The Expanse – The future will still kind’a suck

Most sci-fi things that take place in the future focus on how the future’s going to be different then today. If that future is Star Trek, then it’s this wonderful place where mankind zooms around the cosmos in great ships meeting exciting alien species and having wonderful adventures. If it’s the future of something like Blade Runner, then it’s a dark and dreary place where it always rains, everyone smokes and life is terrible.

Most sci-fi futures are in place to contrast our own. That’s why I think the future depicted in the SyFy series The Expanse is so interesting — unlike the rest of sci-fi the future in that show is much like our present. It’s almost like the message of The Expanse is, “The future will be exactly like the present which means things will still kind’a suck.”

Based on the series of Leviathan Wakes novels by James S. A. Corey, in The Expanse, it’s the near-future where we’ve moved off the Earth and have colonized Mars and most of the near-Earth asteroids. Those who live on Earth have the most power, Mars the second and the asteroids a distant third if any at all. But, without spoiling things, something happens in the depths of space that threatens the future of mankind and it’s up to the “Belters” who live on the asteroids to stop this threat before it gets to the Earth and ends everything. Which, admittedly, sounds like something that’s been done many times before. But I think how it’s done on The Expanse that makes this series so unique.

The crew of the Rocinante

These three groups are represented by the crew of the ship the Rocinante captained by Jim Holden (Steven Strait) who have proof that something’s going on in the dark depths of the solar system if only anyone would listen. UN Ambassador Chrisjen Avasarala (Shohreh Aghdashloo) on Earth who’s trying to avert a war with Mars as ships begin disappearing and each blames the other. Detective Joe Miller (Thomas Jane) who works on asteroid Eros and is hired to investigate the disappearance of a young woman and finds more than he bargained for. And a space station chief Fred Johnson (Chad L. Coleman) who represents the interests of the Belters even if he’s got a dark secret in his past he’s trying to make amends for.

Except for the Avasarala character, these people aren’t the best and brightest. They’re not the special forces, aren’t Sherlock Holmes and for the most part have low-level jobs without a lot of responsibilities just like most people today. But they’re all thrown into this conflict where regardless of their status, they all have to step up and do their best and stop this greater threat while trying to overcome their limitations.

Ships of the Expanse

The interesting thing about all these characters and stories is that while there’s this overarching storyline in The Expanse, for the most part the paths of these characters don’t really cross until the end of the season. It’s almost like each of them all are working at different parts of the plot and really don’t know what any other group is doing and it’s not until the end of the first season when characters stories begin crashing into one and other that they get this fuller picture of what’s been going on the whole season.

The characters of The Expanse don’t live in this wonderland among the stars, they live in a place where what separates them from instant, boiling death is sometimes just a few millimeters of plastic. A place where the air can, and sometimes does, literally run out. And in a place where if something breaks and you don’t have a spare or can’t fix it yourself…well, you get the picture. But what’s so different here is that the characters of The Expanse aren’t frightened of all this. To them, their reality is a horrific banality that comes from living in space.

It’s like someone of today who’s house is next to a busy intersection. They know that at any moment an accident outside might send a truck careening through their home. And they might think about this when they first move in but later on they don’t think about it whatsoever. And the same holds true for the people of The Expanse who just accept that their day to day lives might at any moment be interrupted by something that might end everything.

The second season of The Expanse premiers February 1 on SyFy.

Direct Beam Comms #58

TV

Taboo – Grade: B+

FX has been promoting the new series Taboo for months now and I think that’s because of one thing and one thing alone; its star Tom Hardy. Hardy is most well known for movies like Mad Max: Fury Road and The Revenant but has done some TV like Peaky Blinders. But just a recognizable face does not make a compelling TV series, fortunately Hardy is excellent in Taboo and even more fortunately, the story of Taboo is interesting as well. Taboo is a bit like if writer Alan Moore decided to retell the story of Tarzan but put his own unique spin on things. There isn’t anything like a boy being raised by apes in Taboo, but there is a young man being raised in the wilds of Africa and returning to an England and wealth they’re not accustomed to.

In Taboo it’s 1814 and Hardy stars as Englishman James Keziah Delaney who’s returned home mysteriously from Africa after his father’s death. Everyone, including Delaney’s sister Zilpha (Oona Chaplin), thought he was dead since the ship he traveling on to Africa sunk and he was missing the last 12 years. But Delaney didn’t die, he spent that time “living in the jungles” with the natives learning their ways. And now he’s returned home a rich man with a satchel of precious stones he buries in a rainy field in the opening scene of the series. But Delaney’s return has caused all sorts of problems when land that his father owned in North America was going to be sold to the East India Company now belong’s to Delaney as does his other father’s holdings which throws all sorts of deals into question. And when it turns out that the father was murdered, poisoned over a long period of time, it’s a question of whether or not the murderer will strike Delaney next, or if Delaney and his explosive anger that’s simmering just under the surface will destroy the conspirators.

I think that’s part of what makes Taboo work — Tom Hardy. He plays the Delaney role to perfection, allowing the other characters around him to move the plot forward while he says little but does much. The overall story of Taboo, of this primal force in Delaney coming up against this gigantic, monolithic corporation in the East India Company has some interesting angles and story elements as well. I think the visuals of the series are top-notch too, with Taboo presenting an 19th century England as this sort of wet, fog shrouded and haunted nightmare. Which is in stark contrast to other UK period series like The Crown and Downton Abbey.

In fact, the biggest concern I would have had with this show is that it might be a little too much for audiences to sit through season after season of the Delaney character grunting more than talking, and when he does talk mumbling that verges on unintelligible with his English accent to my American ears. Except Taboo is being presented as an eight episode limited series which just might be perfect for a series like this.

Rumor Control

Looking forward throughout 2017 and the longer articles I have set to write at certain times of the year, this year I’m planning on writing about 14 new movies. Which is a lot for me. Usually I write about just a few new films that interest me each year. Like last year I write about just four new movies. I think we’re living in this weird time when movies like sci-fi, horror and comic book films are now the biggest kinds of movies out there so all the studios are now in on the game of trying to create their own franchises and make their own billions like Marvel has done with their comics. And those are exactly the kinds of genera movies I like the most.

Here’s what I’m planning on writing about new-movie wise in 2017:

  • Logan
  • Skull Island
  • Power Rangers
  • Guardians of the Galaxy Vol. 2
  • Alien: Covenant
  • Wonder Woman
  • The Mummy
  • Spider-Man: Homecoming
  • War for the Planet of the Apes
  • The Dark Tower
  • IT
  • Blade Runner 2049
  • Thor: Ragnarok
  • Justice League

This week in pop-culture history

  • 1920: DeForrest Kelley, ‘Bones’ McCoy of Star Trek is born
  • 1948: John Carpenter, director of The Thing, Escape from New York and Halloween, to name a few, is born
  • 1974: The TV series The Six Million Dollar Man premiers
  • 1995: Star Trek: Voyager premiers
  • 2008: Cloverfield premiers in theaters