2017 Summer movie preview
Out first this summer is Guardians of the Galaxy Vol. 2 May 2. I wasn’t a fan of the first movie but am in the minority since the launch of these trash-talking, comedic space-faring heroes lead by Star Lord (Chris Pratt) quickly became a surprise mega-hit at the box office a few winters ago. This time, “Chris Pratt of the 1980s” Kurt Russell joins the cast as “Ego,” who in the comics anyway is quite literally a “living planet.” And what’s not to love about that?
May 19 sees the release of Alien: Covenant, the third Ridley Scott Alien film, and a direct sequel to Prometheus (2012). Prometheus got a bad rap by the critics but made more than $400 million at the box office hence Alien Covenant. What’s interesting here is that from the looks of things Scott has taken Alien: Covenant back to something a little more in the vein of Alien with the crew of a ship fighting the insect-like baddies and away from the more esoteric Prometheus, which I happened to like a great deal. Luckily, I also happen to like Alien a great deal too and couldn’t be more excited for this movie if I tried.
DC Entertainment tries to get their movie act together with the release of Wonder Woman on June 2, the fourth release of the modern DC movie universe. Originally appearing in Batman v Superman: Dawn of Justice and stealing the show, Wonder Woman (Gal Gadot) launches the Amazonian to the big-screen in her own movie set during WWI. My only concern for Wonder Woman is that she fought the monster Doomsday in Batman vs Superman and almost single-handedly took him down in an ultimate bad !#$ way. So whatever she faces in Wonder Woman has got to be as big or that movie might be disappointing.
The creators of The Mummy on June 9 are attempting to create their own franchise and so-called “shared universe” of movies with the Universal Monsters. Starring Tom Cruise not as the mummy but someone trying to stop her from destroying the world, early looks at The Mummy seem to indicate something like Mission Impossible crossed with Suicide Squad. The Mummy is the first movie of this interconnected film universe that will also include the likes of The Invisible Man, Wolf Man, Frankenstein and the Creature from the Black Lagoon in future films if this one’s a hit.
Spider-Man movies have had a really weird path to the big-screen the last few years. There were two Andrew Garfield The Amazing Spider-Man flicks a few years ago that failed to score billions at the office so that version was shelved. More recently Columbia Pictures, who owns the film rights to the character, had a new Spider-Man, this time played by Tom Holland, crossover in the Marvel movie Captain America: Civil War last year while still retaining the rights to make their own Spider-Man stand-alone films. Now comes that first film Spider-Man: Homecoming out July 7 this time with Iron Man (Robert Downey Jr.) crossing over to this film.
A third Planet of the Apes film War for the Planet of the Apes is out July 14. The Apes film series is one of my favorites with the first chronicling why the apes got their smarts and the second what was happening with them just after the fall of man. This third film seems to be the story about the final apes vs man battle, with the winner taking claim to the planet. If you’ve seen the 1960s/1970s apes movies I’m sure you know how that works out.
Closing out the summer is the first movie based on the The Dark Tower Stephen King book series on July 28. Starring Idris Elba as the heroic gunslinger Roland Deschain and Matthew McConaughey as the evil sorcerer, the The Dark Tower movie series is being billed as a sequel or continuation of the books rather than a big-screen version of them. It’s hard to describe The Dark Tower without giving too much away, but there are alternate dimensions, monsters and magical powers and, best for Hollywood, if this first is successful a series of seven other books that can all be turned into films.
Direct Beam Comms #53
Westworld season 1 – Grade: B+
“Cease all motor functions!”
I am afraid of Westworld. So many times in the past I’ve fallen for shows like Westworld that have these deep, intricate character-driven storylines only to be disappointed in the end. In my heart of hearts I know that with TV series like Westworld the journey is more important than the destination, but I’m always hoping that the series ending will be as good as the road it took to get there. And so far at least, one season in, Westworld has taken one fine, interesting road and has quickly become my favorite thing on TV in the last few months.
Honestly, I wasn’t sure what to expect with Westworld but whatever I was thinking the show might be like isn’t anything as to what it actually was like. Much of the story is told via three groups of characters. The first group is of people like Dr. Ford (Anthony Hopkins) and Bernard (Jeffrey Wright) who are trying to keep this massive park running while at the same time making improvements while acting in a sort of god-like way even if some of their changes have started causing glitches in the robots of the park known as the “hosts.” These robots don’t know that they’re robots and awaken each day anew not realizing that they’re all in a story loop and essentially play the same day over and over again. With this robot group are characters like Maeve (Thandie Newton) who’s starting to have memories she shouldn’t have and Dolores (Evan Rachel Wood) who’s beginning to question the nature of her reality. And then there’s the human visitors of the park like William (Jimmi Simpson) and “The Man in Black” (Ed Harris) who are experiencing the park in very different ways. Harris’ character is convinced that there’s a core story beneath the veneer of Westworld that the rest of the guests experience and wants to uncover this truth, even if it means he has spend 30 years there and cause pain, death and destruction to the hosts to do so. And William, brand new to the park, wants to help Doloris in her quest for self realization but isn’t sure what all is required to do so or the ramifications of.
I think that what works best about Westworld are all the questions that the series creators ask. Like if Dr. Ford is creating these robots, and these robots are self-aware, feel pain and have emotions, has he created life? Even if that life can be changed, controlled and obliterated at the flick of a switch. And for the “hosts” of the show who, if they’re somewhat self-aware now, what happens in the future when they become fully self-aware and want to control their own destinies and futures and not be controlled and tied to the Westworld park as they are now? And what will they do when they realize the people who’ve created them have spent decades abusing them over and over again with no consequences?
I’m also fascinated with how Westworld ties into modern day video games. In those games players come up against characters in the game who they can do what they will with. Though there might be consequences in the game if the players harm these characters, there are no real world consequences if they decide to do so. And this is the same for Westworld where the visitors can do whatever they want to the hosts be it hurt them, rape them or kill them. There’s no consequences since technically you can’t hurt, rape or kill a robot. But what if someday the robots started remembering these terrible things done to them and what if they wanted to fight back?
It’s interesting to imagine just where Westworld will go in future seasons? In my head I’ve got it all mapped out down perfectly to the series sixth season. But if I’m lucky the creators of Westworld will continue to do their own thing and keep creating a surprising show that asks a lot of bit questions about what it’s like to live in the times that we do without providing a lot of easy answers.
Legion TV Spot
“The human race is beginning to evolve.”
The Expanse TV Spot
“In this world that we live in you have to pick a side.”
Spider-Man: Homecoming trailer
“This is my chance to prove myself.”
War for the Planet of the Apes trailer
“All of human history has lead to this moment.”
The Mummy (2017) trailer
World War Z + Suicide Squad = The Mummy
The Reading & Watch List
This week in pop-culture history
- 1917: Arthur C. Clarke, author of 2001: A Space Odyssey, Rendezvous with Rama and Childhood’s End to name a few is born
- 1941: The Wolf Man opens in theaters
- 1976: King Kong debuts
- 1978: Superman opens in theaters
- 1984: Dune premiers
- 1984: Runaway debuts
- 1984: Starman opens
- 1996: Mars Attacks! premiers
- 1998: Star Trek: Insurrection opens in theaters
- 2002: Star Trek: Nemesis premiers
- 2005: King Kong opens in theaters
- 2010: Tron: Legacy debuts
I’m amazed at the amount of great sci-fi movies and TV series that are being released each year. It wasn’t too long ago that sci-fi was relegated to late night TV syndication or movies of the week, but these days the most popular films are all sci-fi in nature and there are a plethora of quality sci-fi TV series too.
What sci-fi movies am I talking about that are so popular? To me, just about each and every superhero movie is sci-fi in disguise. Don’t believe me? Superman is an alien, both Spider-Man and Captain America were created by experiments gone awry and The Guardians of the Galaxy takes place on far off planets in the depths of space.
Even ones that don’t directly contain sci-fi tropes none-the-less have sci-fi elements from Iron Man’s robot-like armor to Batman’s crazy gadgets.
And those are just superhero movies. There’s also loads of great obvious sci-fi movies too.
Mad Max: Fury Road
One of my favorites of the last few years was the underrated Tom Cruise/Emily Blunt movie Edge of Tomorrow about a soldier who’s trapped in a time loop and is forced to live the worst day of his life over and over again during an alien invasion. There’s also the new Planet of the Apes franchise that’s taken a story that’s been around nearly 50 years and put a fresh spin on it and even the latest Mad Max: Fury Road that’s based on a nearly 40 year old film series and recently won the most Oscars at the 2016 ceremony.
And it’s ostensibly a movie that’s a big car chase that takes place in a post-apocalyptic future!
And let’s not forget the two grand sci-fi franchises of the 20th and 21st century; Star Wars and Star Trek. The current Star Trek film franchise has been around since 2009 and has produced three movies, the latest of which was the number one movie in the country for a few weeks running. And Star Wars returned last year with Star Wars: The Force Awakens and earned more than $2 billion at the box office. Now there are new Star Wars movie due out every year forever — or until the movies stop making money.
Daisy Ridley from Star Wars: Episode VII
Because TV series costs less to make than a movie things are even better for the sci-fi genera on the small screen. There, series like The Expanse on SyFy is a classic “people in very large ships in outer space” series updated for the modern day while The Man in the High Castle on Amazon Prime brings movie adaptation stalwart Philip K Dick to a TV series and even the oh-so-good Stephen King/Steven Spielberg/1980s mashup Stranger Things on Netflix.
In fact there’s so much good TV on these days I could go on and on and on. I didn’t mention the awesome Black Mirror on Netflix or even Doctor Who on BBC America with seemingly more sci-fi series announced each month.
Next year brings the return of Star Trek to TV screens for the first time in 12 years with Star Trek: Discovery. Discovery is co-produced with Bryan Fuller who created the amazing Hannibal series and was also a Star Trek writer in the 1990s. Which means there’ll be two totally separate Trek properties, one in movie theaters and the other streaming to TVs.
And because sci-fi is so popular and makes so much money these days the immediate future looks nothing but bright. The superhero genera is so popular there are SEVEN big-budget movies due out in 2017 and the next Star Wars movie Rogue One premiers this winter. What has me most excited are upcoming movies like Annihilation based on a book series of the same name, another Alien prequel and a new King Kong movie all due out next year.
Surly all this gold can’t last — one day sci-fi will return to the geeky depths that it emerged from earlier this century. Nothing this good can last forever, but until the bubble collapses I’ll be spending my time with my favorite stories and characters at the movies and on TV every week.
Planet of the Apes comics magazine illustrations
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