Akira and the modern superhero movie

I was recently watching the movie Akira which turns 30 this year. I’d seen it a handful of times before and have read the manga the film is based on, but watching it this time brought a kind of new light to me with the modern superhero movie.

Akira (1988)
Akira (1988)

Both Akira and the modern superhero film are similar in terms of story and structure. In each there are people who posses some fantastical abilities living in a modern day world. I think the difference is that whereas the stakes of the superhero movie is low — the stakes of Akira are high.

In Akira, it’s 2019 and the world is recovering from a third world war. Tokyo, destroyed at the start of the conflict, is now a megapolis and is getting ready to host the next Olympics. (Which is actually happening, the 2020 Olympics are really going to be in Tokyo.) The city is rife with revolution, corruption and gangs battling it out on the freeways, one of which is led by Kaneda with his right-hand-man Tetsuo. As a motorcycle battle is taking place between Kaneda’s gang and another, Tetsuo crashes into a boy that has all the features of an elderly adult and somehow gains immense powers.

Akira manga
Akira manga

As government agents try and stop Tetsuo while revolutionaries in Tokyo begin to rally around him, the only question is whether or not the even more powerful Akira who was the reason the third world war started in the first place will arrive and bring peace to the planet or will return and wipe everything out this time?

Admittedly, from my western sensibilities the story of Akira is bit odd, especially with Tetsuo gaining these powers after an accident and such. Then again, is that really any more weird than getting superpowers via being bitten by a radioactive spider or being exposed to a gamma-ray bomb?

Regardless of how anyone gets their powers, in Akira the stakes of the story are high. The threat of Akira isn’t just that he’s powerful enough to end the world, the real threat is that he’d change the power structure of the planet too. Gone would be all the democracies, republics and communist regimes, instead replaced with Akira and his godlike powers. It’s not so much the death and destruction the governments fear from him, they can deal with that, it’s Akira’s absolute rule of the planet being revered as a walking deity that scares them.

X-Men the Age of Apocalypse poster
X-Men the Age of Apocalypse poster

In superhero movies there’s almost always the threat of a world-ending apocalypse too. But it’s usually just that, if the superhero fail then the world ends and we all die. But story-wise, once the superheroes save the planet once, where else can the next movie go since stories really can’t get bigger than the planet being in peril?

Marvel movies are especially guilty of this. The first Iron Man was the title character versus the Iron Monger, another dude in a metal suit. In The Incredible Hulk, the next Marvel film chronologically, it was him verses the Abomination. Another hulking beast. But ever since the stories of the movies have become about world ending threats again and again and again with the heroes pulling victory out of the jaws of defeat every time.

Almost more importantly than these world ending scenarios in Akira there are consequences to the violence depicted on-screen. Characters die bloody deaths, sometimes major characters too. Whereas in most superhero movies there may be deaths but they’re relatively bloodless secondary-characters that happen to move the story along. In Akira death and destruction sometimes just suddenly happen out of the blue just like in real life.

I hate comparing Akira and the modern superhero movie since they’re almost two different beasts. For the most part modern superhero movies are fun, yet very expensive, action films directed at a family audience. On the other hand Akira is a heavy movie that’s not meant for the PG–13 crowd. Still, there are enough similarities between the two that made me think they might be more similar than dissimilar.

I do wonder in a few years what will happen when all the kids who grew up with the modern superhero movie, are teens and headed towards adulthood? What will they seek out when tame superhero movies aren’t enough for them? Will superhero movies evolve with them into something new? Something more adult? Or will the creators of those films continue doing what they’ve been successfully doing the last decade and ride their success right into the ground?

Direct Beam Comms #131

TV

Cloak & Dagger

One of the last of the 2017–2018 TV series to premier is Cloak & Dagger based on the Marvel comic of the same name on Freeform.

Olivia Holt & Aubrey Joseph
Olivia Holt & Aubrey Joseph

I could be wrong but I think that the comic book Cloak and Dagger was one of the books where there was a lot of talk about turning it into a movie in the 1980s and 1990s. And I can see why, the story centers around two teens and at that time teen oriented movies and TV series were very popular. So Cloak and Dagger on the big screen was a no-brainer. But for whatever reason that also kept other comics making their way to the big screen like X-Men and Spider-Man kept Cloak and Dagger off the big screen too.

Honestly, I come at this series without a lot of knowledge of the source material. I know that the essence of the Cloak and Dagger story is that there’s one character who’s a girl “Dagger” who can create powerful daggers of light while guy “Cloak” can absorb the bad guys into a darkness that surrounds him. And that’s about it. I never collected a Cloak and Dagger comic nor did the characters ever pop up in comics I did collect. So it’s interesting to come at something comic book related that I’m not already familiar with.

This TV Cloak & Dagger — yes, it uses an ampersand while the comic went with an “and” — stars Olivia Holt (Kickin’ It) as Tandy Bowen aka “Dagger” and Aubrey Joseph (The Night Of) as Tyrone Johnson aka “Cloak.”

Olivia Holt
Olivia Holt

The TV version takes place in modern day New Orleans where, as young children, Tandy and Tyrone meet after an oil rig explodes causing an accident that sends the car Tandy’s riding in crashing into a bay while Tyrone’s brother is shot by police, falls into the same water with Tyrone diving in after him. This explosion causes a big “something” that somehow gives both Tandy and Tyrone their powers.

Honestly this whole sequence had my “coincidence meter” pegged at “unbelievable” since all the different things that had to happen to put both Tandy and Tyrone in the same place was a little much. But thankfully the rest of the episode doesn’t rely on coincidence to this extent.

The rest of the first episode takes place in modern day where Tandy has become a grifter, using her good looks to get into people’s houses and steal from them. Tyrone is a high school student and basketball player so when the two meet at a party and Tandy steals Tyrone’s wallet and he gives chase and grabs her their powers suddenly manifest. Later on Tandy stabs a would-be rapist while Tyrone uses his power to travel around and hunt the cop who got away with killing his brother.

I thought Cloak & Dagger was interesting, if it seemed to be directed towards teens and twenty-somethings. Which is fine. I was just surprised that the episode contained sex, an attempted rape, drug use and alcohol use on Freeform, which used to be the old ABC Family and still airs The 700 Club from when the channel used to be The Family Channel.

Condor

Based on the 1975 movie Three Days of the Condor which was based on the 1974 novel Six Days of the Condor — guess they didn’t have the budget to do all six days in the film or any days apparently in the TV series, the new ATT/DIRECTV series simply titled Condor premiered last week on Audience. Starring Max Irons as Joe Turner, Robert Redford in the film, this new version updates the story a bit. The film had CIA analyst Turner go on the run when everyone at the office he works with is murdered after they uncovered something of import — Turner’s not sure what, only that it was worth killing everyone in the office to keep it a secret.

Max Irons
Max Irons

In this new version, Turner’s employers are more a silicon valley tech group working in DC for the CIA when an algorithm he created is used to uncover a terrorist about to release a deadly bio-toxin in the US. But when the group begins looking at who funded the creation of this weapon Turner gets too close to the truth so someone sends in two assassins to kill everyone there. Turner only escapes because he was out on a fire escape sharing a smoke with a co-worker who was killed when she turned left instead of right so Turner’s forced to go on the run alone.

I thought Condor was good if it had a bit too many plot-holes for my taste. The smoking section on the fire escape of a building so protected it has layers of security in order to get in with armed guards has got to be the biggest. But there’s also one of the assassins sleeping with Turner the night before the hit that strains credulity since who wants to leave DNA evidence at the guy’s apartment you’re going to try and kill?

Still, the whole “who can you trust” angle of the Condor story is interesting, so I’ll probably end up sticking around to see where this one goes. Even if the movie version of this told the same story in much less time than the ten episode TV series is set to.

Movies

The Girl in the Spider’s Web trailer

Halloween (2018) movie trailer

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Direct Beam Comms #130

TV

Arrested Development

Recently, there’s been a spate of TV series to feature the super-rich. Be it ones that take place in modern day like Dynasty or in the recent past like Trust or even in the new HBO show Succession, apparently Hollywood thinks that the rest of the 99% of the people out there are dying to see just how the 1% live. Which I’m happy to report that my favorite series to focus on a 1% family, or at least they used to be a 1% family, Arrested Development has returned for a fifth season on Netflix.

David Cross and Jason Bateman
David Cross and Jason Bateman

So far, Arrested Development has survived two administrations, one economic crash and two networks and is still going strong.

The path of Arrested Development is an interesting one. Always on the verge of being cancelled by FOX where it originally ran for three seasons from 2003–2006, the series was eventually axed but was brought back by Netflix in 2013 for a fourth season, with the fifth having premiered last week.

The Bluth family, the focus of Arrested Development, are the stereotypical rich family who think only of themselves. There’s not a good one in the bunch. Even elder son Michael (Jason Batemen) who seemed like the normal one in the early seasons of the show turned out to be just as selfish as the rest of the family in later ones. He wants to be the guy who does the hard work and comes in and saves things when past accounting practices and some “light treason” by father George (Jeffrey Tambor) threaten the family business. But he’s always looking out for himself. Michael wants to be the “good guy” but also wants everyone to know just how great he is.

Portia de Rossi
Portia de Rossi

Ironically, what started out as an over-the-top take on a rich family back in 2003 quickly became not so over-the-top as the unbelievable things that happened in Arrested Development became reality. The most famous of which was of George and wife Lucille (Jessica Walter) sinking a fortune into land in order to build a wall between the US and Mexico. Which became a part of the 2016 election and is still something in the news today.

The selfishness continues in the fifth season of the series with Michael trying to dodge his neighbor for the $700,000 he owes her, son George Michael (Michael Cera) visiting Mexico for a cultural experience but finding it basically exactly like California, cousin Maeby (Alia Shwkat) taking after her grandmother when it comes to alcohol consumption and Maeby’s mom Lundsay (Portia de Rossi) running for office since she, “…wants to be part of the problem.”

I love Arrested Development and really like this latest Netflix season. I just wish we would have heeded the warnings present from the first episode of the show. 😉

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Movie negativity

I’ve been scratching my head lately to figure out why there’s so much negativity being directed at films these days by moviegoers? If you read the online vitriol about movies like Star Wars: The Last Jedi, I think you’d come away thinking that it was an abomination. But I saw Star Wars: The Last Jedi and liked it a lot and couldn’t understand where all the negativity was coming from? We all saw the same movie yet there was a vocal group of people out there who hated it and even started petitions to try and get it altered to better suit how they thought the movie should be.

Star Wars: The Last Jedi
Star Wars: The Last Jedi

And this isn’t just about Star Wars, though people have hated those movies since George Lucas did Episode I through III. They also hate movies like Suicide Squad, The Hobbit and Justice League. While I don’t necessarily think those movies are great ones, I don’t think they’re bad ones either.

Here’s what I think the problem is — people don’t watch enough films these days.

When I was growing up me and my brother would watch all sorts of movies. We had cable, one premium movie channel and would rent movies on VHS a few times a month. But for the most part we couldn’t really control what we watched. For sure we could always change the channel or watch something on tape, but for the most part if there was really nothing on TV of interest we’d end up watching whatever movie happened to be on TV when we were watching it. Which meant we were exposed to lots and lots of things we wouldn’t have seen on our own.

The Hidden
The Hidden

I think of all the horror movies I happened to watch from The Last Man on Earth, Day of the Dead and The Hidden that I only saw because they happened to be on TV when I was watching. The same goes for just about every genera of movie out there. We watched loads and loads of 1970s and 1980s comedies we probably shouldn’t have been watching, Hamburger: The Motion Picture immediately springs to mind, but saw anyway because they were on when we had the TV on.

To this day I’ll turn over to some random movie airing on some random channel that I know I’ve never seen before — only to realize about half way through that I actually had watched it as a kid and had seen it enough that I can remember specific quotes from it.

Which means over time me and my brother were exposed to a few great movies, a lot of good ones and a few stinkers.

The thing is today I don’t think many audiences experience movies like this anymore. They won’t sit through good movies when it’s easy to watch a great one on demand. And they’re certainly not going to intentionally watch a bad movie, unless it’s ironically being made fun of. All of the things me and my brother sat through as boredom killers as kids aren’t experienced whatsoever today.

Suicide Squad
Suicide Squad

Which, I can see the argument being made that’s a good thing. Why should, say, a restaurant goer eat anything but filet mignon and lobster if they don’t have to? What I’d say to that is that if all you consume are what everyone already considers the “best” then you’re going to miss all the other things out there. With food it’d be missing things like food trucks, hole-in-the-wall restaurants and diners. And with movies it means missing a lot of good content when all you want is what’s great.

I also think that if all people watch are what’s already considered “great” movies then they’re going to have a skewed view at what films should be. Of course if you measure something like Star Wars: The Last Jedi up to the original trilogy and nothing else you’re going to come away disappointed since what film could ever measure up to three of the greatest movies of all-time? But what if you measure Star Wars: The Last Jedi to the dozens of bad sci-fi movies that have come out in the last decade? I think that changes the rating for any movie.

I don’t think movies are a zero-sum game. I don’t think a movie is either the best movie ever made or sheer crap, sometimes movies are “good” and that’s okay. And it think the reason I’m like this is because of the hundreds and hundreds of movies I saw growing up.

Direct Beam Comms #129

TV

The Terror

The first season of the AMC series The Terror wrapped up Monday night, and it too like Barry was another series I greatly enjoyed. Though The Terror did start off slowly and takes a while to “get going,” none-the-less it’s the best limited-series in recent memory.

Jared Harris as Captain Francis Crozier
Jared Harris as Captain Francis Crozier

Based on a true story, here the ships HMS Erebus and Terror are trying to find the fabled Northwest Passage but become stuck in the ice and have to spend a winter in the Arctic waiting for the thaw in the mid–19th century. But one winter becomes two and as a third looms ahead Captain Francis Crozier (Jared Harris) must decide whether to spend another year on the ice as their supplies dwindle or set off on foot heading south hoping they can find open water and a friendly ship to take them home. But that’s not Crozier’s only problem as it quickly becomes apparent that the food they’re eating was made in a way that it’s slowly poisoning the crew and, even worse, there’s a weird thing that kind’a sort’a looks like a polar bear but is seemingly indestructible who has a taste for human flesh and is working it’s way through the crew a few men at a time.

No one’s quite sure what really happened to the men of the real Terror and Erebus, other than they never made it back home and were presumed either killed by the harsh Arctic elements or when they ran out of supplies, so the addition of this pseudo-supernatural element, it might be a supernatural bear or just a weird mutant one, is inspired. It’s also entirely possible that in The Terror what they men were witnessing wasn’t a super-bear, but a regular one, or even a few bears, but since they were being unknowingly poisoned by their food, maybe they didn’t have their best faculties about them to be aware either way?

Can we trust what the men of the Erebus and Terror are seeing since they can’t totally rely on their senses, or is there really something supernatural going on here?

Ciarán Hinds
Ciarán Hinds

The sense of approaching doom in The Terror is palpable as the last third of the season is of Crozier and the remaining men walking south away from their ships and the only safety they’ve ever known in hopes of stumbling across rescue. And even when they do reach an island on their journey it’s not a paradise. Instead, it’s a dead place, covered in rocks and completely devoid of anything the men can eat. Which quickly becomes an issue as the group splinters with one thinking the unthinkable towards the weaker crew members in order to stay alive even a few more days.

There’s really no escape from the Arctic for the men. They can either head further south into the unknown but are in no condition to get very far, or they can stay on their island and stave off death a few weeks until winter comes and does them in. Sometimes in these expeditions into the unknown no one in them comes home, and this expedition to find the Northwest Passage is one of them.

The last episode of The Terror ends up in a place I wasn’t expecting. Not to spoil things, but just because in the history books the fate of the crew of the Erebus and Terror may have played out one way doesn’t mean it plays out the same way in The Terror. Now this doesn’t quite pull an Inglourious Basterds here, but it does go to a place I hadn’t thought of.

I was greatly impressed with how The Terror ended up but have one question — if this is the “first season” of the show as AMC puts it where will a second go from here? Maybe The Terror will become an anthology series for AMC like American Horror Story has become for FX since the story of Captain Crozier and his crew at the end of the first season of The Terror is certainly complete.

The Expanse

A little more than a week after it was cancelled, the TV series The Expanse was “uncancelled” by Amazon and the fourth season of the series will officially premier there sometime in, I’m assuming, 2019.

Huzzah!

Comics

Punisher Invades the ’Nam

The Punisher invades The 'Nam
The Punisher invades The ‘Nam

In the late 1980s one of the most critically acclaimed comic books was Marvel’s The ‘Nam which realistically told the life of soldier Ed Marks during his tour of duty in Vietnam. The comic was very successful long while but as the years went on it became less so, so Marvel decided to try and boost sales by including a story that featured one of their most popular characters of that time who had just so happened to have served in Vietnam as a Marine, Frank Castle aka Punisher. Which was a bit odd since up until then The ‘Nam took place outside the Marvel comics universe where superheroes didn’t exist. So with the introduction of Punisher meant that in reality Ed Marks was living in the same universe as Spider-Man and Captain America.

Regardless, this new Punisher Invades the ’Nam edition collects all of Punishers appearances in The ‘Nam, some ‘Nam stories from other Punisher titles and, I believe, an issue of The ‘Nam that was set to be published but never was because of the title’s cancellation.

From Marvel:

Years before he brought his personal war to the mean streets of the Marvel Universe, Marine Sgt. Frank Castle fought in Vietnam — and the man he would become took shape in those killing fields. Revisit the horrors of the ’Nam along with Frank as he battles side-by-side with comrade-in-arms Mike “Ice” Phillips and faces down a deadly jungle sniper, and fights alone in his final tour of duty to rescue a crew of downed airmen from a sadistic vivisectionist. Plus: Years later, “Ice” comes to the aid of his fellow veteran — but can the two of them take down the paramilitary group the Sons of Liberty and a Central American drug kingpin?

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