My 2018 movie rundown

Even though I watch a couple of movies a week, I don’t watch enough of them. Lemme explain that. The movies I tend to watch are ones I’ve already seen and fall under the same umbrella; sci-fi, horror and action-adventure. So while I might stop and watch Suicide Squad on TNT if I’m flipping around the dial, that also means that I’m not watching other movies of different genres I haven’t seen yet. Other people might go out to the theater and expand their filmic horizons every week, but at best I might venture out to checkout The Predator or stay at home and watch Star Wars for the 900th time.

Regardless, here’s every new movie I saw in 2018.

The Cloverfield Paradox ⭐⭐

Cloverfiend Paradox
Cloverfiend Paradox

In an era when surprise in pop-culture is practically impossible because of the internet and social media, the release of The Cloverfield Paradox on Netflix was a pretty big surprise as the movie was first advertised on the Super Bowl last winter and premiered on the streaming service immediately afterwards.

Mute

Mute
Mute

Mute, by writer/director Duncan Jones, takes place in the same cinematic universe as his wonderful Moon film. But whereas I greatly enjoyed Moon, I thought Mute was a bit long and overly serious.

Black Panther ⭐⭐

Black Panther
Black Panther

I dug Black Panther if I didn’t see what all the hype was about. It seemed to me Black Panther was a well-constructed Marvel film that I enjoyed, but I didn’t think it was much different then what had come before. But I was in the minority as the film went onto become one of the most successful movies ever earning more than $1.5 billion at the box office.

Avengers: Infinity War ⭐⭐

Avengers: Infinity War
Avengers: Infinity War

I liked Avengers: Infinity War but found it hard to take seriously. I mean the movie (spoilers) features half of the universe being wiped out when evil villain Thanos get all the power in the universe, snaps his fingers and literally makes it so. But does anyone really believe that when the sequel is released next summer in theaters, that by the end of that movie all of this will be undone with order restored with the good-guys winning?

Deadpool 2 ⭐⭐⭐

Deadpool 2
Deadpool 2

The movie I had the most fun at last summer was Deadpool 2. While I didn’t think it was as good as the first one, I really dug this sequel that introduced a few of my favorite characters to the Deadpool universe, namely Cable and Domino.

Solo: A Star Wars Story ⭐⭐⭐⭐

Solo: A Star Wars Story
Solo: A Star Wars Story

My favorite movie of 2018 had to be Solo: A Star Wars Story. Derided before it was even released, this movie that follows a young Han Solo (Alden Ehrenreich) as he goes from street urchin to intergalactic smuggler is a lot fo fun. Solo is the one movie this year that I’ve actually seen more than once.

Ant-Man and the Wasp

Ant Man and the Wasp
Ant Man and the Wasp

I really liked the first Ant Man movie, but I really disliked the sequel Ant-Man and the Wasp. There were so many plot-holes here that things started to get to MST3K territory. In fact, I got so sick of this one that towards the end I started fast forwarding just to get through it.

Annihilation

Annihilation
Annihilation

The movie I was most disappointed with this year was Annihilation. It was written and directed by Alex Garland who also wrote the brilliant 28 Days Later and both wrote and directed Ex Machina, as well as being based on a series of interesting novels by Jeff VanderMeer, I found Annihilation to be dull and confusing. So much so that I didn’t even bother fast forwarding through this one, I turned it off before making it to the end.

Mission: Impossible – Fallout ⭐⭐

Mission: Impossible: Fallout
Mission: Impossible: Fallout

Another fun movie was the sixth, and so far most successful, Mission: Impossible – Fallout. I’ll admit this one doesn’t have much going on in the story department, I saw it in the theater and four months later can’t remember the story, but the action scenes in Mission: Impossible – Fallout are worth the price of admission alone.

The Predator ⭐⭐

The Predator
The Predator

Here’s what I tell anyone thinking about seeing the latest movie in the Predator franchise — if you’re into sci-fi and movies that feature the Predator, you’re probably going to dig The Predator. If you’re not, then you might want to steer clear of this one.

Direct Beam Comms #136

Movies

Here’s everything I’ve seen this year that’s new, or that I missed seeing in 2017.

The kids of It
The kids of It

It: I liked this one a lot and was very happy to see a Stephen King movie that’s horror-related finally get some love. See this one if you love Stranger Things but want more scares with your side of 1980s nostalgia.

Justice League: I still don’t understand the online vitriol against this movie. I liked Justice League. I didn’t think it was the best movie ever but I certainly didn’t think it was bad. See this one if you dig superhero movies and have an open mind.

Movies I’ve seen so far in 2018.

The Cloverfield Paradox: This surprise movie that was announced during the Super Bowl and premiered right after on Netflix is a fun, well-crafted sci-fi yarn about astronauts stuck on a space station fighting the unknown. See this one if you don’t demand that every movie you see be groundbreaking.

Avengers: Infinity War
Avengers: Infinity War

Mute: Another Netflix sci-fi flick, Mute takes place in a near-future that’s depressingly a lot like out own. More importantly, it’s a kind’a sort’a sequel to the movie Moon. See this one if you’re ever jonesing for a sci-fi fix.

Black Panther: I liked Black Panther if I thought at times it was a little cluttered in the story department. See this one if… who am I kidding, based on the box office returns you’ve already seen this one.

Avengers: Infinity War: Infinity War is the Marvel team-up movie to top all Marvel team-up movies with all the heroes together to fight a big baddie. See this one if you don’t necessarily always need to know what’s happening on-screen, but like watching things go “boom.”

Deadpool 2
Deadpool 2

Deadpool 2: The hilarious sequel to Deadpool both manages to differentiate itself from the original while being just as funny as that first film. See this one if you like to have a good time while watching movies.

Solo: A Star Wars Story: Another movie that was ravaged by online reviews, I quite liked Solo and thought it was a very strong Star Wars movie. See this one because this might be your last chance to see the character of Han Solo on-screen for a while.

Annihilation: Finally a movie this year I didn’t like. I loved the novel this one’s based on and couldn’t wait to check it out but found Annihilation slow and dull. Honestly, I couldn’t make it through this one and shut it off with about 20 minutes left. See this one if you’re looking for an all-natural sleep aid.

Extinction movie trailer

Books & Comics

Go Team Venture! The Art and Making of the Venture Bros.

Go Team Venture! The Art and Making of the Venture Bros.
Go Team Venture! The Art and Making of the Venture Bros.

Out nearly a year after it was originally scheduled to be released — though series creators Jackson Publick and Doc Hammer have a habit of turning in things late — comes Go Team Venture! The Art and Making of the Venture Bros.

From Dark Horse:

Ken Plume sits down with series creators Jackson Publick and Doc Hammer to have a conversation about the creation of every single episode through season 6 and much more. From the earliest sketches of Hank and Dean scribbled in a notebook to pitching the series to Cartoon Network’s Adult Swim, learning the ins and outs of animation, character designs for each season, storyboards, painted backgrounds, and behind-the-scenes recollections of how the show came together–it’s all here.

Frank Miller’s RONIN

Frank Miller's RONIN
Frank Miller’s RONIN

This week a brand new edition of the collected RONIN story by Frank Miller is set to be released. Though I’ve read the RONIN story before and own an issue or two of the original comic series, I don’t actually own the collected edition so I might pick this one up.

From DC:

Frank Miller’s six-issue miniseries RONIN returns in a new trade paperback! It’s the tale of a 13th century samurai who is reborn in a futuristic 21st century New York City with one last chance to regain his honor: he must defeat the reincarnation of his master’s killer, an ancient demon called Agat. This new edition includes promotional art, fold-out pages and more special features.

The Reading & Watch List

Cool Movie & TV Posters of the Week

Daleks – Invasion Earth: 2150 A.D. poster

Let’s get annihilated

Stories about lost and unknown civilizations used to be told via the fantasy genera with tales by the likes of Robert E. Howard with Conan the Barbarian who was always uncovering tombs that contained ancient, forbidden knowledge or Kull who was from the lost kingdom of Atlantis to name a scant few. But in the modern era when it seems* as if every corner of the Earth’s been explored and there’s not a lot of chances anyone’s going to uncover a hidden temple out in the steppes of Mongolia anytime soon, stories of unknown civilizations have moved from fantasy to science fiction. One of the latest stories to deal with an unknown civilization is the book trilogy/new film Annihilation.

In Annihilation, something happened, no one’s quite sure what, that caused a small coastal village to be surrounded by a barrier that made weird things to occur to everything inside. People vanished, animals mutated and buildings appeared out of nowhere. Now dubbed “Area X,” teams of scientists have been sent in to study it, but few have ever come back and the ones who have seem to be different. Like they might be duplicates with the originals stranded inside.

The first Annihilation novel is brilliant. Told in first-person perspective by a character only known as “the biologist,” we experience “Area X” as the characters of the novel experience it at the same time.

But Annihilation isn’t the only sci-fi story about people trying to understand the unknown.

The most famous of these kinds of stories has got to be Solaris by Stanisław Lem. Lem’s novel deals with a group of scientists studying the ocean-covered planet “Solaris” that isn’t an ordinary planet, it’s somehow able to do things like change its orbit and create artificial clouds and animals from its surface seemingly out of nowhere. As the scientists study Solaris they come to the stark conclusion that the planet is probably a gigantic living organism with a massive, alien intelligence, and that as they study the Solaris, Solaris is also studying them.

Solaris was turned into two films of the same name, one in 1972 and one in 2002. The 2002 movie directed by Steven Soderbergh is wonderful but I’ve never been able to make it through the long, and ponderous 1972 one.

Just a few years ago the movie Prometheus (2012) focused on a group of scientists traveling to a far-off part of the galaxy and finding an ancient tomb of sorts that was built by a highly advanced alien species. And because these scientists entered this tomb and broke some ancient seals, ala the Egyptian tomb explorers of the 1920s, rather than unleashing a curse they unleash a science experiment gone awry eons ago that attacks their expedition.

What Annihilation owes most to is the 1971 novel Roadside Picnic by Arkady and Boris Strugatsky. A few years before the start of this novel what’s assumed to be aliens landed at several points around the globe and all left at the same time. Now, everywhere the aliens landed are treated as contaminated “zones” that are littered with strange, unknowable artifacts. Some of the artifacts are good like the batteries that never run out and some of the artifacts are bad like the slime that if touched causes a person’s bones to turn to mush.

It’s theorized that all this alien “stuff” is actually their trash, akin to the garbage a family might leave behind in a meadow after a roadside picnic. And how the animals in the meadow wouldn’t know what to make of our garbage, we don’t know what to make of the alien trash either.

Much of Roadside Picnic deals with people who are called “stalkers” who go into these zones and steal things of value while trying to avoid all the things that can harm them. And one stalker in particular, Redrick “Red” Schuhart, is in search of a special artifact that grants wishes.

A film version of Annihilation, directed by Alex Garland (Ex-Machina, 28 Days Later) and starring Natalie Portman is due in theaters February, 23.

*It only seems that way, when in fact we probably know very little.

Direct Beam Comms #106

TV

Stranger Things season two

“Oh can’t you see, you belong to me?” – The Police

The second season of the Netflix series Stranger Things avoided the dreaded “second season problem” many series that have fantastically successful first seasons face — mainly to not miss with high audience expectations. This season begins about a year after the end of the first where things have returned to normal back in Hawkins, Indiana. Or have they? When a mysterious blight begins infecting the pumpkin crops outside of town it’s quickly apparent that whatever was thought destroyed from the alternate “upside down” dimension from the first season was in fact only slightly deterred. And instead of having to face man-sized monsters, the kids of Hawkins must now face something more along the size of an office building that wants to claim our planet as its own.

Opposition

Much of the second season’s focus was on an opposition either between the kids of Hawkins and the adults, or both the kids and adults together against the things in the “upside down.” Will (Noah Schnapp) spent most of the first season trapped in the alternate, black “upside down” dimension. And while Will looks normal, something’s wrong as he begins experiencing visions of some thing that scares him. But no one will listen to him except his friends including Mike (Finn Wolfhard), Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin) and Max (Sadie Sink). But what can they do when not even the new head of the secret government Hawkins Lab Dr. Sam Owens (the always wonderful Paul Reiser) believes that anything’s wrong. They think that even though there’s still an open portal between our two dimensions that with regular burnings things can be contained. But as any good army general can tell you, containment can only last so long before there’s some sort of unexpected breakout.

Contradiction

One thing I found interesting about the second season was the contradictions between it and the first season of the show. In the first season the character of Eleven (Millie Bobby Brown) had escaped from that secret lab where then leader Dr. Martin Brenner (Matthew Modine) had no qualms about using murder in order to get his way. In the second season a nicer head of the lab Dr. Owens is trying to help the Byers family return to a normal life after the first. The question is can Dr. Owens be trusted, or is he just another Brenner in disguise?

Premonition

A lot of what is Stranger Things is about characters knowing things they shouldn’t be able to. Be it Eleven being able to cast her mind out to see what other people are doing or even young Will hoping that everything with him’s going to be okay, but knowing inside that it’s not. That’s a big theme of the second season of Stranger Things, the idea that we can fool ourselves into thinking that everything’s going to be okay when the actual outcome’s doubtful. Like in the 1980s with things like toxic waste, nuclear weapons, pollution were in the headlines where people hoped for the best and tried to ignore the worst. Like the characters in Stranger Things come to find out, we can try to delay the inevitable, but the inevitable comes no matter what we do.

Compromise

If “premonition” is a theme of the second season, then “compromise” is too. Like with Sheriff Jim Hopper (David Harbour) and the Hawkins lab, agreeing to bring Will in for regular tests, even if he’s secretly hiding Eleven from the spooks in a cabin in the woods. Or even Will’s mom Joyce (Winona Ryder) who’s trying to give Will a normal life after almost losing him, even if it means that she’s also trying to constantly keep him within eyesight and know where he is at all times. Life is full of compromises, and in Stranger Things that’s no different.

I can’t say that I liked the second season of Stranger Things as much as I did with the first, but if I did that would be saying a lot. That first season is a modern day classic that will be studied and imitated for years to come. Even if the second season isn’t as good as the first I’d still argue that it was a great one. I was constantly on the edge of my seat, was never quite sure where things were going and found the show a lot more gory and bloody than I thought it would have been. But in a a good way.

If the first season was what you get when you cross a story in the tone of Stephen King with the visual stylings of a director like Steven Spielberg, then the second is all that plus a hint of the comic book series X-Men thrown in for good measure. If what Eleven is, basically a mutant, and what she goes through in the second season, basically having to choose between someone like Charles Xavier’s School for Gifted Youngsters or Magneto’s Brotherhood of Evil Mutants — this season of Stranger Things veered slightly away from the template of the first season which had more straight-horror with elements of sci-fi and went for the full comic book TV series this season.

There’s a New Mutants movie about young X-Men in the making that’s due out next year that actually stars at least one of the regular cast of Stranger Things. From the one trailer that’s been released for that film it seems to have elements of horror that really hasn’t been in any superhero movies to date. It’ll be interesting over the next few years to see just how much elements of Stranger Things, like adding elements of horror to a comic book movie, will begin turning up in other movies TV series since I’d argue that if they do Stranger Things is the reason.

Comics

Whiteout Compendium

One of my favorite comics Whiteout is now available in a collected edition.

From Amazon:

The critically acclaimed and Eisner-winning WHITEOUT graphic novels from Greg Rucka (LAZARUS, WONDER WOMAN) & Steve Lieber (THE FIX, SUPERIOR FOES) return in this new compendium! Carrie Stetko is a US Marshal tasked with enforcing the law in one of the most remote and inhospitable places on earth―Antarctica. Collects WHITEOUT and WHITEOUT: MELT under one cover!

Punisher Epic Collection: Capital Punishment

The march of Punisher collected editions being released in 2017 continues with Punisher Epic Collection: Capital Punishment. Collected here in nearly 500 pages of material is content from 13 issues of Punisher as well as three different graphic novels.

From Marvel:

Collects Punisher (1987) #63–75, Punisher: G-Force, Punisher: Die Hard in the Big Easy, Punisher/Black Widow: Spinning Doomsday’s Web. The Punisher hits Europe! When Frank Castle heads to London in pursuit of the assassin Snakebite, he fi nds a whole continent of trouble – and also his biggest fan: the British vigilante Outlaw! Their fragile Anglo-American alliance must survive a deadly chase from country to country that will draw in mercenaries from Batroc to the Tarantula! But can the Punisher put a stop to a plot that goes all the way up to the Kingpin himself? And if he returns to America in one piece, Frank will be targeted by the anti-vigilantism task force known as V.I.G.I.L.! Plus: the Punisher in space! The death-dealing Baron Cemetery! And a tense team-up with the Avengers’ own Black Widow!

Movies

Annihilation movie trailer

Cool Sites

The Reading & Watch List

Cool Movie Poster of the Week

Direct Beam Comms #95

TV

Star Trek: Discovery

The ironic thing about Star Trek was that after the series Star Trek: Enterprise ended in 2005 I really got the feeling that Paramount had no confidence in the property whatsoever. At that time, before the launch of the first J.J. Abrams Star Trek movie, things were so bleak that there were reports that Paramount was getting ready to shut down the official Star Trek website.

Luckily that never transpired and while I didn’t care for them, the Abrams films resuscitated the property for a little while longer. Now, 12 years after the last new TV episode of Star Trek comes a new series, this time not shown in syndication, or on cable outposts like UPN or The CW but instead for the first episode at least on CBS; Star Trek: Discovery.

This seventh Star Trek TV series takes place after the events of Star Trek: Enterprise but before those in the original Star Trek. Starring Sonequa Martin Rainford as Commander Michael Burnham and Michelle Yeoh as Captain Han Bo, the promise of Star Trek: Discovery was to take turn an aging franchise into a modern TV series.

I hate to report that while Star Trek: Discovery might be a modern series, not much happened in the first episode that debuted on CBS. We’re introduced to the crew of the ship the USS Shenzhou that, on a mission to repair a Federation relay thingy uncovers Klingons hiding nearby. And as things go from bad to worse and one Klingon ship is joined by many and when Burnham tries to fire on the Klingons without orders to do so … the series goes to commercial with the message, “If you want more Star Trek subscribe to CBS All Access.”

So we’re left on quite a cliffhanger. And while I’d argue that this first episode of Star Trek: Discovery is probably better in terms of story than something like the first episodes of Star Trek: The Next Generation or Star Trek: Voyager were, since the Star Trek: Discovery episode ends on a cliffhanger there isn’t much story present to hold things together and it ends feeling half done.

Star Trek: Discovery

And because this is the first half of what’s obviously supposed to be a single, two-hour long episode/movie. It means that in this first episode we never get to meet the crew of the USS Discovery nor most of the cast of the show who’s been pitching the series the last few weeks other than Martin-Green. There’s no Jason Isaacs, Anthony Rapp or Mary Wiseman who’ve been everywhere in marketing materials and in fact inexplicably the USS Discovery ship is totally absent as well. 100% of the episode here focuses in on the Shenzhou and its crew who, as far as I can tell, aren’t in the show after the second episode.

Which leaves me scratching my head a bit? If this first episode is supposed to sell the viewers on Star Trek: Discovery in order to get them to signup and get CBS All Access accounts, then why show only the first episode with a mostly different cast on a totally different ship where nothing much happens other than a tense standoff?

I liked Star Trek: Discovery and would be watching it every week if it were on CBS. But I don’t think the first episode of the show sold me enough on it to shell out $84 a year on the service just for Star Trek.

Inhumans

So far, Marvel hasn’t been able to match the quality of the movies in their TV series yet. Some of that has to do with the nature of films having much bigger budgets than a comparable episode of TV. For example, while a movie like Guardians of the Galaxy 2 might have a budget of something like $200 million, if reports are to be believed a comparable first feature-length episode of Inhumans might have a budget of $20 million. Now $20 million isn’t a minuscule amount, but it’s not nearly enough to deliver the spectacle that audiences have come to expect from the Marvel movies that are generally built around a few big action scenes with bits of story holding things together. The TV series with their smaller budgets simply can’t do that. Instead they have to rely on things like characters and story over big action scenes.

I think what hurts Inhumans the most is that it doesn’t have much action or story. There’s a lot of palace intrigue and when there are fight scenes they’re standard TV fare. But to the story of Inhumans was so over the top and heavy handed it was unintentionally silly at times.

In the Inhumans, inhumans who have all sorts of varying superpowers live and work in a secret city on the Moon hidden from the regular humans on the Earth. Inhumans started off as regular people, but after being exposed to the “Terrigen Mist” at some point fled to the Moon to escape persecution. There, during a ritual all teens are exposed to the mist to develop their powers.

On the Moon there are the haves like Black Bolt (Anson Mount), Medussa, (Serinda Swan) and Karnak (Ken Leung) who have powers like a super-voice, super-hair and the ability to win any fight and those who were exposed to the mist like Maximus (Iwan Rheon) but didn’t develop any powers. The have-nots are forced to work in the mines for some reason that’s never really explained. The haves live a life of luxury in a city that’s slowly running out of resources so Maximus hatches a plot to leave the Moon and take over the Earth but his planning is so shoddy he allows most of the main characters to escape his clutches and flee to the very planet he wishes to conquer.

Inhumans isn’t bad, it’s just boring. For a show that’s about a population of super beings living on the Moon and doing battle the first movie-length episode seemed to crawl at times where it seemed like nothing much happened. The special effects of the show aren’t movie-quality, but neither are they of lesser quality for other similar shows.

Honestly, Inhumans is pretty much what I expected from a modern-day ABC Marvel series where there are good guys and bad, and there’s never any doubt as to who is who.

Movies

Annihilation movie trailer

1922 movie trailer

The Reading & Watch List

This week in pop-culture history

  • 1923: Charlton Heston of Planet of the Apes, Soylent Green and The Omega Man is born
  • 1948: Avery Brooks, Captain Sisko of Star Trek: Deep Space Nine is born
  • 1959: The TV series The Twilight Zone premiers
  • 1968: Night of the Living Dead opens in theaters
  • 1987: Near Dark opens in theaters
  • 1988: The movie Alien Nation premiers in theaters
  • 1999: The TV series Roswell premiers
  • 2000: The TV series Dark Angel premiers