Direct Beam Comms #74

TV

American Gods Episode 1: C+

There’s been a tendency of late for series creators to embrace the model of season-long stories. The old model of TV was that each episode of a show would have a story that has a beginning, middle and end so that each episode wasn’t connected to other episodes stories in any meaningful way. Recently, more modern series began embracing season-long stories where episodes did have a beginning, middle and end but also were a piece of a season-long story that was also playing out throughout the year. But now some shows have abandoned each episode have a beginning middle and end and have started treating each episode as a “chapter” in a season-long story. So episodes are only a part of a larger story are used in service of that.

Which, if done right like in The Wire or True Detective can make some wonderful TV. But, if done not so right can make for some confusing TV, like I experienced with the first episode of the Starz series American Gods.

Adapted from the Neil Gaiman novel of the same name, the American Gods TV series was created by writer Bryan Fuller and Michael Green. Which I thought boded well for the show since Fuller adapted the heck out of the Hannibal story for NBC a few years ago and created a magnificent series in the process. That show about the early days of Hannibal Lector had episode stories as well a season-long story too. While this worked for Hannibal, with American Gods Fuller instead embraces the season-long story model which made for one weird episode of TV.

In the first episode, a guy named Shadow Moon (Ricky Whittle) is released from prison where he meets up with a guy named Wednesday (Ian McShane) who quickly puts Moon on his payroll of being his eyes and ears out in the world. It seems as if the gods of lore like Odin and new gods like Technology are real, and the new gods and old are on the brink of war with each other.

Except I didn’t get much of the gods plot from the first episode, that came from TV commercials for the show and reading up on the original novel. Most of the first episode of American Gods is about Moon trying to get to his wife’s funeral, Wednesday turning up in some unexpected places, the introduction of a few other gods and the weirdest human sacrifice put to film I’ve ever seen.

In fact, I don’t think that if I didn’t already know kind’a what was going in on American Gods that I would have had any clue as to what was happening whatsoever since the first episode, while beautiful to look at, had very little plot/story going on. While watching it I kept getting the feeling that people who’d read the American Gods book were also watching the show going, “Ohhhh, that’s the part where X happens and this is setting you Y down the road!” But to me I never really got a handle on what was all going on.

I get that the eight episodes of American Gods show will play out as a single story, it’s just how long do we have to wait until we get past the weird sex stuff and people being cut in half before we get to a little plot?

The Defenders TV commercial

https://www.youtube.com/watch?v=4h3m7B4v6Zc

Inhumans TV commercial

Comics

Creepshow

A new edition of the classic Creepshow graphic novel is back in print some 35 years after original was released. Creepshow collects all of the stories that went into the movie of the same name with illustrations from Bernie Wrightson, which that name alone is reason enough to pick this one up. I was a little too young to buy the graphic novel when it first came out and for whatever reason never bothered picking it up since so I’m really excited about picking a copy of this up as soon as its released.

From Simon & Schuster:

Now back in print: the graphic novel adaptation of Stephen King’s Creepshow, based on the 1982 horror anthology and cult classic film directed by George Romero (Night of the Living Dead, Dawn of the Dead)—and featuring stunning illustrations by the legendary Bernie Wrightson and cover art by the acclaimed Jack Kamen! A harrowing and darkly humorous tribute to the controversial and influential horror comics of the 1950s, Creepshow presents five sinister stories from the #1 New York Times bestselling author—“Father’s Day,” “The Lonesome Death of Jordy Verrill,” “Something to Tide You Over,” “The Crate,” and “They’re Creeping Up on You”…unforgettable tales of terror to haunt your days and nights!

Star Wars: The Classic Newspaper Comics Vol. 1 Hardcover

From IDW this week comes a collected edition of the Star Wars newspaper strips that ran from 1979–1984. This first edition runs from 1979 to the end of 1980 and has something like 575 panels from that period. I don’t know why but I’m a nut for these collected adventure strips and can’t wait for this one to come out, even if I think I’ve already got a lot of these stories somewhere when Dark Horse ran them collected in comic book form.

From IDW:

The first of three volumes that present, for the first time ever, the classic Star Wars newspaper strip from 1979–1984 in its complete format — including each Sunday title header and “bonus” panels in their meticulously restored original color. Initially the color Sundays and black and white dailies told separate stories, but within six months the incomparable Russ Manning merged the adventures to tell brand new epic seven-days-a-week sagas that rivaled the best science fiction comics of all time.

Movies

The Dark Tower movie trailer

Games

The Thing: Infection at Outpost 31 Board Game

I’m not much into board games, but I have to say that I’m very tempted to pick up the The Thing: Infection at Outpost 31 board game by Mondo from subject-matter alone.

From Mondo:

An alien lifeform has infiltrated a bleak and desolate Antarctic research station assimilating other organisms and then imitating them. In the hidden identity game THE THING ™ INFECTION AT OUTPOST 31, you will relive John Carpenter’s sci-fi cult classic in a race to discover who among the team has been infected by this heinous lifeform. The game has been designed to be as authentically cinematic as possible, ensuring that the players will experience the paranoia and tension that makes the film so great.

Toys

Prometheus Action Figure Series – The Lost Wave

Nearly five years after they were originally due to be released, the final three toys from NECA’s line of action figures based on the film Prometheus are finally set to be released this June. The first three figures in the set that did make it to shelves included David, the alien creature known as the “Deacon” and an “Engineer.” The lead character of the film Shaw and characters Vickers and Fiefeld were set to be released later, but later turned into never when the line was cancelled after poor sales. But never let it be said that NECA didn’t sense a golden opportunity when the new movie Alien: Covenant was announced and suddenly these three “lost” figures suddenly became found and are now set to be available again this summer and will retail for around $70.

From Big Bad Toy Store:

The 7″ scale figures are entirely movie accurate and feature over 25 points of articulation. Vickers (Charlize Theron) comes with flamethrower and removable helmet. Shaw (Noomi Rapace) comes with axe, removable helmet and the android David’s severed head. Fifield (Sean Harris) comes with flashlight and removable helmet.

LEGO® Ideas 21309 NASA Apollo Saturn V

This new Lego Apollo Saturn V rocket stands a whopping three feet tall, contains all three rocket stages as well as the command module, LEM and three micro figures. The kit will retail for about $120 and will be on sale the first of June.

The Reading List

This week in pop-culture history

  • 1971: Morgan Weisser, Nathan West of Space: Above and Beyond, is born
  • 1973: Soylent Green opens in theaters
  • 1984: Firestarter debuts
  • 1986: Short Circuit opens
  • 1989: The Return of Swamp Thing premiers in theaters
  • 1994: The Crow opens in theaters
  • 1994: The TV mini-series The Stand premiers
  • 1995: The Fifth Element debuts in theaters
  • 1998: Deep Impact opens in theaters

Direct Beam Comms #67

TV

Iron Fist Series premiere episode 1 Grade: B+

There aren’t a lot of good comic book series on TV. To be sure, there are lots of them but only a few of them are worth watching. Legion on FX is very good and Daredevil on Netflix is pretty good too. But for the most part the Arrows and Agents of SHIELDs and Preachers of the world are time wasters at best and just plain bad at worst. Into this mass of comic book TV series comes the latest Marvel series to stream on Netflix Iron Fist.

So far Iron Fist has gotten pretty tepid reviews. I’d go as far to say that it’s the worst reviewed series of the four Marvel/Netflix series of Daredevil, Jessica Jones and Luke Cage. So when I watched the first episode of Iron Fist I was a little concerned — was it going to be the “turd in the punchbowl” of Marvel TV series that everyone else is claiming?

Actually no — Iron Fist isn’t great, but it’s not a bad series either. In fact I’d say that it’s no better nor no worse than either Jessica Jones or Luke Cage.

Finn Jones plays Danny Rand, the son of a wealthy family who’s plane crashed decades ago in the Himalayas that left everyone thinking all the Rands were dead. Except Danny survived the crash, was rescued and now has returned to New York City to reclaim his spot in his father’s company. Only now Danny is different. Much like with the other Netflix Marvel shows that are action/martial arts oriented, Danny has returned as a kung-fu master who’s able to easily scale the outside of buildings, leap over moving cars and take out corporate security goons without breaking a sweat.

It seems like the first season of Iron Fist will focus on Danny reclaiming his rightful place as majority owner of his father’s company while at the same time trying to uncover a conspiracy of those now in control who want him dead.

I actually enjoyed Iron Fist a great deal and found it to be a lot of fun. It’s not as dark as Daredevil is, which is a good thing, yet still fits in the same corner of the Marvel universe the Netflix series all do nicely. The only reason I can think that other reviewers aren’t liking Iron Fist is that they’re coming to the show with some expectations of how it should be based on the other series like how the creators of Jessica Jones or Luke Cage handled those shows. Except Iron Fist is its own thing and I think should be treated as such. It’s not a Jessica Jones or Luke Cage and I think that’s a good thing — if it were Iron Fist would be redundant and not nearly as interesting as it is.

Trial & Error Series premiere episode 1 Grade: D+

The new comedy Trial & Error debuted on NBC last week. It was a show I was looking forward to the last few months and was something NBC had been pushing hard since last winter too. But after having watched the first two episodes I hate to say that Trail & Error was most definitely not worth the wait.

This series seems to be partially based on the 2004 documentary The Staircase that followed a man accused of murdering his wife and is followed by a film crew in the lead up to trial. In Trial & Error, John Lithgow plays Larry Henderson, a man also accused of murdering his wife who’s also being followed by a documentary crew. Junior attorney Josh Segal (Nicholas D’Agosto) is assigned to the case and quickly becomes lead attorney when Henderson’s funds dry up leaving Segal in charge. Helping Segal is investigator Dwayne Reed (Steven Boyer) and assistant Anne Flatch (Sherri Shepherd) who turn out to be incompetent and are more detrimental to the case than beneficial. Reed accidentally destroys some evidence and Flatch suffers from a variety of maladies from face-blindness to fainting whenever she sees a beautiful piece of art.

If it were just Reed and Flatch who were the goofballs of Trial & Error it might have made for an interesting series. It’s like with The Office that had two strong, goofy characters with Michael and Dwight with a lot of other “normal” characters orbiting around them. With Trial & Error it’s like every character is extremely eccentric and it pushes the balance of things totally out of whack.

There’s Henderson who can’t quite take the murder trial seriously and is more interested in rollercising and skate keys, the prosecuting attorney Carol Anne Keane (Jayme Mays) who wants to get the death penalty for Henderson and have sex with Segal no matter what and even a DNA expert (Andrew Daly) who masturbates whenever he’s stressed. The list of crazy characters goes on and on and is way too much.

Also, can we agree at this point sitcoms that are shot documentary style are passe? When the BBC version of The Office did this 16 years ago it was new, unique and fresh. But these days it seems old and stogy, even if it actually makes sense in Trial & Error with Henderson’s trial being the focus of a The Staircase like documentary.

Usually there’s something with 20 minute sitcoms that I can latch onto and stick with a season or two. Either there’s some tiny spark in the writing that interests me or a different kind of character than what’s come before. But with Trial & Error there were several times during the episodes that I very nearly shut it off since I was bored with the show. But I did stick with it until the end and, upon reflection, I think I would have been better off if I would have turned the episode off and watched something else instead.

Movies

Wonder Woman origin trailer

“It is our sacred duty to defend the world.”

Toys

ARTFX+ Spider-Man 2099

Kotobukiya’s ARTFX+ Spider-Man 2099 statue is gorgeous. It stands 5 inches tall, will retail for around $65 and will be available in September. I love everything about it from the colors to the physique of Spider-Man. My only issue is the Kotobukiya statues aren’t really statues, they’re like this cross between action-figure and statue. They’re not made out of resin so they don’t feel solid, but that makes them affordable.

The Reading & Watch List

This week in pop-culture history

  • 1931: William Shatner, James T. Kirk of Star Trek is born
  • 1948: John de Lancie, Q of Star Trek is born
  • 1995: The TV series Sliders premiers
  • 1999: The TV series Farscape premiers
  • 2004: Dawn of the Dead opens in theaters
  • 2009: The last episode of the TV series Battlestar Galactica airs
  • 2012: The Hunger Games opens in theaters