Remember when movie stars used to shun doing TV commercials since
they were more interested in credibility than the extra few bucks a
commercial would bring? Now stars will shill for anything from booze to
hotels.
What To Watch This Week
Tuesday
he fictional History channel series about the real-life government investigation of UFOs in the 1950s and 1960s Project Blue Book premiers today.
The Ryan Gosling starring Neil Armstrong biopic First Man is available for digital download today.
Wednesday
The second attempt at a 1990s The Goldbergs spin-off premiers tonight as Schooled on ABC. (The first attempt aired as an episode of The Goldbergs early last year entitled “The Goldbergs: 1990-Something.”)
The final season of the show You’re the Worst debuts on FXX tonight.
Thursday
The sixth season of the former FOX series Brooklyn Nine-Nine premiers tonight on its new network NBC.
My favorite book about things clipped from newspapers
As a kid I used to clip ads for movies out of the newspaper — Sundays were the best since the ads that day were in color.
While I gave up after a while, Michael Gingold didn’t and spent much of
the 1980s snipping ads for horror movies from papers in New York and
New England, of which became basis of his brilliant book Ad Nauseam: Newsprint Nightmares from the 1980s that collects more than 450 of these ads in one place. One thing I
found fascinating about the ads were that the film promoters had to
create different ads for different papers. What might fly in the New
York Post wouldn’t be acceptable in something more conservative like the
New York Times where artwork would have to be toned back, altered and
sometimes completely changed to fit their standards.
My favorite fictional occult investigative reporter
I’ve been obsessed with the character of Carl Kolchak (Darren
McGavin) for many a year now, but had to settle with DVD versions of the
two brilliant 1970s made-for-TV movies until now. Last fall Kino Lorber
released both Kolchak’s first appearance fighting a vampire in The Night Stalker (1972) and the next a ghoul The Night Strangler (1973) in glorious HD. If you’ve never seen these movies that went onto inspire things like The X-Files before, here’s your chance since made-for-TV movie or not, these two films are superb.
My favorite shows that woke me at 3AM in a cold sweat
Over the last few years there’s been a spate of really good horror series on TV, be it Hannibal from a few years ago or more recently things like Stranger Things, Black Mirror and The Haunting of Hill House on Netflix. And while there’s been horror on TV for years now, I can’t
think of another time when there’s been so much horror on TV that’s all
been so good, or scary. Yes, I really did wake up at 3AM last October after watching the first episode of The Haunting of Hill House that gave me a serious case of the heebie-jeebies.
My favorite comic book about one of the greatest unmade movies ever
Last fall Dark Horse Comics began releasing a comic book adaptation of the unmade movie Alien 3. “What,” you say, “Alien 3 was made, David Fincher directed it and it was released in 1992 you
imbecile!” And you’d be right, except before the Fincher version saw the
light of day there were quite a few different scripts for the movie
that were developed and then abandoned before producers settled on the
version that finally made it to theaters.
This unmade Alien 3 was written by cyberpunk pioneer William Gibson and would’ve been a more direct continuation of Aliens with Ripley, Hicks and Newt being the stars of the movie rather than just Ripley in the theatrical Alien 3.
The script has been floating around online for years now has been
called one of the greatest unmade movies ever. “Greatest” or not this Alien 3 never went into production because it was so big it would’ve been too
expensive to produce back in the early 1990s. But because there’s no
budget for special effects in a comic book we’re finally seeing this
version of the Aliens story come to life.
My favorite show about superheroes punching people really hard
There aren’t too many superhero TV shows that I’m into, one of the exceptions is Daredevil on Netflix. I think where Daredevil is so good while other superhero shows are so bland, is that the characters of Daredevil feel like real, breathing people. Whereas the characters of most other
superhero shows, I’m looking in your general direction The CW, don’t
feel real but instead feel like artificial characters constructed to be a
part of a superhero show. And I think that makes all the difference for Daredevil. Unfortunately, because of a contract dispute with Disney, Netflix cancelled much of their Marvel superhero TV series, Daredevil included meaning the third season of this show was also its final, which was a bummer of a way to end 2018.
I hate to say this, but most action-adventure TV series just aren’t
that good. They tend to concentrate on the action first and the
characters second, and to be honest these days I find most action scenes
pretty boring. They’re so highly choreographed to be almost like a
dance, everything’s so controlled it’s too ridged to be realistic.
And that’s where I thought the Netflix TV series Daredevil was headed. I figured that it would devolve into a traditional action
show after a couple of seasons where there are lots of punches and not a
lot of real character development, mostly because where else is there
to go with a character like Matt Murdock/Daredevil (Charlie Cox) after
20+ hours of story? Which is the time when most similar shows start
repeating themselves, treading over story ground they already went over
before since they can’t find anywhere else to go.
Yet somehow the latest third season of Daredevil was the
best yet, and I think part of the reason for that was the writers of the
show decided to push back the character of Daredevil a bit and bring
forward the show’s strong supporting cast.
In any other similar show characters like Karen Page (Deborah Ann
Woll) and Foggy Nelson (Elden Henson) would simply exist to keep the
main story moving along. In the third season of Daredevil they were very important and had entire episodes dedicated to them.
I think I learned more about Foggy and Karen in the third season of Daredevil than the two previous ones combined.
And let’s not forget about the bad-guys either.
This season marked the return of Wilson Fisk/Kingpin (Vincent
D’Onofrio) as the main baddie with new character Benjamin ‘Dex’
Poindexter/Bullseye (Wilson Bethel). While we didn’t get a deep a dive
into the character of Kingpin as everyone else this season, admittedly
there was a lot of backstory for his character in the first, we did get a
surprising amount of development for Bullseye.
In most shows a villain like Bullseye would show up now and then,
cause chaos until he disappeared for a while before popping up again.
Those characters exist simply to shake things up — they’re not
developed, they’re devices to move the plot forward. Not on the third
season of Daredevil where Bullseye was a fully fleshed
character, with a backstory and even an episode of his own. He had so
much backstory that he seemed less like a traditional villain and more
of a tragic figure bent to Fisk’s will in doing bad.
Which was pretty cool. On the one hand Bullseye is murderer who’s
trying to destroy Matt Murdock/Daredevil. On the other hand he’s
mentally disturbed and is being turned by Fisk into this assassin.
The absolute worst part about the third season of Daredevil was that a few weeks ago Netflix announced they were cancelling it and
that this third season would be Daredevil’s last outing on the service.
After an absence of more than a year new episodes of The Orville returned to FOX this week. I never can understand why they do this, but the second season of the series premiered Sunday night however new episodes of The Orville will air on its regular night Thursday.
Most dramas on TV these days, the ones not on CBS anyways, follow the
model of the season-long story where each episode of the series leads
to the next. So if you miss one episode you’re probably not going to
understand the following one. However, much like with the original Star Trek and Star Trek: The Next Generation, in The Orville each episode of that show is a story unto itself where if you miss one episode you’re not going to be lost with the next.
What surprised me the most with the second season debut episode of The Orville entitled “Ja’loja” was how small it was. Most similar shows feature these massive, action-packed season
debuts meant to rope the audience back into the series. But “Ja’loja”
took completely the opposite approach. There wasn’t any action and the
episode dealt mostly with relationships. Be it between Capt. Ed Mercer
(Seth MacFarlane) and his ex-wife Cmdr. Kelly Grayson (Adrianne Palicki)
who’s dating someone new, Dr. Claire Finn (Penny Johnson Jerald)
dealing with her headstrong son, or even Lt. Alara Kitan (Halston Sage)
on a blind-date from hell.
The were no phasers blasting or ships crashing, it was all a pretty
typical day aboard the ship in “Ja’loja” which was actually kind’a
wonderful in how different it was from what could have been.
I suppose some of the reasons a show like The Orville can
get away with this is that it doesn’t those season-long stories to deal
with. And without that means there really isn’t any previous season
cliffhangers to come back to at the start of the season, so they can
afford to start a new season a bit differently than every other show.
I didn’t think I’d like these single story episodes after having been a fan of so many other series like The Expanse, Stranger Things or, to go way back, Star Trek: Deep Space Nine. But I really dig it with The Orville.
I like the idea that each episode is a story unto itself, and you’re
not expected to retain what’s all going on in the universe of the show
between episodes. Now I’m not saying that I don’t like season-long
storytelling since I really dig series that do that too, I’m just saying
that when done right single story episodes are just as satisfying as
season-long ones.