
Batman: The Animated series Gotham background painting


Last week Amazon Prime launched “pilot season” where they debut the first episode of new original TV series, of which the most viewed will be picked up with full seasons that will be available sometime in the future. The first one I checked out was a sci-fi series called Oasis.
In Oasis, it’s 20 years in the future and the environment of the Earth has started to collapse under the weight of centuries of neglect, overpopulation and pollution. But all hope isn’t lost, in another part of the galaxy lies a newly discovered planet called Oasis that mankind has just started to colonize. And while it seems like Oasis will one day be a home to the 1%ers with the rest of of humanity stuck on a dying Earth, in Oasis there’s just a few dozen scientists, engineers and workers living there trying to setup this colony. Back on Earth priest Peter Leigh (Richard Madden) is called to the planet by his friend and colony manager who tells him his spiritual services are needed. But when Leigh arrives on Oasis he finds a desolate place with workers mysteriously dying and the living experiencing disturbing visions of things they once knew.
If you think Oasis is something like Solaris (people in a far off part of the galaxy experiencing weird visions) mixed with the likes of Earth 2 or Terra Nova (colonists trying to escape a sick and dying planet who find that the place they escape to might be just as dangerous as home) you wouldn’t be far off. But even though Oasis borrows the themes of other movies and series I wouldn’t consider it to be derivative. The creators of Oasis come at those story elements in their own unique way.
One thing I found interesting about Oasis; it’s yet another return to sci-fi based in reality. Or, at least as a believable sci-fi reality that’s possible where people are zipping around the cosmos in spaceships. I guess I didn’t realize how much I’d missed this kind of storytelling until series like Oasis showed me it had gone. Other than shows like The Expanse most sci-fi series of the last decade were space-opera in nature — big bombastic shows that are mostly adventure related. Which is fine, I’m just generally not a fan of those series. I’m more interested in shows that tell stories about people than ones that are all about story. But with both The Expanse and now, hopefully with Oasis, it might mark the return of a more hard-edged realistic sci-fi series to TV.
My one quibble about Oasis is that it’s a sci-fi show about people living on far-off planets which should be every exciting but instead was very slow. A lot happens in the first episode but I wouldn’t say a lot of story is told. In fact, I’m not even totally sure where a season of Oasis might be headed which isn’t a great sign. Still, I was intrigued enough in Oasis that I’m interested to see where it goes. That is if it does get picked up for a full season.
https://www.youtube.com/watch?v=CHGXQ-Ub3NI
There aren’t a lot of good comic book series on TV. To be sure, there are lots of them but only a few of them are worth watching. Legion on FX is very good and Daredevil on Netflix is pretty good too. But for the most part the Arrows and Agents of SHIELDs and Preachers of the world are time wasters at best and just plain bad at worst. Into this mass of comic book TV series comes the latest Marvel series to stream on Netflix Iron Fist.
So far Iron Fist has gotten pretty tepid reviews. I’d go as far to say that it’s the worst reviewed series of the four Marvel/Netflix series of Daredevil, Jessica Jones and Luke Cage. So when I watched the first episode of Iron Fist I was a little concerned — was it going to be the “turd in the punchbowl” of Marvel TV series that everyone else is claiming?
Actually no — Iron Fist isn’t great, but it’s not a bad series either. In fact I’d say that it’s no better nor no worse than either Jessica Jones or Luke Cage.
Finn Jones plays Danny Rand, the son of a wealthy family who’s plane crashed decades ago in the Himalayas that left everyone thinking all the Rands were dead. Except Danny survived the crash, was rescued and now has returned to New York City to reclaim his spot in his father’s company. Only now Danny is different. Much like with the other Netflix Marvel shows that are action/martial arts oriented, Danny has returned as a kung-fu master who’s able to easily scale the outside of buildings, leap over moving cars and take out corporate security goons without breaking a sweat.
It seems like the first season of Iron Fist will focus on Danny reclaiming his rightful place as majority owner of his father’s company while at the same time trying to uncover a conspiracy of those now in control who want him dead.
I actually enjoyed Iron Fist a great deal and found it to be a lot of fun. It’s not as dark as Daredevil is, which is a good thing, yet still fits in the same corner of the Marvel universe the Netflix series all do nicely. The only reason I can think that other reviewers aren’t liking Iron Fist is that they’re coming to the show with some expectations of how it should be based on the other series like how the creators of Jessica Jones or Luke Cage handled those shows. Except Iron Fist is its own thing and I think should be treated as such. It’s not a Jessica Jones or Luke Cage and I think that’s a good thing — if it were Iron Fist would be redundant and not nearly as interesting as it is.
The new comedy Trial & Error debuted on NBC last week. It was a show I was looking forward to the last few months and was something NBC had been pushing hard since last winter too. But after having watched the first two episodes I hate to say that Trail & Error was most definitely not worth the wait.
This series seems to be partially based on the 2004 documentary The Staircase that followed a man accused of murdering his wife and is followed by a film crew in the lead up to trial. In Trial & Error, John Lithgow plays Larry Henderson, a man also accused of murdering his wife who’s also being followed by a documentary crew. Junior attorney Josh Segal (Nicholas D’Agosto) is assigned to the case and quickly becomes lead attorney when Henderson’s funds dry up leaving Segal in charge. Helping Segal is investigator Dwayne Reed (Steven Boyer) and assistant Anne Flatch (Sherri Shepherd) who turn out to be incompetent and are more detrimental to the case than beneficial. Reed accidentally destroys some evidence and Flatch suffers from a variety of maladies from face-blindness to fainting whenever she sees a beautiful piece of art.
If it were just Reed and Flatch who were the goofballs of Trial & Error it might have made for an interesting series. It’s like with The Office that had two strong, goofy characters with Michael and Dwight with a lot of other “normal” characters orbiting around them. With Trial & Error it’s like every character is extremely eccentric and it pushes the balance of things totally out of whack.
There’s Henderson who can’t quite take the murder trial seriously and is more interested in rollercising and skate keys, the prosecuting attorney Carol Anne Keane (Jayme Mays) who wants to get the death penalty for Henderson and have sex with Segal no matter what and even a DNA expert (Andrew Daly) who masturbates whenever he’s stressed. The list of crazy characters goes on and on and is way too much.
Also, can we agree at this point sitcoms that are shot documentary style are passe? When the BBC version of The Office did this 16 years ago it was new, unique and fresh. But these days it seems old and stogy, even if it actually makes sense in Trial & Error with Henderson’s trial being the focus of a The Staircase like documentary.
Usually there’s something with 20 minute sitcoms that I can latch onto and stick with a season or two. Either there’s some tiny spark in the writing that interests me or a different kind of character than what’s come before. But with Trial & Error there were several times during the episodes that I very nearly shut it off since I was bored with the show. But I did stick with it until the end and, upon reflection, I think I would have been better off if I would have turned the episode off and watched something else instead.
“It is our sacred duty to defend the world.”
Kotobukiya’s ARTFX+ Spider-Man 2099 statue is gorgeous. It stands 5 inches tall, will retail for around $65 and will be available in September. I love everything about it from the colors to the physique of Spider-Man. My only issue is the Kotobukiya statues aren’t really statues, they’re like this cross between action-figure and statue. They’re not made out of resin so they don’t feel solid, but that makes them affordable.