The Americans: James Bond in Suburbia

Sex has played a major role in stories about fictional spies since there were stories about fictional spies. On the male side there’s been the womanizing James Bond the last 60+ years who’s inspired a term to record his conquests; “Bond Babes.” The female side has characters like Fiona (Gabrielle Anwar) from Burn Notice who sometimes wears bikinis on missions to keep the bad guys distracted as she kicks their butts.

The "normal" Jennings family
The “normal” Jennings family

In fact, it’s almost impossible to have a spy movie or television series that doesn’t somehow involve the “S” word in the story. That’s why I think the TV series The Americans is so different. Sex does play a role in the here, but in The Americans rather that it being something that’s titillating/over the top it’s dealt with a bit more realistically.

The Americans is really an examination of the institution of marriage in both its strengths and weaknesses.

The Americans follows the seemingly normal family of Phillip and Elizabeth Jennings (Matthew Rhys and Keri Russell) with two kids who live and work in early 1980s Washington DC. Except they’re anything but normal. Phillip and Elizabeth are actually two Soviet Union KGB sleeper-agents who infiltrated the US in the 1960s and have lived here ever since. By day they run a successful travel agency, but by night they break into the homes of Washington elite to hide bugs, chase down Soviets wanting to defect to the US and trap diplomats in compromising positions to blackmail.

The Jenning’s relationship and entire marriage are predicated on a lie. They were put together as a team when they were training in Russia and told to act as husband and wife as part of their cover. And this arrangement went surprising well for them. They settled into suburbia, had kids and began living the American dream.

Keri Russell and Matthew Rhys
Keri Russell and Matthew Rhys

Unexpectedly Phillip and Elizabeth began loving each other and started to feel like a real husband and wife. Even with them occasionally having relations with contacts/targets in order to extract information or gain confidence their relationship stayed strong. To Phillip and Elizabeth, cheating on each other while spying isn’t cheating. It’s work.

What does start to strain their marriage, though, is first the realization that while Phillip likes living in the US (in the first episode he tells his wife, “The electricity works all the time and the food’s pretty great”) while Elizabeth instead is devoted to her home country. What begins driving them apart, though, is that while Elizabeth might be okay with Phillip courting an FBI secretary to gain information and Phillip alright with Elizabeth picking up defense contractors in bars to steal secrets neither is okay when real lovers from their pasts begin reappearing in their lives.

Matthew Rhys and Derek Luke
Kerri Russell and Derek Luke

Be it Gregory (Derek Luke), an American working for the KGB who had an affair with Elizabeth in years previously but returns to help them find someone or Irina (Marina Squerciati), another KGB agent who’s brought in to help Phillip with a blackmail job but who also was his real lover back in Russia before Elizabeth.

Phillip and Elizabeth come to the realization that while they might be compatible with each other, love one and other and have kids together, there’s really no legitimate reason for them to be together. Their marriage is fake and if they ever returned home to the Soviet Union their relationship would surly fall apart.

Matthew Rhys
Matthew Rhys

While Phillip and Elizabeth’s relationship does have major problems, one of the questions asked in The Americans is in how many ways is their “fake” relationship better and stronger than of a “real” couple like FBI agent Stan Beeman (Noah Emmerich) and his wife? Stan is tasked with rooting out KGB agents like the Jennings in the US. But after just having come off a case where he was away from his family undercover for months and now working 24/7 tracking down spies his marriage with wife Sandra (Susan Misner) is on the rocks and headed for divorce.

It doesn’t help matters that Stan has started a relationship with an asset working in the Soviet embassy who might just be getting more information out of him than he her.

But it’s all this conflict in both the character’s relationships and conflict with the US and the USSR that makes The Americans story so deep and so satisfying. The second season of The Americans starts February 26 on FX.

The Best TV Series of 2013

The start of the 2012-13 TV season was little more than a barren wasteland. Of the few new shows I checked out last season there wasn’t any I stuck with for more than a few episodes. To say I was depressed this time last year at the state of TV would not have been an understatement.

But then something happened. Once ’12 ended and we rang in ’13 all sorts of interesting TV series began appearing, to the point that I’d call 2013 one of the better years for quality TV in recent memory.

Charles Dance in Game of Thrones
Charles Dance in Game of Thrones

Game of Thrones (HBO)

I’ve really liked Game of Thrones since it premiered back in ’11, but it wasn’t until this year that I thought it was the best show on TV. And that’s not a dig on previous seasons of the series whatsoever. Game of Thrones has always been great and it’s been getting better and better with each new season of the show. Plus now that we’re a few seasons in, I think the audience is a lot more invested in the series and its characters than before since we’ve gotten to know and “live with” the series these last few years.

Game of Thrones is the rare show where every action taken by the characters has consequences; some good, some bad and some both, and seemingly no character is safe from unexpectedly meeting their demise and earning a quick exit from the show. It’s almost to the point where I wonder who’ll still be in the last episode of the series who was also in the first?

Hannibal
The cast of Hannibal

Hannibal (NBC)

One of the biggest surprises to me earlier this year was the network TV series Hannibal. Let that sink in for a minute, a network drama is one of the best shows of the year. While Hannibal has some of the trappings of a procedural cop series; flashy cases of the week, a wide cast of characters. Hannibal also breaks that same mold in that the title character of the show Will Graham (the wonderful Hugh Dancy) is actually a unique character I don’t think we’ve ever seen on TV before. His “gift,” if you can call it a gift, is that he can relate to an extreme level with serial killers while investigating their motivations for killing. But Graham begins to question his sanity when working with a pre-jail Hannibal Lecter (the equally wonderful Mads Mikkelsen) who councils Graham and begins to bend his mind to Lecter’s sick and twisted will.

Keri Russell in The Americans
Keri Russell in The Americans

The Americans (FX)

The other TV surprise this season was The Americans and unfortunately I had almost written off The Americans before I’d even seen it. For whatever reason I just didn’t think the show was going to be very good and only watched it since I watch a lot first episodes of series just be sure I’m really not missing anything. But literally five minutes into The Americans that’s about Soviet spies in Washington DC in the 1980 but is just as much about how relationships between couples work I was hooked.

Veep (HBO)

Veep is the one show in the last few years that I laugh hard enough while watching that I literally have to pause it in order to compose myself in order not to miss the next big laugh.

Taylor Schilling and Yael Stone in Orange is the New Black
Taylor Schilling and Yael Stone in Orange is the New Black

Orange is the New Black (Netflix)

I think the biggest revelation this year was just how good TV series could be that wasn’t on a traditional channel, the best of which was Orange is the New Black on Netflix. The only reason this series isn’t much higher on my list is that there were so many other good series on TV this year in competition.

Mob City (TNT)

I’m not sure if it’s a genius move on the part of TNT to air the entire Mob City series over the course of three weeks, or a bone-headed one? Maybe viewers will dig watching all of Mob City quickly, or maybe it’ll all get lost in the clutter of the holidays? Regardless, I really dug this one and hope that the new year will bring tidings of comfort and of joy AND more episodes of Mob City.

Gillian Anderson in The Fall
Gillian Anderson in The Fall

The Fall (Netflix)

Another interesting series on Netflix, abet not an original production like with Orange, was The Fall. Starring Gillian Anderson as Detective Inspector Stella Gibson, The Fall follows Gibson as she tracks a serial killer on the streets of Belfast, Ireland. The interesting bit about The Fall is how the partisanship of Belfast works into everything and that we spend as much time with the killer and his cute family who have no idea that the “normal” dad is really a monster as we do with Gibson.

Underbelly: Badness (DirecTV)

I’m guessing I’m the only American who watches this Aussie crime drama import, now in its sixth year, but I thought Underbelly: Badness was a return to greatness for this series that had lagged in recent years.

Noah Wyle in Falling Skies
Noah Wyle in Falling Skies

Falling Skies (TNT)

I think I may be in the minority here when I say this, but to me Falling Skies was actually better this third season than the last. And I really liked that season too.

Young Justice (Cartoon Network)

The most overlooked show on TV the last few years was Young Justice, which ended this season. What I liked best about Young Justice was that it was the rare show, animated or otherwise, where the characters experienced actual change during the course of the series. It seems that we live in a world where once we get to the parts of the story that are actually interesting — Is Batman getting too old to fight crime? Can Spider-Man have a life outside of web-slinging? — that the story is ended and a new one rebooted so we can start at the beginning yet again.

But the characters of Young Justice actually grew and changed and matured over the too short two seasons of that show.

Danai Gurira in The Walking Dead
Danai Gurira in The Walking Dead

The Walking Dead (AMC)

I feel like The Walking Dead is still one of the best shows on TV, if it’s getting a bit harder and harder to watch now in its fourth season. I like the characters of The Walking Dead and it’s tough to see bad things happen to them time and time again living on a dangerous, zombie infested world. And simple put, I’m not sure how much more I can take of that. At a certain point my desire for the characters to escape their bleak world, which, according to the creator of the comic book will never happen, will collide with not being able to stomach the all the bad in The Walking Dead and I’ll bail on the show. It just hasn’t happened yet. 😉

What to watch: Winter ’13/’14 edition

Is it just me, or is the fall TV season just a poor lead up to the winter one, when the interesting series launch?

Mob City poster
Mob City poster

Mob City (TNT) Wednesdays at 9

Hurry up to catch this one before it ends. It seems like TNT doesn’t have a lot of confidence in this little gem by “burning off” two episodes of Mob City every Wednesday night for three weeks when this one will be done quickly. Though in an odd quirk of fate this is exactly what happened to series creator Frank Darabont’s last show too; The Walking Dead. AMC didn’t have much confidence in that show either and only ordered six episodes of The Walking Dead too before committing to any more. And the last time I checked The Walking Dead is doing okay.

The Goldbergs (ABC) Tuesdays at 9

The one new show I watch from this fall is The Goldbergs. It’s not a great show, but it’s good and I get a laugh or two out of each episode which makes this one worth it for me.

Doctor Who Christmas Special (BBC America) 12/25

Christmas Day will see the departure of Matt Smith, current Doctor Who, and the introduction of new Doctor Who Peter Capaldi. The big question is when Smith leaves if a lot of the new fans of the show who watch Doctor Who for Smith will leave too?

Community (NBC) Thursdays starting 1/2

Community creator Dan Harmon returns to the show he created, then was thrown off of, then rehired to for a fifth and final (?) season this January. I’m hugely excited about this one. Now, if only I could forget that non-Harmon fourth season of Community altogether.

Helix
Helix

Helix (SyFy) Fridays starting 1/10

Ronald D. Moore, the creator of the Battlestar Galactica reboot series, returns to TV with Helix on SyFy. This series looks to be part The Thing mixed with the movie Contagion and some zombies thrown in for good measure But fear not, Moore is good at handling material that seems already done/tired like he did so well with BSG.

True Detective (HBO) Sundays starting 1/12

This series follows two detectives (Matthew McConaughey and Woody Harrelson) as they spend 17 years hunting a serial killer. Which sounds a bit like Zodiac, but if this series can channel even a smidgeon of the greatness of Zodiac it’ll be one to watch.

Sherlock (PBS) Sundays starting 1/19

What started out as a PBS/BBC series aimed at adults quickly found an younger and non-traditional PBS audience making Sherlock as popular and culturally relevant as Doctor Who is with the teen/hipster set. Will this third season of Sherlock be more popular than Downton Abbey, another hit on PBS? I think it might.

House of Cards (Netflix) Available 2/1

When we last left Francis Underwood (Kevin Spacey) he had destroyed more than a few lives on his attempt at becoming Vice President of the country. There were enough twists and turns in the first season of the series that I’m genuinely unsure as to where the second season of House of Cards is headed.

Keri Russell takes aim
Keri Russell takes aim in The Americans

The Americans (FX) February

I adore this series about Soviet spies in Washington DC that’s set in the early 1980s. It’s the perfect mix of action and a true heart felt story about making relationships and families work. With guns and explosives too.

Hannibal (NBC) “Midseason”

I get the feeling that no one’s watching this show because of it’s title and it seemingly a money-grab at the The Silence of the Lambs movie franchise. Which is a real shame, series creator Brian Fuller and cast are doing some wonderful, weird and interesting things with Hannibal which is unlike anything else on TV right now.

2013/14 TV Preview – Returning Shows

Over the last few years the TV season has gone one where shows premier in fall to a fall/winter one to now series premiering fall/winter/spring with a handful in the summer. So it’s not really a “TV season” anymore, it’s new TV all the time.

It’s Always Sunny in Philadelphia (FXX) September 4

Always-Sunny-Philadelphia-29
It’s Always Sunny in Philadelphia

Sunny enters its ninth season, yes NINTH season, on a new “edgier” network called FXX but is feeling a bit tired these days. While I don’t think anyone would argue that Sunny was as good the last few seasons as it was the first few, I’ll still check this one out – for a few episodes at least.

The League (FXX) September 4
See above, except substitute “fourth” for “ninth.”

American Horror Story (FX) October 9

The first season of American Horror Story was amazing, it was easily one of the best shows in recent memory. The second season, let’s just say that the second season started out disastrous but ended up…interesting? Here’s hoping that the third season of American Horror will be more like the first than the second.

Raising Hope
Raising Hope

The Walking Dead (AMC) October 13
Watching The Walking Dead can be a grind. Sometimes it’s a satisfying grind, but a lot of times watching the show is a slog to get through the episodes where little happens to ones where stuff does happen. I get the feeling that if each season of TWD were six or eight episodes long it would be a much tighter series rather than what we got with the last 16 episode season that felt like a lot of filler.

Raising Hope (FOX) Fridays “Late Fall”

Raising Hope enters its fourth season after having seemingly been on the  verge of cancellation for all four of those seasons. The comedy, once a staple of Fox’s Tuesday nights, has now been relegated to Friday nights. Regardless of what night it airs on, I’m a sucker for Raising Hope and the whole Chance family.

Doctor Who
Doctor Who

Doctor Who (BBC America) Christmas

The final season of Doctor Who with lead Matt Smith starts right where the last one ended, with John Hurt (Alien) being introduced as a connection to the Doctor’s past.

Sometime after the new year

The Americans (FX)

The Americans
The Americans

The more I think about The Americans, the more I miss this show about Soviet sleeper agents operating in the early 1980s in Washington DC. I think where this series works is that it’s also about the home lives of the Soviets as well as all the other secret agent action stuff.

Community (NBC)

Dan Harmon is back as the creative head of Community for one more season, the last of the series. Will Harmon usher Community back to greatness, or will it be a misstep that critics will be talking about for years to come? Regardless, I’ll be watching!

Game of Thrones (HBO)
The fourth season is usually when genera series begin faltering; see Lost, The X-Files, Battlestar Galactica, et al. It’ll be interesting to see if Game of Thrones is able to buck this trend.

Hannibal (NBC)

Hannibal
Hannibal

I feel like there are about 10 of us out there watching Hannibal on NBC. I’m guessing it’s one of those shows where people will discover it long after it’s gone and wonder why more people didn’t watch it when it was first on? It’s brilliant!

Mad Men (AMC)
Is the upcoming season of Mad Men the last season of the series, or does Mad Men creator Matt Weiner have more seasons of the show in mind? Only time will tell.