Screaming for attention: 400 TV shows and counting

Late last year researches at FX Networks found that there were more than 400 scripted TV shows in 2015. Not 400 HOURS of scripted shows, but 400 DIFFERENT shows. Let that sink in for a minute. If there’s 400 scripted shows and each show has on average 10 episodes, some would have more and some less, that’s something like around 4,000 hours of NEW TV produced last year. To put that number in perspective, with that amount of content you could watch nothing but new TV shows 24 hours a day from December to mid-June.

Humans on AMC
Humans on AMC

And that’s not including news programs and game shows and variety shows and reality and TV movies either. That’s 4,000 hours of scripted dramas and comedies.

Part of why there’s so much “stuff” out there is that every channel wants to have a hit series that draws in viewers, which might turn a channel very few are watching, and therefor getting less ad dollars, into something many are watching and talking about and getting lots of ad dollars. Case in point AMC. A decade ago AMC aired classic movies, hence the name; American Movie Classics. Then in 2007 they launched Mad Men to great acclaim and have since launched other popular series like Breaking Bad and The Walking Dead. Before, AMC was a channel that hardly anyone watched. Now, AMC is one of the most watched spots on TV and one that now makes a lot of money.

And with viewers “cutting the cord” as it were online services are also trying to get in with scripted shows too. Netflix and Amazon have have been creating series specifically for their service for a few years now and now other platforms like Hulu and YouTube are getting in on the game too with content of their own.

Jessica Jones on Netflix
Jessica Jones on Netflix

I watch a lot of TV, probably too much. And even with my prodigious TV habit I couldn’t watch everything last year that I probably would have in years past. For example, the series Humans on AMC looked interesting enough but I had too many things to watch at that time and never got around to it. And with a show like Jessica Jones on Netflix I did watch the first episode but when it didn’t immediately connect with me I moved onto something else.

Now I’m not saying that I’ll won’t go back and try and watch Jessica Jones or Humans again this summer when there used to be fewer new things to on, but I can’t guarantee it since nowadays there are just as many new and interesting series premiering during the summer as there are in the fall/winter months.

New shows last summer like Halt and Catch Fire, True Detective and The Carmichael Show, all of which I enjoyed a great deal, took whatever time I would normally have to checkout things I’d missed during the fall and instead put the focus on them. In fact, the only show I did catchup on last summer was Fargo, and that was only because a friend highly recommended it.

Maron on IFC
Maron on IFC

Which makes me wonder, what am I all missing? Years ago I was only ever able to get into The Wire when I caught up with it after HBO aired the first few seasons before the start of the third. Up until then I’d watch a few episodes at the start of each new season and give up. It was only because I had the time to catch up on it that I was able to be sucked in by that wonderful show.

But the last few years that really hasn’t been happening for me. I tell myself that I need to watch the latest season of House of Cards or Justified or Maron and something else new will appear on my pop-culture radar and I find myself putting off things for one more season.

I suppose the solution to all this is to count my blessings, too much of a good thing is better than nothing, and wait for the day that the eventual collapse of all this good stuff which is inevitable. There’s no way that all the networks and cable channels and online services can be pouring BILLIONS into these new shows with all expected to make back any money.

Maybe what I need to do is to get a colossal DVR and record EVERYTHING I might be interested in when the day comes after the pop-culture collapse when the only thing on to watch are reruns of The Big Bang Theory and episodes of Redneck/Swamp-Truckers/Fishermen/Miners/Pawn on The Discovery Channel.

Better Call Saul: It’s ‘saul good, man!

I may be one of the only people you’ll ever know who didn’t adore the TV series Breaking Bad, and it’s not like I didn’t try. Every year when a new season would premier on AMC I’d dutifully watch the first few episodes and try to find something about the show that I liked. I even tried watching old seasons of the show whenever AMC would run them before the start of new ones. Even last summer I once again tried watching Breaking Bad, this time starting in the second season and skipping the first altogether since I’d already tried that one several times. But even now after an episode or two I’d get tired of the show and bail.

Bob Odenkirk
Bob Odenkirk

It’s not like I thought that Breaking Bad was a cruddy show, just that it wasn’t a show that I could get into. So amongst my friends who craved each new episode/season like a drug I was left out.

So how weird is it that I think the Breaking Bad spin-off/prequel series Better Call Saul is one of the best things on TV and it was me who craved each new episode like a drug?

Better Call Saul follows the Breaking Bad mold with the central concept of a seemingly normal person pushed to their limits who escapes into a life of crime as a means to an end. But Better Call Saul differs with Breaking Bad since it’s a series that actively messes with viewer expectations throughout the show.

The character of Saul Goodman (the wonderful Bob Odenkirk) from Breaking Bad doesn’t appear in the first season of the show — instead he’s pre-Goodman Jimmy McGill. If Goodman is a shark lawyer out to make himself rich not caring what side of the law he’s working for other than who pays the most, McGill is a down on his luck sad-sack attorney with a crummy office in the back room of a nail salon who splits his time being a public defender at $700 a case and drafting wills for seniors for $50 a pop.

And this theme of the show going to unexpected places for even fans of Breaking Bad who thought they knew who Goodman was continues throughout Better Call Saul, and I think is what makes it so different than just about anything else on TV today.

Bob Odenkirk and Jonathan Banks
Bob Odenkirk and Jonathan Banks

Most shows don’t come with much baggage. We might know some of the actors in new roles from previous performances or know that a show is from the same people who created some other popular show. And while we might think we know what a new series is going to be about, odds are that we really don’t. But with Better Call Saul the audience really did know Goodman from Breaking Bad since he appeared in most of those episodes.

As the first season of Better Call Saul progressed we get to see how this guy who started out as Jimmy who only wanted to really work in the same firm alongside his brother becomes disillusioned with “doing the right thing” and slowly becomes the shady character from Breaking Bad.

It’s like when an airliner crashes and we learn that it’s because a whole host of things that went wrong on the flight. That’s what happens to Jimmy — if just a few things had gone differently for him from a having a few different friends to not having a broken support system he might have not gone down the road of crime.

Bob Odenkirk and Rhea Seehorn
Bob Odenkirk and Rhea Seehorn

And Saul isn’t the only character who the viewer thinks they know who they are at the start of the first season, but by the end we realize that we didn’t know at all. There’s another lawyer played by Patrick Fabian who starts out as Jimmy’s nemesis but by the end of the season we realize is someone different altogether and Jimmy’s brother played by Michael McKean who’s another character that, to put it mildly, “evolves” throughout the run.

So, by actively messing with viewer expectations and taking their new show down a different story path than the obvious one, series creators Vince Gilligan and Peter Gould took something that in less capable hands would have been a tired retread of what had come before — for examples see the constant spinoffs from CSI, Law and Order, Chicago Fire, NCIS – barf… — and instead created something new and different.

The second season of Better Call Saul premieres Monday, February 15 on AMC.

Better Call Saul

I’m obsessed with the TV series Better Call Saul at the moment. Though it ended its first season run a few weeks back I’ve been thinking about it ever since. I really think it’s (so far) the best series of 2015.

Better-Call-Saul-UK-PosterWhat’s odd about it is that I was never one who was able to get into the TV series Breaking Bad of which Better Call Saul is a prequel/spinoff. When Breaking Bad was on I’d try to watch it at the start of every new season and have tried several times to get into it via Netflix abet without success. The last time I tried to watch it I was able to get about halfway through the second season before finally giving up on it once again.

I think what bothers me most about that show is its tendency of having everything that could go wrong with something going wrong. It seems whenever the characters go to do something illegal their woes multiply; be it trying to break into a junkyard and falling into a port-a-john, going to confront someone but only finding their kids home, making meth in the desert but getting stranded stranded there when their car breaks down…

These “woes” are almost comical and really added a weird tone to Breaking Bad. It’s almost like the gods were trying to stop Walt and Jesse from doing bad things but they ignored this higher power at every opportunity.

That doesn’t seem to happen in Better Call Saul. Things go wrong for characters on that show but I never got the feeling that the writers were intentionally loading up these wrongs to add weight to what was going on with the characters.

And the thing is that the same person who created Breaking Bad (Vince Gilligan) also co-created Better Call Saul (Vince Gilligan and Peter Gould), yet I dislike one show yet love the other.

I don’t get that myself.