Direct Beam Comms #139

TV

GLOW second season

Have I mentioned how hard it is to write about the Netflix series GLOW? The show about a women’s wrestling series in the mid–1980s has an element that’s a show-within-a-show, where episodes of the show-within-a-show GLOW are produced to “air” on LA cable TV. There’s also the fact that GLOW is based on the real-life Gorgeous Ladies of Wrestling program that really did air all over the country in syndication in the mid to late 1980s.

So when writing about GLOW I’ve had to remember to differentiate the Netflix GLOW from the show-within-a-show GLOW while also keeping in mind that the modern GLOW was based on the 1980s Gorgeous Ladies of Wrestling.

Things got even harder in this latest second season of GLOW on Netflix, which was brilliant by the way, when one of the episodes was presented as a “real-life” episode of the show-within-a-show GLOW that “aired” with commercials and everything. While that episode entitled “The Good Twin” may have been my favorite single episode of anything that’s aired in 2018 so far, it certainly was the funnest, it would be easier to describe the plot of The Matrix to someone who knows nothing about the movie rather than describe “The Good Twin” and keep everything straight.

The cast of GLOW

On one level “The Good Twin” is based on real episodes of the show Gorgeous Ladies of Wrestling.

THEN “The Good Twin” is also an episode of a Netflix show starring all sorts of great actors like Alison Bree, Kate Nash and Betty Gilpin.

BUT THEN these actors are playing characters in GLOW from Ruth Wilder, Rhonda Richardson and Debbie Eagan.

BUT THEN EVEN DEEPER these characters on GLOW are also playing characters in the show-with-a-show GLOW from “Zoya the Destroya,” “Britannica” and “Liberty Bell.”

BUT THEN NOT TO GET CRAZY the show-with-a-show that “airs” on LA cable TV in 1986 is also called GLOW just like the Netflix show.

BUT THEN TO BRING IT ALL BACK AROUND the characters of GLOW are also kind’a sort’a based on the real-life characters from Gorgeous Ladies of Wrestling including “Colonel Ninotchka,” “Godiva” and “Americana.”

Except these “real life” Gorgeous Ladies of Wrestling characters are no more real than the ones from the Netflix GLOW since in the end they’re all fiction.

AAAAGGH! Someone get Philip K. Dick on the line, I’m gonna need help rebuilding my psyche trying to keep this all straight!

Anyways, the second season of the Netflix GLOW was wonderful and is a lot easier to watch that it is to write about.

Movies

Venom trailer

The Reading & Watch List

Cool Movie & TV Posters of the Week

Direct Beam Comms #134

TV

GLOW

Who would have ever guessed that a series about the 1980s female TV wrestling program GLOW: Gorgeous Ladies of Wrestling would be so good? The second season of the drama GLOW on Netflix debuted Friday and picked up right where the first season left off. If the first season was about the girls of GLOW lead by Alison Brie and Betty Gilpin banding together to make something out of nothing — even if it’s a women’s wrestling program that airs on local TV — then the second is about what happens when these same girls realize that if they’re all not looking out for themselves, no one will.

The cast of GLOW
The cast of GLOW

The story of GLOW is complex. On the one hand it’s about these wild, over-the-top comic book-esque characters doing all these nutty and crazy things in a wrestling ring. They’ve got names like “Zoya the Destroya,” “Liberty Bell” and “The Welfare Queen” with over-the-top personalities to match. On the other hand these characters are played by “real” people like Ruth Wilder (Brie) an actress who hasn’t quite figured out how to make it in Hollywood and accidentally finds herself at a GLOW audition and realizes this might be her only chance at fame, Debbie Eagan (Gilpin) another actress who did make it in Hollywood for a time before having a baby derailed her career and Tammé Dawson (Kia Stevens) who plays the “Welfare Queen” in the ring but in “real life” has a son who’s attending Stanford and is willing to do anything, even play the “Welfare Queen” on TV, to keep him there.

And these are just a few of the deep and interesting characters of GLOW.

I kind’a sort’a wonder if the second season of GLOW will mark the beginning of the end of the fictional show within-the-show of the same name? While the real GLOW: Gorgeous Ladies of Wrestling turned out to be very influential, it only ran for four seasons and then only in syndication. I wonder if that’s where the fictional GLOW is headed too? The first episode is kind’a setting things up that way with director Sam Sylvia (Marc Maron) firing one of the girls for insubordination, Eagan renegotiating her contract for more money and a producer credit on the show and Wilder finding out that her spirit of “all for one, one for all” might be wasted on GLOW.

The fictional GLOW looks like a fun place to visit but it’s a facade, the “real life” place the actors of GLOW live in is just as unforgiving as our own.

Westworld

Westerns and sci-fi usually don’t go very well together. Whenever these genera meet it’s usually not very pretty — Cowboys vs Aliens immediately pops to mind. However, the exception to that rule is the marvelous Westworld series on HBO that mixes both genres together into something both new and familiar that wrapped up its second season last week.

Ed Harris and Evan Rachel Wood
Ed Harris and Evan Rachel Wood

In Westworld, it’s the future at the park of the same name guests can come and interact with the robotic “hosts” in a place that looks and feels like the real wild west. But the guests aren’t interested in playing nice with the hosts, many of them are there play out every dark fantasy they’ve ever had in a consequence-free environment during their stay. Much of the first season of Westworld had a distinctly Philip K. Dick vibe going on and dealt with a software glitch that caused many of the hosts to realize the true nature of the reality they’re trapped in and want to rebel.

The focus of the second season of Westworld is on the rebellion and its aftermath, told in two separate timelines. Here, once meek and mild host Dolores (Rachel Evan Wood) now leads a band of robots doing to whatever guests they find along the way that had been done to them over the years. But they’re not just out for blood, they’re also trying to find the fabled “valley beyond” and escape from the park. In a parallel story another group lead by ex-madam Maeve (Thandie Newton) who can control and reprogram other hosts on the fly searches the park for her daughter while guest William (Ed Harris) is trying to find the real meaning of Westworld hidden somewhere inside its borders. And that’s not even mentioning Bernard’s (Jeffrey Wright) story of, shall we say, “self discovery” in the second season of the show too.

Jeffrey Wright and Tessa Thompson
Jeffrey Wright and Tessa Thompson

If the first season was Philip K. Dick then the second was a bit of that along with Solaris with Terminator thrown in for good measure.

I really enjoyed the second season of Westworld if I was a bit confused at finale episode. There were a few too many twists and turns and “is this taking place in the past or future?” in the finale for me to keep them all straight. There were a lot of stories all going on in the second season, probably too many to be neatly wrapped up in one episode which Is what I felt happened in the last one. In addition to wrapping things up and clipping dangling storylines, there was also a bit of new story, getting things ready for the third season of the show due out sometime next year in the finale.

I think it would have made more sense to rather than try and wrap everything up in the finale, to instead only finish some of the storylines and continue others next season.

The Expanse

There once was a time when The Sci-Fi Channel was the destination for quality science fiction programming. In addition to airing lots of classic sci-fi shows, they also aired series like Farscape, Stargate SG–1 and the Battlestar Galactica reboot in addition to doing things like creating mini-series like Dune. But over the years things changed and as The Sci-Fi Channel chased the bottom line into the ground airing things like professional wrestling and cheap-o movies like the Sharknado series while also changing their name to SYFY, fans of the genera slowly began abandoning the channel for other venues. However, a few years back new management seeing how well sci-fi was doing on other venues decided to once again air more original sci-fi programming on SYFY, one of the first shows of this new slate was The Expanse.

The cast of The Expanse
The cast of The Expanse

Great from the very beginning, The Expanse is set in the near-future where mankind is living on the Earth, Mars and throughout the solar system and is still struggling with all the things we struggle with today. But when a mysterious alien artifact is discovered that threatens the entire human race, humanity must band together or face extinction. The Expanse was the first show in a long while to return to the genera of “people in big ships zooming around in outer space” and is a show that seemed like it was made for me. Over the three seasons of The Expanse I only loved it more as the story of the series changed and shifted from what started out in the first season to the current third season.

If the first season and second seasons were about the lead-up to war because of this artifact, then the third was about this war breaking out. Which I figured was going to take up the bulk of the third season of the The Expanse. But that’s not what happened. Rather than focus on this war, the creators of The Expanse instead stopped the conflict in its tracks and then jumped ahead many months into the future. Going from conflict to a weird sort of inter-solar system alliance to figure out what happened when the artifact changed into a … something.

The ships of The Expanse
The ships of The Expanse

And that’s where the second half of the third season of The Expanse spent its time, trying to figure out what this artifact had become while at the same time trying to keep the conflict that had just been capped from boiling back over into war.

Honestly, the third season of The Expanse was the best season of the show so far, and I was dying to see where the series was going to go from here.

Except that even before it ended SYFY announced that they were going to cancel The Expanse after its third season. Their reasoning was the ratings of the show were never what they wanted and that since the series had convoluted streaming deals in place that didn’t benefit SYFY they weren’t going to commission any more seasons of the show.

Which was a major bummer, but luckily the cancellation was short-lived as Amazon quickly stepped up and picked up the show for their Prime service.

Still, it burns me to no end how much SYFY has fallen from once being the home to sci-fi to the thing it is now. When I want to watch sci-fi I almost never turn to SYFY, I turn to places like BBC America that shows things like Star Trek and The X-Files, pay cable like HBO with Westworld and Fahrenheit 451 and online streaming services like Netflix with Stranger Things and Lost in Space. SYFY? I usually avoid it at all costs — even morso now that they dumped The Expanse.

Ironically, the big new “thing” that Syfy has been promoting as of late is them being the new home of the Harry Potter film franchise. The film franchise that at this point is a whopping 17 years old. The film franchise that has been playing on all sorts of other channels for those 17 years already.

The Expanse is new and fresh and I’m extremely excited that I’ll be able to watch new episodes of it on Prime (hopefully) next year. As for Harry Potter on Syfy? Give me a break.

Comics

Lone Wolf and Cub Gallery Edition

Lone Wolf & CubA new edition of the critically acclaimed and highly influential Lone Wolf and Cub manga series is due out this week. This volume costs a whopping $100 but has reproduced the artwork at its original size and in original Japanese.

Kazuo Koikes samurai epic is a tour-de-force of graphic fiction, and the Lone Wolf and Cub Gallery Edition features selections of the late Goseki Kojima’s spectacular illustration reproduced at original size on heavy-stock art paper to preserve the work in detail as it exists today, as close as one can come to owning these rarest of artworks. Including in its entirety the final titanic clash between ogami Itto and Yagyu Retsudo. This deluxe volume is a must-have for collectors and enthusiasts of the finest comic art ever created.

Movies

The Predator trailer

The Reading & Watch List

Cool Movie & TV Posters of the Week

Posters of the Week

Direct Beam Comms #132

Rumor Control

If you are reading this, the reason why is because of the summer of 1998. Back then I was a punk college kid who finally had a job that would allow me to go to the movie theater on a regular basis. And getting this job coincided with the 1998 summer movie season.

I’ve been interested in movies all my life, but until 1998 going to them was a luxury. I’d go to the movies a few times a year before then, but that always felt like a special occasion and I didn’t always get to see what I would have chosen to. In the 1990s as the movie landscape began to shift I started to pay more and more attention to what was all coming out and began buying magazines like Cinescape and watching Entertainment Tonight in order to be able to see what movies were coming out. Back then, I only had a part time job and as a college student couldn’t really go see a lot of movies in the theater.

All that changed in 1998. So, when I used to see maybe one or two movies in the theater a year I started seeing a movie every few weeks. It helps that the summer of 1998 had some killer movies I still dig to this very day. Honestly, if I see a lineup of movie posters from 1998 it still give me goosebumps.

And because I was interested in movies, and interested in all things creative, I started this website that year specifically to do things like cover all the upcoming movies I was interested in.

There were a few early websites that were already doing this like Dark Horizons and Ain’t it Cool News that were very influential to me. Those sites were mostly about breaking news scoops for upcoming movies. Around that same time there were also proto-blogs that were becoming popular too. Myself, I was more interested in writing about things I’d already seen rather than just about upcoming movie news. So what Dangerous Universe would become was somewhere in between a movie news site and a blog. But rather than talking about my life as people do in blogs I’d talked about movies I’d seen, and as TV became more influential that too.

Over the decades I’ve quit Dangerous Universe many times and the site would sit fallow for long periods, and there were many other years that I’d only post things to the site once or twice a month, if that. But for whatever reason, be it my love of movies and TV shows or simply because I need a creative outlet to express my views or I’d go crazy, Dangerous Universe has endured. The last few years I’ve probably posted more to Dangerous Universe than I have in the last 10 years, and that’s saying a lot. Even 20 years later I still enjoy it.

And I’m not sure it would be here if the summer of 1998 had a bunch of movies that sucked rather than ones that rocked.

TV

GLOW season 2 TV spot

Cool Movie & TV Posters of the Week

Posters of the Week

The best TV series of 2017

Mindhunter

Serial killers have been stalking lots of TV series in one way or another for decades now. They play a sort of “boogeyman” to all sorts of various procedural shows and even turn up in regular old dramas from time to time. It wouldn’t surprise me if one day to lift sagging ratings that one might show up in a series like Modern Family. I jest, but it’s true that they’re all over modern TV yet there’s never really been a TV series to address where serial killers come from — that was until Mindhunter on Netflix.

Here, FBI agents Holden Ford (Jonathan Groff), Bill Trench (Holt McCallany) and professor Wendy Carr (Anna Torv) stumble upon the science of profiling active serial killers by interviewing jailed ones in prison. Back in the late 1970s when Mindhunter takes place everyone knew serial killers existed, but no one had taken the time to figure out how to find them. Then, the FBI was setup to take down bank robbers, not men who murder others for seemingly no reason. Enter Ford, Trench and Carr who spend the series trying to come up with ways of figuring out why serial killers are the way they are and if there’s any way to stop them in the future.

That’s why I think Mindhunter works so well as a series. The show isn’t about the FBI tracking down serial killers — that’s been done many times before on many other shows. Mindhunter is the thinking person’s CSI where the characters aren’t gunning down suspects, they interviewing and probing convicts to find out how they tick to try and develop a science as it were in order to be able to put together an intelligent profile of the killers to be able to catch them before they’re able to murder again.

Better Call Saul

Three seasons in and Better Call Saul is still one of the best things on TV — as of right now it’s the only reason to watch AMC. I’m constantly astounded at the quality of the writing, acting, directing, set design … well, everything about this show.

The third season of Better Call Saul finds lead character Jimmy McGill’s (Bob Odenkirk) life slowly imploding around him as important people in his world turn their backs on him while his law practice goes up in flames leaving him with very few options for a future where he’s got next to no money coming in with the bills still piling up.

GLOW

Another Netflix series, GLOW takes place in the 1980s at the heart of a real burgeoning women’s wrestling TV series called the Gorgeous Ladies of Wrestling — or GLOW. What, you don’t remember women’s wrestling in the 1980s!? The good thing is with Netflix’s GLOW you don’t have to as this show isn’t so much about the wrestling as it is about all of the women and men who went in to make GLOW a reality. Like Ruth Wilder (Alison Brie), an actress who can’t land a part to save her life where GLOW represents a last chance for her to be in the entertainment industry.

I think what works best about GLOW are the characters like Ruth — they’re all different and they all want different things out of their experiences with GLOW. Sometimes what they want goes together and sometimes what they want doesn’t.

Stranger Things

The second season of the bonafide pop-cultural phenomena Stranger Things debuted on Netflix a few months back and was easily the series the most people I knew were excited about returning. Stranger Things is a show that cuts across different demographics — I know 50 year olds who watch the show along with 10 year olds. It’s not necessarily a family show but is a show I think families can watch together. As long as those families don’t have kids who are too little and might be frightened of terrifying things that go bump in the night.

The Orville

I can’t say I was much looking forward to The Orville when I first heard about it last summer. A live-action sci-fi show from animated series impresario Seth McFarlane who seems to reveal in being controversial? And the first TV spots for The Orville sold the show as a sort of TV version of Galaxy Quest where the crew of the ship are buffoons.

But even watching a single episode of The Orville it’s plainly obvious that the series has got nothing to do with Galaxy Quest. In fact, The Orville might be the show that’s closest to the true spirit of the original Star Trek since, well, the original Star Trek.

The Punisher

Netflix really “hit one out of the park” with their latest Marvel series The Punisher. Like I’ve said before the character of The Punisher is one of my favs, so I suppose I’m predisposed to like this show. But I didn’t just like The Punisher, I loved The Punisher. It’s certainly one of my favorite series based on comic books ever, and is certainly my favorite Netflix superhero show.

Legion

I’ve never really been a fan of comic book TV shows. They tend to put the story ahead of the characters when to me it should be just the other way around. That’s why I loved the FX series Legion so much. There were parts of that show that literally take place inside of characters heads in this weird mental space where I had no idea of what was going on. Yet the characters of Legion are so strong I would, and did, follow them almost anywhere.

The Expanse

I know SyFy has been trying to turn their image around for years now. And while the quality of most of SyFy’s shows are questionable at best — as I write this SyFy.com which is a website that’s ostensively there to promote SyFy’s TV shows instead has articles about Stranger Things and Thor Ragnarok on its homepage, neither of which appear on SyFy — there’s one bright spot on the bleak thing that SyFy has become which is the TV series The Expanse. One of the best, if not only, hard-sci-fi series on TV these days, in its second season The Expanse continued to improve and tell quality stories about life in the future where humanity, on the brink of extinction, is still squabbling over trivial matters.

Direct Beam Comms #81

TV

The Mist

I was a big fan of the 2007 movie The Mist written and directed by Frank Darabont from the story by Stephen King. But not too many others liked it as much as I did and The Mist didn’t do well at the box office. Even friends I showed the movie to on DVD didn’t much care for it. I think the ending to The Mist is to blame. That ending, which I won’t spoil here, is so extreme that I think it turned a lot of people off to the film.

Let’s put it this way, we live in a world where most horror movies follow the same formula. There’s a bad guy, and this bad guy is killing off characters in the movie one by one. They start with the least important character and work their way to the main character. Where, in the end, the main character gets the better of the villain and good wins the day. Only this doesn’t happen in The Mist. There’s no one main villain, there’s a few actually. There are these weird creatures that come out of the titular mist and there’s the character of Mrs. Carmody (Marcia Gay Harden) who’s religious fervor over what’s going on means that she’s as dangerous as the monsters out in the mist.

And because The Mist was unpredictable, didn’t follow convention and has a nasty ending where good doesn’t necessarily win the day meant that what could have been a big hit instead turned into a cult-classic.

The basic plot of the film is that after a storm hits a small Maine town, a weird mist descends that hides all sorts of dangerous creatures that are hungry and out for blood. A few survivors lead by David Drayton (Thomas Jane) hole up in a grocery store and try to wait out the events transpiring outside. But as the minutes turn to hours and the hours to days and the people inside start turning on one and other, Drayton must decide whether it’s safer in the store or outside in the mist.

What I find most ironic is that while the public didn’t turn out to see The Mist, they sure turned out a few years later for Darabont’s next project; The Walking Dead. There are so many similarities between The Mist and The Walking Dead that it’s ironic that The Mist failed so badly but The Walking Dead was, and continues to be, one of the most popular series on TV. There’s the whole apocalyptic angle with people cut off and having to fight for their lives from a weird force. There’s the brutality of the situation, with characters being killed off in some disturbing ways. There’s even some of the same cast shared between The Mist and The Walking Dead too.

What’s funniest, though, is now comes a new The Mist TV series that owes its existence more to the very successful The Walking Dead rather than the film version of The Mist.

Let me start by saying that everything I’ve seen from The Mist TV series promoting the season as a whole looks very good — like it’s going to be a lot of giant “things” in the mist horror fun. That being said — the first episode of The Mist was a big let down. For most of the episode it was more bad CW teen high school drama than Stephen King horror series. Almost all of the first episode is a drama around this Maine town where there’s a whole lot of characters, I suppose TV needs more characters than movies, but they’re all so broadly drawn caricatures of real people that none of them felt real. My guess is that the idea was to introduce these characters under normal circumstances before the mist comes to town and then when they start getting bumped off one by one it’ll have more of an emotional impact in future episodes.

But since no one felt too real I can’t imagine this will happen.

As much as I like to rag on The Walking Dead I have to say that the first season of the show did a great job of introducing characters. Right now there may be dozens of people on the show, but at the start there was only a handful really which meant we got a lot of time meeting each person. And in the first episode we’re only with the character of Rick (Andrew Lincoln) for a good part of the hour as he explores a post-zombie apocalypse wasteland. I think by having the loads of characters in The Mist and having the episode play out in normal life like a cruddy drama lessons the impact of the show. I mean, the show’s called The Mist but in the first episode we get maybe 15 minutes of the mist. The rest of the time it’s this fake family stuff.

If The Mist is comparable to any other show I’d have to say that show would be Under the Dome, another Stephen King series, and I mean that in a bad way. Like The Mist the characters of Under the Dome felt broadly drawn, suffering from the highs and lows of mania and just generally unreal that I bailed on that show after a few episodes.

Still, I have high hopes The Mist will be more The Walking Dead than Under the Dome, especially if the promos for the upcoming season are more representative of what the other episodes are really going to be like rather than just showing us the good bits like movie trailers tend to do.

Better Call Saul

This third season of Better Call Saul which wrapped up last week was better than ever. I think part of the reason the show is so good/I like it so much is that it’s headed towards some kind of conclusion, even if that conclusion is of the character of Jimmy McGill (Bob Odenkirk) becoming Saul Goodman who later appears on the series Breaking Bad. As much as I might like the idea of having an open-ended story that a medium like TV provides, I have to admit that in practice its almost never a good idea. Too often series start out promising but go on a bit too long and instead of coming to a natural story conclusion drag out the story and grow stale/boring in their declining years. Series like Man Men, Game of Thrones or The Americans started off interestingly enough but went/have gone on a season or two too long and went from interesting series to watch to a slog to suffer through.

I think at least with Better Call Saul we know what the ending is with the character of Saul Goodman. So no matter what happens in the next (hopefully) few seasons, Better Call Saul is a series that’s headed to some sort of story conclusion that will lead to the events that transpired in Breaking Bad.

GLOW

I remember when GLOW, the Gorgeous Ladies of Wrestling, was a thing in the late 1980s. Then, professional wrestling, specifically the WWF, was quite the phenomena and it seemed as if everyone in my school watched wrestling and had their favorite characters from that show. I was never a big fan of wrestling but I had my favorite character. My favorite character was … well, I can’t quite remember who he was since I picked my fav by going to the toy store and buying the first WWF toy I could find and telling everyone that guy was my favorite.*

GLOW, on the other hand, was a bit different. First, it was on during the day after cartoons Saturday afternoon where I lived and rather than being almost all guy wrestlers as the WWF used to be was all female. What GLOW lacked in production values, each episode looked like it was shot on an $10 budget, they more than made up for in wild characters, over-the-top stories and a bit of titillation. For a time it seemed as if GLOW was somewhat popular but only for a little while. And just as quickly as the series emerged from the jurassic ooze of 1980s TV it was swallowed back up to disappear forever.

Well, kind’a forever. Now comes a new Neflix series called simply GLOW about the fictional formation of the league in the 1980s. Starring Alison Brie as Ruth, an actress in Hollywood who hasn’t acted in anything but is told of an audition where they’re looking for all sorts of different girls that turns into an audition for GLOW. The fictional GLOW shows the inner-workings and what was going on behind the scenes with the people playing the characters on TV each week.

One episode in and GLOW is a pretty interesting show. The first episode has some very strong characters who along with Brie include’s Ruth’s friend Debbie (Betty Gilpin) and GLOW producer Sam Sylvia (Marc Maron). It’s almost this weird, workplace show where the only people who tryout for this unproven GLOW series are, shall we say, “unique” individuals. Some, like Ruth, are looking for a way into acting, while others want to do something physical that’s a bit like a sports team since there was really nothing like that available to women in the 1980s. And some just had nothing else going on in their lives.

If you’re interested in learning more about GLOW I highly recommend the documentary GLOW: The Story of the Gorgeous Ladies of Wrestling that’s very insightful.

  • After some eBaying, I’m relatively sure the figure I bought was of Ricky “The Dragon” Steamboat.

Comics

Predator: The Original Comics Series–Concrete Jungle and Other Stories HC

Out this week is a hardcover edition of the original Predator comics series that’s become known a “Concrete Jungle” over the years. This series written by Mark Verheiden who would have a hand in the Battlestar Galactica reboot and Daredevil TV series with pencils by the amazing Chris Warner whom I tried to emulate art-wise for years is probably the best Predator comic series out there. In fact, it was so good that many elements of it, from its location to many scenes, ended up in the film Predator 2.

Celebrate the thirtieth anniversary of one of the great action movies of all time with this collection of original comics sequels to the film. For the thirtieth anniversary of Predator, Dark Horse is releasing three now-classic tales in one oversized, deluxe hardcover volume designed to sit on your bookshelf beside the Aliens 30th Anniversary edition! Collects Predator: Concrete Jungle TPB (#1#4). Predator: Cold War TP (#1#4), and Predator: Dark River TPB

House of Secrets vol. 1

If the classic long-running DC comics horror series House of Secrets is remembered at all it’s because in its pages the character of Swamp Thing originally debuted back in 1971. And while a mint copy of the comic House of Secrets #92 might fetch thousands of dollars today, the story featured in this new hardcover collected edition, and many others, can be had for a measly $50.

Experience DC’s classic horror series in the retro collection as it was originally printed. Collecting HOUSE OF SECRETS #92–97, including the first appearance of Swamp Thing, this book includes contributions from writers and artists Len Wein, Bernie Wrightson, Jim Aparo and many others and sets the groundwork for classic DC Universe horror stories for years to come.

Toys

Predator 2 Lieutenant Mike Harrigan figure

Crozz Design has created a neat Lieutenant Mike Harrigan figure from the movie Predator 2, but they’re calling him “Savage Hunter Mike” since I’m assuming they don’t have a license to produce anything related to Predator. This incredibly detailed figure retails for around $160.

This week in pop-culture history

  • 1961: Mothra premiers
  • 1972: Conquest of the Planet of the Apes opens in theaters
  • 1975: Rollerball premiers
  • 1979: Moonraker opens
  • 1982: Blade Runner opens
  • 1982: Megaforce opens
  • 1987: Innerspace opens in theaters
  • 1998: Armageddon premiers
  • 1999: The last episode of Star Trek: Deep Space Nine airs
  • 2005: War of the Worlds (2005) opens in theaters