Direct Beam Comms #115

TV

The Punisher ***/****

There was realistically no way I wasn’t going to like the first season of the Netflix series The Punisher. I’ve been a fan of the character most of my life, have collected Punisher comics for forever now and have watched all of the Punisher movies to date. So even if this new Netflix The Punisher was just good, I’d probably still be gushing over it no matter what. So it feels good to be able to write that The Punisher on Netflix isn’t just good, it’s great and is my favorite Marvel Netflix series to date.

Jon Bernthal
Jon Bernthal

What I was surprised most with The Punisher was just how it deviated from where I thought the series was going to go from where the character ended up in the last season of Daredevil. It would make perfect sense if the first season of The Punisher would follow Frank Castle (Jon Bernthal) hunting down the men who killed his family with later seasons having the character expand and doing something more. Except that’s not what happened. Here, in the first ten minutes of The Punisher Castle eliminates all these people in some very creative ways which pretty much ends that story. And instead of being a great revenger of crime he becomes a laborer on a construction site trying, but not quite ever being able, to put his life back together.

But since this series is called The Punisher and not Frank Castle of course we know that at some point he’s going to have to start battling crime and that comes in a very unique way here. In the show Castle meets David Lieberman (Ebon Moss-Bachrach) aka “Micro” an ex-CIA computer expert who faked his own death in order to keep his family safe. So, while Castle doesn’t have a family to go home to Lieberman does but can only watch them at a distance in order to keep them safe.

Jon Bernthal and Ebon Moss-Bachrach

As the two character’s paths cross, Frank realizes that the death of his family might have some connections within the government and more specifically within a secretive special forces squad he was once a member of. And Lieberman realizes that if there’s any chance he’ll ever get to be with his family again it’ll probably be through helping Castle.

In the past I’ve lamented over the lack of blood in the Marvel movies. There, characters can be pummeled to pulp, thrown against buildings and be exposed to colossal explosions which leads to the injuries in the films like maybe a trickle of blood out of the corner of someone’s mouth. While I get that a) these are superheroes and b) they’re in what’s ostensively family movies, none-the-less this is something that’s bugged me over the years. So when something comes along like The Punisher where characters can be hurt and there is a level of blood and gore not seen in any Marvel movie to date, it’s something I notice and appreciate. I like that The Punisher is a show created for viewers who are looking for something a little more intense than PG–13.

That being said, I think maybe the gore was overly done here. Well, maybe that’s not right — I thought the level of gore was good, but maybe the level of recovery time for people like Frank Castle was a little short. In some episodes Frank’s so badly injured that he has punctured lungs and broken ribs yet is up and ready to fight in a few hours time which realistically would mean weeks or months of recovery. Even a character like Billy Russo (Ben Barnes) at one point is shot in the shoulder. Which, even assuming the bullet missed the bone would require a long recovery in order to gain mobility back, is ready to have a knife-fight mere hours later.

Amber Rose Revah and Michael Nathanson

But this is a small complaint about a show that I liked a whole lot.

What I find most interesting about The Punisher is that in a lot of regards the character of the Punisher is someone the government can, and in the series does, categorize as a domestic terrorist. The guy carries rocket launchers around New York city and isn’t afraid to use them, assaults federal agents and has gigantic gunfights so there is a bit of people wanting to bring the Punisher to justice if just so that it cuts down on the open-street firefights in The Punisher. What’s fascinating is that while in The Punisher it’s shown that the media and politicians go after him for being a dangerous criminal, since he’s trying to eliminate crime and demolish corruption he can be a nice little tool for them to use as a means to an end. They don’t mind turning a blind eye to the tactics of the Punisher from time to time if it means furthering their agenda.

Movies

The Movie Chain: #7: Dunkirk (2017)

Last week: Tinker Tailor Soldier Spy

The Movie Chain is a weekly, micro-movie review where each week’s film is related to the previous week’s movie in some way.

When the movie Dunkirk was announced I honestly didn’t think it would make for a great movie. It’s the story of the British army having to evacuate from France after being routed by German forces in the early days of the second world war. So how do you make an interesting movie about one of the greatest defeats in military history and not make the movie feel defeatist? How writer/director Christopher Nolan did that was that rather than making a movie about defeat, instead Dunkirk is a movie about survival and is one of the most timely films in memory.

Told via several different perspectives during the evacuation, including that of a pilot (Tom Hardy from last week’s Tinker Tailor Soldier Spy), an army private (Fionn Whitehead) and a boat captain (Mark Rylance), in Dunkirk the British Expeditionary Force is trapped on the beaches of France waiting for rescue via the British navy from the encroaching German army. Except that the navy doesn’t want to risk too many boats picking up the stranded men when they have to save the craft for the next battle that will surly come. Enter private British citizens with boats of their own who can cross the short channel and rescue a few men at a time. But will this happen in time to save all the soldiers on the beach while the British airforce dukes it out in the air against the Luftwaffe in planes that run closer and closer to running out of fuel with each fight?

If there’s a theme to Dunkirk it’s to never, ever give up. Since when things are at their worst you never know if help is right around the corner.

“We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender…”

Next week: You can run, but they’re gonna catch you.

Cool Movie & TV Posters of the Week

Direct Beam Comms #108

TV

Black Mirror — “USS Callister” ***/****

When Black Mirror first premiered in 2011 I didn’t think I’d ever get to see it. Created by Charlie Brooker for Channel 4 in the UK, Black Mirror was a series everyone was talking about but no one could watch legally here in the US. It took some time but I was finally able to see that first season and was blown away — Black Mirror was as good as everyone said it was and it quickly became one of my favorite series.

A few years back Netflix picked up the show and suddenly what was very difficult to see became very easy with the outlet streaming old episodes along with brand new ones. And now comes a fourth season of Black Mirror beginning with a first episode titled “USS Callister.”

Here, a software architect by day Robert Daly (Jesse Plemons) moonlights at night as the captain of the USS Callister in a virtual reality simulation game. The USS Callister is a ship of the Space Fleet (think 1960s Star Trek) crewed by people who look a lot like Daly’s real-life co-workers. But since this is Black Mirror they don’t just look like Daly’s co-workers, they’re digital duplicates of them right down to their memories and personalities. The real people on the outside have no idea what’s going on, Daly created the duplicates in secret, meaning that for the clones on the USS Callister life is a hellish existence alternating between the boredom with having nothing to do while Daly’s at work and the nightmare of having him act as captain where he wants to play Space Fleet. And if they don’t play along he can do things to them like remove their eyes and mouth causing them to feel like they’re suffocating forever or turn them into grotesque alien creatures to populate the various planets around the digital galaxy.

And since these crew members aren’t real, it means they can never die either and will be stuck in this existence forever.

Enter new co-worker/USS Callister crewmen Nanette Cole (Cristin Milioti) who has a plan to get out. But if her plan fails it means an existence of eternal suffering for those crazy enough to cross Daly in the digital world.

Black Mirror is a great show at examining what life might be like in just a few years time if just a few things go wrong. Like what are the odds that someday technology will make it easy to make a perfect, digital clone of someone? And what are the odds that someone will use that technology for ill, like cloning people for their own private video game? Some of these ideas were also covered in the “Cookie” segment of the Black Mirror Christmas episode a few years back.

Regardless… Black Mirror is one of the best series on TV. I’m just glad that I don’t have to fight to watch it anymore!

Doctor Who ***/****

Each year the series Doctor Who airs a special Christmas episode. In years past those episodes have had a strong holiday theme — one year even featured the good Doctor teaming up with Santa Claus to fight evil. But this year was different. This year’s episode mostly skipped the Christmas theme and would mark the first official appearance of the latest incarnation of the Doctor, this time not to be played by a man as the character’s been the last 50+ years but by a woman.

“Twice Upon a Time” takes place at the South Pole in the 1960s, in the trenches during the first world war and in the future where people who are just about to die are whisked away to have their memories duplicated for historical purposes before being sent back to their own time to face their fate. The Doctor (Peter Capaldi) is on the verge of regeneration — or changing bodies. A way that producers of the series have used since the beginning to keep the show going by replacing the lead actor with a new face. But this Doctor doesn’t want to regenerate. He wants to die and finally rest after centuries of adventure.

Enter the very first Doctor from 1963, here played by David Bradley but originally William Hartnell who passed away in 1975. This first Doctor doesn’t want to regenerate either and he and the modern Doctor along with an army captain (Mark Gatiss) pulled from the trenches of the first world war and flung into the future and the Doctor’s assistant Bill (Pearl Mackie) who may or may not be a duplicate of the original have to uncover what they’ve done to cause time to freeze in place all across the universe.

I thought that “Twice Upon a Time” was the best episode of Doctor Who in recent memory.

I’m a big fan of the classic Doctor Who series and love it whenever the modern show mentions the old, which they do from time to time. And to see the original Doctor here returning to form, and even with his slightly smaller TARDIS than the current Doctor’s, made for one satisfying episode.

Especially interesting was the introduction of the new Doctor played by Jodie Whittaker. It’s traditional for the new Doctor to be introduced at the very end of the episode where the character’s thrown into some sort of extreme peril, to be concluded in a few months time at the start of the next season of Doctor Who. And this introduction was no different with the new Doctor being literally ejected from the TARDIS in the closing moments of the show.

It will be interesting to see just where that next series goes from here. I have no doubt that Whittaker will make a good Doctor but Doctor Who producer since its reboot in 2005 Steven Moffat won’t be returning next season, Chris Chibnall will be taking over the reigns. This will mark the first time in 13 years that someone new will be setting the direction of the show.

So, love Doctor Who or hate it, it’ll be interesting to see just where Doctor Who ends up in 2018.

Movies

A few months back I posted all of the new movies I saw to date in 2017 and here’s the rest of what I saw this year:

  • Spider-Man: Homecoming: I thought this was a really fun movie that did a good job of reintroducing a new Spider-Man without going through all the rigmarole of doing another origin story.
  • Logan Lucky

    Logan Lucky: This “Ocean’s 7/11” was one of the hidden, overlooked gems of 2017.

  • Split: I was really surprised by this one. Writer/director M. Night Shyamalan has been on a cold-streak for literally 15 years at this point and for him to come out with a movie as interesting and powerful as Split was is amazing.
  • Thor: Ragnarok: I can’t remember the last time I had as much fun as I did at a superhero movie as I did with this one.
  • War for the Planet of the Apes: A fitting end for a superb trilogy of movies. I only wish all movie reboots could be as different as/paying as much homage to the original as War for the Planet of the Apes was.
  • Dunkirk: Easily the best movie of the year and probably the best Christopher Nolan movie since Memento, and that’s saying a lot.
  • A Trip to Spain: I really like the whole A Trip to… movies and A Trip to Spain was no exception.
  • Star Wars: The Last Jedi: I’m not sure what all the negativity was about surrounding this movie, but I liked Star Wars: The Last Jedi a lot. I thought it was better than Star Wars: The Force Awakens.
  • Bright: This Netflix original has been getting a lot of flack for being one of the worst movies of the year. While I don’t think Bright was a great movie, it wasn’t a bad one either. It’s one of those films with a lot of great ideas, probably too many for a single film to hold.
  • Blade runner: 2049: Slow and ponderous at times, I’m glad I checked this one out. Though I’d be surprised if I ever watch it again.
  • IT: Essentially the TV series Stranger Things has been aping IT quite successfully for two seasons now. So for a movie version of this classic, beloved book to come along now and still be as stunning as it was is saying something.

For the record, I only saw 18 movies this year that were released in 2017, but for what I saw these were my favorite.

  1. Dunkirk

    Dunkirk

  2. Logan
  3. IT
  4. Thor: Ragnarok
  5. Star Wars: The Last Jedi

Rumor Control

Things I’ve misheard over the years:

For many years I thought the movie about zombies in the Caribbean The Serpent and the Rainbow was instead titled Surfing in the Rainbow.

I also thought the title to the Philip K. Dick novel Do Androids Dream of Electric Sheep? was really Do Androids Dream an Electric Sleep?. And to this day I think my title’s better that the original.

When the song “Glycerine” by Bush was popular and got lots of radio play I used to think the lyric “Bad Moon White Again” was “Madmartigan Warrior” since surly everyone, including songwriter Gavin Rossdale was a big a fan of the movie Willow as I was.

Cool Movie Posters of the Week

Direct Beams Comms #35

Movies

Transformers: The Movie

TransformersIn 1986 Transformers: The Movie made something like $5.8 million at the box office, and about $3 of that came from me.

Honestly, I have no idea how or why I decided to go see Transformers: The Movie at the theater. Back in 1986 I was into Transformers but I was just at the age where I was starting to cycle out of toys and TV cartoons for other things. I suspect that my friend Jon, who saw it with me, was the driving influence on us going since my family didn’t see a lot of movies in the theater and it wasn’t like I had a lot of money of my own to spend seeing films.

Transformers: The Movie is an odd film. It’s based on the 1980s cartoon series of the same name where no character ever died and things always stayed the same between episodes even though there were lots of battles between the good Autobots and bad Decepticons. But in Transformers: The Movie movie LOTS of characters died, even arguably the most famous characters of all Optimus Prime.

Or at least that’s what I’ve been told. Just before Optimus’ big death scene there’s a huge battle and I had to go to the bathroom. And I held it until the fighting had ended and the Autobots went to attend to a wounded Optimus. Since it was a weekday afternoon we had the place to ourselves and then I ran out of the theater to the bathroom, went as fast as I could then ran back to my seat and back to the movie. Jon leaned over and said, “You totally missed it, Optimus just died!” While I believed him, I really didn’t. Surly they wouldn’t kill off the most popular Transformer character of all time?!

Looking back now I can see what happened. In 1986 the toy series had been around for a few years and Hasbro was looking for a way to add some new Transformers characters to the line. So some characters had to die in the movie to make room for new ones on toy shelves.

Transformers the Movie
Transformers the Movie

What’s interesting, though, is that while there were big changes in the movie and new characters were added, I don’t remember that the cartoon series changed all that much the next fall. What ended the spring of 1986 continued that autumn and ignored the movie entirely. Though when I was reading up on the movie I did forget that it takes place in the far off futuristic distant year of 2005, so maybe that explains the story discrepancies?

While I do have fond memories of Transformers: The Movie those memories are mostly around seeing the film in the theater rather than the actual content of Transformers: The Movie itself. I still enjoy seeing clips from the movie, think the soundtrack is excellent throwback brilliance and love the poster, but I can’t remember the last time I actually sat down to watch Transformers: The Movie?

Of course nowadays if you say, “Transformers: The Movie” to almost anyone they’d assume you’re talking about the line of dreadful Michael Bay produced films that began back in 2007 with yet another one due in 2017. If the 1986 movie is bad, it’s bad because it’s too earnest in a 1980s kind’a way. If the recent film series is bad, and trust me, they are, it’s because it’s a movie series about talking robots that transform into things like cars and jets that takes itself waaaaaaay to seriously.

Which means that since there’s a slew of new, abet crappy live-action films out there now there’s less opportunity for Transformers: The Movie to air anywhere on TV. Why would kids today want to watch a crummy cartoon when they can watch a stupid live action cartoon instead?

In closing, Transformers = sort’a cool, Michael Bay = uncool. 😉

Dunkirk teaser trailer

Books

Out this week is the book Aliens: The Set Photography that looks to be 144 pages of behind the scenes pics from this movie classic.

The Reading & Watch List

This week in pop-culture history

  • 1960: David Duchovny, Fox Mulder of The X-Files is born
  • 1968: Gillian Anderson, Dana Scully of The X-Files is born
  • 1986: The Transformers: The Movie opens in theaters
  • 1989: The Abyss opens in theaters