Direct Beam Comms #146

TV

Rel

The first new network show of the fall season Rel premiered last Sunday on FOX, with regular episodes scheduled to premiere Sunday, September 30. Last season that network did much the same thing with The Orville, premiering the first episode to coincide with the start of the NFL. But, whereas The Orville had an interesting first episode, Rel did not.

I really dug The Carmichael Show on NBC which was co-created by Jerrod Carmichael and co-starred Lil Rel Howery — and Carmichael is co-producing Rel which was created by Howery. But whereas The Carmichael Show was a series with bite, Rel is a relatively toothless.

I giggled a few times during this first episode about Rel, a nurse who’s wife’s left him and taken the kids to Cleveland after she slept with Rel’s barber, but overall the first episode felt like a standard sitcom with lots of jokes that come out of all the obvious places. I’ll give Rel one more try when the series returns in a few weeks since you never can be sure if the first episode is any indication as to where the show’s going to go from here, but otherwise I’ll probably be done with this one by the end of the month.

The Deuce

The Deuce
The Deuce

The second season of the David Simon/George Pelecanos series The Deuce premiered on HBO last Sunday and makes a jump in time five years in time from the first. Mostly gone are the grimy streets of New York City 1972 which have been replaced with nicer ones circa 1977. The grime might not be visible, but it’s still there hidden behind closed doors. Prostitutes and drug dealers still abound, but now they ply their trade more quietly and not in the open.

It’s a good time for people like ex-prostitute turned porn star/producer Eileen (Maggie Gyllenhaal) who’s off the streets and is now making money shooting dirty movies. Even people like Vincent (James Franco) who once made a living day-by-day tending bar now runs a successful establishment, even if behind doors the mob is really pulling the strings.

I thought the first season of The Deuce was interesting, if I lost interest in it towards the end. It might have been too dark and depressing for me, even if that’s how it really was in early 1970s New York. In the second season much of the darkness is gone, replaced with an interesting sort of late 1970s glamour.

The characters are still the same characters from the first season, they’re still prostitutes, pimps and drug dealers. But it’s like as long as they don’t look like prostitutes, pimps and drug dealers everything’s going to be okay, even as mayor elect Ed Koch and his decades long stint of cleaning up the streets looms on the horizon. 


American Horror Story: Apocalypse

American Horror Story: Apocalypse
American Horror Story: Apocalypse

I’ve been thinking a lot lately about horror movies that used to turn up on TV from time to time but really don’t anymore. I remember seeing things like Dawn of the Dead and The Evil Dead on basic cable abet edited for content, but still on cable. But these days those movies almost never turn up on TV. Sure, maybe they’ll run on some premium channel now and then or make some special appearance in October, but for the most part those movies have been absent from public view the last 20 years.

I think I know the reason why, it’s because newer versions of those movies have been made, and when there’s screen time to show a horror movie the channels always go for the remakes.

And that’s what the latest American Horror story series American Horror Story: Apocalypse feels like to me, a remake.

Nuclear war and WWIII was a big subject of movies and TV shows in the 1970s and 1980s. There were things like the made-for-TV movie World War III, The Day After, and Threads that approached the subject matter with a bit of gravitas and there were also movies like Hell Comes to Frogtown, Radioactive Dreams and, while not directly about nuclear war, Night of the Comet that approached it in a more silly and fantastical manner.

But in the 1990s, 2000s and much of the 2010s fiction about nuclear war was passé and was mostly replaced with movies and TV series about zombies. However, as we enter a new age of fear of the “bomb,” comes American Horror Story: Apocalypse about just that.

Here, it’s seemingly a normal day in downtown L.A. when unexpectedly alerts begin going out and sirens wail of approaching nuclear doom. What follows is panic and chaos on the streets, but for a select few there are safe havens that exist, safe havens that come with a price.

Other than the costumes, the first episode of American Horror Story: Apocalypse felt like bits of Miracle Mile, The Day the World Ended mixed with the colors and styling of a 1960s Hammer Films production. Which makes me wonder, while I thought the first episode of American Horror Story: Apocalypse was interesting, if the episode is essentially one long “homage” of movies like these that have come before, why not just watch Miracle Mile, The Day the World Ended and virtually any of the Hammer Films from the 1960s instead?

Comics

Star Wars: The Classic Newspaper Comics, Vol. 3

Star Wars: The Classic Newspaper Comics, Vol. 3

A third and final volume of the collection of the Star Wars newspaper comic strips is released this week. This collection covers 1982 to 1984, with the entire run of strips having been published from 1979 to 1984.

The concluding volume that reprints for the first time the classic Star Wars newspaper strip in its complete format. The only edition to include each Sunday page title header and bonus panels in meticulously restored original color. Featuring nine key stories from Star Wars Legends written by Archie Goodwin and illustrated by Al Williamson.

Movies

Captive State movie trailer

What To Watch This Week

The Dark Crystal
The Dark Crystal

Sunday

The Bedford Incident_ The Bedford Incident from 1965 airs this week on Sony Movie Channel. Most of this flick just is okay, but it has one heck of a brilliant ending!

Monday

Mothra Insomniac theater — the Japanese giant monster classic Mothra airs very early Monday morning on TCM.

The Dark Crystal The Jim Henson and Frank Oz fantasy epic The Dark Crystal also airs on Sony Movie Channel this week. I remember being seriously creeped out by this one as a kid.

Tuesday

Sicario: Day of the Soldado Sicario: Day of the Soldado got hammered by the press last summer, though it did decent enough at the box office. It gets released on digital Tuesday.

The Reading & Watch List

Cool Movie & TV Posters of the Week

Direct Beam Comms #41

TV

Son of Zorn – Grade: C

Alan_Zorn_Bird.JPGFox premiered their new Son of Zorn series last Sunday a few weeks early to coincide with the start of football. I wasn’t too excited about this one and was still underwhelmed after the first episode.

In Son of Zorn, Jason Sudeikis stars as the voice of He-Man-like cartoon character Zorn. But instead of being a kid’s TV series, Zorn comes from a real place where he occasionally visits his flesh and blood ex-wife Edie (Cheryl Hines) and their son Alan (Johnny Pemberton) in LA. Since Zorn’s been off fighting and killing these animated fantastical beasts on his island, he and his son have grown apart but Zorn wants to reconnect which means getting a job and moving to LA full-time.

I really hope there’s more to Son of Zorn than just deadbeat dad Zorn trying to make up with his son since not a lot of the universe the series takes place in makes much sense. Like, Zorn’s animated and everyone else is flesh and blood, yet no one ever makes mention of it. Which is all right, except as far as I can tell Zorn is the only animated being to live alongside us.

And Zorn was married to a real-woman and they had a kid, so that seems possible. Yet it’s never discussed how odd that is even though there’s never any other animated people around.

So are there other animated characters that live alongside people other than Zorn or is he unique? And if he’s unique wouldn’t that make him somewhat of a celebrity rather than someone who can only land a phone sales job because he meets their “diversity” quota?

Which could be overlooked if the series were trying to comment on something or, at the very least, made me chuckle once or twice. Except here there’s a one-note joke that Zorn is this fish out of water manly-man who can’t quite transition from his world to our own that’s played over and over and over again.

Son of Zorn feels a bit like the TV series Greg the Bunny that had puppets ala The Muppets rather than an 2D animated character. Except that while Greg the Bunny was actually funny and interesting, after one episode Son of Zorn so far is not.

Documentary Now season 2 – Grade: B+

960The hilarious IFC series Documentary Now starring Fred Armisen and Bill Hader returned for a second season last week and is great as ever. Each episode of the series is a parody of different, acclaimed real documentaries. The first episode of the second season was about two political strategists stealing the 1992 Ohio gubernatorial election in the style of the real 1992 documentary The War Room.

I love Documentary Now and even the few episodes that don’t quite work still can be very interesting. I honestly hope Armisen and Hader keep making new episodes of their series for years and years to come.

American Horror Story season 3 – Grade: B

ahs_childrenofthecorn_1200x1200The sixth season of the FX series American Horror Story debuted last week with “Roanoke.” I really enjoyed the first season of the show and liked the second one, but I thought the third was pretty dull and gave up on the show sometime in the fourth.

I think American Horror Story works best when it’s telling an gripping, twisting season long horror story with an unexpected ending. Which is exactly what the first season of the show did. But after that I think the filmmakers started concentrating more on trying to top themselves in terms of sex, gore and violence rather than trying something different from what they’d done before.

Which is why the sixth season of American Horror Story is so interesting looking — after one episode it seems like it’s different from what’s come before.

This time the show’s focus is on a married interracial couple Shelby and Matt played by Lily Rabe and André Holland who move to the woods of North Carolina looking for a simpler life after they were attacked on the streets of LA. But in true American Horror Story fashion, in North Carolina they find unwelcoming locals, a storm that rains teeth and some weird creature that stalks around their house at night leaving things like eviscerated pigs on their doorstep.

But the difference in the sixth season of the show compared to previous ones comes in just how the story’s being told.

Rather than telling a straight up story like in previous seasons, the sixth season is presented like some Discovery Channel horror show. Where the “real” Shelby and Matt give interviews documentary style in a studio while actors (Sarah Paulson and Cuba Gooding Jr.) playing Shelby and Matt reenact the stories they tell on screen in the studio.

I think the only problem I have with how these reenactments play out in the “Roanoke” show-within-a-show is that it appears as if they actually were filmed with some sort of budget, not the no-budged-no-frills-slightly-cheesy how most reenactment series end up looking these days. 😉

Star Wars Rebels season 3 TV spot

https://www.youtube.com/watch?v=DD_9LAMJhaA

Punisher War Journal by Carl Potts & Jim Lee

detailOut now in a massive 504 page trade paperback is Punisher War Journal by Carl Potts & Jim Lee. This edition collects the first 19 issues of the Punisher War Journal classic series that defined a comics movement of the 1980s and 1990s.

Frank Castle doubles down on his war on crime courtesy of two of the finest creators ever to take on the character. If you’re a mob boss, hitman or hired goon, one day you’re gonna end up in Punisher’s War Journal. And it won’t be long before he crosses you off . As Frank continues his relentless mission, he’ll lock horns with old foe Daredevil, team up with Spider-Man, and meet a feisty new sparring partner – get ready for Punisher vs. Wolverine as only Jim Lee could draw it! “Acts of Vengeance” sees Frank take on new foe Bushwacker as Doctor Doom and Kingpin machinate behind the scenes. COLLECTING: PUNISHER WAR JOURNAL (1988) #1–19, MATERIAL FROM PUNISHER ANNUAL #2.

The Reading & Watch List

This week in pop-culture history

  • 1928: Adam West, Batman, is born
  • 1947: Stephen King is born
  • 1962: The TV series The Jetsons debuts
  • 1989: The TV series Alien Nation premiers
  • 1995: The TV series Space: Above and Beyond premiers
  • 2002: The TV series Firefly debuts
  • 2004: Shaun of the Dead opens in theaters
  • 2004: The TV series Lost premiers

2013 Fall TV Update

The fall TV season is now in full swing and I can finally declare that overall it’s uneven at best. It’s true that many of the more interesting series don’t premiere until much later in the season but from what I’ve seen this fall I’ve been underwhelmed.

Here’s essentially every series I’m currently watching, or have recently watched:

The cast of The Goldbergs
The cast of The Goldbergs

The good:

Making Monsters (Travel Channel): I so love this show about Distortions Unlimited, a company that makes and sells horror items for Halloween and horror attractions. It’s a good representation of the realities of working in a creative industry where there’s always another pressing deadline and projects get changed and changed and changed right up until the very end.

The Goldbergs (ABC): This is a enjoyable comedy about the 1980s that’s highly watchable. I just wished the series creators didn’t have to add the Modern Family “awwwwwwww” moment that closes out the end of each episode here too.

American Horror Story (FX): The first season of American Horror was brilliant and the second started off pretty awful but turned into something decent. The third season, titled Coven, had me hooked from the first scene. But we’re just one episode in so it’s tough to know if in the end this series will be as good as the start.

Community (Syndicated on Comedy Central): It’s amazing how much I look forward to Community, especially since Comedy Central airs four episodes each Friday night in order from the beginning of the series.

The blah:

Stephen Merchant in Hello Ladies
Stephen Merchant in Hello Ladies

Hello Ladies (HBO): Stephen Merchant’s series about a hapless man looking for love in image obsessed Los Angeles is interesting and it uses many of the cringe-worthy storytelling devices Merchant helped create in the UK version of The Office. But where The Office had a lot of heart and some relatable characters, for the most part Hello Ladies has neither.

Agents of SHIELD (ABC): The first episode of SHIELD was interesting enough that it had me wondering if this show might be working on more than one level? Two more episodes in and I can say that SHIELD is strictly a one level series. It’s action adventure premise is more akin to 1980s shows like The A-Team or Riptide rather than having any nuance. If you want to see baddies get their lights punched out by the good-guys on a weekly basis, and there’s nothing wrong with that, then Agents of SHIELD is for you.

The uninteresting:

Brooklyn Nine-Nine (Fox): This series “feels” a lot like Parks and Recreation. And while a lot of people like Parks and Recreation, I’m not a fan and I gave up on Brooklyn Nine-Nine two weeks in.

Eastbound & Down (HBO): I’ve only kind’a sort’a liked Eastbound since it premiered back in ’09. And four seasons in I’m finding the Kenny Powers (Danny McBride) character a bit more grating than usual and am just about ready to give up on it.