while the end of the movie spells doom for the entire living cast of Night of the Living Dead, it seems like things are mostly under control with posses of people gunning down the dead and restoring some sort of order.

And in Dawn of the Dead while things have gotten much worse, the police are still battling zombies on the streets of cities and anchors are still delivering the news.

And while all this might have happened in the backstory of The Walking Dead it certainly doesn’t happen on screen.

Instead, The Walking Dead jumps right to the same universe of Day of the Dead, where civilization has all but collapsed and the zombies have made venturing into cities extremely dangerous. And any remnant of whatever institutions used to exist be it the military or scientists don’t realize that their parts on the world stage are essentially over are incidental and if not completely gone.

Which to me sounds more like Day of the Dead than Night of the Living Dead.

I’m not saying that Kirkman lifted The Walking Dead from Day of the Dead, his story has gone in a totally different direction than Romeo’s did in Day of the Dead, just that when people name check Night of the Living Dead with The Walking Dead they should really mention Day of the Dead in that conversation too.

Why I stopped watching The Walking Dead

I’ve watched every season of the TV series The Walking Dead (TWD) since it premiered on AMC back in 2010. It was a series I couldn’t quite believe was being made because a) it was a horror series that was b) on a non-pay cable channel that was c) about zombies and d) quite gory as well plus e) was being headed by one of my favorite writer/directors Frank Darabont.

It’s almost as if TWD was made for me personally.

Sonequa Martin-Green and Chad L. Coleman
Sonequa Martin-Green and Chad L. Coleman

And it was exactly because all of this that I didn’t think TWD would last too long. I couldn’t imagine the general public latching onto a horror series that sometimes literally focused on blood’n’guts but I was totally wrong. Not only was the TWD good, it did VERY well in the ratings too.

The first signs of trouble for me with TWD came with the second season of the show. From the start Darabont had cast the show and set the look and direction of TWD but was unexpectedly fired from the series just after the start of production on the second season. Which was odd since why would such a key person like Darabont be let go at all?

Norman Reedus and Melissa McBride
Norman Reedus and Melissa McBride

Regardless, TWD only got bigger in its second season, gobbling up more viewers and more critical acclaim. Except that second season of the show wasn’t nearly as interesting as the first. At the time I stood by the show arguing that it would be a mistake for TWD to be all zombies and gore all the time. But looking back now I’d say that the second season of the show with the story taking place mostly on a farm was slow and at times boring.

Things improved a bit in the third season where the group found shelter in an abandoned prison. But after a while with the characters safe inside the fortified walls the story got a bit stale and a villain, the Governor, was introduced to shake things up a bit. What’s the Governor’s motivation for being so mean, for wanting to destroy the prison and obliterate the group?

Andrew Lincoln as Rick Grimes
Andrew Lincoln as Rick Grimes

Well, that’s never quite clear — but shut-up already the dude’s got a tank and an eye patch and a wall full of zombie heads in aquariums, motivation be damned!

Why have I given up on TWD now? Part of problem as I see is is that after four seasons the show hasn’t changed all that much. Sure, some old characters are gone and new ones are introduced but even then the new characters aren’t that much different than what’s come before. It also bugs me how the zombies of the show are used. When the story’s getting a little too slow, zombies appear. Sometimes the zombies are loud, sometimes they are quiet. Sometimes there are many, sometimes they are few. The terms of the story dictate how the zombies act and that’s been grating on me for some time now.

In the first season the zombies had some personality. They’d be found sitting on buses or sometimes used rocks to try and break into places almost like they still had some shadow memories of their past lives. They were characters with weird sorts of personalities. Now they’re merely plot devices to keep the story moving forward.

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Why I finally gave up on TWD after last season was that I just couldn’t see how the show was going to change or evolve as the series went on. It seemed to me that each season of the show had the group finding a refuge only to discover that this refuge was really a dangerous mirage eventually forcing them out into the wilds of the zombieverse.

Andrew Lincoln and Norman Reedus
Andrew Lincoln and Norman Reedus

And honestly, I get the sense that this is how the show will play out season after season until it eventually ends. “We’re safe here! Oh wait, no we’re not! Oh no, we need to run away! John Smith and Joan Smith have been killed! RUN! What’s that over there? A safe haven? We’re safe here!” Repeat.

It doesn’t help matters that TWD comic creator and series executive-producer Robert Kirkman has said that he doesn’t see the series ending. Ever. So, in Kirkman’s TWD universe the zombies will never rot away and the characters there will never find safety and will always be on the run.

Which is interesting for a while, but after four seasons is too repetitive/boring for me. Oh well, it was fun while it lasted.

The Best TV Series of 2013

The start of the 2012-13 TV season was little more than a barren wasteland. Of the few new shows I checked out last season there wasn’t any I stuck with for more than a few episodes. To say I was depressed this time last year at the state of TV would not have been an understatement.

But then something happened. Once ’12 ended and we rang in ’13 all sorts of interesting TV series began appearing, to the point that I’d call 2013 one of the better years for quality TV in recent memory.

Charles Dance in Game of Thrones
Charles Dance in Game of Thrones

Game of Thrones (HBO)

I’ve really liked Game of Thrones since it premiered back in ’11, but it wasn’t until this year that I thought it was the best show on TV. And that’s not a dig on previous seasons of the series whatsoever. Game of Thrones has always been great and it’s been getting better and better with each new season of the show. Plus now that we’re a few seasons in, I think the audience is a lot more invested in the series and its characters than before since we’ve gotten to know and “live with” the series these last few years.

Game of Thrones is the rare show where every action taken by the characters has consequences; some good, some bad and some both, and seemingly no character is safe from unexpectedly meeting their demise and earning a quick exit from the show. It’s almost to the point where I wonder who’ll still be in the last episode of the series who was also in the first?

Hannibal
The cast of Hannibal

Hannibal (NBC)

One of the biggest surprises to me earlier this year was the network TV series Hannibal. Let that sink in for a minute, a network drama is one of the best shows of the year. While Hannibal has some of the trappings of a procedural cop series; flashy cases of the week, a wide cast of characters. Hannibal also breaks that same mold in that the title character of the show Will Graham (the wonderful Hugh Dancy) is actually a unique character I don’t think we’ve ever seen on TV before. His “gift,” if you can call it a gift, is that he can relate to an extreme level with serial killers while investigating their motivations for killing. But Graham begins to question his sanity when working with a pre-jail Hannibal Lecter (the equally wonderful Mads Mikkelsen) who councils Graham and begins to bend his mind to Lecter’s sick and twisted will.

Keri Russell in The Americans
Keri Russell in The Americans

The Americans (FX)

The other TV surprise this season was The Americans and unfortunately I had almost written off The Americans before I’d even seen it. For whatever reason I just didn’t think the show was going to be very good and only watched it since I watch a lot first episodes of series just be sure I’m really not missing anything. But literally five minutes into The Americans that’s about Soviet spies in Washington DC in the 1980 but is just as much about how relationships between couples work I was hooked.

Veep (HBO)

Veep is the one show in the last few years that I laugh hard enough while watching that I literally have to pause it in order to compose myself in order not to miss the next big laugh.

Taylor Schilling and Yael Stone in Orange is the New Black
Taylor Schilling and Yael Stone in Orange is the New Black

Orange is the New Black (Netflix)

I think the biggest revelation this year was just how good TV series could be that wasn’t on a traditional channel, the best of which was Orange is the New Black on Netflix. The only reason this series isn’t much higher on my list is that there were so many other good series on TV this year in competition.

Mob City (TNT)

I’m not sure if it’s a genius move on the part of TNT to air the entire Mob City series over the course of three weeks, or a bone-headed one? Maybe viewers will dig watching all of Mob City quickly, or maybe it’ll all get lost in the clutter of the holidays? Regardless, I really dug this one and hope that the new year will bring tidings of comfort and of joy AND more episodes of Mob City.

Gillian Anderson in The Fall
Gillian Anderson in The Fall

The Fall (Netflix)

Another interesting series on Netflix, abet not an original production like with Orange, was The Fall. Starring Gillian Anderson as Detective Inspector Stella Gibson, The Fall follows Gibson as she tracks a serial killer on the streets of Belfast, Ireland. The interesting bit about The Fall is how the partisanship of Belfast works into everything and that we spend as much time with the killer and his cute family who have no idea that the “normal” dad is really a monster as we do with Gibson.

Underbelly: Badness (DirecTV)

I’m guessing I’m the only American who watches this Aussie crime drama import, now in its sixth year, but I thought Underbelly: Badness was a return to greatness for this series that had lagged in recent years.

Noah Wyle in Falling Skies
Noah Wyle in Falling Skies

Falling Skies (TNT)

I think I may be in the minority here when I say this, but to me Falling Skies was actually better this third season than the last. And I really liked that season too.

Young Justice (Cartoon Network)

The most overlooked show on TV the last few years was Young Justice, which ended this season. What I liked best about Young Justice was that it was the rare show, animated or otherwise, where the characters experienced actual change during the course of the series. It seems that we live in a world where once we get to the parts of the story that are actually interesting — Is Batman getting too old to fight crime? Can Spider-Man have a life outside of web-slinging? — that the story is ended and a new one rebooted so we can start at the beginning yet again.

But the characters of Young Justice actually grew and changed and matured over the too short two seasons of that show.

Danai Gurira in The Walking Dead
Danai Gurira in The Walking Dead

The Walking Dead (AMC)

I feel like The Walking Dead is still one of the best shows on TV, if it’s getting a bit harder and harder to watch now in its fourth season. I like the characters of The Walking Dead and it’s tough to see bad things happen to them time and time again living on a dangerous, zombie infested world. And simple put, I’m not sure how much more I can take of that. At a certain point my desire for the characters to escape their bleak world, which, according to the creator of the comic book will never happen, will collide with not being able to stomach the all the bad in The Walking Dead and I’ll bail on the show. It just hasn’t happened yet. 😉

The Best Movie and TV Posters of 2013

I think many underestimate just how hard it is to create a good movie or TV poster. There are a plethora of amateur designers with Tumblr accounts turning out cool movie posters for fun every day. And if an amateur can create a cool poster for (say) Star Wars or Pulp Fiction, then surly they’d be great at creating real posters for upcoming releases too. Right?

Not quite. I think what many tend to forget is that the types of posters these fans of the media are creating all rely on viewers already having seen the movie they’re promoting. If you’ve never seen (say) Star Wars of Pulp Fiction then their posters can be a confusing mess of design elements that may look neat to those who are familiar with the movie, but not make sense to the uninitiated viewer.

Creating movie posters that sell something brand new the public’s never seen before is tough stuff and the posters below do that and do it quite well.

Click on any of the posters below for a larger view.

The Wolverine

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wolverine
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Let’s face it, most movie posters are less art than pure marketing. There are loads of posters that follow trendy design patters like “giant heads in the sky” or, more recently, posters that feature the backs of characters. That’s why I take note when the designers of a movie poster campaign do something different, like the creators of the character posters for the movie The Wolverine did this year with their character posters.

Here, rather than going for the slick photographic look almost all posters use these days, the character posters for The Wolverine are instead illustrated by, I think, old-school brush and ink. These posters are beautiful, unique and are unlike  anything else I’ve seen this year.

Plus these posters show that the character poster, which has become ubiquitous and just as boring for just about every big-budget release in recent years, can be fun and interesting and well designed too.

Heck, I’d call these posters the closest thing we’ve seen to “art” in the form for a long while.

Gravity

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gravity_ver5

When movies star famous actors, it’s a good bet said actors will get their mugs plastered all over posters promoting said movies. While the posters for the movie Gravity do feature images of the the two lead actors, Sandra Bullock and George Clooney, I wouldn’t exactly say that the posters feature the actors in a flattering light. Here, the designers of the Gravity posters decided to fill the frame with the faces of the actors, almost to the point of having the faces too close/cropped and claustrophobic, and lit the faces in a stark blue-green hue. All of which adds a subtle layer of tension, not usually found in most movie posters.

Plus it’s got the best tagline of the year, “Don’t let go.”

Mad Men & The Walking Dead

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Another set of beautifully illustrated posters are those for Mad Men and The Walking Dead on AMC. The Mad Men poster, illustrated by a real-life 75 year old real ex-mad men illustrator Brian Sanders, is gorgeous and perfectly harkens back to the time of the series. The Walking Dead poster, by illustrator Alex Ross, is a living terror. It puts the viewer in the unenviable position of being the target of the zombie’s next meal.

Veep

veep_ver3If there’s a poster that totally nails the current state of politics here in the US, it’s the poster for the HBO series Veep. Here, the lead character of Selina Meyer (Julia Louis-Dreyfus) is shown sitting and dozing as a delegate of the United Nations. Plus I love the double meaning of the tagline, “Diplomacy in action.”

Some posters that didn’t quite make the cut include the TV series American Horror Story, True Blood, Strike Back and Sons of Anarchy.