Direct Beam Comms #100

TV

S.W.A.T.

My familiarity with the S.W.A.T. franchise is relatively limited. I saw, and remember liking the 2003 feature film that starred Colin Farrell, Samuel L. Jackson and Jeremy Renner about a Los Angeles S.W.A.T. team who has to transport a drug kingpin across the city where every bad guy in town wants to set him free. But I’ve never seen the 1970s TV series that movie was based on nor the follow-up S.W.A.T. movies either.

Still, I went into the new CBS S.W.A.T. series with an open mind as I try to do with everything I watch.

Starring a scowling/frowning Shemar Moore – TV’s Vin Diesel – as Daniel ‘Hondo’ Harrelson, this new S.W.A.T. takes place in a very modern LA where police offers are often judged by decisions they have to make in an instant. Which, because of the sensitivity of the issues being tackled in S.W.A.T like police shooting unarmed civilians needs to be handled with a delicate touch. Of which S.W.A.T. approaches with the delicate touch of a sledge hammer.

The Los Angeles of S.W.A.T. is a crazy, hyperkinetic city where the criminals battle it out with police using machine guns and RPGs while the S.W.A.T. Officers, who sometimes seem like the only police in the city, must deal with said RPGs one day and police involved shooting protestors the next. Things are about to boil over to riots when Hondo decides to treat the people “like family” and everything’s okay which allows them to go after the real machine-gun toting bad guys.

S.W.A.T. is a sort of cross between the police TV procedural and The Fast and the Furious movies where when the S.W.A.T. team aren’t involved in firefights, climbing on roofs or riding to work on motorcycles going 100 miles per hour they’re making out with their girlfriends who look like gorgeous models.

What I liked about S.W.A.T. didn’t involve the story. Some of the photography in the series was gorgeous, especially the stuff that was shot at night. It didn’t look like the typical stuff shot at night that turns up on TV. This was different. It was less about setting up lights to shoot everything than it was about using the cameras to capture the weird qualities of what it’s really like to be outside in a city at night. Where some things are in the shadows and some are not with the sky casting a weird glow.

Side-note — S.W.A.T. has to be the show with the most amount of people climbing on roofs I’ve ever seen. I don’t mean people already on roofs, I mean people climbing from the ground over things to get onto roofs. At least twice in the show cops and bad guys start off on the ground, climb up fences and onto roofs to run across roofs to jump down to the other side. I don’t know why I noticed this? Maybe the first time they did it was neat, but the second time I kind’a wondered if they were running out of ideas.

Things TV lovers don’t have to worry about today that fans of the past did

I was thinking the other week about all the rigmarole fans of TV, myself included, used to have to go through to watch their favorite shows. Even just a few years ago before the advent of streaming services and a decade or so back before the ubiquitousness of the DVR it could be a pain to watch your favorite series if it aired at an odd time or alongside something else you wanted to watch even more. So I decided to put together a list of things I used to have to worry/think about when I wanted to watch my favorites shows.

  • You generally needed to make an appointment to watch TV. If what you wanted to see was on at 8 on Monday, you needed to be in front of the TV at 8 on Monday to watch it.
  • And you usually turned over early to watch your show. So if you wanted to see, say, Space Rangers on CBS you might turn over a little early and catch the tail-end of Major Dad every week whether you were a fan of Gerald McRaney or not.
  • Sometimes you had to stay up late or, like I did to watch the series Robotech, get up early to catch a show.
  • I never did this myself, but I’ve heard of people setting alarms in the middle of the night in order to get up to watch a certain movie they’d always wanted to see or hadn’t seen in years.
  • You sometimes had to tape over some program you’ve already watched but maybe wanted to keep for future viewings in order to record something new if you didn’t have, or couldn’t afford, a new tape.
  • Having to budget money for tapes when a pack of them cost $20.
  • If you missed an episode of a particular program you seriously didn’t know if you’d ever see it again.
  • You sometimes had to pick one show over another if they happened to air opposite one and other. You’d pray that the show you didn’t watch survived long enough for repeats of it to air over the summer when TV networks re-ran all their series. Otherwise you might never see that series again.
  • Waiting for your favorite show to start Sunday nights when football was running long and seeing and hearing the dreaded, “We join your program already in progress,” message and just having to accept that you’ve missed the first however many minutes football ate into your favorite show and spending the episode trying to play catchup with what’s going on.

Movies

Starship Troopers

Over the years I’ve written a lot about the movie Starship Troopers. Probably too much for a movie that upon its release was denounced by most and quickly forgotten. Over the years there has been a bit of appreciation for Starship Troopers develop, but not as much as I’d thought there would’ve been when I saw it 20 years ago.

Still, I can’t deny how much I adore Starship Troopers or how much I love watching it even today. So here are a few links to articles I’ve written over the years about Starship Troopers.

The Reading & Watch List

This week in pop-culture history

  • 1932: Roy Scheider of JAWS and SeaQuest DSV is born
  • 1949: Armin Shimerman, Buffy the Vampire Slayer and Quark of Star Trek: Deep Space Nine is born
  • 1964: Robert Duncan McNeill, Tom Paris of Star Trek: Voyager is born
  • 1969: Marooned premiers
  • 1970: Ethan Hawke of Explorers and Gattaca is born
  • 1973: Radha Mitchell, Fry of Pitch Black is born
  • 1975: The TV series The New Adventures of Wonder Woman debuts
  • 1993: RoboCop 3 opens in theaters
  • 1994: The TV series Earth 2 premiers
  • 1997: Starship Troopers premiers

2017/2018 TV preview

New Series

The year superheroes broke TV

There are so many superhero series debuting this TV season there’s almost too many to cover here. In fact, there are at least eight new live-action superhero shows debuting this season which will bring the number currently airing to more than 25 based on comic books.

Inhumans

Inhumans

What was originally set to be a series of Marvel films has now become a TV series with Inhumans on ABC. I never really collected any Inhumans comics so I don’t really know the core Inhumans story. I do know that the show will be the third Marvel series to debut on ABC with Agents of SHIELD entering its fifth season and Agent Carter being cancelled after two. I wasn’t a fan of Agents of SHIELD nor of Agent Carter but will still checkout Inhumans, if with a bit of trepidation.

What I do know about The Inhumans, and what I could glean from ABC’s marketing materials, has them as a race of super-powered people living in a hidden city on the Moon with the likes of Black Bolt who’s voice is so powerful it can destroy entire cities and Medusa with living hair. In the series, a coup on the Moon forces this ruling family down to the Earth to face life among us mere mortals and the rest of the Marvel universe characters.

The Gifted

The Gifted

The Gifted on FOX looks to take the X-Men franchise TV screens with a series about a family on the run after they learn that two of their kids are mutants with super-powers. Some X-Men characters are set to appear in the series but don’t expect Wolverine, Cyclops or Jean Grey to show up in The Gifted. Instead the likes of Polaris, Thunderbird and Blink will be the muties helping the family on the run.

Krypton

Syfy enters the superhero TV game with their series Krypton about life on Superman’s alien home-world decades before his birth. But like with The Gifted don’t expect the Man of Steel to swoop in during sweeps week to boost ratings on the show as Krypton follows Superman’s granddad Seg-El as a spry 20-something living and working on Krypton before the planet went and got all explody.

The Punisher

The Punisher

The Punisher, on Netflix, follows the character of the same name who originally began as an ally/antagonist on the series Daredevil before being spun-off onto his own show. Not much is known about The Punisher other than to expect to see him eliminating as many bad-guys as he can in 13 episodes.

Runaways

The Hulu series Runaways sounds interesting, but reports from the creators of the show make me wonder if it’ll be as interesting as I first thought? The comic series Runaways is about a group of teens who discover that a) they all have superpowers because b) their parents are all major super-villains who run a west coast crime empire. But the creators of the Hulu version have said that the series will be “the O.C. of the Marvel Universe” and that just because the parents are super-villains who quite literally sacrifice people, “that doesn’t necessarily mean they’re all that bad.” Ugh, ugh, and double ugh.

Black Lightning

Black Lightning will join the CW stable of established DC characters like Arrow, Supergirl and The Flash this season with the title character who can harness electricity and must return to the superhero fold years after retiring.

Freeform, the old ABC Family, is set to debut two new superhero series next season with New Warriors and Cloak and Dagger.

New Warriors

Cloak and Dagger

When I was a teen New Warriors, a comic about a team a sort of teenaged X-Men, was one of my favorites. But this TV New Warriors isn’t an action series, it’s reportedly a half-hour comedy starring a character named Squirrel Girl, who’s, admittedly, really popular with the younger set these days.

Cloak and Dagger

In the comic Cloak and Dagger Cloak was a character of darkness and Dagger of light who were a team called, you guessed it, Cloak and Dagger. From the looks of it, the TV version retains the characters and their powers, but looks to be more Twilight, “they’re from two different worlds but are in love,” than X-Men “let’s kick Magneto’s butt” in tone.

Non-comic book series

I can’t tell you how weird it feels to write that. Literally a few years ago there weren’t any series based on comic books, now there’s so many I can’t even keep track. But even though there’s quite a few new superhero TV series to look forward to this season, there are a few non-superpowered shows debuting 2017–18 as well.

The Crossing

The Crossing

The Crossing on ABC has a small town becoming inundated when hundreds of bodies begin washing ashore from some disaster. But this disaster is something that’s going to happen in the future and these people are really refugees escaping to their past, our present, to find safety. The Crossing is a show I’m interested in as long as it doesn’t turn out to be another Lost where the goal is to spread the mystery of it out over as many seasons and episodes as possible rather than telling a coherent story.

Even The Crossing seems to have somewhat of a superhero element to it with some of the characters from the future possessing strange abilities far beyond that of mere mortal men.

There are a few interesting looking non-superhero series on FOX this season, the first of which is The Orville.

The Orville

The Orville

The Orville created by and starring Seth McFarlane of Family Guy fame is a live action comedic take on Star Trek. From the looks of things, The Orville is a sort of TV version of Galaxy Quest if the characters on Galaxy Quest were really the bumbling crew of a starship and not Hollywood actors playing them. I think The Orville is a great idea for a series, if I don’t think I laughed once at the promo that was released for the show a few months back.

Ghosted

If The Orville is a take on the movie Galaxy Quest then Ghosted also on FOX seems to be a take on the movie Ghostbusters. This time, instead of four scientists working together to bust ghosts, it’s, according to FOX, a skeptic (Craig Robinson) and true believer (Adam Scott) who’re the ones having to go around and do the busting as it were.

LA > Vegas

LA > Vegas

LA > Vegas has the most unique sitcom setting I can think of over the last few years. The show takes place aboard an airliner that makes a weekly round-trip between LA and Las Vegas with there being some regular characters of LA > Vegas including jet’s crew and people who travel to Vegas every week as well as new passengers each episode on a trip to lose money in the desert.

S.W.A.T.

The S.W.A.T. franchise has had a surprisingly long history. The original TV series of the same name debuted in 1975 with a feature film version in 2003 and a low-budget sequel released in 2011. And now comes a new S.W.A.T. TV series on CBS that’s set to premiere later this fall. CBS dramas aren’t known for their subtly and the promo for S.W.A.T. isn’t subtle with S.W.A.T police officers having gun battles in the streets one minute, smooching with their wives in the shower the next to dodging bazooka blasts a later that evening.

Star Trek: Discovery

Star Trek: Discovery

Star Trek: Discovery also on CBS has the most interesting path to series of any show in memory. This series has been around so long that I originally wrote about it in my 2016 TV preview. Star Trek: Discovery was supposed to premiere January 2017 but was then pushed back to May after execs realized that there was no way the series would be ready to air last winter. Then, a few months into 2017, they also realized that a May debut wasn’t going to happen either so the series was once again pushed back to September 24. Which looks like it’s going to happen since there’s been quite a bit of marketing released on the series including things like posters and online promos for the show.

But wait, there’s more.

Only one episode of Star Trek: Discovery will be shown on CBS with the remainder of the episodes then debuting over the next few weeks on the CBS All Access streaming service for residents in the US and Netflix for most of the rest of the world. Which seems like a bit of a misstep to me. I think CBS is eying fans of Star Trek and are just assuming they’re going to shell out $6 a month to watch Star Trek: Discovery because it’s Star Trek and fans of Star Trek will pay any amount of money to see anything labelled Star Trek. Now, I’m a fan of the Star Trek but I think most of what CBS offers is pure mung and can’t imagine shelling out $6 a month just to watch Star Trek: Discovery when there’s so many other things to watch on TV, especially around the time Star Trek: Discovery is premiering.

Here’s what I could see doing, though.

Star Trek: Discovery

If that first episode of Star Trek: Discovery that airs on CBS is good, if it’s intriguing enough for me to want to checkout the rest of the episodes — all of which is debatable since though I consider myself a fan of Star Trek none-the-less I really haven’t liked anything Star Trek since the late 1990s. If Star Trek: Discovery is interesting enough what I may do is wait until all the episodes are available on CBS All Access since they’re not all being released at once but instead over the course of a few months. And when they’re all available get CBS All Access for a month, binge them and then cancel my subscription.

But like I said that’s debatable. Star Trek: Discovery will have to be really good for me to want to do that and everything I’ve read about the show, from original series helmer Bryan Fuller exiting the series to CBS changing the look of Star Trek: Discovery from retro-Trek to something more futuristic makes me doubt that I’ll be in a big rush to checkout the rest of the series after it debuts in September.

Returning series

Because of the weird nature of TV I’m not quite sure what all current series are returning and when? Like both the series Legion and Westworld aired episodes in early 2017, but are only scheduled to return “sometime” in 2018, which might mean they’ll return in a few months or in more than a year. While there might not be a load of returning shows I’m interested in this season, those that are returning are really good and I don’t think I could be more excited about new episodes if I tried.

The Good Place

The Good Place

One show that is scheduled to return fairly soon is The Good Place on September 20. This NBC comedy about a woman (Kristen Bell) who dies and wakes in “the good place” but really was supposed to go to the bad one was the one new network show from last season that I liked that’s still around for a season two. I was surprised as to just how much a slow-burn The Good Place was, with each episode acting as a single chapter in a season-long story. My initial thoughts on the show was that it might be the most disturbing thing on TV since in the universe of the The Good Place 99.999% of everyone who dies goes to “the bad place,” and it’s only the supremely good among us that end up in “the good place.” So even the best of us are doomed. And in the show if Bell’s character is ever found out what happens to her? Does she get a one-way ticked to hell? I liked The Good Place enough to stick with it until the end, when a twist I saw coming from the very first episode hit that I was still surprised by made me change The Good Place from a show I liked to one I adored.

Stranger Things

Stranger Things

The 2016 breakout TV series that I think surprised everyone, including myself, as to how good it was Stranger Things returns to Netflix for a second season October 27. Stranger Things is a show about the 1980s but isn’t about the 1980s, it just so happens to take place there and is this weird, cool mesh of horror and sci-fi I really wasn’t expecting when I first started watching it last summer. Stranger Things stars a mostly pre-teen/teen cast of actors who, after one of the group goes missing and a girl mysteriously appears out of nowhere, must go on a quest to rescue their friend. But be it starring kids and teens or not, the danger and violence of the first season of Stranger Things was palpable with characters being shot, consumed by monsters and cocooned alive to wait out a fate worse than death. I don’t want to say that the first season of Stranger Things was a perfect show, but it might be about the most perfect show fans of horror/sci-fi these days can hope for.

Black Mirror

This surprisingly long-lasting British anthology horror/sci-fi series returns for a fourth season on Netflix this year. It’s easiest to describe this series as a modern day The Twilight Zone, but it’s really its own thing. Generally, episodes of Black Mirror take place in a few years time and deal with our everyday technology gone amok. Be it a society that runs on social media “likes” or soldiers with computers in their heads doing battle with mutant people who turn out to be a little less “mutant” and a lot more “people.” Where Black Mirror excels is at this everyday horror aspect to our lives, it’s the answer to the question, “Do we control our technology, or does it control us?”

And now for the ones that return sometime in 2018.

The Expanse

The Expanse

The Expanse on SyFy channel remains the lone holdout on a network that’s supposed to be for fans of sci-fi that actually is a quality sci-fi show. Two seasons in and I’m surprised as to just how well The Expanse has progressed. What started as a sort’a conspiracy thriller set in deep space with the search for a missing woman has grown exponentially into a war spanning the entire solar system with a group of characters spread out between the Earth, Mars, the asteroid belt, Jupiter and now Venus. I think what I like most about The Expanse is that while the show has grown in scope, the focus has remained on most of the same characters from the first season with a few additions here and there. So while a similar series like Game of Thrones has grown to the point of being unable to contain its story in a single episode, The Expanse has remained grounded and feels much like the same show when it started while the bounds of the story had been let to expand.

Legion

Legion

Legion might be the most trippy series on TV — and one of the best. It’s a superhero show but is nothing like a traditional superhero show since the focus of Legion is on character’s mental states rather than who can punch the villain hardest. I’m not sure the construction of the first season of Legion is like any other series out there. Legion starts out with David Haller (Dan Stevens) living his life inside a mental institution who has these weird memories of his childhood. It seems like David can do these strange things, or maybe he just imagines that he can. As the series progresses we go in and out of David’s, as well as other character’s minds, to the point where we’re really not sure what’s real and what’s not. But in the universe that is Legion what’s real and what is not is not as important as what the characters believe is real or not.

Westworld

Westworld

To me at least, this year wasn’t a great one for original series on HBO. I’m not sure if I’m just aging out of the core HBO demographic, but in 2017 the only show I really cared about there was Westworld, and much like with The Good Place I didn’t think it was going to be very good when I first heard about it. I mean, how could it be? Westworld was delayed ages because of “script problems” and was based on a decades old movie about rich people who visit a theme park where they can do whatever they want to the robotic inhabitants there. And I mean whatever they want. But instead of simply following the model of the movie, the creators of the Westworld TV show also made its focus on the robotic characters of the park in addition to the wealthy visitors. These robots are doomed to unknowingly live the same day over and over again, on a loop with the park’s patrons treating them like toys to be shot or raped or murdered. The question of the Westworld series is, what happens if these robots start realizing their lives aren’t their own and want to claim them back?

The X-Files

The X-FIles

An eleventh season of The X-Files is slated to debut in 2018 on Fox even with the 2016 tenth season having the fans divided. Some thought that because episodes of the new The X-Files were essentially a continuation of the old, and were told in the same anachronistic 1990s fashion, the new episodes were no good when put up against other modern series. While others, myself included, thought that when people were screaming that they wanted more The X-Files, and when more episodes of The X-Files arrived on their TV screens, what did they think they were exactly going to get?

Better Call Saul

Better Call Saul

The AMC series that started off as just a prequel to the hit series Breaking Bad but over the years has evolved into something so much more Better Call Saul usually returns in the first quarter of the year. The last two years I’ve called Better Call Saul the best series on TV and so far in 2017 it’s still the best. This series has some of the best characters out there, be it sack-sack Jimmy (Bob Odenkirk) who in the third season is well on his way to becoming Saul Goodman, Mike Ehrmantraut (Jonathan Banks), Jimmy’s not yet right hand man who turned to the dark side last season and Kim Wexler (Rhea Seehorn), a woman who’d seemingly have it all together and a great life as a lawyer except she’s fallen into Jimmy’s orbit and ends up literally crashing and burning this season.