No one can keep Black Panther down

Do popular comic book characters matter anymore? Last year DC Entertainment released their long-awaited Justice League movie to tepid reviews and weak box office. The film featured three of the most well-known comic book characters in history including Batman, Superman and Wonder Woman, yet rather than running out and seeing Justice League fans of the genera went and mostly saw Thor: Ragnarok instead.

Thor might be a well-know character these days but just a few years ago I doubt anyone outside of comic collectors were aware of him.

This has been a theme for Marvel Studios — taking characters few outside of fandom knew of, like Thor, Doctor Strange and Ant Man to name a few, building interesting movies around them and creating substantial movie properties audiences want to see. The biggest of which is the Guardians of the Galaxy, a superhero team that was completely unknown outside of comics fandom prior to their debut 2014. Since then, Guardians of the Galaxy has become a billion dollar franchise with the likes of Starload, Gammora and Groot becoming well-known characters.

So I wonder, does it really matter that audiences might not know who the character of Black Panther is, other than him having a role in the Captain America: Civil War movie a few years ago? And, more important, does it matter for the upcoming Black Panther movie if they don’t?

When I was collecting comics, if Thor, Captain America and Iron Man were second-string characters then Black Panther was a third-string character. At best. In fact, I collected lots and lots of comics from the 1980s to the 1990s and I can’t think of a single issue that featured Black Panther I ever bought. And, even more telling, I can’t think of a time when the character guest-starred in the comics I bought either.

Black Panther was one of the earliest African American superhero characters who was originally introduced in the pages of Fantastic Four in 1966. Black Panther was really T’Challa, king the fictional country of Wakanda that’s concealed from the outside world via special technology. Think Captain America with him being stronger than and faster than the average man yet still mortal and very human and you’re close to what kind of hero Black Panther is.

For a long while, Black Panther was an important character who had his own comic title and would turn up in other titles too. But over time his popularity would wain until he was surpassed by other characters over the years.

So, when I heard a few years ago a Black Panther movie was in the works I was a little surprised. I didn’t know anyone who collected Black Panther comics or was into the character at all. Well, almost no one. Calvin, the son of one of my friends, has been a Black Panther fan for years now. He said he discovered the character via the cartoon The Avengers: Earth’s Mightiest Heroes and had loved him ever since. Calvin said that he liked the idea behind the character, that he’s got a cool costume and is an expert at martial arts.

And now, of course, Calvin’s super-excited about the upcoming Black Panther movie, now in theaters.

Starring Chadwick Boseman as the title character, Michael B. Jordan and Lupita Nyong’o, in the film Black Panther must return home to Wakanda and defend it from outside forces and internal ones like the dreaded “Killmonger” who want to take the country’s riches for themselves.

Here’s the thing — I don’t think it matters at this point whether people, other than Calvin, of course, are all that familiar with Black Panther or not. I think audiences see the Marvel Studios brand as a sort of mark of quality. They mostly know what they’re going to get with a Marvel film and are willing to take a chance on an unknown character like Black Panther since every other time they’ve gone to see a movie from Marvel Studios they’ve had a good time.

And this has paid off handsomely for Marvel, and now Disney, with the top five Marvel Studios movies having earned more than $2 billion at the box office. And that’s just the top five — so far there has been 17 movies from Marvel Studios, the majority of which have been very successful.

So if I were a betting man I’d say that more likely than not, at this time next year Black Panther will be a fan-favorite character to millions of people and not just Calvin.

Direct Beam Comms #110

TV

Philip K. Dick’s Electric Dreams ***/****

TV series and movies over the last several years have mined many of author Philip K. Dick’s ideas. Mostly known as the writer of novels like Do Androids Dream of Electric Sheep? and We Can Remember It for You Wholesale which were turned into mega-movie-blockbusters Blade Runner and Total Recall, over the years Dick was a prolific writer having penned hundreds of stories and novels. One of Dick’s favorite themes was the notion of how can you be absolutely sure that reality is, well, real, and how can you tell a simulation from the real thing if the simulation is perfect in every way?

These themes Dick would turn to again and again just so happen to be the themes of several popular TV series these days that, while aren’t based on a specific piece of Dick’s work none-the-less are based on his ideas.

Shows like Westworld with robots who live and work inside a theme park that don’t know they’re robots would be right at home in Do Androids Dream of Electric Sheep?. And the battle that takes place inside of character David Haller’s mind on the show Legion fits perfectly with the themes explored in We Can Remember It for You Wholesale. Even a show like Black Mirror that owes a great debt to the series The Twilight Zone owes an even bigger debt to the works of Dick. Time and again episodes of that show explores the notion of a reality altered by some technology gone amok with the episode entitled “Metalhead” being directly influenced by Dick’s story “Second Variety” that was also adapted as the movie Screamers.

Even one of Dick’s own books The Man in the High Castle about an altered reality where Germany and Japan both won WW2 is currently a series on Amazon Prime, to which a new anthology series entitled Philip K. Dick’s Electric Dreams joined last week.

This series originally aired last year in the UK and now all episodes are currently available to stream on Prime.

In the first episode entitled “Real Life” that takes place in a somewhat distant future, detective Sarah (Anna Paquin) is trying to get over the murder of 15 of her colleagues. To help her relax Sarah’s significant other Katie (Rachelle Lefevre) suggests she try spending some time in a virtual world where she’ll be able to forget real life and take part in a simulated one. In this virtual world Katie becomes George (Terrence Howard), a billionaire software tycoon living in a time just a few years from our own investigating the murder of his wife. As Sarah starts spending more time in the virtual realm as George and things there begin to collide with things in Sarah’s “real” world, from people to places to the fact that George’s dead wife is also named Katie and also looks like Sarah’s Katie. Sarah begins questioning which is the real life and which is the virtual one? Is Sarah living in a futuristic world where there are literally flying cars, or is George’s reality of having to fight through the pain of losing a loved one real instead?

From start to finish “Real Life” was Philip K. Dick 101 with questioning and examining the nature of reality with one heck of an ending. I thought I had the ending pinned down at about the halfway mark of “Real Life” but wasn’t anywhere close as to where the episode went.

To me, Electric Dreams is modern Outer Limits in tone and structure, it’s very much more of a story and idea driven show than a character one, but I don’t think this is a bad thing. In fact I liked Electric Dreams a great deal and would probably not like it as much is it were something like a clone of Black Mirror.

Krypton TV spot

Movies

The Movie Chain: #2: The Abyss (1989)

The Movie Chain is a weekly, micro-movie review where each week’s film is related to the previous week’s movie in some way.

Last week: The Hunt for Red October

In the 1980s writer/director James Cameron was on a bit of a hot-streak. While his first film Piranha Part Two: The Spawning was forgettable at best, his next were to become two of the most beloved films of the sci-fi genera; Terminator and Aliens. So when Cameron’s next movie was announced to close-out the 1980s with The Abyss in 1989 fans of sci-fi were excited. This movie about the crew of an undersea mining platform who when a disaster strikes are simultaneously stranded at the bottom of the ocean while also discovering that there might be alien life down there probably had too many expectations going against it to ever reach the heights of the likes of Terminator or Aliens. While those other two films are both fun, action “shoot-em-up” movies, The Abyss, while having some action in it, is more of a thinking person’s movie.

Much like with The Hunt for Red October there’s a strong “techno-thriller” vibe running through this film. There’s even a nuclear sub in The Abyss that could have been used directly in The Hunt for Red October without any changes.

Both The Abyss and The Hunt for Red October were a part of a group of films at that time period that all took place at the bottom of the sea. In addition to those two there were the cheapy flicks DeepStar Six and Leviathan both from 1989 too. If The Hunt for Red October is a great film and The Abyss a flawed sort of masterpiece then DeepStar Six and Leviathan are both fun, if a bit dated, “b” or “c” grade schlock fare.

Next week: Let’s party like it’s 1999.

Black Panther TV spot

Cool Movie Poster of the Week

Direct Beam Comms #79

TV

Homicide: Life on the Street: The Complete Series

Shout Factory is set to release a DVD set of the entire 122 episode series of the classic show Homicide: Life on the Street for a retail of $120 July 4. Homicide: Life on the Street is one of the finest TV series ever and was a show that would go onto inspire other series like The Wire and The Sopranos years later. What I find funny is that 15 years ago I bought the first few seasons of Homicide: Life on the Street on DVD when those sets were retailing for around $100. Even today those original sets will still retail for around $90. That would’ve meant buying a complete set of Homicide: Life on the Street back then would’ve cost between $600 and $700, making $120 now seem like a bargain.

From Shout Factory:

Executive produced by Barry Levinson (director of Rain Man, Wag The Dog and Bugsy) and Tom Fontana (the creator behind HBO’s Oz), and based on the book Homicide: A Year On The Killing Streets by David Simon (creator and executive producer of The Wire), Homicide: Life On The Street presented viewers with a gritty and realistic examination of detectives working the homicide division in Baltimore.

The Mist TV spot

Comics

DC Comics/Dark Horse: Batman vs. Predator Paperback

A newly reprinted edition of the Batman vs. Predator comics is out this week. I remember buying the first issue of Batman vs. Predator at a drug store on a spinner rack and the story of a Predator invading Gotham City with Batman being the only hope of stopping them has always been one of my favorites. Especially since Bats gets to wear one boss piece of anti-Predator armor in the comic.

From DC:

After investigating a series of gruesome murders, Batman realizes that these crimes aren’t perpetrated by anyone from Gotham City…or even this planet. Soon, the Dark Knight finds his real enemy—the intergalactic hunter called the Predator! This collection features BATMAN VS. PREDATOR #1–3, BATMAN VS. PREDATOR II: BLOODMATCH #1–4 and BATMAN VS. PREDATOR III: BLOOD TIES #1–4 and is co-published with Dark Horse Comics.

Movies

Predator

The first time I saw Predator I was 13 years old and it was the night before a family trip to Washington DC. My brother, a cousin and myself were camped out that night in the living room and were watching the movie of the week on HBO, which just so happened to be Predator. Even though I hadn’t seen that movie in the theater, nor would I have really had the opportunity to do so back then, I was aware of Predator from it being covered in magazines like Starlog and Fangoria. But still, when I actually saw the movie I was completely blown away. It was like the creators of the film had gotten into my teenaged head, found out all the things I was interested in and put them up on the big screen.

And, nearly 30 years later Predator is still one of my favorite films. Let’s put it this way — at various times I’ve owned Predator on VHS, DVD, Blu-ray and I’m sure that whatever the next thing is that comes along to improve on what’s come before be it 3D or holograms I’ll buy that too.

Predator is the rare movie that actually expanded the sci-fi genera, I think by not exactly adhering to just the sci-fi genera. It’s kind’a a war movie with a group of special forces soldiers lead by “Dutch” (Arnold Schwarzenegger) on a rescue mission in the jungles of Central America. It’s also kind’a a horror movie with the alien Predator gruesomely killing just about anyone who gets in its way. And it’s also kind’a a sci-fi movie with the Predator coming from space on a hunting mission here on Earth.

And it’s probably because Predator isn’t just a war movie, or isn’t just a horror movie or isn’t just a sci-fi movie that it’s stood the test of time and is still a beloved movie by fans of those generas to this day.

I think one thing that sticks in my mind about Predator all these years later are the interesting details. Like the way the Predator’s heat vision is shown on screen in big bright primary colors along with a weird “Bwrarrrrrrrrr” sound every time the Predator is looking about. And the details of each soldier in Dutch’s crew, how they’re all different yet all have the same strange professionalism as warriors in the jungle. They feel like guys who are probably screw-ups when they’re back at home in, say, Idaho but are at their best when they’re in the jungle and people are trying to kill them and vice versa.

I’ve seen Predator many times since that first time and everytime since I catch some new detail that I had missed before, which to me is the mark of a great movie.

That being said, looking back at this movie 30 years later there are a few things that make Predator almost a stereotypical 1980s action movie in that I think some elements in Predator would go and be used in future 1980s and 1990s action movies. From how just about all of Dutch’s soldiers have muscles upon muscles, a weightlifters physique not typically seen in soldiers, to carrying around more firepower than a small army would have, let alone six guys. The most famous weapon in the movie is the mini-gun, it’s the kind of firepower usually seen on jet fighters that fires hundreds of rounds a minute, that a) would be practically useless since the amount of ammunition it needs would make it impractical to haul through the jungle along with b) the weight of the gun that would mean someone would need to carry around hundreds of pounds of hot, unforgiving steel in order to fire the thing once for a few seconds of, “Brrrrrap!”

But in the confines of an action movie made in 1987 — it’s a wonderful “Brrrrrap!”

Akira

Back in the early 1990s I bought a copy of the animated movie Akira on VHS for $30, which with inflation is about $60 today. I was getting $5 a week in allowance and saved up any money I got from Christmas to buy Akira on tape I so badly wanted to see. And this version of the movie was cropped from widescreen and in “pan and scan” with the original audio dubbed from Japanese to English without subtitles. Still, for many years until I picked up a copy of the movie on DVD this was the only film version of Akira I’d be able to see. So today when I was wandering around Walmart and saw they had a 25th anniversary edition DVD of the movie for just $5 I was a bit flabbergasted. For a movie that originally took me many months to get — my original VHS order was lost in the mail and I had to convince the company I bought it from that I wasn’t lying and I really didn’t get it — to see a good quality version of the movie for that low price, just $2.65 in early 1990s dollars, was quite a surprise.

Black Panther teaser trailer

American Made trailer

Starship Troopers: Traitor of Mars trailer

Toys

Aliens vs Predator figures

NECA is set to release some figures based on the original Aliens vs. Predator comic later this year. First up is a Predator known as “Broken Tusk” that’s the first Predator to have any personality other than “I kill things.” Also being released is a figure based on the character of Machiko Noguchi, a human who ends up joining a clan of Predators at the end of the series.

The Reading & Watch List

This week in pop-culture history

  • 1973: Battle for the Planet of the Apes premiers in theaters
  • 1982: E.T.:The Extra-Terrestrial premiers in theaters
  • 1983: Superman III opens in theaters
  • 1985: D.A.R.Y.L. premiers
  • 1987: Predator opens in theaters
  • 1989: Ghostbusters II premiers
  • 1990: Gremlins 2: The New Batch opens in theaters
  • 1993: Jurassic Park opens in theaters
  • 2008: The Incredible Hulk premiers in theaters
  • 2013: Man of Steel premiers in theaters