Direct Beam Comms #133

TV

Yellowstone

Taylor Sheridan has had a good couple of years. Not only was he the writer of the Oscar nominated Hell or High Water film a few years back, he is also the creator of the Sicario film of which a sequel is due in theaters in a few weeks. And now comes Sheridan’s latest co-creation the TV series Yellowstone on the Paramount Network.

The cast of Yellowstone
The cast of Yellowstone

Starring Kevin Costner in his first role in a TV series, Yellowstone is about the Dutton family living in Montana of which John (Coster) is the head of. The Dutton’s own the largest ranch in the US and that’s where the problem lies. It’s so big everything around it is closing in from Indian casinos to housing developments. And while Dutton might have the land to spare he doesn’t want to part with any of it making this powerful man a target for powerful enemies.

On his side are two of his kids Jamie (Wes Bentley) a lawyer, Lee (Dave Annable) head of the ranch and Beth (Kelly Reilly) a business executive. But youngest son Kayce (Luke Grimes) is estranged from his father from something that happened in the past.

Yellowstone isn’t bad but I didn’t think it was that great either. I wasn’t quite sure who to root for? Is it the Dutton family who are trying to stop progress, even as dad flies around his ranch in a helicopter and live in a nice house, or is it the people trying to build subdivisions and expand communities that cut into the wilderness. On the one hand I can see Dutton’s point that with every winner there must be a loser, and it’s usually those who aren’t too well off who lose. But on the other hand it’s tough to take that kind’a advice from a guy who’s the biggest winner in Montana.

If you dig shows like the classic Dallas but always thought there should be more modern-day cowboys in that series then you’ll probably also love Yellowstone.

In Search Of TV spot

https://www.youtube.com/watch?v=SXylT6_BMLI

Movies

Mission Impossible home media art

I noticed that the artwork being used for the digital download and Blu-ray versions of the Mission Impossible movies had been updated recently. Before, those covers used things like the movie posters for the previous films while the new ones feature a unified look that ties the movies together.

I’ve noticed other franchise movies like those from Marvel do this too. I suppose when the movie studios are trying to sell the franchise as a whole and not necessarily each individual film a unified marketing approach makes sense.

Toys

Robotech

A new line of Robotech 3.75” ReAction figures are due out sometime this fall from Super7. Figures include four veritech fighters including Rick Hunter and Roy Fokker’s jets, the SDF–1 and a Zentraedi Battle Pod. The figures will retail for around $15 each.

Robotech ReAction toys

The Reading List

Cool Movie & TV Posters of the Week

Posters of the Week

Direct Beam Comms #126

TV

Are TV season finales important now with streaming series? They still are somewhat important for shows that air on network or cable channels, even if people still watch those shows time-delayed on their DVR. But for streaming services, since viewers can watch the shows at their own pace, be it binging an entire season the night it premiers, doling out one episode a week at a time or even waiting months/years to start watching, no one is watching the finales at the same time. And while I love streaming series I feel a bit of a loss for shows that air there.

Stranger Things
Stranger Things

Let’s look a Stranger Things. The second season of that show premiered on October 24 of last year at midnight Pacific. By the time I was checking the news sites that morning there were already in-depth reviews for a good chunk of the season. And by the end of the day many sites had posted reviews of the finale. So, before most people even had a chance to start watching Stranger Things there were a few people already discussing the finale. I’d guess that by the end of the premiere weekend a good percentage of Stranger Things fans too had binged through the show and were done too.

But for people like me who were watching one episode a week it meant we weren’t finishing until sometime in late November/early December. And by that time most of the talk about the show was done. When I’d talk with friends who’d already binged the show I was met with, “Oh yeah, I think I remember that. It was so long ago… I’m not sure.”

So that collective discussion pop-culture fans used to have about shows mostly isn’t happening for streaming series since everyone’s finishing at different times. For a show like Stranger Things that debuted around Halloween I’d say talk about it online was pretty much over by the end of November.

Shows like Stranger Things don’t so much as have a finale as they do a spectacular, exciting launch and then after a few weeks they pretty much just go away from public consciousness. Which isn’t necessarily a bad thing or a good thing, it’s just the reality of modern-day TV watching.

Westworld

Still, shared experience finales aren’t totally dead. Series that run on network or cable platforms air on a week-to-week basis. A show like Westworld can debut at the start of October and since viewers can’t binge it until the season’s complete they have to watch it week-to-week. So, as the first season of Westworld started winding down towards the end of November there was still excitement about the show online with viewers spending the week dissecting each episode and having theories about where the story was going and how things were going to end.

I know that for most people binging is the preferred way to watch TV. If you’re enjoying something why stop, why not plow through the story and find out how it ends? Which is true, but to me I’d rather savor the story for as long as possible. I think binging a show means you’re not catching the details, you’re not paying attention to what’s all happening and you don’t have time to digest what’s all going on in the story. You’re just going as fast as possible to make it to the end like a race car driver.

And it makes the finales of the shows less and less important. How can they be important when some people will be watching them a few hours after the series premiered while others might not be seeing it for months?

Comics

Robotech Archives: Macross Saga Volume 1

Robotech Archives: Macross Saga Volume 1
Robotech Archives: Macross Saga Volume 1

Titan Comics is set to republish the collection of Robotech comic books that originally ran in the 1980s and 1990s starting with Robotech Archives: Macross Saga Volume 1. Covering the first third of the Marcoss series originally published by First Comics, these editions are a, shall we say, “maybe buy” for me. I’m a huge fan of all things Robotech and I collected some of the original Robotech comics when I was a kid. I say “maybe buy” since I’m not sure if the comics are any good or not? I’m worried that I wouldn’t be buying the collection to read, but for the nostalgia factor alone and they’d just be another thing taking up room on a shelf somewhere.

Not that I haven’t done that many times before with many other things!

Movies

Ant Man and The Wasp trailer

Teen Titans GO! To the Movies trailer

The Reading List

Cool Movie Posters of the Week

Posters of the Week

Direct Beam Comms #92

TV

The Deuce

The new David Simon and George Pelecanos series The Deuce premiers tonight on HBO, but the series premiered a little early via the HBO streaming services and has been available there some time. I’m a fan of Simon’s other series The Wire and of Generation Kill but his and Pelecanos’ Treme left me a bit cold, and one episode in I’m worried that The Deuce is more Treme than The Wire.

In The Deuce, it’s New York in the bad old days of the 1970s where the streets were covered in trash, Times Square was the realm of hookers, pimps and hustlers and the one way for a guy or gal to make a little cash was by less than legal means. Supposedly, the first season of The Deuce is about the rise of pornography in America in the 1970s but little of that was present in the first episode which introduced said hookers, pimps and hustlers and a New York very different then today’s family friendly Big Apple.

Which doesn’t bother me. I felt the same way with The Wire which took a few episodes to get going every year with its main season-long story. And even with something as brilliant as The Wire it took me several years of trying episodes on and off to get into the show enough to become an avid viewer. But for whatever reason, be it the length of the first episode at around 90 minutes or something else, I wasn’t immediately drawn into the The Deuce.

It’s a good show, but there’s so much going on, the New York of the 1970s is such a grimy, dark and depressing place and when it happens the violence of The Duece is so disturbing parts aren’t easy or all that enjoyable show to watch. Not that it has to be, just that the first episode can be pretty tough at times.

Which brings me back to Treme. I think I was never able to get into that series because of its subject matter; New Orleans post-Katrina. And I feel the same way one episode into The Deuce. If you’re into an gitty 1970s New York where there’s violence galore and everyone’s seemingly having sex with everyone else then The Deuce is for you. If not then you might consider watching something else.

Books

Robotech Visual Archive: The Macross Saga

I was a bit disappointed that there wasn’t more hubbub about Robotech back in 2015 when the series had its 30th anniversary. I remember at the 20th there were loads of Robotech toys and collectibles available for purchase, but in 2015 there were a scant few toys and that was about it. So, whenever just about anything Robotech comes out that’s related to the classic series I pick it up and the new book Robotech Visual Archive: The Macross Saga will be something I definitely check out.

From Amazon:

ROBOTECH VISUAL ARCHIVE: The Macross Saga is the ultimate collection of artwork gathered from Robotech’s first and beloved era ― The Macross Saga. Included in this epic tome are mecha designs, character artwork, pre-production concepts, key art, storyboards, a full episode guide, and more!

The Reading List

This week in pop-culture history

  • 1936: Walter Koenig, Pavel Checkov of Star Trek is born
  • 1958: Roxann Dawson, B’Elanna Torres of Star Trek: Voyager is born
  • 1958: The Blob premiers in theaters
  • 1963: The TV series The Outer Limits premiers
  • 1965: The TV series Lost in Space premiers
  • 1974: The TV series Planet of the Apes premiers
  • 1993: The TV series The X-Files premiers
  • 1993: The TV series SeaQuest DSV premiers