Space: Above and Beyond Review #10: Stay with the Dead

Originally aired December 3, 1995

Lt. Nathan West arrives aboard the USS Saratoga alone and seriously wounded with the rest of the 58th arriving KIA in body bags. West is having problems come to terms with the death of all his friends but when he can’t stop thinking “stay with the dead,” West realizes that the 58th might not all be gone after all.

Nathan West in hospital
Nathan West in hospital

“Stay with the Dead” is another Space: Above and Beyond episode that was much stronger than I remembered. This episode is an interesting study on what some combat vets go through after the battle’s over as well as having some interesting elements of cutting back and forth between Nathan West in the hospital at present with a brain injury and flashing back to him on the battlefield with the rest of the 58th.

The 58th are sent to a planet called Keres to rescue the 61st who were sent their to rescue the 72nd. But it’s a Chig held planet and the enemy has no qualms about booby trapping wounded Marines to kill anyone trying to help the injured. The 58th gets into a position where it’s a matter of them saving themselves rather than the 61st.

Paul Wang stalks the Chigs
Paul Wang stalks the Chigs

Much of the episode is told via flashbacks, glimpses really, that West has of the fight with the Chigs. Everyone on the Saratoga is convinced that the 58th are dead (spoiler alert, we’re not yet half way through the season, they’re not) but West has his doubts. But are those doubts a symptom of his injury or real?

In “Stay with the Dead” we get a good look at medical treatment in 2063. This treatment is a bit more advanced than it was back in ’95 when the episode aired but not more advanced than it really is today 19 years later. We also see some 2063 treatment options doctors use to treat vets with PTSD. Their solution is pretty brutal; to wipe the memory of the soldier to a point before the trauma. And no trauma = no PTSD. I can’t imagine that without consent given by the soldier for this to be done, which West never gives, this would be something that could ethically be done yet that’s what almost happens to West.

The big issue I have with this episode, other than a few small things which are below in the “Goofs,” is realistically anyone with the kind of wounds that Nathan West suffered in battle would be shipped home for better treatment. In three days West goes from recovering from his wounds to the doctors ready to wipe his memory which is BLAZING fast for medical treatment. Front line medical facilities are generally in place to provide immediate treatment and to stabilize the patient before shipping them off to better facilities behind the lines. And West, with a brain injury who’s going through an extreme version of PSTD would almost surly eventually be on a ship headed back somewhere safe before the memory-wipe.

Wounded and booby trapped  Hatfield
Wounded and booby trapped Hatfield

The twist with “Stay with the Dead” is that the living 58th had switched their uniforms with the dead 61st using htem to lure in the Chigs to an ambush. But things go wrong and much of the 58th were driven away during a counter attack leaving a wounded West to “stay with the dead.” And since the team from the Saratoga who recovered West also recovered the 61st wearing the uniforms of the 58th they think it’s the 58th who are dead and not the 61st. But at the last minute, just before the surgery, West remembers and is able to convince T.C. McQueen that the last hope the 58th have is with West having an unaltered memory.

I’m starting to come to the conclusion that while SAaB does have a season long story, mankind vs the Chigs, it’s probably a mistake to watch each episode with 21st century Lost/Sopranos/Battlestar Galactica/The Americans sensibilities where each episode is a direct chapter in this story. Watched alone without tying it directly to the previous or next episode, “Stay with the Dead” really works. We have a broken a battered West with a brain injury and an uncertain future. “Stay with the Dead” doesn’t really work taking into consideration that ALL of the 58th were suffering physical and mental injuries after the previous “Choice or Chance” so why were they on this mission in the first place or that the next episode, “The River of Stars,” starts with West back in the pilot’s seat and seemingly okay.

Alone, most of the SAaB episodes work but back in 1995 the series wasn’t to the point of having a cohesive season-long story.  Grade: B.

 

Stray observations:

The 58th in their dress blues
The 58th in their dress blues

Portable devices in 2063 have graphics akin to the Apple Newton/Palm Pilots from the 1990s than smart phones of today.

New members of the 58th include Lyndon, Tell and Shankowicz.

Del Gato is a member of the 61st.

The battle takes place around December 3, 2063, or 68 years after the episode aired.

Commander S. R. Kanellos is the Chief Medical Officer of the Saratoga.

“Spammed” is Marine jargon for being killed. Perhaps this is a reference to the dead being buried in space in metal coffins?

One of the members of the 61st killed was a Lt. named Kristen M. Burris who was born in 2041 and who’s service number was 926-42-37008.

 

Favorite dialog:

'T.C.' McQueen in dress blues
‘T.C.’ McQueen in dress blues

Nathan West: “Every time I close my eyes I hear this familiar voice over and over, ‘stay with the dead.'”

Dr. Kanellos: “Actually, it’s recommended by the VA.”
‘T.C.’ McQueen: “Then something must be wrong with it.”

Dr. Kanellos: “I’d like to believe would come along way since the 20th century.”

Hatfield: “Don’t come over here, I’m rigged!”

Hatfield: “You killed my buddies, you shot me in the gut but you can’t touch my soul.”

Vanessa Damphousse: “We can’t help him.”
Nathan West: “It don’t mean we shoot him.”

Cooper Hawkes (upon entering their bunk empty of their personal materials): “We were only got three days!”

 

Goofs:

Are there only one nurse and doctor aboard the Saratoga? The same nurse and Dr. Kanellos who treat West when he first arrives on the Saratoga are the two who treat him while he’s recovering in the hospital and later on and are the same who start the mind erasing procedure on him in surgery.

It seems a stretch that the 58th would switch uniforms with the 61st since I can’t imagine the Chigs would be that detail oriented when confirming the dead. And it’s even more of a stretch that no one aboard the Saratoga would notice that the occupants of said uniforms don’t match the 58th after they’re brought to the ship.

Things only toy collectors understand

Things only toy collectors understand
I dusted some toy shelves last night and moved some figures around. This morning I awoke to find that my NECA Michael Keaton Batman had taken a header off the top shelf and in his fall also took about a half a dozen other figures down with him onto my office floor. Luckily nothing was broken when I picked up the mess this morning.

Do endings matter?

I watch a lot of TV. A comfortable estimate is that in the last 20 years I’ve easily watched something like 15,000+ hours of television and have seen my share of TV series beginnings and endings. While most series are just plain bad, sometimes shows have bad beginnings but good endings like the US version of The Office and sometimes series have good beginnings but bad endings like Seinfeld, Lost, The X-Files and ER.

10seinfeld-cityroom-superJumbo
Seinfeld

Recently, after doing some complaining of my own to friends about how the series Lost ended and there being discussion online about what really happened at the end of The Sopranos it got me thinking; do endings matter?

To a certain extent endings matter a great deal. A great show with a bad ending leaves a bit of a bad aftertaste. No matter how brilliant Battlestar Galactica (BSG) was or how many hundreds of hours of great programming we were left with after Seinfeld ended people still remember and bring up the endings of those two shows. While I personally liked the end of BSG I’d agree that the ending of Seinfeld was a stinker.

But it was thinking about a show exactly like Seinfeld that made me wonder if series endings were as important as everyone thinks?

Let’s look at a show like Lost. Arguably Lost, which was on TV for six seasons, had about three great seasons, a few alright ones and a bad last one. So watching Lost we got about 67 hours of spectacular story along with about 31 hours of good TV. Which ain’t half bad by any measure. You could watch Lost for nearly three days straight and be in total awe of what was going on all that time.

Battlestar-Galactica-2
Battlestar Galactica

And maybe that’s why viewers are so upset with a show like Lost, that started out with such promise and slowly wasted away to a shadow of itself.

Even a show like BSG that had something like 53 hours of spectacular story and 19 hours of alright story people still argue about the ending not being in the spirit of the show and using lame sci-fi cliches. Again, I dug the ending.

Why do audiences get so fixated on endings? Why is there so much hate for Lost co-creators Damon Lindelof  and Carlton Cuse who arguably entertained millions of people for years but who also presided over a turd of an ending? Why is it that people are still pestering The Sopranos creator David Chase to reveal what really happened in the last second of that series?

I think why endings matter so much to so many is that most of the time with series one episode leads to another and certain things blur together. Was it the same episode of ER that Quentin Tarantino directed where Doug Ross rescued that kid from a flooded sewer, or were they different? Did David Duchovney leave The X-Files before or after the show moved to California? But with the last episode it’s the last thing people see and remember and if they’re in a heightened emotional state at the time with their favorite series going away and if the last episode is a letdown, well then Lost is total crap and The X-Files ultimately sucked.

sopranos460
The Sopranos

But I’ve thought for a long while that just the opposite is true. Sure, I was let down by the end of Lost and stopped watching The X-Files before the last season of that show, but I knew enough at the time to enjoy the ride when the shows were still good rather than to focus on the last stop as it were.

Even with most shows that are really good are only like that for a few seasons a the most. After a while creators start to run out of original story ideas and old plots from previous seasons start getting recycled and new blood is brought onto write for the show with different ideas that might not be in the spirit of where things started.

I think the trick is to realize that at best even great shows are only going to be great for a little while. And that even if they are great until the end there’s little chance the ending is going to be something that appeals to everyone.

With series TV it’s the ride that counts, not the destination.