Direct Beam Comms #162

Movies

Remember when movie stars used to shun doing TV commercials since they were more interested in credibility than the extra few bucks a commercial would bring? Now stars will shill for anything from booze to hotels.

What To Watch This Week

Tuesday

he fictional History channel series about the real-life government investigation of UFOs in the 1950s and 1960s Project Blue Book premiers today.

The Ryan Gosling starring Neil Armstrong biopic First Man is available for digital download today.

Wednesday

The second attempt at a 1990s The Goldbergs spin-off premiers tonight as Schooled on ABC. (The first attempt aired as an episode of The Goldbergs early last year entitled “The Goldbergs: 1990-Something.”)

The final season of the show You’re the Worst debuts on FXX tonight.

Thursday

The sixth season of the former FOX series Brooklyn Nine-Nine premiers tonight on its new network NBC.

TV

The Punisher second season commercial

Stranger Things third season date announcement

The Reading & Watch List

Cool Movie & TV Posters of the Week

2018 best of the rest

My favorite book about things clipped from newspapers

As a kid I used to clip ads for movies out of the newspaper — Sundays were the best since the ads that day were in color. While I gave up after a while, Michael Gingold didn’t and spent much of the 1980s snipping ads for horror movies from papers in New York and New England, of which became basis of his brilliant book Ad Nauseam: Newsprint Nightmares from the 1980s that collects more than 450 of these ads in one place. One thing I found fascinating about the ads were that the film promoters had to create different ads for different papers. What might fly in the New York Post wouldn’t be acceptable in something more conservative like the New York Times where artwork would have to be toned back, altered and sometimes completely changed to fit their standards.

My favorite fictional occult investigative reporter

I’ve been obsessed with the character of Carl Kolchak (Darren McGavin) for many a year now, but had to settle with DVD versions of the two brilliant 1970s made-for-TV movies until now. Last fall Kino Lorber released both Kolchak’s first appearance fighting a vampire in The Night Stalker (1972) and the next a ghoul The Night Strangler (1973) in glorious HD. If you’ve never seen these movies that went onto inspire things like The X-Files before, here’s your chance since made-for-TV movie or not, these two films are superb.

My favorite shows that woke me at 3AM in a cold sweat

Over the last few years there’s been a spate of really good horror series on TV, be it Hannibal from a few years ago or more recently things like Stranger Things, Black Mirror and The Haunting of Hill House on Netflix. And while there’s been horror on TV for years now, I can’t think of another time when there’s been so much horror on TV that’s all been so good, or scary. Yes, I really did wake up at 3AM last October after watching the first episode of The Haunting of Hill House that gave me a serious case of the heebie-jeebies.

My favorite comic book about one of the greatest unmade movies ever

Alien 3
Alien 3

Last fall Dark Horse Comics began releasing a comic book adaptation of the unmade movie Alien 3. “What,” you say, “Alien 3 was made, David Fincher directed it and it was released in 1992 you imbecile!” And you’d be right, except before the Fincher version saw the light of day there were quite a few different scripts for the movie that were developed and then abandoned before producers settled on the version that finally made it to theaters.

This unmade Alien 3 was written by cyberpunk pioneer William Gibson and would’ve been a more direct continuation of Aliens with Ripley, Hicks and Newt being the stars of the movie rather than just Ripley in the theatrical Alien 3. The script has been floating around online for years now has been called one of the greatest unmade movies ever. “Greatest” or not this Alien 3 never went into production because it was so big it would’ve been too expensive to produce back in the early 1990s. But because there’s no budget for special effects in a comic book we’re finally seeing this version of the Aliens story come to life.

My favorite show about superheroes punching people really hard

Daredevil
Daredevil

There aren’t too many superhero TV shows that I’m into, one of the exceptions is Daredevil on Netflix. I think where Daredevil is so good while other superhero shows are so bland, is that the characters of Daredevil feel like real, breathing people. Whereas the characters of most other superhero shows, I’m looking in your general direction The CW, don’t feel real but instead feel like artificial characters constructed to be a part of a superhero show. And I think that makes all the difference for Daredevil. Unfortunately, because of a contract dispute with Disney, Netflix cancelled much of their Marvel superhero TV series, Daredevil included meaning the third season of this show was also its final, which was a bummer of a way to end 2018.

Daredevil third season ⭐⭐⭐

I hate to say this, but most action-adventure TV series just aren’t that good. They tend to concentrate on the action first and the characters second, and to be honest these days I find most action scenes pretty boring. They’re so highly choreographed to be almost like a dance, everything’s so controlled it’s too ridged to be realistic.

And that’s where I thought the Netflix TV series Daredevil was headed. I figured that it would devolve into a traditional action show after a couple of seasons where there are lots of punches and not a lot of real character development, mostly because where else is there to go with a character like Matt Murdock/Daredevil (Charlie Cox) after 20+ hours of story? Which is the time when most similar shows start repeating themselves, treading over story ground they already went over before since they can’t find anywhere else to go.

Yet somehow the latest third season of Daredevil was the best yet, and I think part of the reason for that was the writers of the show decided to push back the character of Daredevil a bit and bring forward the show’s strong supporting cast.

Daredevil season 3

In any other similar show characters like Karen Page (Deborah Ann Woll) and Foggy Nelson (Elden Henson) would simply exist to keep the main story moving along. In the third season of Daredevil they were very important and had entire episodes dedicated to them.

I think I learned more about Foggy and Karen in the third season of Daredevil than the two previous ones combined.

And let’s not forget about the bad-guys either.

This season marked the return of Wilson Fisk/Kingpin (Vincent D’Onofrio) as the main baddie with new character Benjamin ‘Dex’ Poindexter/Bullseye (Wilson Bethel). While we didn’t get a deep a dive into the character of Kingpin as everyone else this season, admittedly there was a lot of backstory for his character in the first, we did get a surprising amount of development for Bullseye.

In most shows a villain like Bullseye would show up now and then, cause chaos until he disappeared for a while before popping up again. Those characters exist simply to shake things up — they’re not developed, they’re devices to move the plot forward. Not on the third season of Daredevil where Bullseye was a fully fleshed character, with a backstory and even an episode of his own. He had so much backstory that he seemed less like a traditional villain and more of a tragic figure bent to Fisk’s will in doing bad.

Which was pretty cool. On the one hand Bullseye is murderer who’s trying to destroy Matt Murdock/Daredevil. On the other hand he’s mentally disturbed and is being turned by Fisk into this assassin.

The absolute worst part about the third season of Daredevil was that a few weeks ago Netflix announced they were cancelling it and that this third season would be Daredevil’s last outing on the service.

Read more “Daredevil third season ⭐⭐⭐”

The Orville second season debut ⭐⭐⭐

After an absence of more than a year new episodes of The Orville returned to FOX this week. I never can understand why they do this, but the second season of the series premiered Sunday night however new episodes of The Orville will air on its regular night Thursday.

Most dramas on TV these days, the ones not on CBS anyways, follow the model of the season-long story where each episode of the series leads to the next. So if you miss one episode you’re probably not going to understand the following one. However, much like with the original Star Trek and Star Trek: The Next Generation, in The Orville each episode of that show is a story unto itself where if you miss one episode you’re not going to be lost with the next.

What surprised me the most with the second season debut episode of The Orville entitled “Ja’loja” was how small it was. Most similar shows feature these massive, action-packed season debuts meant to rope the audience back into the series. But “Ja’loja” took completely the opposite approach. There wasn’t any action and the episode dealt mostly with relationships. Be it between Capt. Ed Mercer (Seth MacFarlane) and his ex-wife Cmdr. Kelly Grayson (Adrianne Palicki) who’s dating someone new, Dr. Claire Finn (Penny Johnson Jerald) dealing with her headstrong son, or even Lt. Alara Kitan (Halston Sage) on a blind-date from hell.

The were no phasers blasting or ships crashing, it was all a pretty typical day aboard the ship in “Ja’loja” which was actually kind’a wonderful in how different it was from what could have been.

I suppose some of the reasons a show like The Orville can get away with this is that it doesn’t those season-long stories to deal with. And without that means there really isn’t any previous season cliffhangers to come back to at the start of the season, so they can afford to start a new season a bit differently than every other show.

I didn’t think I’d like these single story episodes after having been a fan of so many other series like The Expanse, Stranger Things or, to go way back, Star Trek: Deep Space Nine. But I really dig it with The Orville. I like the idea that each episode is a story unto itself, and you’re not expected to retain what’s all going on in the universe of the show between episodes. Now I’m not saying that I don’t like season-long storytelling since I really dig series that do that too, I’m just saying that when done right single story episodes are just as satisfying as season-long ones.