Movies
On sci-fi and loneliness: Passengers
Passengers is part of a larger sci-fi trend of film and TV focusing on just one person. Before in similar movies and series, that “one person” was the only one because of some plague or natural disaster like in I Am Legend or The Quiet Earth. But the modern take on this is that this “one person” isn’t the last person alive, but they’re alone and are marooned by themselves none-the-less. Movies like Moon had the only person Sam Bell (Sam Rockwell) being the sole-occupant of a lunar mining station, Gravity had Ryan Stone (Sandra Bullock) as the only survivor of a Space Shuttle mission who’s trapped in orbit and The Martian had Mark Watney (Matt Damon) as an astronaut left behind on Mars who must survive with only duct tape, plastic wrap and his wits.
In all of these movies humanity is still alive and well back on the Earth but the main characters are so separated from us they might as well be the only person alive.
In Passengers, the last man is Jim Preston (Chris Pratt) is a passenger on a shiny space-liner taking thousands of hibernating passengers from the Earth to a new colony world. But because of a glitch Jim awakens from this 120 year journey a bit early — 80 years too early in fact. And since he’s the only one awake and since there’s no way for him to go back into hibernation Jim has to face the reality of spending the rest of his life living alone on this ship.
While Jim is utterly alone on this ship he’s surrounded by thousands of pleasantly slumbering passengers all around him and a robotic bartender Arthur (Michael Sheen) to talk with. But Arthur has a robotic personality to match and isn’t much company and Jim slowly begins to lose his mind from loneliness as he reads the computerized biographies of the other sleeping passengers. After falling in love with the backstory on another passenger Aurora Lane (Jennifer Lawrence), Jim decides to awaken her too, blame it on the same glitch that woke him so they can live happily ever after together on this luxury-liner of the stars.
Or so he hopes.
Passengers is a good movie, if full of plot-holes. From the idea that a company would spend untold sums of cash to build a spaceship that’s like a 5-star hotel that’s but is only designed to be used a few months every 240 years or so is ludicrous. Also ludicrous is the idea Aurora has (get it with her name “Aurora” or Sleeping Beauty) of becoming the first writer to journey to this new colony world and back to write about what that experience is like. Except doesn’t the crew of these ships do that all the time? Plus, once Aurora arrives back on the Earth she’d be a 240 year old anachronism who’d be totally out of date and out of step with the realities of that civilization. Let’s put it this way — if someone from 1777 turned up in 2017 they would be the story. People would be interested in what it was like to live and work 240 years in the past rather than what the trip was like. Or even that Jim wouldn’t look to awaken a technician who might be able to put them back to sleep…
I’d be lying if I said the style of Passengers wasn’t anything that had been put to screen before. The ship of Passengers the Avalon, in and around which all the action takes place, from the inside looks like a 5-star hotel staffed by robots. There are some interesting futuristic bits and pieces here and there, but for the most part style-wise Passengers looks much like every other sci-fi movie of the last five years — very slick and very computer generated. The one thing that is different is the actual design of the outside of the Avalon that looks more like a twisting piece of modern art than a traditional-looking spaceship. But that only goes so far from separating this movie from the pack.
Passengers is good, but it’s not a movie that’s going to expand the genera. There’s really nothing new about the plot of Jim being the last man and facing the future alone but somehow finding companionship — which is what happens in every last man story. But it’s not bad either. I thought on the whole Passengers was a very interesting movie from the last man standpoint if not that unique.
Aurora: He woke me up. He took away my life…It’s murder!
Gus Mancuso: You’re right, Aurora. But, the drowning man will always try to drag somebody down with him. It ain’t right, but the man is drowning.
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This week in pop-culture history
- 1940: Rene Auberjonois, Odo of Star Trek: Deep Space Nine is born
- 1953: Colm Meaney, Chief O’Brien of Star Trek: The Next Generation and Star Trek: Deep Space Nine is born
- 1985: Star Trek III: The Search for Spock opens in theaters
- 1990: Total Recall premiers
- 1996: The last episode of Space: Above and Beyond airs
- 1991: The TV series Liquid Television premiers
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May 19 sees the release of Alien: Covenant, the third Ridley Scott Alien film, and a direct sequel to Prometheus (2012). Prometheus got a bad rap by the critics but made more than $400 million at the box office hence Alien Covenant. What’s interesting here is that from the looks of things Scott has taken Alien: Covenant back to something a little more in the vein of Alien with the crew of a ship fighting the insect-like baddies and away from the more esoteric Prometheus, which I happened to like a great deal. Luckily, I also happen to like Alien a great deal too and couldn’t be more excited for this movie if I tried.
The creators of The Mummy on June 9 are attempting to create their own franchise and so-called “shared universe” of movies with the Universal Monsters. Starring Tom Cruise not as the mummy but someone trying to stop her from destroying the world, early looks at The Mummy seem to indicate something like Mission Impossible crossed with Suicide Squad. The Mummy is the first movie of this interconnected film universe that will also include the likes of The Invisible Man, Wolf Man, Frankenstein and the Creature from the Black Lagoon in future films if this one’s a hit.
A third Planet of the Apes film War for the Planet of the Apes is out July 14. The Apes film series is one of my favorites with the first chronicling why the apes got their smarts and the second what was happening with them just after the fall of man. This third film seems to be the story about the final apes vs man battle, with the winner taking claim to the planet. If you’ve seen the 1960s/1970s apes movies I’m sure you know how that works out.
So far Iron Fist has gotten pretty tepid reviews. I’d go as far to say that it’s the worst reviewed series of the four Marvel/Netflix series of 
This series seems to be partially based on the 2004 documentary The Staircase that followed a man accused of murdering his wife and is followed by a film crew in the lead up to trial. In Trial & Error, John Lithgow plays Larry Henderson, a man also accused of murdering his wife who’s also being followed by a documentary crew. Junior attorney Josh Segal (Nicholas D’Agosto) is assigned to the case and quickly becomes lead attorney when Henderson’s funds dry up leaving Segal in charge. Helping Segal is investigator Dwayne Reed (Steven Boyer) and assistant Anne Flatch (Sherri Shepherd) who turn out to be incompetent and are more detrimental to the case than beneficial. Reed accidentally destroys some evidence and Flatch suffers from a variety of maladies from face-blindness to fainting whenever she sees a beautiful piece of art.