Tag: fahrenheit 451

Direct Beam Comms #122

CategoriesDirect Beam Comms, Feature, TVPosted on

TV

Legion

While they might not start out that way, after a while a lot of the villains in superhero movies and TV series become boring and overused. In the Superman movies time and time again it’s Lex Luthor who’s the main baddie and in the X-Men universe it’s Magneto. Not to knock those characters, or the actors who portray them, but in the Superman and X-Men universes there’s literally hundreds of amazing villains that could be used, yet those standby bad guys get used time and time again.

Rachel Keller
Rachel Keller

Except the FX TV series Legion, which is part of the X-Men universe, doesn’t use Magneto, or even an antagonist many people would know. Instead, the creator of that series chose to use a relatively obscure villain, the Shadow King.

A little backstory — in the comic book universe David Haller is the son of Professor X and suffers from a condition of multiple personalities where each personality controls a different power. Haller was such a powerful mutant that he, abet accidentally, destroyed the entire X-Men comic book universe a few decades back. The TV series approaches things a bit differently, though still very interestingly.

In the first season of Legion, Haller (Dan Stevens) is a person who’s suffered his entire life with mental illness and ends up in an institution. But it’s an odd place where it seems as if some people there possess strange abilities. And as David begins exploring past memories he comes to realize that he too possesses said “strange abilities” when inexplicable past events suddenly becomes very explicable if the explanation was that David has superpowers. And the reason that David is in an institution rather than running around and using his powers for good is that there’s a mutant parasite called the Shadow King (mostly Aubrey Plaza) who’s attached itself to David’s psyche and is feeding off of him and his powers and keeps him in a delusional state.

Aubrey Plaza
Aubrey Plaza

I’m a comic book collector and while I’m intimately familiar with the likes of Luthor and Magneto, I was only dimly aware of the Shadow King. Which I really liked in Legion. If I don’t really know a character, then I really don’t know what they’re going to do next, unlike villains who get used all the time. The first season of Legion kept me guessing as to where it was going to end up right until the end which made for what I thought to be one of the best series of 2017.

Now comes a second season of Legion which began last week. Always a series that’s just as much style as substance, but is able to be BOTH rather than just style, the show picks up about one year after the events of last season with the Shadow King on the run and Haller kidnapped by a robotic orb. Now returned to the fold, Haller finds that the group of mutants he was working with in the first season to battle the Shadow King have joined forces with the mysterious “Division 3,” a sort’a government organization, since both came to the realization that the Shadow King’s more dangerous to the future planet than their small group of mutants

But David’s returned a bit different, he seems to be hiding things. And the one place you should never try and hid things is alongside other mutants who can read minds.

I was a bit concerned when watching this latest season of Legion as the show takes some time to ramp up. I was worried that this season was going to be more style than substance, but when the second season story kicked in and made my jaw drop all my fears about where Legion was headed dissipated and I couldn’t wait to see what was going to happen next.

Fahrenheit 451 TV spot

Cool Movie & TV Posters of the Week

Posters of the Week

Direct Beam Comms #117

CategoriesDirect Beam Comms, Feature, Movies, TVPosted on

TV

McMafia ***/****

The last few years AMC has been mostly known as the network that airs The Walking Dead, Fear the Walking Dead, marathons of The Walking Dead, marathons of Fear the Walking Dead, repeats of The Walking Dead, repeats of Fear the Walking Dead, Talking Dead, marathons of Breaking Bad and, on occasion, wonderful shows like Better Call Saul. But, for the most part, what once was a network that used to air edgy shows like Mad Men and the above mentioned Breaking Bad now mostly devotes itself to airing back-episodes of shows about flesh-eating zombies. So when a show like McMafia comes along and there’s no characters literally eating other characters I’m not sure what to make of it?

I jest, but whereas McMafia feels like a show that would have fit perfectly on AMC ten years ago, today it feels a bit of an anachronism on there today. But I mean that in a good way.

In McMafia, James Norton plays 1%er fund manager Alex Godman who’s family emigrated to the UK from Russia decades ago. Alex’s life is wonderful. He’s got a beautiful girlfriend, a healthy family and a booming business. But when an item in the news wrongly claims ties from his fund to illegal money coming out of Russia it puts his business into a tailspin. And when Alex’s uncle is murdered, assassinated really, in front of him, he realizes that even though he was never directly tied to his father or uncle’s shady business practices, it doesn’t matter to the people against him and Alex needs to take the family crime mantle as it were or end up in an early grave.

In many ways McMafia reminds me of the TV series Damages, a seemingly legitimate business is involved in illegal activities, mixed with a series like Traffik where crime and corruption are worldwide and the only reason people don’t see it is because they don’t want to. I enjoyed McMafia a lot if I have a few reservations. I keep getting the feeling that this is going to turn into some bigger, British version of the series Breaking Bad. Where a seemingly nice and normal dude in the first episode becomes a not-so-nice and murderous man by the last one. Which is fine, I just hope that the creators of McMafia blaze their own trail rather than following the well-worn path established by Breaking Bad.

Heathers */****

The newest Paramount Network TV series Heathers is set to debut this Wednesday. Or at least it was until the debut of the series was pushed back until sometime later this year after real-life events at Parkland High overtook the fictional story in Heathers. However, the network released the series based on the 1989 movie of the same name a little early to streaming services so lots of people had the chance to see it before it was pulled last week.

The first episode of Heathers follows most of the major beats of the movie where at Westerberg High there are three people named “Heather,” all girls in the original but two girls and a guy here, who are the cool kids at the school. Alongside these Heathers is Veronica (Grace Victoria Cox) who’s semi-cool by association and new kid/dreamboat J.D. (James Scully) who quickly draws Veronica’s eye. One night out the two decide to go over to lead Heather’s (Melanie Field) house and take some embarrassing photos and videos and post them to her social networks. But things don’t go as planned and the two end up accidentally killing Heather.

Which is the first problem I had with the series. In the movie J.D. and Veronica (Christian Slater and Winona Ryder) actually kill Heather and spend the rest of the movie trying to cover it up by murdering others in that black comedy. Yet in the TV series, Veronica and J.D. think they’ve killed Heather when in fact she’s not dead. But a suicide video that J.D. And Veronica put together for her goes viral, so when Heather awakens she finds out that she’s famous. Which is really lame. The whole idea of the movie is of this weird, murderous spree J.D. tricks and the cajoles Veronica to go on. I’m assuming the TV version avoids the high school murder-spree thing since, unfortunately, kids being murdered at high schools is a fact of life in 2018 America. But if the creators of the TV Heathers aren’t going to address this in some way and instead are going to change the essence of this story then I don’t know why they’d choose to make a TV version of Heathers in the first place other than on name recognition alone?

Honestly, this all might be a case of the TV version of Heathers not being meant for me. I didn’t like the TV series Riverdale either and that one’s a big hit for The CW and Heathers might be a similar case for The Paramount Network. Regardless, I left watching the first episode TV version of Heathers with a bad taste in my mouth that I think only rewatching the movie version is going to get rid of.

The Expanse TV spot

Fahrenheit 451 TV spot

Legion season 2 TV spot

Comics

In the last few years comic book companies have been releasing big, hardcover collected editions of multi-issue comic stories that are very expensive. I find it ironic that for a medium that started where a kid could spend part of their weekly allowance to pickup the latest issue of whatever, for those same comics to be collected in these edition that cost around $100 each is kind’a crazy. Still, comic companies keep doing this with two sets due out this week so they must be popular.

Kamandi by Jack Kirby Omnibus

I’m a big fan of the Kamandi character and over the years have bought many issues of the comic as well as collected editions of all the issues. Of which a brand new edition is due out this week.

From DC:

One of Jack Kirby’s greatest epics of the 1970s is collected at last in a single hard-cover volume. These are the stories that introduced the postapocalyptic world of the Great Disaster and Kamandi, the last boy on Earth, along with his friends Prince Tuftan, Doctor Canus, Flower, Ben Boxer and more! Collects KAMANDI, THE LAST BOY ON EARTH #1–40!

Absolute WildC.A.T.S.

While I could see dropping $100+ on a good collected Kamandi edition, I really can’t see dropping that much on a collected WildC.A.T.S. edition. If you’re not familiar, WildC.A.T.S. was one of the original Image Comics titles, and while I loved these when they first came out I don’t think they’ve aged too well in the last 25 years. If anything, these comics are a sort of time-capsule to the 1990s style of comic books where action came first and story was a secondary afterthought at best.

From DC:

Twenty-five years ago, Jim Lee premiered the legendary team known as WildC.A.T.s and help launch Image Comics. Now, Jim’s entire WildC.A.T.s run is collected for the first time in one oversized Absolute volume, including WILDC.A.T.S #1–13 and #50, CYBERFORCE #1–3, WILDCATS #1 and WILDC.A.T.S/X-MEN: THE SILVER AGE #1. This edition also features remastered color for WILDC.A.T.S #1–4, the unpublished script for WILDCATS #2 and a new cover by Jim Lee!

Movies

The Movie Chain: #9: Sunshine (2004)

Last week: 28 Days Later…

The Movie Chain is a weekly, micro-movie review where each week’s film is related to the previous week’s movie in some way.

The movie genera of a doomed space mission is a popular one. There’s movies like Alien: Covenant, Life and Cloverfield: Paradoxto name recent few. I think it’s because this kind of movie captures a few different genres at once from sci-fi to mystery and a lot of times romance too is why it keeps getting made over and over again. Whereas most other movies that feature astronauts blasting off into the void end up finding some slobbering monster in their story, the more esoteric Sunshine plays things a little different.

Directed by Danny Boyle who also directed last week’s 28 Days Later…, in Sunshine the crew of the “Icarus II” are flying to our Sun in attempt to kickstart it back to life after something went wrong causing it to dim sending the Earth into a new ice age. Along the way the crew featuring a pre-Captain America Chris Evans, Rose Byrne and Cillian Murphy of the last three movies, find the remains of the “Icarus” and learn that spending too much time that close to a star as the crew of the “Icarus” did can have some very bad side-effects.

Practically a forgotten movie now, Sunshine is the rare sci-fi movie that takes place in the very near future, feels real along with having believable characters and one heck of a great story too.

Next week: Trapped on a far-off planet, surrounded by nothing, low on gas.

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