Category: TV
Commercial Break: Mattel Secret Wars
https://www.youtube.com/watch?v=HeOgTJr-gb4
Direct Beam Comms #126
TV
Are TV season finales important now with streaming series? They still are somewhat important for shows that air on network or cable channels, even if people still watch those shows time-delayed on their DVR. But for streaming services, since viewers can watch the shows at their own pace, be it binging an entire season the night it premiers, doling out one episode a week at a time or even waiting months/years to start watching, no one is watching the finales at the same time. And while I love streaming series I feel a bit of a loss for shows that air there.
Let’s look a Stranger Things. The second season of that show premiered on October 24 of last year at midnight Pacific. By the time I was checking the news sites that morning there were already in-depth reviews for a good chunk of the season. And by the end of the day many sites had posted reviews of the finale. So, before most people even had a chance to start watching Stranger Things there were a few people already discussing the finale. I’d guess that by the end of the premiere weekend a good percentage of Stranger Things fans too had binged through the show and were done too.
But for people like me who were watching one episode a week it meant we weren’t finishing until sometime in late November/early December. And by that time most of the talk about the show was done. When I’d talk with friends who’d already binged the show I was met with, “Oh yeah, I think I remember that. It was so long ago… I’m not sure.”
So that collective discussion pop-culture fans used to have about shows mostly isn’t happening for streaming series since everyone’s finishing at different times. For a show like Stranger Things that debuted around Halloween I’d say talk about it online was pretty much over by the end of November.
Shows like Stranger Things don’t so much as have a finale as they do a spectacular, exciting launch and then after a few weeks they pretty much just go away from public consciousness. Which isn’t necessarily a bad thing or a good thing, it’s just the reality of modern-day TV watching.
Still, shared experience finales aren’t totally dead. Series that run on network or cable platforms air on a week-to-week basis. A show like Westworld can debut at the start of October and since viewers can’t binge it until the season’s complete they have to watch it week-to-week. So, as the first season of Westworld started winding down towards the end of November there was still excitement about the show online with viewers spending the week dissecting each episode and having theories about where the story was going and how things were going to end.
I know that for most people binging is the preferred way to watch TV. If you’re enjoying something why stop, why not plow through the story and find out how it ends? Which is true, but to me I’d rather savor the story for as long as possible. I think binging a show means you’re not catching the details, you’re not paying attention to what’s all happening and you don’t have time to digest what’s all going on in the story. You’re just going as fast as possible to make it to the end like a race car driver.
And it makes the finales of the shows less and less important. How can they be important when some people will be watching them a few hours after the series premiered while others might not be seeing it for months?
Comics
Robotech Archives: Macross Saga Volume 1
Titan Comics is set to republish the collection of Robotech comic books that originally ran in the 1980s and 1990s starting with Robotech Archives: Macross Saga Volume 1. Covering the first third of the Marcoss series originally published by First Comics, these editions are a, shall we say, “maybe buy” for me. I’m a huge fan of all things Robotech and I collected some of the original Robotech comics when I was a kid. I say “maybe buy” since I’m not sure if the comics are any good or not? I’m worried that I wouldn’t be buying the collection to read, but for the nostalgia factor alone and they’d just be another thing taking up room on a shelf somewhere.
Not that I haven’t done that many times before with many other things!
Movies
Ant Man and The Wasp trailer
Teen Titans GO! To the Movies trailer
The Reading List
- How Living Colour made one of the most prescient albums of the 20th century, and conquered rock ’n’ roll in the process
- Movie Prop Conservation and Restoration
- The Infinity Gauntlet graphic novel is the #1 comic on Amazon
- Heads up: the oral history of Iron Man’s original HUD
Cool Movie Posters of the Week
Commercial Break – Happy’s Place
Direct Beam Comms #125
TV
Westworld
It’s a great time to be alive if you’re a fan of sci-fi on TV. There’s such a wide variety of shows from The Orville to The Expanse that explore much of the same story territory yet are polar opposites in terms of tone as well as series like Black Mirror and Doctor Who to name a few. So, for one of the best series on TV a few years back Westworld to be as good as it was is ironic, since before it even premiered a lot of people, myself included, were ready to write it off before they’d even seen an episode.
Westworld was originally set to premiere back in 2015 but various problems on the set forced the delay until late in 2016. There were reports of parts being recast and at one point the entire production was shut down in order that series creators Jonathan Nolan and Lisa Joy could catch up on scripts that had fallen behind. None of which is a good sign but I was still willing to check the series out when it premiered and am glad I did. The first season of Westworld is one of the finest seasons of television in the last few years and is one of the best sci-fi series out there these days.
Westworld takes place in a theme park of the same name in the future. This park is inhabited by robots dubbed “hosts” who live their lives within the bounds of the park thinking they’re real people really living in the wild west. Into Westworld comes the “guests,” real people who pay obnoxious sums of money to visit the park wherein they can do anything they want to the hosts. ANYTHING. But because the hosts are reset when they “die” and at regular intervals they don’t know all the horrors the guests do to them over and over again.
That is until one day after a software upgrade makes it so that some of the hosts do start remembering.
The question in the first season becomes at what point do you recognize that what you originally though were just automatons are a new form of life, and what happens when this new sentient life realize this too and wants to start living free of the horrors they’ve been enduring for decades?
What happens when start fighting to take back what’s theirs?
The first season of Westworld ended on a perfect beat, so much so that it the series would’ve ended there it would’ve been one of my favorite endings ever. Luckily, though, it wasn’t and the second season of Westworld premiered on HBO last Sunday.
The first season of the show played out in a non-linear fashion, with events taking place in its past as well as present and the second season does this too. This time it’s events from just after the conclusion of the first season up until a few weeks later.
If the first season ended with the “hosts” fighting back against their oppressors, in the second the “hosts” have totally rebelled and any software safeguards they once had that made harming the “guests,” or any living thing really, impossible are gone. And while the guests might like playing cowboys when they’re on vacation, they’re no match for the hosts who some of which are programmed to be killing machines and now practice their savage skills on living people.
But the park is still worth billions in its technology alone so Delos, the park’s owners, have come with a small army in order to secure their intellectual property. Which, ironically, they’re more concerned with their IP than for the people still left alive on Westworld on the run from the hosts.
It’s interesting to see just how the dynamics of Westworld have shifted between the seasons. In the first, host Dolores (Evan Rachel Wood) was a sweet farmer’s daughter who just happened to be the oldest host in the park. As the season progressed Dolores’ programming shifted and she slowly began to see what was really happening around her. Now, in the second, she’s changed to a murderer who, along with host Teddy (James Marsden), are hunting down all the guests they can find. And the characters who were the uncaring people of the first season who took their aggression out on the hosts when they weren’t treating them like slaves are on the run for their lives.
So who are we to root for in the second season of Westworld? Is it the Dolores and the hosts who are murdering people as fast as they can find them or will it be the host’s former oppressors now trying to stay one step on the run from their murderous creations?
Will we pull for Dr. Frankenstein or his monster this season?
Movies
Venom trailer
The Reading & Watch List
- How to hunt a giant sloth—according to ancient human footprints
- Paramount: Two More STAR TREK Movies in the Works
- APC Cutaway : Special Edition
- Bruce Campbell Releases Farewell Statement in Regards to Officially Retiring Ash Williams
- The Creator of Avengers: Infinity War Villain Thanos Hates Marvel Comics’ Guts
Cool Movie Poster of the Week
