Judge Dredd and the failed politics of Mega City One

The Judge Dredd comic book inside the pages of 2000 AD has been in publication the last 38 years and has spawned two films. The first film, Judge Dredd (1995), starred Sylvester Stallone and was, to put it mildly, terrible with Sly spouting lines like, “I am the luh (law)!” The second film Dredd (2012) had Karl Urban (Star Trek) in the title role and was actually pretty great.

220The Judge Dredd backstory, as Dredd puts it himself in the latest film is, “America is an irradiated wasteland. Within it lies a city. Outside the boundary walls, a desert. A cursed earth. Inside the walls, a cursed city, stretching from Boston to Washington D.C. An unbroken concrete landscape. 800 million people living in the ruin of the old world and the mega structures of the new one. Mega blocks. Mega highways. Mega City One.”

Mega City One is kind’a like New York City in the 1970s to the extreme — originally, the setting of Mega City One was of a future New York in the 21st century. But with the criminals and corruption of the 1970s amped up to the extreme along with robotic uprisings, mutant invasions and evil demonic Judges like Judge Death from alternate dimensions to name a few of the woes of Mega City One. And Dredd, along with a cadre of other Judges, must keep their city safe from all this extreme violence.

These Judges have total power and act as police, judge, jury and sometimes executioner when the crime calls for it.

Except after watching Dredd for the many-ith time I came to the conclusion that while the Judges might be trying to “keep the peace” they’ve either failed in their duties or are so understaffed that they can’t effectively complete them.

In Dredd, it’s revealed that inside Mega City One there are, “12 serious crimes reported every minute.” Or 17,280 a day. While the crime rate of Mega City would be relatively low, it’s also revealed that the Judges only have enough resources to respond to around 6% of these crimes. Or you can count on a Judge to turn up to around a little over 1,000 of the 17,000+ “serious” crimes each day.

-1To put that another way, if you’re a criminal in Mega City One you’ve got a 94% chance of never having to deal with the law no matter what you do.

It doesn’t help matters that of all the new Judges who are recruited and trained 20% of them “don’t survive” the first day according to the movie. Looking at policing statistics now and assuming there are around four million Judges to 800 million people and that 10% of that force either retires or is otherwise incapable of fulfilling their duties each year would mean that there would need to be at least 400,000 new Judges annually. But you can’t just create 400,000 new Judges, you have to have MORE since of those 400,000 80,000 wouldn’t be around to see their second day of work!

And who knows what the casualty rate is for a new Judge after a week or even a month!

And Mega City One isn’t a very nice place to live either. The unemployment rate there is astronomical and the living conditions are abysmal. Most of Dredd takes place inside a run-down, colossal 200 story skyscraper that Dredd and his rookie trainee Judge Anderson (Olivia Thirlby) become trapped in when they respond to a call there. This building houses over 75,000 people and is considered a slum with nearly 400 people crammed into each and every floor.

In Dredd, the Chief Judge says, “The Judges are losing the war for the city.” It seems to me that they’ve already lost. With the rampant crime, terrible living conditions and odds of survival for the Judges it’s a wonder why there aren’t MORE crimes in Mega City One where seems that crime does pay.

Both movies Judge Dredd and Dredd are available on home media and the Judge Dredd comics are still being published in the pages of 2000 AD and Judge Dredd Megazine.

Robotech: The Gateway Anime

I was an impressionable 10 year old when the animated TV series Robotech first premiered here in 1985. Back then the TV landscape was very much different that it was today, especially with kid’s cartoons. Now, cartoons air 24/7 on a variety of specific channels and via streaming services too. But back in 1985 cartoons only really aired Saturday mornings and for a few hours after school on one or two channels.

Rick Hunter
Rick Hunter

I hate to admit it but looking back for the most part cartoons of 30 years ago weren’t very good. Until I started rewatching cartoons as an adult I thought most of the ones I used to watch as a kid were brilliant. And while I might still love say classic G.I. Joe and Transformers cartoons, the stories these two shows told were cliched and childish where even though characters were trying to kill one and other no one really got hurt and no one ever died.

That’s part of the reason Robotech is so memorable to me, why it’s so different from its contemporaries.

Robotech told one long story over 85 episodes and three different series. Characters in Robotech grew and changed and shockingly enough some actually died. Watching Robotech again today I’m amazed at just what weighty subjects the show told. It’s almost like Robotech was an adult themed show in the guise of a children’s cartoon. And the design and art of the show was like nothing I’d ever seen before outside feature film animation.

Roy Fokker
Roy Fokker

Years before computer 3D effects would make such things easy Robotech had jets that could turn into robots fighting alien ships which must’ve taken countless hours to animate by hand.

The story of Robotech is deceptively simple. On the eve of a third world war a gigantic alien spacecraft crashes onto the Earth and the governments of the world unite to explore and figure out uses for this new technology. Fast forward a few years to the launch of the SDF-1, a gigantic ship built from the wreck and tech of this ship when the aliens who lost the ship in the first place come looking for it. But when we use this new “Robotech” technology to fight back it malfunctions and sends the ship to Pluto where the survivors of the battle must fight their way through the solar system to get home.

And this was just the first series. The other two dealt with the continuation of this war into the future to a post apocalyptic end.

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To a kid who’d grown up assured via cartoons that the good guys always win and that the bad guys can always parachute out of their exploding helicopters before hitting the ground, Robotech came as a bit of a revelation. I’d never seen anything like it before and I’m not sure there’d been any show up to that point to deal with all the stuff in Robotech before.

Even so, there were only a few of us at school who were into Robotech. The show aired at the staggering early time of 6:30AM against things like the early news and the farm report. It was on so early that I used to get up, watch Robotech and go back to bed for an hour before I had to really get up for school.

Minmei
Minmei

So, at least in our area, Robotech was never as popular as the other cartoons even though there were the usual tie-in comic books, toys and action figures to go along with the series. After the original Robotech series ended that was pretty much it for Robotech for the next few years.

While Robotech is still very much outside the mainstream for people like me who grew up with the show or came to discover it later it was world changing. I don’t think after seeing Robotech I could take other cartoons that didn’t take on real-world topics like Robotech as seriously as before. Where’s the fun in watching a show like Voltron that also had gigantic robots facing off against aliens when each week’s episode was almost a mirror of what had come before when I could be watching Robotech instead?

It’s been a few years since the last time I sat down to watch episodes of Robotech and probably decades since I’ve watched the series as a whole. But if this is any indication as to how much the series meant, no, means to me whenever I play a clip of the Robotech title sequence and the synthetic violin strings start up there’s a chill of excitement that goes up my spine where I’m 10 years old again up too early to catch my favorite cartoon on TV.

More Robotech > Super-Deluxe Japanamation!

The Evil Dead, Join Us!

The Evil Dead

Over the last few years Hollywood has become remake crazy, and it seems as if one of the more popular types of movies to be remade are horror films. One of the movies that’s in the process of being remade for good or ill is The Evil Dead.

What would become a trilogy of movies began with The Evil Dead in 1981, continued with Evil Dead II in 1987 and was completed with Army of Darkness in 1993. While The Evil Dead II and Army of Darkness would introduce varying degrees of slapstick humor and comedy into the Evil Dead mythos, the original The Evil Dead was instead a straight-up horror movie literally billed as “the ultimate experience in grueling terror.”

The story of The Evil Dead is simple and, I hate to say it, not that original. But it’s how the creators of The Evil Dead execute this simple story that separates this film from lesser ones and keeps people like me talking about it 30+ years after its release.

In The Evil Dead, a group of teens decide to spend part of their school vacation in a cabin in the woods partying. The cabin is spooky and creepy enough, but what the teens find within is even more scary. There, they find a book bound in skin and written in blood; the Necronomicon Ex-Mortis, the book of the dead. While the teens can’t make out what’s written in the book they find a tape recording left behind by a professor who was translating the text and reading it aloud. And when the teens listen to the tape they unknowingly release an evil force into the woods around the cabin.

The Evil Dead

This force terrorizes the group one at a time before turning most into possessed “deadites.” Alone is Ash (Bruce Campell) who can’t escape to safety because of the things in the woods and must face his deadite friends who want him dead by dawn.

Shot on just $357,000 in the late 1970s and early 1980s, or a little less than $1 million today, the limited budget of The Evil Dead shows through with every bad monster makeup appliance or mismatched hairstyles between scenes .Yet how the film is shot and the overall creepiness of the real cabin location more than makes up for something that could have come off cheep and cheesy.

While similar horror movies rely on gore and guts for scares, The Evil Dead instead relies on clever editing and dynamic camerawork. In The Evil Dead, the camera swoops and dives through the woods chasing characters and, at one point, literally crashes through a window at someone. In one shot, Ash watches the clock hoping for morning and we watch him from behind the clock as the pendulum swings in and out of view.

The Evil Dead

That’s not to say that there isn’t gore in The Evil Dead, but it’s so over the top that it sometimes verges on humor. The blood here is a vibrant red and is so voluminous that at one point Ash literally falls into a deep pools of it. Humorous or not, some countries outright banned The Evil Dead from their lands for years. In fact, The Evil Dead wasn’t legally available for purchase in the UK in an uncensored version until 2001!

Banned or not, The Evil Dead would go onto become one of the most successful independent movies of all time. Ironically enough, it would take another movie about a group of teens who become lost in the woods and are terrorized by an unseen force, The Blair Witch Project (2000), to become an independent movie more successful than The Evil Dead.

I originally saw an edited version of The Evil Dead on cable TV in the mid-1980s during the cable show Commander USA’s Groovie Movies that used to air all sorts of genera movies Saturday afternoons. I in no way shape or form got what The Evil Dead was about back then and I didn’t like it. It would take many years for me to see it again on DVD to really appreciate The Evil Dead for all its over-the-top horror. Grade A.

Evil Dead II, Dead by Dawn!

Evil Dead II
Bruce Campbell in Evil Dead II

While The Evil Dead was mostly a straight horror movie Evil Dead II was a crazy mix of comedy and horror. But it’s horror by way of slapstick The Three Stooges.

Personally, I like Evil Dead II a lot, but it’s my least favorite of the trilogy. In many ways Evil Dead II seems like a bigger budget remake/ alternate take on The Evil Dead. In fact, the first half of Evil Dead II is a revised retelling of that first film.

In Evil Dead II, instead of Ash (Bruce Campbell) and his four college friends visiting a spooky cabin in the woods and discovering the tape left by the professor reading aloud passages from the Necronomicon Ex Mortis, the book of the dead, it’s just Ash and his girlfriend. But mostly the same stuff happens in Evil Dead II as it did in The Evil Dead; she becomes possessed by demons and no matter how many times Ash kills her she keeps coming back for more.

There are differences in how Evil Dead II tells The Evil Dead Story and its mix of a bigger budget and slapstick humor make the tone and feel of the two movies completely different from one and other. The beginning of Evil Dead II is much more over-the-top, goofy and is funnier than The Evil Dead and after this retelling Evil Dead II continues the story of The Evil Dead in some pretty interesting ways.

Evil Dead II

The last half of Evil Dead II introduces a group of new characters to the mix including the professor’s daughter who pays a visit the cabin looking for her father. There, they find a blood-covered Ash and assume the worst. But after they find the professor’s “deadite” wife hiding in the basement and as the woods around them literally begins to creep towards the cabin these new characters realize Ash is the least of their problems.

Evil Dead II
The hand flips the bird

There is gore and terror in Evil Dead II but there is also a lot of humor too. In one scene Ash’s hand becomes infected by some evil presence and he’s forced to cut it off, which is gruesome enough. But after the hand is detached it runs around the room on its own climbing through Looney Tunes-like mouse holes in walls and at one point flips Ash the bird. When Ash gets the upper hand (tee-hee) on things he mutters, “Who’s laughing now!?”

There are lots of these scenes like this in Evil Dead II that are so over the top (detached eyeballs fly across rooms, walls spew blood) they would would be gross in any other movie. But here they’re really funny. And that separates Evil Dead II from just about every other horror movie ever made. There are as many laughs in Evil Dead II as there are scares. If not more.

Evil Dead II
Superhero Ash

Evil Dead II also introduces a different, more action-hero like, version of the Ash character. Gone is the sensitive wimpy Ash of The Evil Dead and instead here is the catch-phrase muttering (one of his favorite lines is “groovy”) demonite killing Ash with a chainsaw attached where one hand used to be and a shotgun in the other. Evil Dead II and Ash are lot more comic book-like than The Evil Dead but they’re also a lot more fun too.

While Evil Dead II is kind’a sort’a a remake of The Evil Dead, it also directly sets up the third and final film of the trilogy; Army of Darkness. This last movie would take Ash from the creepy cabin in the woods to a medieval castle in the desert! Grade B+.

Part 3: Army of Darkness, Hail to the king

Army of Darkness

While The Evil Dead was for the most part a straight horror movie and Evil Dead II a crazy mix of comedy and horror, Army of Darkness was a comedy with a bit of action and a few elements of horror thrown in for good measure.

Army of Darkness was a movie that came along at the perfect time for me. I first saw it on VHS as a teen and its mix of comedy, humor and downright goofiness totally clicked with my sensibilities back then. In fact, I only sought out and saw Evil Dead II then watched The Evil Dead again for the first time in years after seeing Army of Darkness.

Army of Darkness

Army of Darkness begins right where Evil Dead II ends; Ash (Bruce Campbell) finds himself transported back in time to the 14th century where he’s seen as a prophesied hero that will destroy the evil forces that are plaguing that time. Ash, along with his car, chainsaw and shotgun that were also accidentally magically sent back the centuries, are seen as a sort of savior by the locals. But he doesn’t want to have anything to do with the natives and just wants to go home.

To get back to the 20th century Ash must retrieve the Necronomicon Ex Mortis, the book of the dead from a graveyard. But when he messes up a magical incantation he’s supposed to speak before taking the book and accidentally unleashes the deadite army of darkness, it’s up to Ash to stop the army before it takes over the world. (In fact the on-screen title of the film is really Bruce Campbell vs Army of Darkness.)

Army of Darkness
The army of darkness

Compared to The Evil Dead and even Evil Dead II, Army of Darkness feels like a much bigger, though not quite epic, action-comedy with Ash constantly spouting t-shirt slogan ready catch-phrases like “groovy,” “hail to the king” and “gimme some sugar, baby.” In any other movie lines like that would come off as a dumb joke, but in the goofy Three Stooges/Looney Tunes inspired Evil Dead universe this works. It makes the Ash character like some sort of reluctant comic book hero who’s not nearly as smart as he thinks he is.

Army of Darkness

While most horror movies constantly go for the scare – and become less and less watchable with each outing since after the first time know the twists and turns – the goofy sense of humor that permeates all the Evil Dead films separates those movies from almost every other horror flick. And I think because of all the humor and action and horror is why we’re still talking about the Army of Darkness and the other two Evil Dead movies 30+ years after the first one was released.

And this is precisely what worries me most about the Evil Dead remake due in theaters April 5. From the look of the trailers and marketing materials that’s been released from that movie, the simply titled Evil Dead is horror first, terror second and humor not at all. Which, to me anyways, makes Evil Dead look like just another 21st century horror remake like The Hills Have Eyes or The Texas Chainsaw Massacre that might make a splash at the box office one week but will all but be forgotten a month or two later.

Army of Darkness

After Army of Darkness, Evil Dead franchise director Sam Raimi would go onto direct the Spider-Man trilogy of films and would become a prolific producer of TV and movies along with co-Evil Dead franchise producer Robert G. Tapert. Star Bruce Campbell would spend the years after the Evil Dead trilogy as a working actor who bounced around between various TV and film roles. Recently, though, Campbell has found success co-starring in the long-running TV series Burn Notice. Grade: A-.

The Evil Dead trilogy is available on home video and digital download.

Doc Savage: The Man of Bronze (2000) Movie Script Review

I recently had the chance to read a script for an unproduced Doc Savage movie that would be been directed by Frank Darabont (The Shawshank Redemption, The Walking Dead) and star Arnold Schwarzenegger in the title role. The copy of the script I read is dated August 16, 2000 and was written by David Leslie Johnson with story credit to Johnson and Brett Z. Hill.

If you’re unfamiliar with the character, Doc Savage was originally a pulp action hero with the main bulk of his stories being written between the early 1930s and late 1940s by Kenneth Robeson (Lester Dent). Though Doc has never been as recognizable as contemporary comic book characters like Superman or Batman, the Doc Savage character has a fervent fanbase that has kept the character around in one form or other, be it in book reprints, comic books and even a line of new books, to present time.

The feature film version of Doc Savage: The Man of Bronze would have taken place in the late 1930s and would feature Doc along with compatriots Ham, Monk and youthful Jack racing Nazis and  Japanese forces to the mythical city of Angkor Naga. Supposedly, Angkor Naga is a place filled with gold and other treasures including a Nazi sub that may or may not have some special technologies within that would make the Germans and Japanese practically unbeatable in the upcoming world war.

While there are some segments of Doc Savage: The Man of Bronze that do work, most of the first two acts of the script don’t work very well.

In these two acts, we meet Doc and compatriots in the trenches of the first world war, then jump to the late 1930s with Doc fighting giant robots and Nazis and traveling the world in search of kidnapped scientists and friends.Which is all good, except here the scriptwriters forgot one important thing; they didn’t introduce Doc Savage and his team to the audience that well. We never learn why Doc is rich, stronger than the average man, a brilliant inventor, etc. or anything about his friends. Instead, these details are glossed over at the expense of action AND MORE ACTION!

To be honest, the first two thirds of Doc Savage: The Man of Bronze read more like the first few episodes of a Doc Savage TV animated series than a feature film version, and that’s too bad because the last third of the script is actually really fun and in line as to what I’d expect a Doc Savage movie to be.

In the last act of the script, there are some unique set pieces that I don’t think I’ve ever seen on-screen before, namely two racing military trains on adjoining tracks blasting away at each other like sea galleons of old, and some giant monster action I wasn’t expecting too.

I also liked how certain aspects of the Doc Savage character were handled in the script; he’s a real life Boy Scout who abhors killing and is the smartest person on the planet who can accomplish literally anything if he puts his mind to it. I also liked how in Doc Savage: The Man of Bronze certain aspects of 1930s America were a hyper-real version of that time, with dirigibles landing at the Empire State Building, evil Nazi robots menacing the populous and weird inventions having the capabilities of turning the tide of war.

When the writers of Doc Savage: The Man of Bronze gets the story right the script is akin to both the comic and movie The Rocketeer. When they get it wrong it’s a bad riff on Indiana Jones.

But I’d argue that what doomed this version of a Doc Savage movie from hitting theaters wasn’t only this weak script, it’s Schwarzenegger in the starring role too. Here, he’d have been a man in his mid 50’s playing someone 20 years younger who’s supposed to be in peak, if not super-human, physical form. It wouldn’t have helped that Schwarzenegger was coming off a string of disappointing movies including Jingle All the Way (1996), Batman & Robin (1997), End Days (1999) and The 6th Day (2000) leading up to this role too.

Doc Savage: The Man of Bronze Script – Grade: C+

Movies Have Always Sucked

The Godfather
Over the last few years there’s been a lot of talk that the overall quality of films has been slipping from previous decades. And this seems born out by looking at lists like the American Film Institute’s “100 Years…100 Movies” of the greatest films of the last century. With the likes of Citizen Kane, The Godfather and Casablanca on that list makes the recent top grossing releases of Harry Potter and the Deathly Hallows: Part 2, Transformers: Dark of the Moon and The Twilight Saga: Breaking Dawn – Part 1 look like relative trash in comparison.

And while the American Film Institute list might truly be a chronicle of 100 great movies, here’s a little secret about most other movies; they suck and have sucked since Hollywood first started making films. And the fact that most movies suck is perfectly normal. Think about it, when there are literally hundreds of films being released every year over the last century, the odds are that a few of them will be great, some good but the vast majority are destined to be bad if not terrible.

As an example, let’s look at the year 1974, one year before the release of the film Jaws which to some marks the start of the downward spiral in terms of the quality movies from what came before. That year saw the release of classic films like The Godfather: Part 2, Blazing Saddles and The Texas Chainsaw Massacre. It also saw the release of other movies with nowhere near the quality of those like The Towering Inferno, Earthquake and Benji. (It’s interesting to note that both The Towering Inferno and Earthquake were both more successful at the box office than The Godfather: Part 2.)

The Trial of Billy Jack

And that’s not counting the hundreds upon hundreds of mostly forgotten films from 1974 like Slaughter in San Francisco, Cockfighter and The Trial of Billy Jack that make even something like Benji seem like a film for the ages in comparison.

The other argument I hear of today’s low quality of movies are that they’re almost all based on previous works and that films of the past were almost all based on original works. Which actually isn’t the case at all. The highest grossing movies at the box office when adjusted for inflation prior to 1975 according to the website Box Office Mojo are; Gone with the Wind (1939), The Sound of Music (1965), The Ten Commandments (1956), Doctor Zhivago (1965), The Exorcist (1973), Snow White and the Seven Dwarfs (1937) 101 Dalmatians (1961), Ben-Hur (1959), The Sting (1973) and The Graduate (1967).

In fact, ALL of these movies were based on previous works, most novels and one musical. And The Ten Commandments and Ben-Hur can both be considered remakes of previous films as well as based on a novel and the bible.

But what about today’s Hollywood churning out sequel upon sequel to every successful film? Surly Hollywood being so sequel friendly is a modern concept, right? Not really.

The Thin Man
In the 1940s there were 13 different Sherlock Holmes movies, six The Thin Man movies in the 1930s and 40s and nine Abbot & Costello films in the 1940s and 50s. There have been 80+ odd Tarzan movies to date, 12 alone from the 1930s and 40s that all starred Johnny Weissmuller, make something like the three recent Paranormal Activity movies or seven Saw films pale in comparison.

I think when it comes to movies of the past, the public tends to remember the classics and forget the duds. Or, the public tends to believe that great films were always considered great from the moment they were released, which really isn’t always the case. In 1994 when The Shawshank Redemption and Pulp Fiction were released, critics derided Pulp Fiction as being a vulgar movie that glamorized drug use and The Shawshank Redemption was a certified flop at the box office, only being considered a great film years later after audiences discovered it on cable TV and VHS.

And let’s not forget that when those films were released in 1994 movies like The Santa Clause, The Flintstones and Speed were more successful than either Pulp Fiction or The Shawshank Redemption at the box office. So few people went to see The Shawshank Redemption in theaters that it was beaten out by the likes of the Pauly Shore vehicle In the Army Now and Street Fighter starring Jean-Claude Van Damme. Can a movie get lower than being topped by Pauly Shore AND Van Damme?