The Last American

With Fox set to debut their new Last Man on Earth TV series this Sunday (3/1) I wanted to look back at another last man on the Earth story that’s all but forgotten today; The Last American (1990).

Last_American_Vol_1_4This four issue comic series written by Alan Grant and John Wagner with art by Michael McMahon follows Ulysses S. Pilgrim, a US soldier placed into cryogenic hibernation on the eve of a third world war. He’s ordered to spend 20 years asleep, awaken and then venture out to the US where he’ll bring together whoever’s left and reform the United States of America.

Except that when he’s awakened by three robotic helpers and they venture outside two decades after the last bomb fell, 1999 in this story, they emerge to find, well…nothing. It’s as if someone literally burned down everything on the planet from sea to shining sea. The sky is full of dust and is a noxious red while everything else is burned to a blackened crisp.

The highways are full of blasted cars and there are skeletons everywhere of those killed in the war or whom soon died afterwards. As the story progresses, Pilgrim begins to lose his mind and starts seeing living manifestations of things like George Washington and the turtle from the Duck and Cover civil defense movies from the 1950s.

That is until the group receives a mysterious message from a bunker located nearby.

Last_American_Vol_1_2Where The Last American is different from every single last man on the Earth story that’s come before, or at least all the ones I’m aware of, is that Pilgrim really is the last America, if not the last person on the planet. He never finds anyone else and other than his three robot helpers and his imagination never gets to talk with another living soul.

In The Last American there are no gangs of motorheads blasting down freeways battling over gasoline, heroes hold up in fortresses staking vampires or groups of people who mysteriously survived the end. There is only Pilgrim.

I discovered The Last American when it was originally published and it quickly became on of my favorite comic stories – I own two sets of the series. But over the last 26 years The Last American has been all but relegated to the back bins of pop culture history. Part of this is because soon after the publication of the comic the threat of world nuclear annihilation by the US and USSR quickly diminished. While that threat still exists today it’s nothing what it was like in the 1980s when the series was written and without that threat looming overhead The Last American turns from a threatening “what if” to a relatively benign fictional footnote.

AHu71Vtp_1004141330141Also, I’m not exaggerating when I say that The Last American is one of the most depressing comic series I’ve ever read. Not only are there no other living people in the series other than Pilgrim there isn’t even much of anything that’s living period. Other than a few insects and a deformed eagle Pilgrim spots in the story there’s not much left alive after the apocalypse of The Last American.

Worse still, the last issue in the series is told from the diary of a woman stuck in a bunker after the war. She’s there as things go from bad, no power, to worse, cannibalism, as her group delves deeper and deeper into the bunker complex looking for escape

Even so the series does end on a bit of hope, even if it’s at the tiniest scale from a flame of a Zippo lighter.

The Last American might be depressing but it’s also a great story. A collected edition of The Last American is available online via ComiXology and back issues of the series are still available at comic stores and eBay.

A Most Wanted Man – a new way to watch movies

Recently, I bought and watched the movie A Most Wanted Man. As I’m oft to do I began formulating my opinion on the movie as the ending approached.

Robin Wright and Philip Seymour Hoffman
Robin Wright and Philip Seymour Hoffman

“It’s good flick, but a bit slow,” I thought.

I think most movies need to generate a certain velocity with the stories they’re telling. And while A Most Wanted Man told a good story there was no “velocity” to push the story forward through to the ending. Then I took a step back and thought again, “If this were the first episode of a TV series I’d have thought it was brilliant, would be telling all my friends about it and wouldn’t be able to wait for the next episode.”

How messed up is that?

Ultimately, A Most Wanted Man is probably going to be remembered as the last starring performance by actor Philip Seymour Hoffman who died before the release of the film. Based on a book by grand spy novelist John le Carré (Tinker Tailor Soldier Spy), A Most Wanted Man takes place in Germany where a secret division of government spooks lead by Günther Bachmann (Hoffman) is following a Russian who’s inherited millions of dollars and the Germans suspect he might donate that money to terrorist causes. Much of the film deals with Bachmann following the money while battling elements of his own government who wants to arrest and question the Russian now lest he disappear and even the CIA who operate with their own motives in mind.

Rachel McAdams and Grigoriy Dobrygin
Rachel McAdams and Grigoriy Dobrygin

A Most Wanted Man is kind’a like the spy version of the TV series The Wire, and until I realized that connection  I thought it was a much lesser film that it really was. In fact, coming to this realization might just make me question a lot of assumptions about movies I’ve been making since, well, forever.

Not much of A Most Wanted Man is action. It’s a lot of Bachmann’s group following the Russian and trying to figure out what he and his German lawyer Annabel Richter (Rachel McAdams) are really up to. And as the film progresses and people like Richter find themselves caught up in something they have no real part in, the question becomes how far are governments allowed to go to keep the public safe if it means steamrolling its citizens?

When it comes to movies I’ve always thought that they were different than TV series. TV series generally have a lot more story and a lot less action than with films. That’s partly because TV shows are usually telling stories over many years while movies are mostly self contained stories told over a few hours. And movies generally have bigger budgets than TV series so I suppose that too lead to me thinking that movies should be different, somehow “bigger” than TV shows.

Daniel Brühl, Philip Seymour Hoffman and Nina Hoss
Daniel Brühl, Philip Seymour Hoffman and Nina Hoss

But after watching A Most Wanted Man and realizing that if it were a TV show I’d think it was brilliant but since it was a movie it was only so-so made me realize that I need to start thinking about the two generas the same way.

Some movies do have more money to spend than TV shows meaning that they can do things with spectacle that TV shows usually cannot do on their budgets. But on the same hand, does that matter? Is A Most Wanted Man any less of a work since it has more in common with a great TV series than a cruddy movie that just happens to look great? I think not.

All this does make me wonder about all the movies I’ve written off for being slow and boring over the years, if they were really telling good stories, but it was just me and my bias over what I thought movies should be like that was really getting in the way of me enjoying them? From now on I’ll have to watch movies with a different eye than in the past.