TV
Game of Thrones
I think I’m done with Game of Thrones. I’ve spent the last six seasons watching the show but the last few years I’ve welcomed its return less and less. It’s not that I don’t like Game of Thrones anymore, it’s just that it watching it has become a chore.
The stories of the first few season of Game of Thrones were much more contained than the ones in the series are now. At first there were stories of Winterfell, Westeros and the Targaryen’s across the sea and that was about it. And even then those stories were interconnected with the likes of the people of Westeros and Winterfell meeting and coming together to the point where there were really only two story locations for a while. But with each season the stories have fragmented more and more and more, to the point where no single episode of Game of Thrones can contain everything going on at once with stories having to be spread out between multiple shows. And even then some stories only get five or ten minutes an episode and one character even went missing an entire season only to pick back up with his story a year later since there wasn’t enough room for him.
With all this story weight meant that each season Game of Thrones started moving slower and slower to the point where in its fifth season, to me at least, there wasn’t enough story progression in it to hold my interest.
While things did pick up in the sixth season of the show, I started finding myself less and less interested in certain stories. So much of what Game of Thrones was last season was of characters who used to be together being off on their own adventures and since I wasn’t into each and ever character’s adventures I found myself more and more skipping through parts of episodes to get to stories that I was interested in. I’d generally stop at Tyrion stories but skip through Arya ones. And honestly by the end of the season I was pretty much only interested in Tyrion.
When I start using my DVR to skip through episodes of any series I know that my days of watching it are numbered.
I do think that if this were the last season of Game of Thrones I wouldn’t be writing this I would instead be watching the show just to see how it all ends. But this season isn’t the last, there’s one more left, and even then HBO is examining the possibility of spinning off the show into a variety of different series. All of which is fine, but at what point is the story of Game of Thrones only about continuing the story of Game of Thrones rather than coming to some sort of ending?
Everyone likes to make fun of soap operas, but at what point do self-perpetuating TV series like Game of Thrones become more soap opera-like than what they initially set out to be like smart, fantasy dramas?
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Movies
Superman IV: The Quest for Peace
One of the few movies I did see in the theater in 1987 rather than on VHS or cable was Superman IV: The Quest for Peace. That summer I was watching my younger brother at home while my parents both worked and one week they gave us a little cash to get out of the house and go to a movie. I looked through the paper to see what was playing at the theater in riding distance to our house and the choices were Superman IV and Madonna lead Who’s that Girl. Being the mega-comic book fan that I was with a closed full of Superman back issues I, of course, chose to see, you guessed it, Who’s that Girl. I have no idea why I’d want to see that movie at all — in fact I’m relatively sure I’ve never seen it. I can only guess that it was because it would be easier to explain to my friends that I went to see a movie that starred then it-girl Madonna than a Superman movie, since at the time once you were a certain age you weren’t supposed to like superheroes or comics anymore. My mom used her parent veto and nixed the idea of my eight year old brother seeing Madonna prancing around on-screen in a fancy leotard and told us we were seeing Superman IV with Christopher Reeve prancing around on screen in his fancy leotard.
So, one weekday my brother and myself rode our bikes to the theater and saw Superman IV. When you’re a pre-teen kid Superman IV isn’t a terrible movie. It’s got the humous Lenny (Jon Cryer), Lex Luthor’s nephew, and even has ol’ Lex himself (Gene Hackman) back in the role he originated after missing out on Superman III. And let’s not forget Mariel Hemingway co-stars who was one of the most beautiful women on the planet in 1987 which didn’t hurt the movie either.
Looking back on Superman IV 30 years later, it’s a mess of a movie. Produced by Cannon Films known for such gems as Invasion USA and Over the Top, Superman IV was made on the cheap and looks that way. The movie is barely an hour and a half long and that includes both beginning and end credits with the opening credits being the looooooooong credits the Superman movies were known for back then. Christopher Reeve is back as the Man of Steel and a lot of the other cast members like Margot Kidder have returned as well. But other than Reeve the rest of the recognizable faces other than Hackman are in cameo roles at best.
A lot of the movies I’ve gone back and rewatched from 1987 might not be as good as I remember but they all have some sort of weird nostalgic appeal, and Superman IV is no different. Though I would argue that it’s the one movie I’ve watched that’s actually a lot worse than I remember.
The story of Superman IV is of Superman trying to rid the world of nuclear weapons, but in a devious plans Luthor uses Superman’s tossing all of the nukes into the Sun as a way to make Nuclear Man, a character created for the movie and so-far is his only appearance, in order to destroy Superman. Essentially, Superman IV is a smaller version of everything that had come before in the previous films. It’s almost a small-budget remake of Superman II in many regards with Superman battling one superpower villain instead of three. And since IV was made on the cheap all of the seams show.
Low-budget or not, Christopher Reeve gave it his all in Superman IV in what would be his last role as the title character. After the disappointment of Superman IV it would be nearly 20 years with the release of Superman Returns in 2006 until the character returned to the big screen. However, it’s not like there weren’t attempts at a new Superman movie after IV as most of the 1990s were spent with Tim Burton trying to get his version of the character off the ground in a movie that would have been called Superman Lives and then in the early 2000s there was another attempt this time with J.J. Abrams in another dead movie that would have been called Superman: Flyby.
If you are interested in finding out what happened behind the scenes with Superman IV: The Quest for Peace it’s chronicled in the 2014 documentary Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014) as well as in Jon Cryer’s memoir So that Happened. You can also find out what happened with Tim Burton’s aborted Superman movie in the 2015 doc The Death of “Superman Lives”: What Happened?
Blade Runner 2049 trailer
Starship Troopers: Traitor Of Mars trailer
Justice League trailer
Thor: Ragnarok trailer
Books
Lead Poisoning: The Pencil Art of Geof Darrow
I first became aware of the work of Geof Darrow in his incredibly detailed drawings in the comic mini-series Hard Boiled when I was a bit too young. That comic, an acid trip through a hellish, corporatized future where robots kill scores of people turned me on to Darrow’s work. Years later I found an amazing book on his artistic contribution to the movie The Matrix that is still one of my prized possessions and now comes another Darrow art book, Lead Poisoning: The Pencil Art of Geoff Darrow.
Geof Darrow’s slick, precise inks and stunning detail have amazed comics fans for decades, from his early work with Moebius to Hard Boiled, his first collaboration with Frank Miller, to the overwhelming success of his current series, The Shaolin Cowboy.
Now Darrow provides incredible insight into his process by sharing the pencil drawings behind his meticulous inks in a huge hardcover collection. Featuring well-known covers and never-before-seen drawings alike, Lead Poisoning is a behind-the-scenes look that reveals perfectionism at its best, showing how clean and perfect the initial drawings can be as well as the bizarre alterations that appear to happen on the fly.
Featuring commentary by Darrow and his notable peers, Lead Poisoning: The Pencil Art of Geof Darrow is a hardcover that brings you right to Darrow’s drawing board.
The Reading & Watch List
- George Romero, Father of the Zombie Movie, Dies at 77
- Remembering George Romero
- Sam Glanzman, Comic-Book Artist Inspired by His War Service, Dies at 92
- At Comic-Con, a major comics seller defects while new Hollywood stars arrive to dazzle fans
- ‘It’ Director Andy Muschietti to Tackle ‘Robotech’ for Sony
- Eye in the sky
- Alan Moore Is Preparing a Six-Part Finale for Extraordinary Gentlemen
This week in pop-culture history
- 1928: Stanley Kubrick, writer/director of 2001: A Space Odyssey and A Clockwork Orange is born
- 1956: Kevin Spacey, Lex Luthor of Superman Returns and Moon is born
- 1957: Nana Visitor, Kira Nerys of of Star Trek: Deep Space Nine is born
- 1972: Wil Wheaton, Wesley Crusher of Star Trek: The Next Generation
- 1983: Krull opens in theaters
- 1986: Maximum Overdrive debuts
- 1987: Superman IV: The Quest for Peace opens in theaters
- 1990: The TV series Swamp Thing premiers
- 1995: Waterworld premiers
- 1999: Deep Blue Sea premiers
- 2001: Planet of the Apes opens in theaters
- 2013: The Wolverine opens in theaters
Still, when I recently rewatched it earlier this year I was stuck as to just how the dystopian future depicted in The Running Man has come true today — heck, the movie’s even partially set in 2017.
Wyatt Cenac stars as writer Ozzie Graham who starts off the series as a journalist doing a story about the abductees but quickly finds himself at the center of things when he’s abducted. The group, lead by Gina (Ana Gasteyer) quickly welcomes Wyatt with open arms if everyone there has their own issues. But People of Earth isn’t just about the abductee group, in a hilarious twist it’s also about the aliens doing the abductions too. There’s bug eyed monster Jeff (Ken Hall), lizard Kurt (Drew Nelson) and dreamy nordic hunk Don (Björn Gustafsson) who go about their day snatching people and erasing their memories in order to prepare for an invasion.
