Resin Heroes

A mummy isn’t scary!



The scary thing about a character thing like the mummy is, well, he or she really isn’t that scary. Ever since the original The Mummy movie was released in 1932 Hollywood has been remaking and trying to make the mummy scarier than it was last time around. But honestly, the mummy is such a benign character it really can’t ever be scary.

The Mummy 1932

The Mummy 1932

I mean, what’s scary about a creature that consists of moldering, rotting bones only held together by a few bands of cloth that can only walk at a snail’s pace? Something that’s so dry any spark would ignite the bandages and so clumsy it seems to want to trip and fall at every step? In many ways a mummy is like a really lame zombie that doesn’t ever really do anything.

That’s not to say mummy movies haven’t been interesting or good ones, just that they’re never all that scary.

The most recent spate of mummy movies began in 1999 with The Mummy directed by Stephen Sommers. That movie was a sort of end film to the 1990s reboots of some of the Universal Monsters that, along with The Mummy, included the likes of Dracula (1992) and Mary Shelley’s Frankenstein (1994). While those two films did play up the scary elements of those characters, the 1999 The Mummy instead pushed that film franchise into adventure territory.

The Mummy 1999Almost a melding of an Indiana Jones style movie crossed with horror movie, The Mummy starred Brendan Fraser as Rick O’Connell and Rachel Weisz as Evie Carnahan. Rick’s an adventurer who talks with his fists and when his fists are busy substitutes chatting with two blazing pistols. Evie is a scholar who needs Rick to take her to a hidden tomb where they accidentally release an ancient mummy that unleashes its ancient curse on Egypt.

The Mummy was one of the very first movies I covered for my website and I remember liking it a great deal. I saw it in the theater and picked up a DVD copy of the movie as soon as it was available.

There’s lots of action and a little horror in The Mummy, but for the most part The Mummy is a safe film the whole family can enjoy. Which is pretty much the exact opposite of what a good horror movie should be. Creatures like Dracula and Frankenstein and the Wolfman are there to scare the audiences. But out of all those monsters the one that’s the least scary is the mummy.

Which is interesting because the first film of what’s planned to be a whole interconnected series of films all taking place in the same universe starring the Universal Monsters is a new The Mummy movie out now.

The Mummy 2017Starring Tom Cruise as Tyler Colt, this The Mummy takes place modern day with a female mummy (Sofia Boutella) accidentally being awakened by Colt and seeking vengeance on our world for what was done to her in ancient times. And, much with like the 1999 The Mummy, the 2017 The Mummy looks to be more like an action-adventure flick than something meant to make the kiddies wet the bed.

Which I guess makes sense. The movies making all the money these days at the box office from Captain America to Star Wars James Bond are really action-adventure movies at heart. And while Universal Pictures does have those kinds of movies like The Fast and the Furious and Jurassic Park, they don’t have any comic book movies like Marvel or DC and are being left out of that game. But they do have all of the Universal Monsters so why not try and make a film series out of that?

I love the Universal Monsters, I just wish that instead of going the action-adventure route, that Universal instead would have the guts, he-he-he, to go for horror instead. Who knows, an R-Rated The Creature from the Black Lagoon might just be what audiences are looking for rather than PG–13 toned-down horror-lite movies that it looks like Universal is set to produce?

If successful, though, expect an Invisible Man movie starring Johnny Depp and a Frankenstein one with Javier Bardem along with Wolfman and Creature from the Black Lagoon to rise from the grave in the near future.

That is if The Mummy is successful.




Direct Beam Comms #76



Movies

Alien 3 25th anniversary

I’ve written a lot about the movies Alien and Aliens over the years, but I don’t believe that I’ve ever really delved into the movie Alien 3. When I saw that movie was turning 25 this week I thought it would be the perfect time to muse about that film.

Today, Alien 3 is considered by the fans to be a noble failure. That movie was directed by David Fincher before he was David Fincher, so it’s got all the visual stylings we would come to expect from the director, but something about the movie is off. Alien 3 kind’a tries to return the Alien franchise to its roots — an alien vs a bunch of people sans any real weapons — yet the story is so uneven in places that it never ever is able to “get going” and never takes the audience for the ride we were expecting to go on after Aliens.

I’d agree that Alien 3 is the weakest of the first three alien movies and I remember the first time I saw it, on VHS the winter of 1992, I was disappointed by it. I remember thinking that Alien 3 wasn’t bad, it just wasn’t nearly as good as the other two.

Here’s the thing, though. I think that if Alien 3 had somehow not been a sequel, that instead it was the first film of an Alien franchise instead of third, it would be widely regarded as one of the greatest sci-fi movies ever made warts and all.

Alien 3 has its own unique look and feel. If the esthetic of Alien was of “truck drivers in space” and Aliens a sort of 1980s yuppie mixed with military fatigues, I think the look of Alien 3 can best be described as depressed industrial. Everything from the colors of the environment to the uniforms the characters wear is a sickly, rust-colored industrialization gone amok brown. There’s absolutely no bright colors in Alien 3 and everything looks worn and used and ready to fall apart.

And this esthetic would carry over to Fincher’s later films like Se7en and Fight Club which are both considered great films partially because of this esthetic.

It’s true that the story of Alien 3 isn’t great, the movie’s famously trouble production explains a lot, but it’s still enjoyable. The story centers Ripley (Sigourney Weaver) crash landing on a far-off planet that’s a sort of prison complex for some very bad guys. And because she’s arrived with the alien spore Ripley and the prisoners must do battle to the death with the creature since help isn’t coming and it’s a winner takes all situation.

Now that I think about it, the craziest choice in Alien 3 is that you’ve got at the time one of the most beautiful and famous actresses on the planet with Weaver who in this film has a shaved head and looks more like one of the ragged male prisoners than one of the most recognizable actors on the planet which is a bold chose to say the least.

All of which makes for one interesting movie to watch even if the story’s uneven at best. But since Alien 3 is a the third film, and since two of the most beloved characters in Aliens are killed off in the opening minutes on-screen and since the story’s not perfect means that to most Alien 3 is seen as the first failure in the franchise rather than an interesting film. I do wonder if anyone now would go into Alien 3 without any expectations, which admittedly is impossible, what they would think of the film? Would they agree with Siskel & Ebert who gave the film two thumbs down or would they see something more in this now mostly forgotten film?

Star Wars 40th anniversary

I’m old enough to remember when the 10th anniversary of Star Wars was a big deal and now that the movie turns 40 this week I thought it would be interesting to post a few articles I’ve written over the years on the franchise.

Mad Max 2: The Road Warrior

Mad Max 2: The Road Warrior, for years known simply as The Road Warrior in this part of the world, turns 35 this week. I saw Star Wars in the theater as many of my friends did, but I don’t know anyone who ever saw Mad Max 2: The Road Warrior there. I saw that movie many times edited for content on broadcast TV and I’m relatively sure I didn’t see the complete unedited version of the film until many years later on DVD.

Much like with Star Wars and Alien 3, Mad Max 2: The Road Warrior is a part of a movie franchise that’s still going strong today.

War for the Planet of the Apes movie trailer

The Mummy trailer

Books

The Art and Making of Alien: Covenant

Out this week is the obligatory “making of” book for the movie Alien: Covenant. From Amazon:

This official companion book explores all the major environments, creatures and technology that feature in this exciting new movie. It explores the intricate technology of the eponymous colony ship and its auxiliary vehicles, designs of the crew’s uniforms and weaponry, artwork of key locations and breathtaking alien art imagery in amazing detail. Packed with fascinating sketches, blueprints, diagrams, full-color artwork, final film frames and behind-the-scenes shots from the set, Alien: Covenant – The Art of the Film is the ultimate literary companion to this highly anticipated movie event.

Toys

Alien: Covenant

NECA has released photos of all its action-figures set to be released from the movie Alien: Covenant including the already shown Xenomorph, but new Neomorph as well as other monsters from the film.

The Reading & Watch List

TV

Star Trek: Discovery series promo

The Crossing series promo

GLOW series promo

The Gifted series promo

The Orville series promo

Ghosted series promo

Black Lightning series promo

This week in pop-culture history

  • 1970: Beneath the Planet of the Apes opens in theaters
  • 1971: Escape from the Planet of the Apes opens in theaters
  • 1977: Star Wars premieres 40 years ago
  • 1979: Alien opens
  • 1979: Dawn of the Dead opens in theaters
  • 1981: Outland opens
  • 1982: Mad Max 2: The Road Warrior opens in theaters 35 years ago
  • 1983: Return of the Jedi premiers
  • 1985: Trancers premiers
  • 1988: Killer Klowns from Outer Space debuts
  • 1990: Back to the Future Part III opens in theaters
  • 1992: Alien 3 opens 25 years ago
  • 1995: Johnny Mnemonic premiers
  • 1997: The Lost World: Jurassic Park opens in theaters 20 years ago
  • 1999: The last episode of the TV series Millennium airs
  • 2010: The last episode of Lost airs



Direct Beam Comms #70



TV

Brockmire Series premiere episode 1 Grade: B-

The new series Brockmire debuted on IFC last week. The series stars Hank Azaria as the title character, a baseball announcer for the Kansas City Royals who had a drunken on-air meltdown a decade ago that effectively ended his broadcasting career. Fast forward to today and Bockmire has returned to the US after having been around the world finding work where he can like announcing cockfights as well as having some serious addiction issues of which booze is the least of his worries.

But what Brockmire doesn’t know, but Jules (Amanda Peet), owner of the minor league baseball team the Pennsylvania, Morristown Frackers, does, is that he is an internet celebrity because of his on-air meltdown and subsequent post-meltdown press conference that became one of the first internet viral videos. Jules wants Brockmire to announce the Frackers games that feature stunts like having obese players who get hit at bat because their gut sticks out of the plate and always get a walk to hiring a “celebrity” like Brockmire to announce their games and drive attendance.

The first episode of Brockmire was interesting, if we’ve seen the character type a few times before. He’s a person addicted to some substances who tells it like it is but who’s personal life is a mess/in shambles which seems to be a theme of many dramas over the last few years. And honestly the first half of Brockmire as the broken man who returns home to find that while others see him as a celebrity but he sees himself as a joke, is all right. Things do pickup in the second half of the episode where Brockmire goes from an unwilling participant in the Frackers organization to someone who’s excited about baseball again.

That and Jules promises him free booze at her bar if he agrees to stay.

Angie Tribeca Season 3 episode 1 Grade: B

The third season of the TBS series Angie Tribeca is set to debut April 10 but the premiere episode debuted a bit early a few weeks back. I’ve enjoyed Angie Tribeca the last few years and this third season seems to be shaking things up a bit. In previous seasons, the show was structured around self-contained episodes with a sort’a season-long story arch taking up some of the second season. But this new third season looks like it’s going to instead focus on a single story about a serial killer who’s kidnapping trophy hunters and is taking the hunter’s skins in order to cloth the animals.

Think The Silence of the Lambs with Chris Pine as a hilarious stand-in for Doctor Lector meets Naked Gun and that’s the basic vibe for this season of Angie Tribeca.

Movies

Spaceballs

When Spaceballs was released on June 24, 1987 I can happily say that I was sitting in the theater that day with a great view of the screen with my brother and cousin. Unfortunately, that day we chose to see the movie Dragnet instead of Spaceballs. The reason we probably saw Dragnet was that the little two screen theater within bike riding distance of home usually showed one film that was for the kids, Dragnet, with the other film being for adults. My guess is that other screen was showing something like Roxanne or The Witches of Eastwick which we would have had no interest in seeing and chose the sensible Dragnet instead.

Which is a shame since the 1987 Dragnet has been all but forgotten to time but Spaceballs remains a cult classic film to this day.

A Mel Brooks spoof of sci-fi movies, more specifically Star Wars, even today Spaceballs is still pretty funny. And I think the reason I say, “pretty funny” and not “hilarious” is because I’ve seen Spaceballs so many times on VHS and HBO and TV that I know most of the jokes by heart. And it’s hard to laugh at joke you know is coming. Still, when there were jokes I didn’t remember, especially the whole sendup of the Spaceballs movie within a movie, that did get me laughing.

Looking at the movie now I’m surprised that it was rated PG. There’s quite a bit of cursing in Spaceballs, so much so that I’d assume today it would be rated R for language alone. It’s interesting to see what people 30 years ago thought was acceptable for a movie the whole family could see, some cursing, whereas today we’re so averse to that we think cursing happens in movies only adults should see. Then again, I feel that the levels of violence in our PG–13 movies would surly make them rated R 30 years ago.

After watching Spaceballs, or really anything he was in, I come away really missing John Candy. I’m not sure there’s been a comedian like him to come along since he died who has his level of physical comedy and sweetness mixed with his unique timing. At this point Candy’s been gone longer than he was around in pop-culture, but he’s a guy I still really miss.

The Mummy trailer

Alien: Covenant TV commercial

The Reading & Watch List

This week in pop-culture history

  • 1976: Jonathan Brandis of the mini-series IT and TV series SeaQuest DSV is born
  • 1979: Mad Max debuts
  • 1983: The Evil Dead premiers in theaters
  • 1986: Critters opens



2017 Summer movie preview



Out first this summer is Guardians of the Galaxy Vol. 2 May 2. I wasn’t a fan of the first movie but am in the minority since the launch of these trash-talking, comedic space-faring heroes lead by Star Lord (Chris Pratt) quickly became a surprise mega-hit at the box office a few winters ago. This time, “Chris Pratt of the 1980s” Kurt Russell joins the cast as “Ego,” who in the comics anyway is quite literally a “living planet.” And what’s not to love about that?

May 19 sees the release of Alien: Covenant, the third Ridley Scott Alien film, and a direct sequel to Prometheus (2012). Prometheus got a bad rap by the critics but made more than $400 million at the box office hence Alien Covenant. What’s interesting here is that from the looks of things Scott has taken Alien: Covenant back to something a little more in the vein of Alien with the crew of a ship fighting the insect-like baddies and away from the more esoteric Prometheus, which I happened to like a great deal. Luckily, I also happen to like Alien a great deal too and couldn’t be more excited for this movie if I tried.

DC Entertainment tries to get their movie act together with the release of Wonder Woman on June 2, the fourth release of the modern DC movie universe. Originally appearing in Batman v Superman: Dawn of Justice and stealing the show, Wonder Woman (Gal Gadot) launches the Amazonian to the big-screen in her own movie set during WWI. My only concern for Wonder Woman is that she fought the monster Doomsday in Batman vs Superman and almost single-handedly took him down in an ultimate bad !#$ way. So whatever she faces in Wonder Woman has got to be as big or that movie might be disappointing.

The creators of The Mummy on June 9 are attempting to create their own franchise and so-called “shared universe” of movies with the Universal Monsters. Starring Tom Cruise not as the mummy but someone trying to stop her from destroying the world, early looks at The Mummy seem to indicate something like Mission Impossible crossed with Suicide Squad. The Mummy is the first movie of this interconnected film universe that will also include the likes of The Invisible Man, Wolf Man, Frankenstein and the Creature from the Black Lagoon in future films if this one’s a hit.

Spider-Man movies have had a really weird path to the big-screen the last few years. There were two Andrew Garfield The Amazing Spider-Man flicks a few years ago that failed to score billions at the office so that version was shelved. More recently Columbia Pictures, who owns the film rights to the character, had a new Spider-Man, this time played by Tom Holland, crossover in the Marvel movie Captain America: Civil War last year while still retaining the rights to make their own Spider-Man stand-alone films. Now comes that first film Spider-Man: Homecoming out July 7 this time with Iron Man (Robert Downey Jr.) crossing over to this film.

A third Planet of the Apes film War for the Planet of the Apes is out July 14. The Apes film series is one of my favorites with the first chronicling why the apes got their smarts and the second what was happening with them just after the fall of man. This third film seems to be the story about the final apes vs man battle, with the winner taking claim to the planet. If you’ve seen the 1960s/1970s apes movies I’m sure you know how that works out.

Closing out the summer is the first movie based on the The Dark Tower Stephen King book series on July 28. Starring Idris Elba as the heroic gunslinger Roland Deschain and Matthew McConaughey as the evil sorcerer, the The Dark Tower movie series is being billed as a sequel or continuation of the books rather than a big-screen version of them. It’s hard to describe The Dark Tower without giving too much away, but there are alternate dimensions, monsters and magical powers and, best for Hollywood, if this first is successful a series of seven other books that can all be turned into films.




Direct Beam Comms #53



TV

Westworld season 1 – Grade: B+

“Cease all motor functions!”

I am afraid of Westworld. So many times in the past I’ve fallen for shows like Westworld that have these deep, intricate character-driven storylines only to be disappointed in the end. In my heart of hearts I know that with TV series like Westworld the journey is more important than the destination, but I’m always hoping that the series ending will be as good as the road it took to get there. And so far at least, one season in, Westworld has taken one fine, interesting road and has quickly become my favorite thing on TV in the last few months.

Honestly, I wasn’t sure what to expect with Westworld but whatever I was thinking the show might be like isn’t anything as to what it actually was like. Much of the story is told via three groups of characters. The first group is of people like Dr. Ford (Anthony Hopkins) and Bernard (Jeffrey Wright) who are trying to keep this massive park running while at the same time making improvements while acting in a sort of god-like way even if some of their changes have started causing glitches in the robots of the park known as the “hosts.” These robots don’t know that they’re robots and awaken each day anew not realizing that they’re all in a story loop and essentially play the same day over and over again. With this robot group are characters like Maeve (Thandie Newton) who’s starting to have memories she shouldn’t have and Dolores (Evan Rachel Wood) who’s beginning to question the nature of her reality. And then there’s the human visitors of the park like William (Jimmi Simpson) and “The Man in Black” (Ed Harris) who are experiencing the park in very different ways. Harris’ character is convinced that there’s a core story beneath the veneer of Westworld that the rest of the guests experience and wants to uncover this truth, even if it means he has spend 30 years there and cause pain, death and destruction to the hosts to do so. And William, brand new to the park, wants to help Doloris in her quest for self realization but isn’t sure what all is required to do so or the ramifications of.

I think that what works best about Westworld are all the questions that the series creators ask. Like if Dr. Ford is creating these robots, and these robots are self-aware, feel pain and have emotions, has he created life? Even if that life can be changed, controlled and obliterated at the flick of a switch. And for the “hosts” of the show who, if they’re somewhat self-aware now, what happens in the future when they become fully self-aware and want to control their own destinies and futures and not be controlled and tied to the Westworld park as they are now? And what will they do when they realize the people who’ve created them have spent decades abusing them over and over again with no consequences?

I’m also fascinated with how Westworld ties into modern day video games. In those games players come up against characters in the game who they can do what they will with. Though there might be consequences in the game if the players harm these characters, there are no real world consequences if they decide to do so. And this is the same for Westworld where the visitors can do whatever they want to the hosts be it hurt them, rape them or kill them. There’s no consequences since technically you can’t hurt, rape or kill a robot. But what if someday the robots started remembering these terrible things done to them and what if they wanted to fight back?

It’s interesting to imagine just where Westworld will go in future seasons? In my head I’ve got it all mapped out down perfectly to the series sixth season. But if I’m lucky the creators of Westworld will continue to do their own thing and keep creating a surprising show that asks a lot of bit questions about what it’s like to live in the times that we do without providing a lot of easy answers.

Legion TV Spot

“The human race is beginning to evolve.”

The Expanse TV Spot

“In this world that we live in you have to pick a side.”

Movies

Spider-Man: Homecoming trailer

“This is my chance to prove myself.”

War for the Planet of the Apes trailer

“All of human history has lead to this moment.”

The Mummy (2017) trailer

World War Z + Suicide Squad = The Mummy

The Reading & Watch List

This week in pop-culture history

  • 1917: Arthur C. Clarke, author of 2001: A Space Odyssey, Rendezvous with Rama and Childhood’s End to name a few is born
  • 1941: The Wolf Man opens in theaters
  • 1976: King Kong debuts
  • 1978: Superman opens in theaters
  • 1984: Dune premiers
  • 1984: Runaway debuts
  • 1984: Starman opens
  • 1996: Mars Attacks! premiers
  • 1998: Star Trek: Insurrection opens in theaters
  • 2002: Star Trek: Nemesis premiers
  • 2005: King Kong opens in theaters
  • 2010: Tron: Legacy debuts