Tag: jessica jones

Screaming for attention: 400 TV shows and counting

CategoriesFeature, TVPosted on

Late last year researches at FX Networks found that there were more than 400 scripted TV shows in 2015. Not 400 HOURS of scripted shows, but 400 DIFFERENT shows. Let that sink in for a minute. If there’s 400 scripted shows and each show has on average 10 episodes, some would have more and some less, that’s something like around 4,000 hours of NEW TV produced last year. To put that number in perspective, with that amount of content you could watch nothing but new TV shows 24 hours a day from December to mid-June.

Humans on AMC
Humans on AMC

And that’s not including news programs and game shows and variety shows and reality and TV movies either. That’s 4,000 hours of scripted dramas and comedies.

Part of why there’s so much “stuff” out there is that every channel wants to have a hit series that draws in viewers, which might turn a channel very few are watching, and therefor getting less ad dollars, into something many are watching and talking about and getting lots of ad dollars. Case in point AMC. A decade ago AMC aired classic movies, hence the name; American Movie Classics. Then in 2007 they launched Mad Men to great acclaim and have since launched other popular series like Breaking Bad and The Walking Dead. Before, AMC was a channel that hardly anyone watched. Now, AMC is one of the most watched spots on TV and one that now makes a lot of money.

And with viewers “cutting the cord” as it were online services are also trying to get in with scripted shows too. Netflix and Amazon have have been creating series specifically for their service for a few years now and now other platforms like Hulu and YouTube are getting in on the game too with content of their own.

Jessica Jones on Netflix
Jessica Jones on Netflix

I watch a lot of TV, probably too much. And even with my prodigious TV habit I couldn’t watch everything last year that I probably would have in years past. For example, the series Humans on AMC looked interesting enough but I had too many things to watch at that time and never got around to it. And with a show like Jessica Jones on Netflix I did watch the first episode but when it didn’t immediately connect with me I moved onto something else.

Now I’m not saying that I’ll won’t go back and try and watch Jessica Jones or Humans again this summer when there used to be fewer new things to on, but I can’t guarantee it since nowadays there are just as many new and interesting series premiering during the summer as there are in the fall/winter months.

New shows last summer like Halt and Catch Fire, True Detective and The Carmichael Show, all of which I enjoyed a great deal, took whatever time I would normally have to checkout things I’d missed during the fall and instead put the focus on them. In fact, the only show I did catchup on last summer was Fargo, and that was only because a friend highly recommended it.

Maron on IFC
Maron on IFC

Which makes me wonder, what am I all missing? Years ago I was only ever able to get into The Wire when I caught up with it after HBO aired the first few seasons before the start of the third. Up until then I’d watch a few episodes at the start of each new season and give up. It was only because I had the time to catch up on it that I was able to be sucked in by that wonderful show.

But the last few years that really hasn’t been happening for me. I tell myself that I need to watch the latest season of House of Cards or Justified or Maron and something else new will appear on my pop-culture radar and I find myself putting off things for one more season.

I suppose the solution to all this is to count my blessings, too much of a good thing is better than nothing, and wait for the day that the eventual collapse of all this good stuff which is inevitable. There’s no way that all the networks and cable channels and online services can be pouring BILLIONS into these new shows with all expected to make back any money.

Maybe what I need to do is to get a colossal DVR and record EVERYTHING I might be interested in when the day comes after the pop-culture collapse when the only thing on to watch are reruns of The Big Bang Theory and episodes of Redneck/Swamp-Truckers/Fishermen/Miners/Pawn on The Discovery Channel.

Direct beam comms #4

CategoriesDirect Beam Comms, Feature, Movies, TVPosted on

TV

Is it just me, or is the Netflix series Jessica Jones just a hard-drinking darker version of Veronica Mars (2004–2007)?

 

I was recently able to catch up on the Starz series Ash vs Evil Dead and am happy to say that it’s GREAT. Horror comedies like Ash vs Evil Dead must be hard to pull off since there sure aren’t many of them. Let’s see, there’s the Evil Dead series, What We Do in the Shadows and Shaun of the Dead movies, parts of Tucker and Dale vs Evil and … well, that’s about it.

And Ash vs Evil Dead isn’t JUST horror/comedy either, it’s got a lot of heart too which surprised me.

The one thing is that I’m not quite sure how Ash vs Evil Dead fits with the Evil Dead cannon as a whole? It’s almost like in the Ash vs Evil Dead universe The Evil Dead (1981) didn’t happen but Evil Dead II (1987) did. And either they’re ignoring Army of Darkness (1992) or they just haven’t gotten to the part where Ash is, “Trapped in time, surrounded by evil and low on gas,” yet.

Movies

Kylo Ren from Star Wars: The Force Awakens
Kylo Ren from Star Wars: The Force Awakens

Star Wars: The Force Awakens: I was really excited about this one when I saw the first trailer. It seemed that Disney and J.J. Abrams were taking what made the original trilogy great and and molding this into a new film series. After seeing The Force Awakens, I thought the movie was really good but my two complaints are that a lot happens in the film that’s pure coincidence and The Force Awakens is essentially a remake of Star Wars: A New Hope with a dash of The Empire Strikes Back but with everything being BIGGER and more bombastic than before. Most of the beats from A New Hope are present in The Force Awakens which is fine, but I just wish Abrams had gone and done more of his own thing than making a “greatest hits” movie like he did here. B+

Ex Machina: It took me a while to see this one even though several friends highly recommended it to me the last few months. Writer/director Alex Garland is one of the best voices in realistic sci-fi/horror like with 28 Days Later, Sunshine and Dredd and he continues his winning streak with Ex Machina, about the creation of the first artificially intelligent being that might be a little too intelligent for mankind to contain. B

Fantastic Four (2015): Do we really need any more superhero origin movies? Not that we don’t need origin stories for superheroes, just that is there really a need anymore to devote an entire movie to origin when there’s plenty of more interesting ways to do that? Like Iron Man is an origin story but is told in such a way that much of the origin is covered in the first half of the movie and the more recent Ant Man handles his origin by having it be something that’s slowly uncovered over the course of an adventure rather than devoting an entire film to it which Fantastic Four does.

In fact, the actual Four don’t get together until nearly the end of the movie. It’s the film that’s essentially an advertisement to the forthcoming sequel that looks kind’a interesting that’s never going to happen since the first movie didn’t do well enough at the box office.

Fantastic Four isn’t a bad movie, it’s just that in an era of great superhero movies it doesn’t stand out in any substantial way. C

Books

I got the books Sketching from the Imagination: An Insight into Creative Drawing and Art of He Man and the Masters of the Universe this year for Christmas. Sketching from the Imagination is a look at the sorts of techniques different artists use when sketching for fun or work while Art of He Man is a visual history of all the art generated behind the scenes when coming up with a toylike then maintaining it over the years with new toys and playsets.