Direct Beam Comms #95

TV

Star Trek: Discovery

The ironic thing about Star Trek was that after the series Star Trek: Enterprise ended in 2005 I really got the feeling that Paramount had no confidence in the property whatsoever. At that time, before the launch of the first J.J. Abrams Star Trek movie, things were so bleak that there were reports that Paramount was getting ready to shut down the official Star Trek website.

Luckily that never transpired and while I didn’t care for them, the Abrams films resuscitated the property for a little while longer. Now, 12 years after the last new TV episode of Star Trek comes a new series, this time not shown in syndication, or on cable outposts like UPN or The CW but instead for the first episode at least on CBS; Star Trek: Discovery.

This seventh Star Trek TV series takes place after the events of Star Trek: Enterprise but before those in the original Star Trek. Starring Sonequa Martin Rainford as Commander Michael Burnham and Michelle Yeoh as Captain Han Bo, the promise of Star Trek: Discovery was to take turn an aging franchise into a modern TV series.

I hate to report that while Star Trek: Discovery might be a modern series, not much happened in the first episode that debuted on CBS. We’re introduced to the crew of the ship the USS Shenzhou that, on a mission to repair a Federation relay thingy uncovers Klingons hiding nearby. And as things go from bad to worse and one Klingon ship is joined by many and when Burnham tries to fire on the Klingons without orders to do so … the series goes to commercial with the message, “If you want more Star Trek subscribe to CBS All Access.”

So we’re left on quite a cliffhanger. And while I’d argue that this first episode of Star Trek: Discovery is probably better in terms of story than something like the first episodes of Star Trek: The Next Generation or Star Trek: Voyager were, since the Star Trek: Discovery episode ends on a cliffhanger there isn’t much story present to hold things together and it ends feeling half done.

Star Trek: Discovery

And because this is the first half of what’s obviously supposed to be a single, two-hour long episode/movie. It means that in this first episode we never get to meet the crew of the USS Discovery nor most of the cast of the show who’s been pitching the series the last few weeks other than Martin-Green. There’s no Jason Isaacs, Anthony Rapp or Mary Wiseman who’ve been everywhere in marketing materials and in fact inexplicably the USS Discovery ship is totally absent as well. 100% of the episode here focuses in on the Shenzhou and its crew who, as far as I can tell, aren’t in the show after the second episode.

Which leaves me scratching my head a bit? If this first episode is supposed to sell the viewers on Star Trek: Discovery in order to get them to signup and get CBS All Access accounts, then why show only the first episode with a mostly different cast on a totally different ship where nothing much happens other than a tense standoff?

I liked Star Trek: Discovery and would be watching it every week if it were on CBS. But I don’t think the first episode of the show sold me enough on it to shell out $84 a year on the service just for Star Trek.

Inhumans

So far, Marvel hasn’t been able to match the quality of the movies in their TV series yet. Some of that has to do with the nature of films having much bigger budgets than a comparable episode of TV. For example, while a movie like Guardians of the Galaxy 2 might have a budget of something like $200 million, if reports are to be believed a comparable first feature-length episode of Inhumans might have a budget of $20 million. Now $20 million isn’t a minuscule amount, but it’s not nearly enough to deliver the spectacle that audiences have come to expect from the Marvel movies that are generally built around a few big action scenes with bits of story holding things together. The TV series with their smaller budgets simply can’t do that. Instead they have to rely on things like characters and story over big action scenes.

I think what hurts Inhumans the most is that it doesn’t have much action or story. There’s a lot of palace intrigue and when there are fight scenes they’re standard TV fare. But to the story of Inhumans was so over the top and heavy handed it was unintentionally silly at times.

In the Inhumans, inhumans who have all sorts of varying superpowers live and work in a secret city on the Moon hidden from the regular humans on the Earth. Inhumans started off as regular people, but after being exposed to the “Terrigen Mist” at some point fled to the Moon to escape persecution. There, during a ritual all teens are exposed to the mist to develop their powers.

On the Moon there are the haves like Black Bolt (Anson Mount), Medussa, (Serinda Swan) and Karnak (Ken Leung) who have powers like a super-voice, super-hair and the ability to win any fight and those who were exposed to the mist like Maximus (Iwan Rheon) but didn’t develop any powers. The have-nots are forced to work in the mines for some reason that’s never really explained. The haves live a life of luxury in a city that’s slowly running out of resources so Maximus hatches a plot to leave the Moon and take over the Earth but his planning is so shoddy he allows most of the main characters to escape his clutches and flee to the very planet he wishes to conquer.

Inhumans isn’t bad, it’s just boring. For a show that’s about a population of super beings living on the Moon and doing battle the first movie-length episode seemed to crawl at times where it seemed like nothing much happened. The special effects of the show aren’t movie-quality, but neither are they of lesser quality for other similar shows.

Honestly, Inhumans is pretty much what I expected from a modern-day ABC Marvel series where there are good guys and bad, and there’s never any doubt as to who is who.

Movies

Annihilation movie trailer

1922 movie trailer

The Reading & Watch List

This week in pop-culture history

  • 1923: Charlton Heston of Planet of the Apes, Soylent Green and The Omega Man is born
  • 1948: Avery Brooks, Captain Sisko of Star Trek: Deep Space Nine is born
  • 1959: The TV series The Twilight Zone premiers
  • 1968: Night of the Living Dead opens in theaters
  • 1987: Near Dark opens in theaters
  • 1988: The movie Alien Nation premiers in theaters
  • 1999: The TV series Roswell premiers
  • 2000: The TV series Dark Angel premiers