Better Call Saul season 3 poster
Tag: better call saul
Direct Beam Comms #66
TV
The Americans Season 5 episode 1 Grade: B+
The fifth and penultimate season of the series The Americans debuted last week on FX. I like this show a lot but as the series has progressed I think some cracks have started to appear in the structure of the show.
The last five season of The Americans have dealt with parents Philip and Elizabeth Jennings (Matthew Rhys and Keri Russell), a seemingly typical American as apple pie family living in early 1980s Virginia. Except they’re anything but, the Jennings are actually Soviet agents hidden in suburbia who spend their days as the owners of a travel agency and nights doing bad things for mother Russia. Be it stealing secrets, helping fellow agents or even murdering the opposition. And as the series progressed and the missions the Jennings were sent on became more and more dangerous, a good chunk of last season of The Americans was about the Jennings trying to steal a sample of the virulent and deadly bioweapon, Philip and Elizabeth were also forced to bring their teenage daughter Paige (Holly Taylor) into the family night business since she’d be the perfect commie spy for the 1990s.
Except that whereas Philip and Elizabeth both chose the cloak and dagger life and were borne in Russia, one day Paige went from a typical American teen girl who wanted her MTV to the next finding out that her entire life was literally a lie that lead to a breakdown.
What I find most fascinating about The Americans is that it’s a series that features the bad guys as stars of the show. Philip and Elizabeth are doing everything in their power to bring down our way of life, to try and make it so that in the 1990s it’s not Communism that’s left on the scrap-heap of history, it’s Democracy. And every time they steal some special microchip or murder an American scientist or foil the FBI they’re one step closer to their goal. What’s amazing is that we, as the audience, collectively hold our breath as Elizabeth is almost discovered by a guard or quivers in fear when Philip might have been infected with that virulent bioweapon. When, in fact, since they’re the bad guys we should be cheering anything that might bring their demise.
All of which makes for some brilliant TV.
The one bit about The Americans that’s bothered me the last few years, those above mentioned “cracks,” is that the Jennings take waaaay too many risks which is starting to push the bounds of believability a bit for me personally. They’re called on to steal state secrets, murder people, shepherd assets out of the country, break into classified areas, and on, and on, and on… All of which I’m sure the Soviets did in the 1980s, but I’m guessing they had more than a two agents do. It’s like each week the Jennings stick their figurative necks out to do something that if they were caught would at best mean uprooting the family and running back to Russia and at worse death in a blaze of glory and each week they’re able to squeak out a win. But realistically, by taking on so many challenges and risks I’d think that one time they’d screw up, they’d do something wrong and one of them would be killed or caught which would bring their entire lives crashing down around them.
Still, this is a minor quibble since The Americans has been, and still is, one of the best things on TV and puts most other drama series to shame.
Time After Time Series premiere episode 1 Grade: B-
I’m sure it was unintentional, but the creators of the new ABC series Time After Time have totally won the “2016–2017 TV Bingo” game with their series that hits two of the most popular types of new shows this season; it’s a series that’s based on a film that’s about time travel.
BINGO!
Following the structure of the 1979 movie, TV’s Time After Time stars Freddie Stroma as H.G. Wells who just didn’t write about time machines in the 1800s, he invented one and Josh Bowman as Dr. John Stevenson who’s alter-ego just so happens to be Jack the Ripper. Just before he was captured by the police and just before Wells was able to test it, Stevenson rode the time machine to present day and arrived in New York City with Wells chasing close behind. They end up in New York since that’s where Wells’ machine was on display. And it’s up to Wells and assistant museum curator Jane Walker (Geneis Rodriguez) to hunt and stop Stevenson as he picks up in 21st century New York where he left off in 19th century London with stabbing lots of people.
The first episode of Time After Time isn’t bad, if it does seem to move a breakneck speed as we go from 19th century London to 21st century New York to Walker and Wells hunting Stevenson in the blink of an eye. The series isn’t bad even if it’s not something I would probably watch on a weekly basis. What concerns me most about the show, though, is that it seems like the first season will deal with the hunt for the Ripper. Which to me seems like there’ll be a lot of episode with Wells and Walker almost capturing the Ripper before he slips away until the end of the season where something big will happen. To which I ask if this is what’s going to happen, why watch the season and instead just tune in for the season finale?
Making History Series premiere episode 1 Grade: B
The new FOX comedy series Making History is another time travel series this season with university facilities manager Dan (Adam Pally) and professor Chris (Yassir Lester) traveling back to 1775 via Dan’s time machine that’s just so happens to be hidden a large gym bag. In 1775 Dan’s a cool guy with limitless access to ham, which the locals adore, and has a girlfriend (Leighton Meester) who loves his songs like “My Heart Will Go On.” But on his latest trip when Dan returned to present day something wasn’t right with Starbucks serving tea instead of coffee and students eating fish and chips so he contacts history prof Chris to help fix things in the past to return our present to normal.
In some ways, Making History is the comedy version of the NBC drama Timeless, except whereas Timeless has a villain intentionally wrecking the past to try and change the present, Making History has inept Dan unintentionally “Homer J. Simson-ing” the past which alters the present.
One episode in and I feel like Making History does have some promise. It does fall into the “boy, aren’t people from the past dumb” cliche that crops up in time travel series — lampooned to great effect in the Austin Powers movies — but that doesn’t quite work here. But on the whole I enjoyed Making History and am interested in seeing how the series plays out over the season since the first episode ends without any resolution with Dan and 1775 girlfriend arriving in our present and finding that they’ve got to go back and rescue Chris.
Better Call Saul season 3 promo
https://www.youtube.com/watch?v=Tzav_u7ZCpA
“You will pay.”
Movies
Evil Dead II
It took me many years to finally see Evil Dead II which came out 30 years ago this week. I was well aware of the movie from horror magazines like Fangoria but for whatever reason never saw it until about 10 years ago. I’d seen Army of Darkness when that originally came out on VHS but got on a The Evil Dead kick after that film was finally released on DVD and decided that I couldn’t call myself a fan of The Evil Dead if I didn’t also see Evil Dead II. And, to be honest, I was underwhelmed. In many ways Evil Dead II is a bit of a remake of Evil Dead with most of the same crew but with bigger and better splatter effects. At the time my favorite The Evil Dead movie was Army of Darkness with the crude, yet extremely effective original The Evil Dead as second with Evil Dead II pulling up the rear. But over the years as I’ve been more and more exposed to Evil Dead II I’ve found myself more and more a fan of that film.
It’s true that Evil Dead II is kind’a a remake of The Evil Dead but only really in the first 20 minutes. After that it ventures into its own territory. And it’s a great territory — with extremely effective special effects that covers everything from headless corpses flying around rooms to detached hands crawling across floors and even great monster makeup too.
Nowadays, I’m not quite sure which The Evil Dead movie is my favorite since they all have their strengths. The original The Evil Dead is a great horror movie that’s practically a blueprint for burgeoning horror filmmakers on how to create their own scary films without studio backing. Evil Dead II is an out of control gorefest with chainsaws buzzing, axes flying and shotguns blasting. And The Army of Darkness exists on a whole other realm from those two movies, being this rare comedy-horror gem that at times is really fun while also being really scary too.
But whenever I think of The Evil Dead franchise in general I keep coming back to Evil Dead II as the movie that best represents it as a whole. It’s got the perfect balance of comedy and horror and gore and action that really hasn’t been seen in the movies in the last 30 years.
Toys
Aliens
There were a few announcements for some seriously cool Aliens toys last week. First up, Super7 is releasing a massive 18-inch Aliens toy that’s inspired by the 1979 Kenner Alien toy that disgusted parents, was pulled from shelves and now commands high prices on the vintage toy market. The Super7 toy is about as close as one could get to the design of the 1979 toy without copying it, yet it still feels fresh and unique. Unfortunately, this new Aliens toy costs nearly $200 which puts it just out of my price range.
A little more affordable, and a lot more smaller, are Alien/s/3/4, Predator and Prometheus statues from Eaglemoss. The figurines stand about 5-inches tall and retail for around $30 each.
The Reading & Watch List
- Jack White’s Infinite Imagination
- Replacing the World’s Largest Jet Engine at 40-Below
- NASA finds lunar spacecraft that vanished 8 years ago
- You Can’t Escape The Movie Toys This Year
This week in pop-culture history
- 1943: David Cronenberg, director of The Fly, The Dead Zone and Scanners is born
- 1951: Kurt Russell, Escape from New York, The Thing and Stargate is born
- 1956: Forbidden Planet premiers in theaters
- 1971: The Andromeda Strain is released
- 1973: The Crazies opens
- 1984: The Ice Pirates opens in theaters
- 1987: Evil Dead II premiers in theaters
- 1989: Leviathan premiers
Vince Gilligan & Bob Odenkirk on the set of Better Call Saul
The best TV series of 2016
Better Call Saul
I’m not sure I’ve ever been connected to a show as I am to Better Call Saul. I’m so interested in each new episode that I’ll actually get up a bit early for work so I can watch 10 or 15 minutes of the latest episode via DVR, even though I know it’ll be the first thing I watch the minute I get home in the evening.
If the first season of Better Call Saul was all about Jimmy McGill (Bob Odenkirk), a low-level attorney starting to flirt with a life of crime, then the second was about McGill if not embracing whole heartedly becoming a “bad guy,” not entirely turning his back on doing bad things if that means him getting an advantage on the competition either.
McGill has it all — an amazing job, an expensive car and a wonderful girlfriend. But for whatever reason it’s just not enough and rather than accepting his spectacular fortune he instead chooses to intentionally tank his career at every turn. Be it producing and airing a questionable TV commercial for the firm he works for or even setting up his brother to take an embarrassing career fall even if he kind’a deserves it.
The stories of Better Call Saul are deceptively simple. There aren’t any life or death stakes and much of the series rides on McGill navigating the slopes of questionable business practices with him slowly becoming the bad guy. But the things he does aren’t too bad and usually affect only a few people. Where Better Call Saul excels again and again and again is with the characters. They’re so nuanced and complex and unique that the underlying story almost doesn’t matter here — it’s what the characters are doing and how they interact with each other that makes Better Call Saul one of the best shows of the decade.
Stranger Things
What can I say about Stranger Things that hasn’t been discussed ad nauseam since the series debuted last summer? This early 1980s period show about a little girl with strange powers who escapes from an institution and is taken in by three boys was the highlight of my, and I suspect many other people’s, summer. Stranger Things was this weird, wonderful unexpected bolt of goodness that quite honestly I didn’t think was going to work when I first heard about it. The marketing from the show screamed “THIS IS GOING TO BE LIKE STEVEN SPIELBERG!!!” and I’d been burned by that with the movie Super 8 that also featured a group of boys and a girl that period who come across some weirdness going on around their small-town. Heck, Super 8, much like Stranger Things, is shot in such a way to be a love-letter to Spielberg.
Except that where Super 8 was a disappointment is that while the film looked and had some of the themes of Spielberg it was totally missing the emotions of Spielberg. Which is what Stranger Things got totally right, it doesn’t look quite as much like a Spielberg movie as the marketing materials would have you believe but it’s overflowing with the heart of something Spielberg would have been involved with.
That and a sense of underlying creepy horror that feels like it’s some long-forgotten Stephen King book put to TV. But in a good way.
Westworld
As I began writing this article in October Westworld was much lower on this list. But as time went on and I saw more and more episodes the series it kept rising higher and higher here. And that’s saying a lot for a show that seemed to be damaged goods before it even aired with it arriving more than a year late after having suffered through “script problems.” Yet almost from the beginning Westworld was a brilliant show that asked a lot of very interesting questions about the nature of reality and what it means to be human.
The Expanse
For years now, perhaps since the end of Battlestar Galactica, I’d been yearning for a new “very large ships in outer space” series. There’s just something about people out in the depths of the cosmos flying around in little tin cans that appeals to me. And while there’s been loads of “very large ships…” series that have sucked since BSG, the first good one to emerge since then is The Expanse on SyFy.
This series takes place in a future that’s near enough to right now that we can still recognize the architecture and people, but far enough away that some of this architecture is on asteroids zooming around the solar system and we can’t quite understand some of the characters who have new and different accents. And these characters live normal, ordinary and dull lives except the places they live in space are incredibly dangerous where one mistake can result in an agonizing death. Into all this are the survivors of a ship destroyed in an attack who hold the key to exposing a mystery that might just be the beginning of the end of mankind.
Honestly, I wasn’t expecting much from The Expanse because it’s on SyFy, a network known mostly for cruddy original movies mostly starring sharks and crummy original series post BSG. But The Expanse is quite different. Much like BSG it’s based on a previous work, here a series of books by James Corey, and much like BSG the storytelling in The Expanse is excellent.
The People v. O. J. Simpson: American Crime Story
What new info can be gleaned from a crime and trial that took place more than 20 years ago and was covered and dissected by the media for years? That’s what I thought going into The People v. O. J. Simpson anyway since I’d lived through the whole Simpson media fiasco and aftermath. But I think that the clarity of years after the trial, being that it’s not yet another “torn from the headlines” series, made for some darn interesting TV here. Instead of focusing on the obvious, what everyone’s already seen from the constant media coverage when the trail took place, series creators Scott Alexander and Larry Karaszewski instead put the focus of the series on what happened when the cameras weren’t recording, behind the scenes at the courthouse and behind closed doors.
If you’ve yet to checkout The People v. O. J. Simpson because “you know how it ends,” take it from me that you really should watch The People v. O. J. Simpson because it’s one of the best things about this TV season.
Daredevil
I was lukewarm with the first season of Daredevil on Netflix. It was good enough, but was essentially a 12.5 episode long character origin story with the Daredevil (Charlie Cox) character really only being introduced in the last episode. That being said, the second season really hit its stride with the character of Daredevil being joined by the likes of ex-girlfriend and now dangerous assassin Elektra (Elodie Yung), the vigilante Punisher (Jon Bernthal) and a group of zombiefied ninjas. And what’s not to love about “zombified ninjas?”
The Man in the High Castle
They say that computers need a “killer app,” or some program that’s so good people will buy the whole system just to get the application. And to me the “killer app” for the streaming service Amazon Prime is the series The Man in the High Castle since I subscribed to the service just to be able to watch this show. Set in an alternate America in the early 1960, in The Man in the High Castle it was the Axis powers who won WWII and Japan and Germany have split the US in half with the Germans taking everything east of the Rockies and Japanese west. At times the series is extremely disturbing with all freedoms that we know and love being dissolved under the occupations and people disappearing and being executed on the streets for minor offenses. But in The Man in the High Castle these weird cans of films start appearing that indicate their reality might be one of many, one where the Allies won WW2 and one where the Russians won it all themselves.
So, if this is true it means that for characters in The Man in the High Castle there might be a better world waiting for them and for the occupiers a threat to their total victory and their way of life.
The best movie & TV posters of 2016
The best posters of 2016 were for the movie Suicide Squad.
Suicide Squad
One of the ways I judge the best posters of the year is if I’d like to have them hanging on the walls of my office — and boy-oh-boy would I love to see the posters for the movie Suicide Squad hanging there. What I think works so well about them is they break a lot of design “rules” by using elements like hyper “acidic” colors — or colors that a painting professor I had used to say, “were so intense they hurt my teeth” — and diverging design components that you’re not supposed to use.
Which, in lesser hands, could make the posters look amateurish, but instead makes the ones for Suicide Squad stand out from the flood of superhero posters that have come before. Posters for similar movies have, not so much failed, as failed to live up to expectations, in that they all kind’a look the same. I don’t think anyone would mistake the Suicide Squad poster for, say, a Captain America poster. And in an industry that seems to generate lots of campaigns that look the same as every other poster campaign, the ones for Suicide Squad have a wholly unique aesthetic.
Arrival
I am a sucker for sci-fi movies. I’ll give just about any movie or TV series labeled “science-fiction” a try as long as it looks interesting enough. And the posters for the movie Arrival makes that movie look reeeeeeeally interesting. They feature these colossal alien ships that look a bit like a cross between a squished hockey puck and a sunflower seed impossibly hovering in the sky. And the whole campaign puts these ships at different locals around the world which adds to the immense scale of the ships and the movie as well.
Better Call Saul
I’m a big fan of the TV series Better Call Saul and I only wanted to see the premiere of the second season even more after the release of these posters. Here, the character of Jimmy McGill (Bob Odenkirk) is walking across the street at a crazy angle, and it’s just him that’s being affected by the slant. I love all the taglines this poster could have but doesn’t. Like, “It’s not easy being bent” or even, “Becoming a criminal is an uphill battle.” And the poster for Better Call Saul on Netflix is just as good with Odenkirk sitting oddly on a bench with the tagline, “The truth is how you look at it” above.
Rogue One: A Star Wars Story
The poster for last years’ Star Wars: The Force Awakens was all right. It seemed to be a modern version of those classic Drew Struzan Star Wars posters of old, except that instead of Struzan traditionally illustrating the posters someone created a photo illustration. And while the poster for Rogue One is a photo illustration too, I think where that poster is unexpected whereas The Force Awakens is in line with what’s come before is that Rogue One has its own unique look and color scheme. So much so that I don’t think anyone could mistake it for another Star Wars film.
Stranger Things
The poster for the breakout TV hit of the summer Stranger Things is just as cool as the other posters on this list but in its own way. This poster is illustrated in the Struzan style and has just enough nostalgia factor that even if the series weren’t a good as it is I’d still be a fan of this poster.
Captain America: Civil War & Star Trek: Beyond
I thought the posters for Captain America: Civil War and Star Trek: Beyond were top notch too. The poster for Captain America takes a closeup shot of Cap and Iron Man battling each other from the perspective of Cap — and there’s a companion poster out there too that shows this action from opposite angle. And the poster for Star Trek: Beyond is so different then the other modern Star Trek posters while at the same time utilizing design elements from classic Star Trek posters that it’s breathtaking. Interestingly enough, the poster doesn’t have Star Trek anywhere on it, we just get the Enterprise swooping on a field of color with the words “Beyond” below.
The X-Files
The X-Files revival TV series might have been a bit of a mixed bag, but that doesn’t mean that the poster campaign released to promote the show wasn’t creepy as all get-out! “I still want to believe” indeed!
Deadpool
I don’t think I could call myself a true poster aficionado if I didn’t include at least one poster for the movie Deadpool on this list, the most PG of which features the title character making the heart sign with his hands with “Feel the love this Valentine’s Day” below.