Direct Beam Comms #23

TV

The Grinder

The-Grinder-Season-1-Poster-FOXThe first season, and ultimately what’ll turn out to be its last season, of the FOX TV series The Grinder ended last week. This series started off as a kind’a wacky show about two brothers, one a successful small town lawyer (Fred Savage) who up until that point’s greatest accomplishment was having a “protected left turn” installed in their town and the other brother (Rob Lowe) who’s returned home after playing the character of “Mitch Grinder” on a fictional long-running show-with-the-show that’s like a legal version of CSI that’s also called The Grinder, who now wants to work at the family law firm since he considers his run on his The Grinder as being just as good as law school.

At first The Grinder was enjoyable but it started being a bit too formulaic. That formula was the firm would take on a case, brother Stewart (Savage) wouldn’t want Mitch to be a part of the case because of his lack of real world experience, but in the end Mitch by using his experiences on his The Grinder would be able to figure out a way to win the case.

Which was fine except that it started getting a bit old.

As the series progressed, though, the real The Grinder started to evolve away from that simple premise and started making fun of procedural cop and lawyer shows that are everywhere these days. When The Grinder moved to this it became much more enjoyable and many times more entertaining.

Under this premise I could’ve seen this show going for a few years, but alas FOX announced this week that the first season of The Grinder would also be its last when they announced the cancellation of this series.

Overall: C+, first half: C-, last half: B.

Movies

Captain America: Civil War

565cb34596f3bThe first Captain America movie was released five years ago and was good. It starts off as an origin story of the character where puny Steve Rogers (Chris Evans) goes from literal 90 pound weakling to strapping super-soldier Captain America via an experiment, then tells of Cap and his team’s adventures during WW2 against Hydra and the Red Skull. That movie did a good job of introducing the character and ultimately taking him from the 1940s to present day by the end of the film. What I didn’t expect was that a side character in that movie, Bucky Barnes (Sebastian Stan), would go onto play such a pivotal role in future Captain America movies.

Frozen and brought back to life much like Captain America, instead of waking to our modern world like Cap did, Bucky woke in a Soviet facility where he was turned into the “Winter Soldier.” A state sponsored assassin who was put on ice in between missions and would become the main baddie of the second Captain America: The Winter Solider movie.

And while I thought both the original Captain America: The First Avenger and Winter Soldier were good, I must say I really liked the third Captain America: Civil War movie a lot, and much of that is because of things like Bucky’s story.

This latest Captain America film bumps Bucky from nemesis to ally of Cap as Bucky struggles to regain his lost memories stolen from him in the process of becoming the Winter Soldier. Bucky’s main problem is that everyone’s looking for him because of a bombing that injured many and killed the King of Wakana. Cap, looking to help his friend, goes on the run with Bucky to try and track down the real bomber and clear Bucky’s name.

Except that with Cap, Bucky and the Falcon (Anthony Mackie) on the run means that Tony Stark (Robert Downey Jr.) and the rest of the Avengers must go after them since the Avengers are now under the control of the United Nations as a sort of state-sponsored super-hero team.

What I liked most about all this was that none of the characters in Civil War were in the wrong with their beliefs. There’s a legitimate argument to be made that superheroes like Iron Man and Captain America need to be controlled by someone, lest they grow too powerful and decide to control us. And there’s also a good argument to be made that no one should be in control of an organization like the Avengers since they’d be in charge of the most powerful weapons on the planet.

568afc3d90c1cI think Tony Stark makes his point here with Avenger the Scarlett Witch (Elizabeth Olsen) who can do all sorts of weird things like control minds and use force-fields who’s staying in the US at an Avengers compound, “They generally don’t let foreign WMDs into the country.”

So it’s hard to root for any character here; is Tony too proud to admit that Cap might be right, that they’re doing a good enough job on their own and don’t need overseers or is Cap too proud to see that sometimes a lot of innocent people are hurt and die when the Avengers go into battle.

Or maybe bother Tony and Cap are both right and wrong at the same time?

All of which makes for a very compelling story. And this mixed with amazing action scenes where we see super-powered characters fighting each other in spectacular ways makes for a great film.

more-captain-america-civil-war-trailer-breakdown-740992Speaking of action, Civil War and previous Winter Soldier do an interesting thing with their big action set pieces — they start small and slowly build big. Be it Cap’s elevator fight in Winter Soldier that starts with Cap vs a few and turns into an all-out brawl that evolves to Cap vs a jet on his motorcycle or in Civil War that starts with Cap and Bucky confronting each other, turns to Cap and Bucky fighting a German SWAT team and ends up on the roads with Cap and Bucky racing cars and being chased by the likes of the Black Panther.

This slow build is something I don’t see a lot of other comic book movies using, but it seems like they should be when they all seem to be trying to copy the Marvel style of films.

I really have to nit-pick to find anything in Civil War that I didn’t care for. And I’m one who’s the first to pounce on story elements that don’t make sense or characters who change at the whim of story beats. That stuff simply isn’t present in Civil War. It’s a solid movie from beginning to end, does a great job of introducing new characters like Black Panther (Chadwick Boseman) to a new Spider-Man (Tom Holland), has an interesting story interspersed with action scenes that actually drive the story rather than just featuring characters punching one and other in the fact — and does it all without missing a beat.

Grade: A

The Reading List

Trapped on Tape: 10 Great Horror Movies that are Only on VHS

This week in pop-culture history

  • 1971: Escape from the Planet of the Apes opens.
  • 1982: Mad Max 2: The Road Warrior opens in the US.

Savages Movie Review

Grade D+: Savages is a topical movie about the drug culture and Mexican drug cartels along the southern border of the US. It’s a movie that had a lot of potential, but never lived up to it.

In Savages, Chon (Taylor Kitsch), Ben (Aaron Johnson) and O (Blake Lively) operate a massive marijuana growing/distribution business in southern California and sell the best bud in the world. Their group is so successful that they’ve caught the attention of a Mexican cartel led by Elena (Salma Hayek) and enforcer Lado (Benicio Del Toro) and are made an offer they can’t refuse. But when they do refuse, the cartel kidnaps O in order to force a partnership. What follows is Ben and Chon secretly declaring war on the cartel in order to rescue O.

Savages is a movie with a lot of good ideas, almost any of which could have been an interesting movie on its own. There’s the idea that there might be a declared war in the Middle East, but there’s an undeclared one going on right now one the border of the US and Mexico. There’s the idea of how a modern drug cartel works. There’s the idea that good cops getting caught up in the money of drugs. There’s the idea of what do professional soldiers do when they’re no longer soldiers? And many more.

But none of these ideas were explored that much, leaving Savages as a drag with a lot of wasted potential.

The only reason to see Savages are for the performances of Del Toro and John Travolta as DEA agent Dennis. Del Toro plays his role as a man who sees killing as just another fact of life like and Travolta seems to be the only one in the cast who’s having any fun at all.

The Bay Movie Review

Grade B+: I’ve been interested in seeing the movie The Bay ever since I’d heard about it last year when it was originally called Isopod. But other than a poster and trailer that was released a few weeks, I hadn’t heard much about The Bay until last week. That’s when a flood of new information about the movie began hitting the internet, just before (surprise!) the official release of the movie last Friday.

Presented “found footage” style via news reports, security cam footage, web chats, etc., The Bay takes place in a small Maryland town over the course of the July 4th holiday. What starts off as a typical celebration turns sinister as people around town begin experiencing weird rashes and boils across their bodies. As this new disease progresses and the local hospital and CDC try to uncover and contain this outbreak, things spin out of control as these rashes and boils begin to literally consume the people alive from the inside out. Is this a new disease or something else?

The Bay is being sold as a horror movie. And while there are certain horrific elements to it, I wouldn’t call it a true horror film. It’s more of an ecological thriller in the veil of Contagion (2011). Here, instead of our modern travel system making the transmission of new diseases faster than ever before, it’s water pollution mixed with invasive species that cause trouble for mankind.

And while it might not really be a horror movie, all throughout The Bay the director Barry Levinson (Copper, Homicide: Life on the Street) and writer Michael Wallach infuse the movie with an incredible sense of dread that never lets up until the very last second of the movie. While watching the The Bay, there were times that I’d find myself tensing to the point that I’d have to tell myself to relax.

The Bay works best when the bad things are only glimpsed or are presented just off screen. In the two most unsettling scenes in the movie, the terror comes from sounds heard outside a house and sounds heard from people investigating the town. What you imagine is going on with those sounds is much worse than anything the writer or director could have shown the audience.

The Bay is currently playing in select theaters and is available on demand.

 

Disaster Du Jour #3: The Swarm

The 1970s were a time chock full of real-life terrors; from communist world domination fears, to nuclear proliferation around the globe, oil embargoes, terrorism… And all these fears were translated into a golden age of disaster films throughout that decade. Back then there were disaster films about runaway planes, earthquakes and global ecological catastrophes to name a few. But one of the most bizarre of these disaster films has to be The Swarm (1978).

Click here to continue reading this column on the movie The Swarm.

The Amazing Spider-Man Movie Review

Grade C: I’m not sure there was a need for the movie The Amazing Spider-Man. Not that I don’t think there should ever be another Spider-Man film or that the first trilogy of movies were so good they were untouchable. Just that since much of what happens in The Amazing Spider-Man was already covered in previous films there really wasn’t much need for this one.

In The Amazing Spider-Man, teen Peter Parker (Andrew Garfield) is bitten by a genetically enhanced spider and is given spider-like powers of strength, climbing and knowing when danger is about. Parker must protect his girlfriend in the making Gwen Stacy (Emma Stone) along with the citizens of NYC from the evil Lizard/Dr. Curt Connors (Rhys Ifans) who’s out to transform everyone in the city into lizards too.

And if that’s all there was to The Amazing Spider-Man, I’d be perfectly fine with it. Instead, though, much of this movie is an origin story of Peter Parker/Spider-Man, almost all of which was covered before in the three previous movies, the live-action TV series, comic books, cartoons, etc., etc., etc. I can’t imagine there’s anyone out there who doesn’t know the origin to Peter Parker/Spider-Man, so much of The Amazing Spider-Man is a waste in that respect.

The creators of The Amazing Spider-Man did try to differentiate their film from the previous Spider-Man movies by having their NYC be dark and gloomy and rainy. In fact, the NYC of The Amazing Spider-Man feels a whole lot like the Gotham City of The Dark Knight, and I get the sense that this was intentional. But while “dark and gloomy” might work for a “dark and gloomy” character like Batman, it really didn’t work all that well for The Amazing Spider-Man.

I hate to say this, but I found the relatively weak Spider-Man 3 (2007) film more enjoyable than The Amazing Spider-Man.