Screaming for attention: 400 TV shows and counting

Late last year researches at FX Networks found that there were more than 400 scripted TV shows in 2015. Not 400 HOURS of scripted shows, but 400 DIFFERENT shows. Let that sink in for a minute. If there’s 400 scripted shows and each show has on average 10 episodes, some would have more and some less, that’s something like around 4,000 hours of NEW TV produced last year. To put that number in perspective, with that amount of content you could watch nothing but new TV shows 24 hours a day from December to mid-June.

Humans on AMC
Humans on AMC

And that’s not including news programs and game shows and variety shows and reality and TV movies either. That’s 4,000 hours of scripted dramas and comedies.

Part of why there’s so much “stuff” out there is that every channel wants to have a hit series that draws in viewers, which might turn a channel very few are watching, and therefor getting less ad dollars, into something many are watching and talking about and getting lots of ad dollars. Case in point AMC. A decade ago AMC aired classic movies, hence the name; American Movie Classics. Then in 2007 they launched Mad Men to great acclaim and have since launched other popular series like Breaking Bad and The Walking Dead. Before, AMC was a channel that hardly anyone watched. Now, AMC is one of the most watched spots on TV and one that now makes a lot of money.

And with viewers “cutting the cord” as it were online services are also trying to get in with scripted shows too. Netflix and Amazon have have been creating series specifically for their service for a few years now and now other platforms like Hulu and YouTube are getting in on the game too with content of their own.

Jessica Jones on Netflix
Jessica Jones on Netflix

I watch a lot of TV, probably too much. And even with my prodigious TV habit I couldn’t watch everything last year that I probably would have in years past. For example, the series Humans on AMC looked interesting enough but I had too many things to watch at that time and never got around to it. And with a show like Jessica Jones on Netflix I did watch the first episode but when it didn’t immediately connect with me I moved onto something else.

Now I’m not saying that I’ll won’t go back and try and watch Jessica Jones or Humans again this summer when there used to be fewer new things to on, but I can’t guarantee it since nowadays there are just as many new and interesting series premiering during the summer as there are in the fall/winter months.

New shows last summer like Halt and Catch Fire, True Detective and The Carmichael Show, all of which I enjoyed a great deal, took whatever time I would normally have to checkout things I’d missed during the fall and instead put the focus on them. In fact, the only show I did catchup on last summer was Fargo, and that was only because a friend highly recommended it.

Maron on IFC
Maron on IFC

Which makes me wonder, what am I all missing? Years ago I was only ever able to get into The Wire when I caught up with it after HBO aired the first few seasons before the start of the third. Up until then I’d watch a few episodes at the start of each new season and give up. It was only because I had the time to catch up on it that I was able to be sucked in by that wonderful show.

But the last few years that really hasn’t been happening for me. I tell myself that I need to watch the latest season of House of Cards or Justified or Maron and something else new will appear on my pop-culture radar and I find myself putting off things for one more season.

I suppose the solution to all this is to count my blessings, too much of a good thing is better than nothing, and wait for the day that the eventual collapse of all this good stuff which is inevitable. There’s no way that all the networks and cable channels and online services can be pouring BILLIONS into these new shows with all expected to make back any money.

Maybe what I need to do is to get a colossal DVR and record EVERYTHING I might be interested in when the day comes after the pop-culture collapse when the only thing on to watch are reruns of The Big Bang Theory and episodes of Redneck/Swamp-Truckers/Fishermen/Miners/Pawn on The Discovery Channel.

The Best Movie and TV Posters of 2013

I think many underestimate just how hard it is to create a good movie or TV poster. There are a plethora of amateur designers with Tumblr accounts turning out cool movie posters for fun every day. And if an amateur can create a cool poster for (say) Star Wars or Pulp Fiction, then surly they’d be great at creating real posters for upcoming releases too. Right?

Not quite. I think what many tend to forget is that the types of posters these fans of the media are creating all rely on viewers already having seen the movie they’re promoting. If you’ve never seen (say) Star Wars of Pulp Fiction then their posters can be a confusing mess of design elements that may look neat to those who are familiar with the movie, but not make sense to the uninitiated viewer.

Creating movie posters that sell something brand new the public’s never seen before is tough stuff and the posters below do that and do it quite well.

Click on any of the posters below for a larger view.

The Wolverine

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wolverine
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Let’s face it, most movie posters are less art than pure marketing. There are loads of posters that follow trendy design patters like “giant heads in the sky” or, more recently, posters that feature the backs of characters. That’s why I take note when the designers of a movie poster campaign do something different, like the creators of the character posters for the movie The Wolverine did this year with their character posters.

Here, rather than going for the slick photographic look almost all posters use these days, the character posters for The Wolverine are instead illustrated by, I think, old-school brush and ink. These posters are beautiful, unique and are unlike  anything else I’ve seen this year.

Plus these posters show that the character poster, which has become ubiquitous and just as boring for just about every big-budget release in recent years, can be fun and interesting and well designed too.

Heck, I’d call these posters the closest thing we’ve seen to “art” in the form for a long while.

Gravity

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gravity_ver5

When movies star famous actors, it’s a good bet said actors will get their mugs plastered all over posters promoting said movies. While the posters for the movie Gravity do feature images of the the two lead actors, Sandra Bullock and George Clooney, I wouldn’t exactly say that the posters feature the actors in a flattering light. Here, the designers of the Gravity posters decided to fill the frame with the faces of the actors, almost to the point of having the faces too close/cropped and claustrophobic, and lit the faces in a stark blue-green hue. All of which adds a subtle layer of tension, not usually found in most movie posters.

Plus it’s got the best tagline of the year, “Don’t let go.”

Mad Men & The Walking Dead

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Another set of beautifully illustrated posters are those for Mad Men and The Walking Dead on AMC. The Mad Men poster, illustrated by a real-life 75 year old real ex-mad men illustrator Brian Sanders, is gorgeous and perfectly harkens back to the time of the series. The Walking Dead poster, by illustrator Alex Ross, is a living terror. It puts the viewer in the unenviable position of being the target of the zombie’s next meal.

Veep

veep_ver3If there’s a poster that totally nails the current state of politics here in the US, it’s the poster for the HBO series Veep. Here, the lead character of Selina Meyer (Julia Louis-Dreyfus) is shown sitting and dozing as a delegate of the United Nations. Plus I love the double meaning of the tagline, “Diplomacy in action.”

Some posters that didn’t quite make the cut include the TV series American Horror Story, True Blood, Strike Back and Sons of Anarchy.

 

 

2013/14 TV Preview – Returning Shows

Over the last few years the TV season has gone one where shows premier in fall to a fall/winter one to now series premiering fall/winter/spring with a handful in the summer. So it’s not really a “TV season” anymore, it’s new TV all the time.

It’s Always Sunny in Philadelphia (FXX) September 4

Always-Sunny-Philadelphia-29
It’s Always Sunny in Philadelphia

Sunny enters its ninth season, yes NINTH season, on a new “edgier” network called FXX but is feeling a bit tired these days. While I don’t think anyone would argue that Sunny was as good the last few seasons as it was the first few, I’ll still check this one out – for a few episodes at least.

The League (FXX) September 4
See above, except substitute “fourth” for “ninth.”

American Horror Story (FX) October 9

The first season of American Horror Story was amazing, it was easily one of the best shows in recent memory. The second season, let’s just say that the second season started out disastrous but ended up…interesting? Here’s hoping that the third season of American Horror will be more like the first than the second.

Raising Hope
Raising Hope

The Walking Dead (AMC) October 13
Watching The Walking Dead can be a grind. Sometimes it’s a satisfying grind, but a lot of times watching the show is a slog to get through the episodes where little happens to ones where stuff does happen. I get the feeling that if each season of TWD were six or eight episodes long it would be a much tighter series rather than what we got with the last 16 episode season that felt like a lot of filler.

Raising Hope (FOX) Fridays “Late Fall”

Raising Hope enters its fourth season after having seemingly been on the  verge of cancellation for all four of those seasons. The comedy, once a staple of Fox’s Tuesday nights, has now been relegated to Friday nights. Regardless of what night it airs on, I’m a sucker for Raising Hope and the whole Chance family.

Doctor Who
Doctor Who

Doctor Who (BBC America) Christmas

The final season of Doctor Who with lead Matt Smith starts right where the last one ended, with John Hurt (Alien) being introduced as a connection to the Doctor’s past.

Sometime after the new year

The Americans (FX)

The Americans
The Americans

The more I think about The Americans, the more I miss this show about Soviet sleeper agents operating in the early 1980s in Washington DC. I think where this series works is that it’s also about the home lives of the Soviets as well as all the other secret agent action stuff.

Community (NBC)

Dan Harmon is back as the creative head of Community for one more season, the last of the series. Will Harmon usher Community back to greatness, or will it be a misstep that critics will be talking about for years to come? Regardless, I’ll be watching!

Game of Thrones (HBO)
The fourth season is usually when genera series begin faltering; see Lost, The X-Files, Battlestar Galactica, et al. It’ll be interesting to see if Game of Thrones is able to buck this trend.

Hannibal (NBC)

Hannibal
Hannibal

I feel like there are about 10 of us out there watching Hannibal on NBC. I’m guessing it’s one of those shows where people will discover it long after it’s gone and wonder why more people didn’t watch it when it was first on? It’s brilliant!

Mad Men (AMC)
Is the upcoming season of Mad Men the last season of the series, or does Mad Men creator Matt Weiner have more seasons of the show in mind? Only time will tell.

The Best TV Shows of 2013, Midseason Edition

If I had to rate what I thought the best TV series was this season to date, that list would in in order:

The Americans
The Americans
  • Game of Thrones (HBO): I can’t imagine a situation where Game of Thrones isn’t the top show of my end of year “best of” list. It’s so well written, well acted, well directed…it puts most other TV to shame.
  • Veep (HBO): HBO’s funniest comedy in years is also the funniest comedy on TV.
  • Arrested Development (Netflix): A few episodes of this series didn’t work as well as some of the other ones, but I still really enjoyed the return of the Bluth family.
  • Hannibal (NBC): I feel like I’m the only one watching this best network TV drama in years. Hannibal is so good it’s a shame it doesn’t draw more of an audience.
  • The Americans (FX): I can’t wait for this sexy drama to come back next year so I learn the fates of the Soviet sleeper agents hidden in early 1980s Washington DC and, more importantly, the fates of the FBI agents hunting them.
  • Mad Men (AMC): Even in its sixth season Mad Men continues to surprise.
  • House of Cards (Netflix): I liked House of Cards right up until the very end. It’s still a good show, I just felt like there needed to be at least some closure on things rather than just having an ending.

And there are a lot of promising shows on the horizon this summer and next season too. There’s a lot to be excited about.