Direct Beam Comms #74

TV

American Gods Episode 1: C+

There’s been a tendency of late for series creators to embrace the model of season-long stories. The old model of TV was that each episode of a show would have a story that has a beginning, middle and end so that each episode wasn’t connected to other episodes stories in any meaningful way. Recently, more modern series began embracing season-long stories where episodes did have a beginning, middle and end but also were a piece of a season-long story that was also playing out throughout the year. But now some shows have abandoned each episode have a beginning middle and end and have started treating each episode as a “chapter” in a season-long story. So episodes are only a part of a larger story are used in service of that.

Which, if done right like in The Wire or True Detective can make some wonderful TV. But, if done not so right can make for some confusing TV, like I experienced with the first episode of the Starz series American Gods.

Adapted from the Neil Gaiman novel of the same name, the American Gods TV series was created by writer Bryan Fuller and Michael Green. Which I thought boded well for the show since Fuller adapted the heck out of the Hannibal story for NBC a few years ago and created a magnificent series in the process. That show about the early days of Hannibal Lector had episode stories as well a season-long story too. While this worked for Hannibal, with American Gods Fuller instead embraces the season-long story model which made for one weird episode of TV.

In the first episode, a guy named Shadow Moon (Ricky Whittle) is released from prison where he meets up with a guy named Wednesday (Ian McShane) who quickly puts Moon on his payroll of being his eyes and ears out in the world. It seems as if the gods of lore like Odin and new gods like Technology are real, and the new gods and old are on the brink of war with each other.

Except I didn’t get much of the gods plot from the first episode, that came from TV commercials for the show and reading up on the original novel. Most of the first episode of American Gods is about Moon trying to get to his wife’s funeral, Wednesday turning up in some unexpected places, the introduction of a few other gods and the weirdest human sacrifice put to film I’ve ever seen.

In fact, I don’t think that if I didn’t already know kind’a what was going in on American Gods that I would have had any clue as to what was happening whatsoever since the first episode, while beautiful to look at, had very little plot/story going on. While watching it I kept getting the feeling that people who’d read the American Gods book were also watching the show going, “Ohhhh, that’s the part where X happens and this is setting you Y down the road!” But to me I never really got a handle on what was all going on.

I get that the eight episodes of American Gods show will play out as a single story, it’s just how long do we have to wait until we get past the weird sex stuff and people being cut in half before we get to a little plot?

The Defenders TV commercial

https://www.youtube.com/watch?v=4h3m7B4v6Zc

Inhumans TV commercial

Comics

Creepshow

A new edition of the classic Creepshow graphic novel is back in print some 35 years after original was released. Creepshow collects all of the stories that went into the movie of the same name with illustrations from Bernie Wrightson, which that name alone is reason enough to pick this one up. I was a little too young to buy the graphic novel when it first came out and for whatever reason never bothered picking it up since so I’m really excited about picking a copy of this up as soon as its released.

From Simon & Schuster:

Now back in print: the graphic novel adaptation of Stephen King’s Creepshow, based on the 1982 horror anthology and cult classic film directed by George Romero (Night of the Living Dead, Dawn of the Dead)—and featuring stunning illustrations by the legendary Bernie Wrightson and cover art by the acclaimed Jack Kamen! A harrowing and darkly humorous tribute to the controversial and influential horror comics of the 1950s, Creepshow presents five sinister stories from the #1 New York Times bestselling author—“Father’s Day,” “The Lonesome Death of Jordy Verrill,” “Something to Tide You Over,” “The Crate,” and “They’re Creeping Up on You”…unforgettable tales of terror to haunt your days and nights!

Star Wars: The Classic Newspaper Comics Vol. 1 Hardcover

From IDW this week comes a collected edition of the Star Wars newspaper strips that ran from 1979–1984. This first edition runs from 1979 to the end of 1980 and has something like 575 panels from that period. I don’t know why but I’m a nut for these collected adventure strips and can’t wait for this one to come out, even if I think I’ve already got a lot of these stories somewhere when Dark Horse ran them collected in comic book form.

From IDW:

The first of three volumes that present, for the first time ever, the classic Star Wars newspaper strip from 1979–1984 in its complete format — including each Sunday title header and “bonus” panels in their meticulously restored original color. Initially the color Sundays and black and white dailies told separate stories, but within six months the incomparable Russ Manning merged the adventures to tell brand new epic seven-days-a-week sagas that rivaled the best science fiction comics of all time.

Movies

The Dark Tower movie trailer

Games

The Thing: Infection at Outpost 31 Board Game

I’m not much into board games, but I have to say that I’m very tempted to pick up the The Thing: Infection at Outpost 31 board game by Mondo from subject-matter alone.

From Mondo:

An alien lifeform has infiltrated a bleak and desolate Antarctic research station assimilating other organisms and then imitating them. In the hidden identity game THE THING ™ INFECTION AT OUTPOST 31, you will relive John Carpenter’s sci-fi cult classic in a race to discover who among the team has been infected by this heinous lifeform. The game has been designed to be as authentically cinematic as possible, ensuring that the players will experience the paranoia and tension that makes the film so great.

Toys

Prometheus Action Figure Series – The Lost Wave

Nearly five years after they were originally due to be released, the final three toys from NECA’s line of action figures based on the film Prometheus are finally set to be released this June. The first three figures in the set that did make it to shelves included David, the alien creature known as the “Deacon” and an “Engineer.” The lead character of the film Shaw and characters Vickers and Fiefeld were set to be released later, but later turned into never when the line was cancelled after poor sales. But never let it be said that NECA didn’t sense a golden opportunity when the new movie Alien: Covenant was announced and suddenly these three “lost” figures suddenly became found and are now set to be available again this summer and will retail for around $70.

From Big Bad Toy Store:

The 7″ scale figures are entirely movie accurate and feature over 25 points of articulation. Vickers (Charlize Theron) comes with flamethrower and removable helmet. Shaw (Noomi Rapace) comes with axe, removable helmet and the android David’s severed head. Fifield (Sean Harris) comes with flashlight and removable helmet.

LEGO® Ideas 21309 NASA Apollo Saturn V

This new Lego Apollo Saturn V rocket stands a whopping three feet tall, contains all three rocket stages as well as the command module, LEM and three micro figures. The kit will retail for about $120 and will be on sale the first of June.

The Reading List

This week in pop-culture history

  • 1971: Morgan Weisser, Nathan West of Space: Above and Beyond, is born
  • 1973: Soylent Green opens in theaters
  • 1984: Firestarter debuts
  • 1986: Short Circuit opens
  • 1989: The Return of Swamp Thing premiers in theaters
  • 1994: The Crow opens in theaters
  • 1994: The TV mini-series The Stand premiers
  • 1995: The Fifth Element debuts in theaters
  • 1998: Deep Impact opens in theaters

Let me tell you a tale of the Guardians of the Galaxy

Gather round and let me tell a tale that will shock, horrify and electrify you.

I have a little secret to admit — according to some very high profile sources, one of which is me, I’m the one person in the world that didn’t care for the 2014 movie Guardians of the Galaxy. In fact, I’d go as far as to say that I didn’t like GG. Think of how odd that is coming from a superhero and sci-fi junkie who’s spent many a Saturday night scanning Netflix, then Amazon Prime and then Netflix again looking for anything superhero or sci-fi to watch — to say that he doesn’t like a superhero sci-fi movie that the masses loved, that made nearly $800 million at the box office is practically sacrilegious. But it’s true, I’m no a fan of Starlord, Drax, Groot, Gamora or any of that interstellar bunch.

That’s not to say that I’m a fan of each and every superhero movie. No way! I didn’t care for either of the Thor movies and thought a lot of Batman v Superman: Dawn of Justice was a drag. But I don’t dislike either of those two movies. I’m not a fan of them but will still watch them if I happen to be flipping around the dial and catch an airing. Yet, I’m not that way for GG, and it’s not like I haven’t tried.

For starters, I didn’t see GG in the movie theater, though that’s not that uncommon these days since I watch most movies at home via digital download. A few of my friends did see it there and said it was wonderful and a some called it their favorite superhero movie ever. And online reviews of the movie were generally glowing too.

Plus, I was always a huge fan of the GG comics and the whole superheroes in space subgenera that emerged in the 1990s, of which this film was adapting and updating, too. So, once GG was available I immediately rented it and sat down to watch what I was assuming was going to be a great experience.

Except it wasn’t. Right from the start, right from Peter Quill as a kid being abducted by aliens to adult Peter Quill (Chris Pratt) trying to steal something, getting caught, trying to talk his way out of trouble before finally having to fight his way out of it — I knew the movie was in trouble for me. And here’s the thing, I’m not sure why.

I don’t mind it when characters have smart-mouths, I loved Deadpool. And I don’t mind it when movies are over the top in terms of action, I love things like Mad Max: Fury Road. But for whatever reason these elements in GG just didn’t click for me.

And it’s not like I haven’t tried to like the movie. When I told those same friends I didn’t like the movie as they were getting Groot Christmas presents and rewatching their Blu-ray of GG for the many-ith time, they couldn’t believe what I was saying. It was like GG was made for me, it was a combination of the generas I like and even had story elements from comics I liked and collected. So surly there must’ve been something wrong with me since I didn’t like it. Either I didn’t like GG because everyone else did, which I don’t think so since I’m generally not like that — I either like something or I don’t and aren’t ashamed to say so, or maybe my initial viewing of the film was sub-optimal. That what I needed to do was to go back and watch it again. So I did. Since it was released I’ve watched GG two more times and every time the viewing’s over I come away with the same review, “Meh.” To me, GG isn’t bad but it’s not good either.

And now comes the forgone sequel Guardians of the Galaxy Vol. 2 that’s currently in theaters. If it’s anything like the first GG it’ll be a film that most people I know will love and cherish. But for me it’ll be a movie where I’m on the outside looking in trying to figure out what all the fuss is about.